The Open Door

The Open Door

by Floyd Skloot
     
 

It is the late 1930s when Myron Adler and Faye Raskin - the most mismatched couple imaginable - meet and marry. Myron owns a live poultry market in the Brooklyn Battery and Faye, the haughty and pretentious daughter of a well-to-do Manhattan jeweler, leads a fantasy life filled with high-class suitors. Through the 40s and 50s, as the Adlers raise two sons, their…  See more details below

Overview

It is the late 1930s when Myron Adler and Faye Raskin - the most mismatched couple imaginable - meet and marry. Myron owns a live poultry market in the Brooklyn Battery and Faye, the haughty and pretentious daughter of a well-to-do Manhattan jeweler, leads a fantasy life filled with high-class suitors. Through the 40s and 50s, as the Adlers raise two sons, their difficulties erupt in troubling, sometimes violent ways. The Open Door, Floyd Skloot's powerful third novel, traces how Richard and Daniel Adler respond to a home environment of physical and emotional abuse and grow up to become radically different men. With candor and precision, Skloot captures the nuances of second-generation Jewish immigrant life. He skillfully presents the pulse of mid-century Brooklyn - where the Brooklyn Dodgers, the Mad Bomber, Mafia heavies and two-bit boxers populate a world the Adler brothers struggle to comprehend.

Editorial Reviews

Publishers Weekly - Publisher's Weekly
How could Myron Adler, an industrious businessman, devoted son, faithful husband and loyal friend, be the same man who for years violently beat his two young sons? That's the question that obsesses the first half of this dour novel as it explores Myron's youth in Jewish New York of the 1920s and '30s and his marriage to bitter, disappointed would-be-socialite Faye Raskin. Skloot (Summer Blue; Pilgrim's Harbor) proceeds from the abuse to its consequences: the havoc that these beatings wreak on Myron's two boys. The novel's ostensible hero, Danny, grows up to become a successful, rather saintly architect who suffers from screaming nightmares; Richard turns into a pathologically insensitive salesman. Although the novel is somewhat enlivened by is carefully constructed historical setting (the mid-century Brooklyn of the Dodgers and the Brooklyn Bomber), it is essentially a story of child abuse, of the ways in which men and women come to violence and of the ways that children find to cope with that legacy. The themes are serious, but the characters, even the victims, are difficult to like, and the story is, unfortunately, a familiar one. (Sept.)
Kirkus Reviews
A third novel from the author of, most recently, Pilgrim's Harbor (1992) traces the travails of a dysfunctional Jewish family from the 1930s through the mid-70s.

Myron Adler and Faye Raskin are a terribly mismatched couple. He's the crude, vulgar owner of a live poultry market, suffering the aftereffects of his parents' refusal to let him marry a Catholic. She's a would-be artist on the rebound from a series of relationships with men she considered worthy of her pretensions. Such a union could only have disastrous results—and it does. Unwilling to take out his frustrations on his wife, Myron belts his sons, Richard and Daniel, regularly. Equally frustrated by her status in life, Faye does likewise. Richard grows up to be a self-absorbed compulsive overeater who feels cheated by the world. Daniel, by contrast, is perfection itself, a terrific athlete and excellent student who becomes a successful architect and loving father. Skloot recounts this tale in an apparent profusion of voices, a dense thicket of points of view made problematical by his inability to differentiate among them. Everything comes out in tedious faux Brooklyn Jewish dialect seemingly out of sitcom-land. And his people are astonishingly crude stereotypes that only a Roth or Bellow could breathe life into. While Skloot makes some effort to mitigate the parents' behavior, the book breaks down into a highly schematic (and unconvincing) set of heroes and villains. A final transformation of Faye from ogress to lovable, wacky older temptress is particularly embarrassing.

Filled with sloppy writing and a transparently manipulated cast—and further burdened by cartoonish violence that seems to exist only to give a cheap jolt of energy to an otherwise lifeless story.

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Product Details

ISBN-13:
9781885266484
Publisher:
Story Line Press
Publication date:
09/28/1997
Pages:
230
Product dimensions:
5.98(w) x 8.96(h) x 0.60(d)

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