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THE Next American Essay
Graywolf Press Copyright © 2003 John D'Agata
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Go. I roll the dice-a six and a two. Through the air I move my token, the flatiron, to Vermont Avenue, where dog packs range.
The dogs are moving (some are limping) through ruins, rubble, fire damage, open garbage. Doorways are gone. Lath is visible in the crumbling walls of the buildings. The street sparkles with shattered glass. I have never seen, anywhere, so many broken windows. A sign-"Slow, Children at Play"-has been bent backward by an automobile. At the lighthouse, the dogs turn up Pacific and disappear. George Meade, Army engineer, built the lighthouse-brick upon brick, six hundred thousand bricks, to reach up high enough to throw a beam twenty miles over the sea. Meade, seven years later, saved the Union at Gettysburg.
I buy Vermont Avenue for $100. My opponent is a tall, shadowy figure, across from me, but I know him well, and I know his game like a favorite tune. If he can, he will always go for the quick kill. And when it is foolish to go for the quick kill he will be foolish. On the whole, though, he is a master assessor of percentages. It is a mistake to underestimate him. His eleven carries his top hat to St. Charles Place, which he buys for $140.
The sidewalks of St. Charles Place have been cracked to shards by through-growing weeds. There are no buildings. Mansions, hotels once stood here. A few street lamps now drop cones of light on broken glass and vacant space behind a chain-link fence that some great machine has in places bent to the ground. Five plane trees-in full summer leaf, flecking the light-are all that live on St. Charles Place.
Block upon block, gradually, we are cancelling each other out-in the blues, the lavenders, the oranges, the greens. My opponent follows a plan of his own devising. I use the Hornblower & Weeks opening and the Zuricher defense. The first game draws tight, will soon finish. In 1971, a group of people in Racine, Wisconsin, played for seven hundred and sixty-eight hours. A game begun a month later in Danville, California, lasted eight hundred and twenty hours. These are official records, and they stun us. We have been playing for eight minutes. It amazes us that Monopoly is thought of as a long game. It is possible to play to a complete, absolute, and final conclusion in less than fifteen minutes, all within the rules as written. My opponent and I have done so thousands of times. No wonder we are sitting across from each other now in this best-of-seven series for the international singles championship of the world.
On Illinois Avenue, three men lean out from second-story windows. A girl is coming down the street. She wears dungarees and a bright-red shirt, has ample breasts and a Hadendoan Afro, a black halo, two feet in diameter. Ice rattles in the glasses in the hands of the men.
"Come on up!"
She looks up, looks from one to another to the other, looks them flat in the eye.
"What for?" she says, and she walks on.
I buy Illinois for $240. It solidifies my chances, for I already own Kentucky and Indiana. My opponent pales. If he had landed first on Illinois, the game would have been over then and there, for he has houses built on Boardwalk and Park Place, we share the railroads equally, and we have cancelled each other everywhere else. We never trade.
In 1852, R. B. Osborne, an immigrant Englishman, civil engineer, surveyed the route of a railroad line that would run from Camden to Absecon Island, in New Jersey, traversing the state from the Delaware River to the barrier beaches of the sea. He then sketched in the plan of a "bathing village" that would surround the eastern terminus of the line. His pen flew glibly, framing and naming spacious avenues parallel to the shore-Mediterranean, Baltic, Oriental, Ventnor-and narrower transsecting avenues: North Carolina, Pennsylvania, Vermont, Connecticut, States, Virginia, Tennessee, New York, Kentucky, Indiana, Illinois. The place as a whole had no name, so when he had completed the plan Osborne wrote in large letters over the ocean, "Atlantic City." No one ever challenged the name, or the names of Osborne's streets. Monopoly was invented in the early nineteen-thirties by Charles B. Darrow, but Darrow was only transliterating what Osborne had created. The railroads, crucial to any player, were the making of Atlantic City. After the rails were down, houses and hotels burgeoned from Mediterranean and Baltic to New York and Kentucky. Properties-building lots-sold for as little as six dollars apiece and as much as a thousand dollars. The original investors in the railroads and the real estate called themselves the Camden & Atlantic Land Company. Reverently, I repeat their names: Dwight Bell, William Coffin, John DaCosta, Daniel Deal, William Fleming, Andrew Hay, Joseph Porter, Jonathan Pitney, Samuel Richards-founders, fathers, forerunners, archetypical masters of the quick kill.
