The Only Way Out: The Racial and Sexual Performance of Escape

by Katherine Brewer Ball

Overview

In The Only Way Out, Katherine Brewer Ball explores the American fascination with the escape story. Brewer Ball argues that escape is a key site for exploring American conceptions of freedom and constraint. Stories of escape are never told just once but become mythic in their episodic iterations, revealing the fantasies and desires of society, the storyteller, and the listener. While white escape narratives have typically been laden with Enlightenment fantasies of redemption where freedom is available to any individual willing to seize it, Brewer Ball explores how Black and queer escape offer forms of radical possibility. Drawing on Black studies, queer theory, and performance studies, she examines a range of works, from nineteenth-century American literature to contemporary queer of color art and writing by contemporary American artists including Wilmer Wilson IV, Tourmaline, Tony Kushner, Junot Díaz, Glenn Ligon, Toshi Reagon, and Sharon Hayes. Throughout, escape emerges as a story not of individuality but of collectivity and entanglement.

Product Details

ISBN-13:	9781478059271
Publisher:	Duke University Press
Publication date:	03/15/2024
Sold by:	Barnes & Noble
Format:	eBook
Pages:	232
File size:	11 MB
Note:	This product may take a few minutes to download.

About the Author

Katherine Brewer Ball is Assistant Professor of Theater at Wesleyan University.

Table of Contents

Acknowledgments  vii
Escape is Such a Thankful Word: An Introduction  1
1. The Repetitions of Henry “Box” Brown  31
2. Feeling Out of This World: That’s What I Guess These Stories Are About  67
3. The Optics of Escape: Patty Hearst through the Mouth of Sharon Hayes  96
4. This Face Is Not for Us: Grounding Pleasure  129
Coda: Less of a Theater Audience  157
Notes  169
Bibliography  187
Index  201

Editorial Reviews

The Only Way Out is a great read. Katherine Brewer Ball offers an innovative and stimulating analysis of escape in relation to minoritarian discourses that negate the idea of freedom. Brewer Ball’s emphasis on the performative aspects of escape works to highlight its impossibility, thereby enabling readers to refine their concept of what freedom might even mean, while working simultaneously to redefine the parameters of performance itself.”—Amber Jamilla Musser, author of, Between Shadows and Noise: Sensation, Situatedness, and the Undisciplined

In The Only Way Out, Katherine Brewer Ball explores how fully the pursuit of freedom is interwoven into the fibers of Black and queer storytelling. Bridging classic American literature with the defiant voices of contemporary queer narrative and performance, this critical study unpacks the multifaceted theme of escape—a flight not just from oppression but also toward utopian horizons. In lucid and unsparing prose, Brewer Ball models criticism-as-conspiracy against whiteness.”—Tavia Nyong’o, author of, Afro-Fabulations: The Queer Drama of Black Life

From the Publisher

The Only Way Out is a great read. Katherine Brewer Ball offers an innovative and stimulating analysis of escape in relation to minoritarian discourses that negate the idea of freedom. Brewer Ball’s emphasis on the performative aspects of escape works to highlight its impossibility, thereby enabling readers to refine their concept of what freedom might even mean, while working simultaneously to redefine the parameters of performance itself.

Between Shadows and Noise: Sensation, Situatedness, and the Undisciplined - Amber Jamilla Musser

In The Only Way Out, Katherine Brewer Ball explores how fully the pursuit of freedom is interwoven into the fibers of Black and queer storytelling. Bridging classic American literature with the defiant voices of contemporary queer narrative and performance, this critical study unpacks the multifaceted theme of escape—a flight not just from oppression but also toward utopian horizons. In lucid and unsparing prose, Brewer Ball models criticism-as-conspiracy against whiteness.

Afro-Fabulations: The Queer Drama of Black Life - Tavia Nyong’o