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More About This Textbook
Overview
In this collection of essays J. B. Harley (1932-1991) draws on ideas in art history, literature, philosophy, and the study of visual culture to subvert the traditional, "positivist" model of cartography, replacing it with one that is grounded in an iconological and semiotic theory of the nature of maps. He defines a map as a "social construction" and argues that maps are not simple representations of reality but exert profound influences upon the way space is conceptualized and organized. A central theme is the way in which power—whether military, political, religious, or economic—becomes inscribed on the land through cartography. In this new reading of maps and map making, Harley undertakes a surprising journey into the nature of the social and political unconscious.
The Johns Hopkins University Press
Editorial Reviews
New Yorker
The father of critical cartography, and therefore the idea that a map should be understood as more than just a set of directions, was J. B. Harley... The New Nature of Maps... display[s] great erudition.— Nicholas Lemann
New Scientist
Harley was an iconoclast, subverting traditional approaches to map-making by drawing together art history, literature, philosophy and visual culture. It's a view that can now be savored in his collected essays, The New Nature of Maps.— Nick Saunders
Nature
With supreme tact, sympathetic insight into Harley's personality and his own deft scholarship, Laxton has produced... a book worthy of Harley.— Catherine Delano-Smith
Imago Mundi
Inlcuding Andrew's introduction... we have a debate within the volume, not only postmodernism and its critique, but also other examples of Harley's anit-positivist and anti-Eurocentric approach alongside a potent understanding of the processes and problems of map making.— Jeremy Black
Technology and Culture
The 'new nature' of maps reflects the sea change in the discipline of the history of cartography that has occurred, to a remarkable degree instigated by Brian Harley.— John Cloud
New Yorker - Nicholas Lemann
The father of critical cartography, and therefore the idea that a map should be understood as more than just a set of directions, was J. B. Harley... The New Nature of Maps... display[s] great erudition.
New Scientist - Nick Saunders
Harley was an iconoclast, subverting traditional approaches to map-making by drawing together art history, literature, philosophy and visual culture. It's a view that can now be savored in his collected essays, The New Nature of Maps.
Nature - Catherine Delano-Smith
With supreme tact, sympathetic insight into Harley's personality and his own deft scholarship, Laxton has produced... a book worthy of Harley.
Imago Mundi - Jeremy Black
Inlcuding Andrew's introduction... we have a debate within the volume, not only postmodernism and its critique, but also other examples of Harley's anit-positivist and anti-Eurocentric approach alongside a potent understanding of the processes and problems of map making.
Technology and Culture - John Cloud
The 'new nature' of maps reflects the sea change in the discipline of the history of cartography that has occurred, to a remarkable degree instigated by Brian Harley.
Booknews
Working with David Woodward (U. of Wisconsin-Milwaukee), historical geographer Harley (1932-91) finished the first volume of the before he died. He had already chosen the essays for this collection, but did not leave notes for the extensive introduction he planned nor indicate the extent to which the essays were to be edited. J. H. Andrews (geography, Trinity College, Dublin) introduces and Paul Laxton (historical geography, U. of Liverpool) annotates the seven essays on making maps since the earliest known efforts. Annotation c. Book News, Inc., Portland, OR (booknews.com)Product Details
Meet the Author
J. B. Harley lectured in historical geography at the Universities of Liverpool and Exeter before moving to the University of Wisconsin-Milwaukee. His ideas on the meaning of maps have influenced not just geographers and map historians but also students of art history and literature. At Milwaukee he began, with David Woodward, the multivolume History of Cartography, the first volume of which was published in 1987. Paul Laxton lectured in the Department of Geography at the University of Liverpool for more than thirty years. He is now an independent scholar. J. H. Andrews is a retired professor of geography at Trinity College, Dublin and author of A Paper Landscape: The Ordnance Survey in Nineteenth-Century Ireland and Shapes of Ireland.
The Johns Hopkins University Press
Table of Contents
Contents:
Introduction: Meaning, Knowledge, and Power in the Map Philosophy of J.B. Harley, by J. H. Andrews
1 Text and Contexts in the Interpretation of Early Maps
2 Maps, Knowledge, and Power
3 Silences and Secrecy: The Hidden Agenda of Cartography in Early Modern Europe
4 Power and Legitimation in the English Geographical Atlases of the Eighteenth Century
5 Deconstructing the Map
New England Cartography and the Native Americans
7 Can There Be a Cartographic Ethics
The Johns Hopkins University Press