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| David Bowie | Primary Artist, Acoustic Guitar, Guitar, Keyboards, Vocals |
| Earl Slick | Guitar |
| David Torn | Guitar |
| Gail Ann Dorsey | Bass, Background Vocals |
| Zachary Alford | Percussion, Drums |
| Sterling Campbell | Drums, Tambourine |
| Steve Elson | Contrabass Clarinet, Baritone Saxophone |
| Tony Levin | Bass |
| Janice Pendarvis | Background Vocals |
| Tony Visconti | Bass, Guitar, Strings, Recorder |
| Gerry Leonard | Guitar, Keyboards, Vocals |
| Antoine Silverman | Strings |
| Henry Hey | Piano |
| Hiroko Taguchi | Strings |
| Anja Wood | Strings |
| Maxim Moston | Strings |
| David Bowie | Composer, Producer, String Arrangements |
| Jerry Lordan | Composer |
| Dave McNair | Mastering |
| Tony Visconti | Producer, Engineer, String Arrangements |
| Gerry Leonard | Composer |
| Sukita | Portrait Photography |
| Mario McNulty | Engineer |
| Jimmy King | Portrait Photography |
Editorial Reviews
All Music Guide
David Bowie makes an unexpected return from an unofficial retirement with The Next Day, his first album since 2003's Reality. Once again, Bowie is working with producer Tony Visconti -- the man who helmed many of Bowie's classic '70s albums, along with his last two studio albums from the early 2000s -- and this is not the only familiar face here, with guitarist Earl Slick being the most prominent of the returning musicians. The first single, "Where Are We Now," is a moody rumination on Bowie's groundbreaking time in Berlin during the '70s, but the rest of the album is louder and tougher, which is one of many surprises The Next Day has in store.