The New York Times Book Review
…the ideal historical mystery for readers who value the history as much as the mystery. Set in New Amsterdam in the mid-17th century, Zimmerman's nicely flowing narrative is animated by robust characters who thrive on the edges of civilization.
—Marilyn Stasio
From the Publisher
Praise for The Orphanmaster:
"The Orphanmaster is a sweeping novel of great and precise imaginative intelligence; it's also the most entertaining and believable historical novel I've read in years. Jean Zimmerman is a debut novelist who already writes like an old master. Read any page of The Orphanmaster and you'll become an instant fan." – Darin Strauss, author of Half a Life and Chang and Eng
"Jean Zimmerman's seventeenth-century New Amsterdam teems with enough intrigue, lust, and madness to give our twenty-first-century Big Apple a run for its money. And money is what drives this book – liberating, corrupting, forming the only bulwark against a terrifying, chaotic New World. Zimmerman's wit and humanity shine light in a dark woods, creating an uncommonly rich debut."-– Sheri Holman, author of The Dress Lodger
"Here's American history turned inside out, animated by Jean Zimmerman's prodigious imagination.-Monsters lurk in the shadows, chaos presses in, legends come alive, and one adventure leads with irresistible force to the next.-The Orphanmaster is a breathtaking achievement." – Joanna Scott, author of Arrogance and Various Antidotes
"[A] compulsively readable, heartbreaking, and grisly mystery set in a wild colonial America." – ALA Booklist
"A feisty young Dutch woman, an English spy, and a local demon all cross paths in 1663 New Amsterdam, in this Ludlumesque historical thriller…a successful mix of historical fiction, spy thriller, and horror." – Library Journal
"As in the best historical fiction, [Zimmerman] has created a kind of truce between the authority of the past and the accessibility of the present, revealing to us what it once meant to be alive, and what that history means to us now ... on nearly every page there is some unobtrusively offered word or description, of food, of architecture, of dress, that brings the period and its people into clearer focus." – USA-Today
"Absorbing period fiction with the requisite colorful characters of the era." – The New York-Daily News
JULY 2012 - AudioFile
A murderer stalks New Amsterdam in 1633, kidnapping and murdering orphans of the town and the African settlement nearby. Blandine von Couvering, a colonial trader and an orphan herself, teams up with spymaster Edward Drummond, recently arrived from England in search of regicides of Charles I. George Guidall reads this spine-tingling story of deception with softly inflected tones. Historical figures such as Petrus Stuyvesant and Martin Henderikson play small roles interspersed with those of Orphanmaster Aet Visser and numerous mixed-race Indians and Africans. Guidall’s quiet voice draws the listener into a story of long ago, when Europeans are settling the New World and fighting natives for control of the land. Guidall’s voice shifts and flows around the increasingly tense race across the wilderness of Connecticut and up the rivers of New Amsterdam to stop the murderer and bring evil men to justice. M.B.K. © AudioFile 2012, Portland, Maine
Kirkus Reviews
Historian Zimmerman (Love, Fiercely, 2012, etc.) debuts as a novelist with a gruesome murder mystery concerning a serial killer in the Dutch colony of New Amsterdam on the island of Manhattan. British spy Edward Drummond arrives in New Amsterdam in 1663 to prepare the way for Britain to wrest power from the Dutch and is immediately drawn into a love-hate attraction with Blandine van Couvering. A plucky beauty making a name for herself as a trader with the Dutch West India Company, 22-year-old Blandine is part of New Amsterdam society and practically engaged to Kees Bayard, Petrus Stuyvesant's nephew. Blandine also has a special, daughterly relationship with Aet Visser, the colony's official orphanmaster. Visser takes charge of children newly orphaned in the colony--including Blandine, whose merchant parents drowned at sea when she was 15; charming but wild Martyn Hendrickson from one of the richest families in the colony; and Martyn's half-Indian friend, Lightning, and his twin sister, Anna, now Visser's common-law wife--but more lucratively Visser handles orphans imported from Europe, supposedly for adoption but more often to serve as cheap labor. Morally ambiguous Visser cares equally about his charges' welfare and his own pocketbook. Suspecting a British family has switched the child (with an inheritance) that he placed in their care for another, but hampered by the language barrier, he enlists Drummond to investigate further. Meanwhile, children, all of them orphans, have begun disappearing from the colony. Their remains are found surrounded by talismans relating to Indian demons called Witika known to drive their victims to madness and even cannibalism. Soon the citizens are gripped with fear. Drummond and Blandine join forces, helped by Blandine's African bodyguard and half-crazy Indian trading partner, to search for the serial killer. When Blandine finally rejects Kees for Drummond, Kees wants revenge, and Drummond is arrested as a spy. Lightning plants evidence that draws suspicion of witchcraft onto Blandine. But by then, readers know the true identity of the murderer. A disturbing, often creepy melodrama, thick with historically accurate detail.
