The Ones That Are Wanted: Communication and the Politics of Representation in a Photographic Exhibition / Edition 1

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Overview

The Okiek people of Kenya's forested highlands have a long history of hunting, honey gathering, and trading with their Maasai and Kipsigis neighbors; several decades ago, they also began farming and herding. This book follows a traveling exhibition of anthropologist Corinne Kratz's photographs of the Okiek through showings at seven venues, including the National Museum in Nairobi and the Smithsonian
Institution in Washington, D.C. Kratz tells the story of the exhibition—the stereotypes it sought to challenge, how commentaries by Okiek people were incorporated, and different ways that viewers in Kenya and the United States understood it.
In addition to presenting wonderful images of a little-known people, this inviting book explores the exhibition medium itself, focusing on the complexities and possibilities of cultural representation.

Walking a fine line between the photographic intimacy of a family album and the ethnographic distance of documentary photography, The Ones That Are Wanted reproduces the exhibition in full, with its vibrant color photographs, multilingual captions, and lively commentary. Throughout, Kratz incorporates insightful reflections on her changing involvement with the exhibition as anthropologist, photographer, and curator, and she provides perceptive discussions of such topics as photography in Kenya, stereotypes, and the post-1970s proliferation of the politics of representation.

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Product Details

  • ISBN-13: 9780520222823
  • Publisher: University of California Press
  • Publication date: 3/27/2002
  • Edition description: New Edition
  • Edition number: 1
  • Pages: 316
  • Product dimensions: 6.90 (w) x 9.90 (h) x 0.90 (d)

Meet the Author

Corinne A. Kratz is Associate Professor of Anthropology and African Studies at Emory University and the author of Affecting Performance: Meaning, Movement, and Experience in Okiek Women's
Initiation
(1994).

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Table of Contents

Acknowledgments
Prologue: From Exhibition to Book
Okiek Portraits: The Exhibition
Okiek Portraits: A Kenyan People Look at Themselves
Exploring the Exhibition
1. Tracing Okiek Portraits: Images, Exhibitions, and the Politics of Representation
2. Producing Okiek Portraits: Collaboration, Negotiation, and Exhibitionary Authority
3. Imagining Audiences: Okiek Portraits in Kenya
4. Imagining Audiences: Okiek Portraits in the United States
5. The Final Venues: Designing and Defining
Interpretation
Appendix A: The Politics of Representation and Identities
Appendix B: Key Relationships Represented in Okiek Portraits
Appendix C: Learning about Visitors in Michigan and Georgia
Notes
Bibliography

Index

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