The Other One: Stories
Set in Sri Lanka and America, the ten short stories in this debut collection feature characters struggling to contend with the brutality of a decades-long civil war while also seeking security, love, and hope. The characters are students, accountants, soldiers, servants. They are immigrants and strivers. They are each forced to make sometimes comic, sometimes tragic, choices. What they share, despite what they've endured, is the sustaining power of human connection.

An excerpt from the book:

"All I want to know is when you are coming? When are you bringing my sons, my family?"

She watched as a gecko, tinier than normal, skittered across the far wall. It disappeared into a small crack. The room was very hot, and she hadn't turned on the ceiling fan so that the family could save a little money. She took a handkerchief from her nightstand and wiped the beads of sweat from her forehead and the back of her neck.

"I can't leave malli alone here. He's making progress but—"

"It will be for two years only. Then you can sponsor him."

"The lawyer says it's not so easy."

"He's a grown man. Let the government take him. The government did this to malli. Let the government pay the price for his care."

Even though there was no chance that her brother Ranjith could hear her, Anoja dropped her voice. "Malli is all alone here. He has nobody but aiya and me."
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The Other One: Stories
Set in Sri Lanka and America, the ten short stories in this debut collection feature characters struggling to contend with the brutality of a decades-long civil war while also seeking security, love, and hope. The characters are students, accountants, soldiers, servants. They are immigrants and strivers. They are each forced to make sometimes comic, sometimes tragic, choices. What they share, despite what they've endured, is the sustaining power of human connection.

An excerpt from the book:

"All I want to know is when you are coming? When are you bringing my sons, my family?"

She watched as a gecko, tinier than normal, skittered across the far wall. It disappeared into a small crack. The room was very hot, and she hadn't turned on the ceiling fan so that the family could save a little money. She took a handkerchief from her nightstand and wiped the beads of sweat from her forehead and the back of her neck.

"I can't leave malli alone here. He's making progress but—"

"It will be for two years only. Then you can sponsor him."

"The lawyer says it's not so easy."

"He's a grown man. Let the government take him. The government did this to malli. Let the government pay the price for his care."

Even though there was no chance that her brother Ranjith could hear her, Anoja dropped her voice. "Malli is all alone here. He has nobody but aiya and me."
25.95 In Stock
The Other One: Stories

The Other One: Stories

by Hasanthika Sirisena
The Other One: Stories

The Other One: Stories

by Hasanthika Sirisena

Paperback(First Edition)

$25.95 
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Overview

Set in Sri Lanka and America, the ten short stories in this debut collection feature characters struggling to contend with the brutality of a decades-long civil war while also seeking security, love, and hope. The characters are students, accountants, soldiers, servants. They are immigrants and strivers. They are each forced to make sometimes comic, sometimes tragic, choices. What they share, despite what they've endured, is the sustaining power of human connection.

An excerpt from the book:

"All I want to know is when you are coming? When are you bringing my sons, my family?"

She watched as a gecko, tinier than normal, skittered across the far wall. It disappeared into a small crack. The room was very hot, and she hadn't turned on the ceiling fan so that the family could save a little money. She took a handkerchief from her nightstand and wiped the beads of sweat from her forehead and the back of her neck.

"I can't leave malli alone here. He's making progress but—"

"It will be for two years only. Then you can sponsor him."

"The lawyer says it's not so easy."

"He's a grown man. Let the government take him. The government did this to malli. Let the government pay the price for his care."

Even though there was no chance that her brother Ranjith could hear her, Anoja dropped her voice. "Malli is all alone here. He has nobody but aiya and me."

Product Details

ISBN-13: 9781625342188
Publisher: University of Massachusetts Press
Publication date: 03/04/2016
Series: Juniper Prize for Fiction
Edition description: First Edition
Pages: 160
Product dimensions: 5.50(w) x 8.50(h) x 0.50(d)
Age Range: 18 Years

About the Author

Hasanthika Sirisena is associate fiction editor for West Branch literary magazine and a visiting professor at Susquehanna University. Her stories have appeared in Glimmer Train, Epoch, StoryQuarterly, Narrative, and other magazines. Her work has been anthologized in The Best New American Voices and twice named a distinguished story by Best American Short Stories (2011, 2012). Sirisena has received fellowships from the MacDowell Colony and Yaddo, and, in 2008, received a Rona Jaffe Writers Award. This is her debut collection.

Table of Contents

Third Country National 1

War Wounds 17

Unicorn 33

The Chief Inspector's Daughter 47

Pine 63

The Other One 79

The Inter-Continental 96

Ismail 110

The Demon 126

Treble Seven, Double Naught 138

Acknowledgments 159

What People are Saying About This

Nina Swamidoss McConigley

In HasanthikaSirisena's collection, she crafts a stunning array of voices and characters that captivate with deeply moving grace people struggling to find their place in the world. Set primarily in Sri Lanka and the United States, Sirisena creates understated stories with the skill of a fine artisan—with each story exploring the political and the private. As the characters live in the world, we see how not only Sri Lanka, but how family and war leaves its mark on every character—from housewives to teenagers, soldiers to low-level laborers. These stories are unflinching and honest and evoke the pain and exile of war. This is a collection that is not only important, it's pitch-perfect, necessary, and enthralling.

Sheila Kohler

With precise and poignant detail Hasanthika Sirisena conjures up an entire and original world in these well-written stories. Through theintimateportrayal of the lives of men and women caught up in Sri Lanka's turmoil she conveys all the uncertainty,the changing cultures, the terrors, and hopesof our lives.

Nina McConigley

In HasanthikaSirisena's collection, she crafts a stunning array of voices and characters that captivate with deeply moving grace people struggling to find their place in the world. Set primarily in Sri Lanka and the United States, Sirisena creates understated stories with the skill of a fine artisan--with each story exploring the political and the private. As the characters live in the world, we see how not only Sri Lanka, but how family and war leaves its mark on every character--from housewives to teenagers, soldiers to low-level laborers. These stories are unflinching and honest and evoke the pain and exile of war. This is a collection that is not only important, it's pitch-perfect, necessary, and enthralling.

Jeff Parker

Holy moly, this is one of the best short story collections I've read in years. The beginnings of the stories grip you. The middles tighten their hold. The endings sound in thunder. The author follows a cast of characters, all of whom are haunted in various ways by the Sri Lankan civil war, around the globe — Kuwait, Australia, the US. In one story, the atrocities a solider committed are brought back to him by a menacing predatory shrimp. Elsewhere, two boys act out revenge on another by attacking his office with milk- and raw-turkey-filled Molotov cocktails. The characters in several stories fear and suspect the worst of their own family members, and through acts of great sacrifice and idiocy evidence those repressed fears in all the worst ways. If, as the author writes, the civil war in Sri Lanka created 'a whole new sick little alphabet' — LTTE, SLFP, UNP, JVP — the language here does the opposite: it makes of a terrible chapter of history, a work of art of great beauty, humor, and insight.

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