My opponent and I are now in a deep situation of classical Monopoly. The torsion is almost perfect-Boardwalk and Park Place versus the brilliant reds. His cash position is weak, though, and if I escape him now he may fade. I land on Luxury Tax, contiguous to but in sanctuary from his power. I have four houses on Indiana. He lands there. He concedes.
Indiana Avenue was the address of the Brighton Hotel, gone now. The Brighton was exclusive-a word that no longer has retail value in the city. If you arrived by automobile and tried to register at the Brighton, you were sent away. Brighton-class people came in private railroad cars. Brighton-class people had other private railroad cars for their horses-dawn rides on the firm sand at water's edge, skirts flying. Colonel Anthony J. Drexel Biddle-the sort of name that would constrict throats in Philadelphia-lived, much of the year, in the Brighton.
Colonel Sanders' fried chicken is on Kentucky Avenue. So is Clifton's Club Harlem, with the Sepia Revue and the Sepia Follies, featuring the Honey Bees, the Fashions, and the Lords.
My opponent and I, many years ago, played 2,428 games of Monopoly in a single season. He was then a recent graduate of the Harvard Law School, and he was working for a downtown firm, looking up law. Two people we knew-one from Chase Manhattan, the other from Morgan, Stanley-tried to get into the game, but after a few rounds we found that they were not in the conversation and we sent them home. Monopoly should always be mano a mano anyway. My opponent won 1,199 games, and so did I. Thirty were ties. He was called into the Army, and we stopped just there. Now, in Game 2 of the series, I go immediately to jail, and again to jail while my opponent seines property. He is dumbfoundingly lucky. He wins in twelve minutes.
Visiting hours are daily, eleven to two; Sunday, eleven to one; evenings, six to nine. "NO MINORS, NO FOOD, Immediate Family Only Allowed in Jail." All this above a blue steel door in a blue cement wall in the windowless interior of the basement of the city hall. The desk sergeant sits opposite the door to the jail. In a cigar box in front of him are pills in every color, a banquet of fruit salad an inch and a half deep-leapers, co-pilots, footballs, truck drivers, peanuts, blue angels, yellow jackets, redbirds, rainbows. Near the desk are two soldiers, waiting to go through the blue door. They are about eighteen years old. One of them is trying hard to light a cigarette. His wrists are in steel cuffs. A military policeman waits, too. He is a year or so older than the soldiers, taller, studious in appearance, gentle, fat. On a bench against a wall sits a good-looking girl in slacks. The blue door rattles, swings heavily open. A turnkey stands in the doorway. "Don't you guys kill yourselves back there now," says the sergeant to the soldiers.
"One kid, he overdosed himself about ten and a half hours ago," says the M.P.
The M.P., the soldiers, the turnkey, and the girl on the bench are white. The sergeant is black. "If you take off the handcuffs, take off the belts," says the sergeant to the M.P. "I don't want them hanging themselves back there." The door shuts and its tumblers move. When it opens again, five minutes later, a young white man in sandals and dungarees and a blue polo shirt emerges. His hair is in a ponytail. He has no beard. He grins at the good-looking girl. She rises, joins him. The sergeant hands him a manila envelope. From it he removes his belt and a small notebook. He borrows a pencil, makes an entry in the notebook. He is out of jail, free. What did he do? He offended Atlantic City in some way. He spent a night in the jail. In the nineteen-thirties, men visiting Atlantic City went to jail, directly to jail, did not pass Go, for appearing in topless bathing suits on the beach. A city statute requiring all men to wear full-length bathing suits was not seriously challenged until 1937, and the first year in which a man could legally go bare-chested on the beach was 1940.
Game 3. After seventeen minutes, I am ready to begin construction on overpriced and sluggish Pacific, North Carolina, and Pennsylvania. Nothing else being open, opponent concedes.
