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| Eric Benét | Primary Artist |
| Phil Chen | Guitar |
| George Nash Jr. | Guitar, Keyboards |
| Rafael Padilla | Percussion |
| John Krovoza | Strings |
| Daphne Chen | Strings |
| Jay Roach | Pedal Steel Guitar |
| Afton Johnson | Keyboards, Background Vocals |
| Jeanie Lim | Strings |
| Ruslan Sirota | Keyboards |
| Sean Erick | Group Member |
| Erick Walls | Guitar |
| Jonathan Richmond | Keyboards, Background Vocals |
| John Wesly McVicker Jr. | Drums |
| Denise Janae | Background Vocals |
| Leon Silva | Group Member |
| Kevin Williams | Group Member |
| John Wesley | Drums |
| Jewel A | Background Vocals |
| Dorrel Salmon | Keyboards |
| Nella Tahriri | Background Vocals |
| Afton Johnson Sr. | Bass |
| Ruzanna Sargsyan | Strings |
| Andy Duncan | Producer |
| Wayne Jobson | Additional Production |
| George Nash Jr. | Composer, Producer, Engineer, Horn Arrangements, String Arrangements |
| Tom Weir | Engineer |
| Eric Benét | Composer, Producer, Horn Arrangements, String Arrangements |
| Curtis "Sauce" Wilson | drum programming, Drum Producer |
| Osunlade | Composer |
| Demonté Posey | Composer, Producer, Engineer, Horn Arrangements |
| Eric Walls | Composer |
| Afton Johnson | Composer |
| Michael "Blue" Williams | Management |
| Kevin Sucher | Engineer, Management |
| Ruslan Sirota | Producer, Horn Arrangements, String Arrangements |
| Larry Mestel | Management |
| Steven Valenzuela | Engineer |
| Erick Walls | Composer |
| Denise Trotman | Direction |
| Jonathan Richmond | Composer, Additional Production |
| Herb Powers Jr. | Mastering |
| The Regiment Horns | Horn Arrangements |
| India Benét | Composer |
| John McVicker | Composer |
| Carrie Marraro | Management |
| Dave Enriquez | Marketing |
| Dewayne Carter | Composer |
| Manuela Testolini | Composer |
| Solomon Ridge | Composer |
| Robert J. Finan III | Legal Counsel |
| Jami Stigliano | Marketing |
Editorial Reviews
All Music Guide - Andy Kellman
Throughout the 2010 album Lost in Time, Eric Benét referenced a number of '70s sources, from the Philly soul of the O'Jays to the disco of Cheryl Lynn. "Harriett Jones," the opening song on The One, takes it back another century -- well, if only for the chorus, a rewrite of "Swing Low, Sweet Chariot." Much of the inspiration behind The One remains in the '70s, however. On "Redbone Girl," he and Lil Wayne swerve into Anthony Hamilton's lane with a Southern organ-and-horns groove reminiscent of the Hi label. The lush arrangements and openhearted sincerity in some of the ballads, such as "Real Love" and "Runnin," recall the same decade. The same goes for the sophisticated ...