The physical profile of streets perpendicular to the shore is something like a playground slide. It begins in the high skyline of Boardwalk hotels, plummets into warrens of "side-avenue" motels, crosses Pacific, slopes through church missions, convalescent homes, burlesque houses, rooming houses, and liquor stores, crosses Atlantic, and runs level through the bombed-out ghetto as far-Baltic, Mediterranean-as the eye can see. North Carolina Avenue, for example, is flanked at its beach end by the Chalfonte and the Haddon Hall (908 rooms, air-conditioned), where, according to one biographer, John Philip Sousa (1854-1932) first played when he was twenty-two, insisting, even then, that everyone call him by his entire name. Behind these big hotels, motels-Barbizon, Catalina-crouch. Between Pacific and Atlantic is an occasional house from 1910-wooden porch, wooden mullions, old yellow paint-and two churches, a package store, a strip show, a dealer in fruits and vegetables. Then, beyond Atlantic Avenue, North Carolina moves on into the vast ghetto, the bulk of the city, and it looks like Metz in 1919, Cologne in 1944. Nothing has actually exploded. It is not bomb damage. It is deep and complex decay. Roofs are off. Bricks are scattered in the street. People sit on porches, six deep, at nine on a Monday morning. When they go off to wait in unemployment lines, they wait sometimes two hours. Between Mediterranean and Baltic runs a chain-link fence, enclosing rubble. A patrol car sits idling by the curb. In the back seat is a German shepherd. A sign on the fence says, "Beware of Bad Dogs."
Mediterranean and Baltic are the principal avenues of the ghetto. Dogs are everywhere. A pack of seven passes me. Block after block, there are three-story brick row houses. Whole segments of them are abandoned, a thousand broken windows. Some parts are intact, occupied. A mattress lies in the street, soaking in a pool of water. Wet stuffing is coming out of the mattress. A postman is having a rye and a beer in the Plantation Bar at nine-fifteen in the morning. I ask him idly if he knows where Marvin Gardens is. He does not. "HOOKED AND NEED HELP? CONTACT N.A.R.C.O." "REVIVAL NOW GOING ON, CONDUCTED BY REVEREND H. HENDERSON OF TEXAS." These are signboards on Mediterranean and Baltic. The second one is upside down and leans against a boarded-up window of the Faith Temple Church of God in Christ. There is an old peeling poster on a warehouse wall showing a figure in an electric chair. "The Black Panther Manifesto" is the title of the poster, and its message is, or was, that "the fascists have already decided in advance to murder Chairman Bobby Seale in the electric chair." I pass an old woman who carries a bucket. She wears blue sneakers, worn through. Her feet spill out. She wears red socks, rolled at the knees. A white handkerchief, spread over her head, is knotted at the corners. Does she know where Marvin Gardens is? "I sure don't know," she says, setting down the bucket. "I sure don't know. I've heard of it somewhere, but I just can't say where." I walk on, through a block of shattered glass. The glass crunches underfoot like coarse sand. I remember when I first came here-a long train ride from Trenton, long ago, games of poker in the train-to play basketball against Atlantic City. We were half black, they were all black. We scored forty points, they scored eighty, or something like it. What I remember most is that they had glass backboards-glittering, pendent, expensive glass backboards, a rarity then in high schools, even in colleges, the only ones we played on all year.
I turn on Pennsylvania, and start back toward the sea. The windows of the Hotel Astoria, on Pennsylvania near Baltic, are boarded up. A sheet of unpainted plywood is the door, and in it is a triangular peephole that now frames an eye. The plywood door opens. A man answers my question. Rooms there are six, seven, and ten dollars a week. I thank him for the information and move on, emerging from the ghetto at the Catholic Daughters of America Women's Guest House, between Atlantic and Pacific. Between Pacific and the Boardwalk are the blinking vacancy signs of the Aristocrat and Colton Manor motels. Pennsylvania terminates at the Sheraton-Seaside thirty-two dollars a day, ocean corner. I take a walk on the Boardwalk and into the Holiday Inn (twenty-three stories). A guest is registering. "You reserved for Wednesday, and this is Monday," the clerk tells him. "But that's all right. We have plenty of rooms." The clerk is very young, female, and has soft brown hair that hangs below her waist. Her superior kicks her.
He is a middle-aged man with red spiderwebs in his face. He is jacketed and tied. He takes her aside. "Don't say `plenty,'" he says. "Say `You are fortunate, sir. We have rooms available.'"
The face of the young woman turns sour. "We have all the rooms you need," she says to the customer, and, to her superior, "How's that?"
Game 4. My opponent's luck has become abrasive. He has Boardwalk and Park Place, and has sealed the board.
Excerpted from THE Next American Essay Copyright © 2003 by John D'Agata
Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.