The Oxford Handbook of Tudor Literature: 1485-1603
This is the first major collection of essays to look at the literature of the entire Tudor period, from the reign of Henry VII to death of Elizabeth I. It pays particularly attention to the years before 1580. Those decades saw, amongst other things, the establishment of print culture and growth of a reading public; the various phases of the English Reformation and process of political centralization that enabled and accompanied them; the increasing emulation of Continental and classical literatures under the influence of humanism; the self-conscious emergence of English as a literary language and determined creation of a native literary canon; the beginnings of English empire and the consolidation of a sense of nationhood. However, study of Tudor literature prior to 1580 is not only of worth as a context, or foundation, for an Elizabethan 'golden age'. As this much-needed volume will show, it is also of artistic, intellectual, and cultural merit in its own right. Written by experts from Europe, North America, and the United Kingdom, the forty-five chapters in The Oxford Handbook to Tudor Literature recover some of the distinctive voices of sixteenth-century writing, its energy, variety, and inventiveness. As well as essays on well-known writers, such as Philip Sidney or Thomas Wyatt, the volume contains the first extensive treatment in print of some of the Tudor era's most original voices.
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The Oxford Handbook of Tudor Literature: 1485-1603
This is the first major collection of essays to look at the literature of the entire Tudor period, from the reign of Henry VII to death of Elizabeth I. It pays particularly attention to the years before 1580. Those decades saw, amongst other things, the establishment of print culture and growth of a reading public; the various phases of the English Reformation and process of political centralization that enabled and accompanied them; the increasing emulation of Continental and classical literatures under the influence of humanism; the self-conscious emergence of English as a literary language and determined creation of a native literary canon; the beginnings of English empire and the consolidation of a sense of nationhood. However, study of Tudor literature prior to 1580 is not only of worth as a context, or foundation, for an Elizabethan 'golden age'. As this much-needed volume will show, it is also of artistic, intellectual, and cultural merit in its own right. Written by experts from Europe, North America, and the United Kingdom, the forty-five chapters in The Oxford Handbook to Tudor Literature recover some of the distinctive voices of sixteenth-century writing, its energy, variety, and inventiveness. As well as essays on well-known writers, such as Philip Sidney or Thomas Wyatt, the volume contains the first extensive treatment in print of some of the Tudor era's most original voices.
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The Oxford Handbook of Tudor Literature: 1485-1603

The Oxford Handbook of Tudor Literature: 1485-1603

The Oxford Handbook of Tudor Literature: 1485-1603

The Oxford Handbook of Tudor Literature: 1485-1603

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Overview

This is the first major collection of essays to look at the literature of the entire Tudor period, from the reign of Henry VII to death of Elizabeth I. It pays particularly attention to the years before 1580. Those decades saw, amongst other things, the establishment of print culture and growth of a reading public; the various phases of the English Reformation and process of political centralization that enabled and accompanied them; the increasing emulation of Continental and classical literatures under the influence of humanism; the self-conscious emergence of English as a literary language and determined creation of a native literary canon; the beginnings of English empire and the consolidation of a sense of nationhood. However, study of Tudor literature prior to 1580 is not only of worth as a context, or foundation, for an Elizabethan 'golden age'. As this much-needed volume will show, it is also of artistic, intellectual, and cultural merit in its own right. Written by experts from Europe, North America, and the United Kingdom, the forty-five chapters in The Oxford Handbook to Tudor Literature recover some of the distinctive voices of sixteenth-century writing, its energy, variety, and inventiveness. As well as essays on well-known writers, such as Philip Sidney or Thomas Wyatt, the volume contains the first extensive treatment in print of some of the Tudor era's most original voices.

Product Details

ISBN-13: 9780191607172
Publisher: OUP Oxford
Publication date: 09/10/2009
Series: Oxford Handbooks
Sold by: Barnes & Noble
Format: eBook
File size: 7 MB

About the Author

Mike Pincombe is Professor of Tudor and Elizabethan Literature at the University of Newcastle upon Tyne; he convened the Tudor Symposium between 1998 and 2009. He has written books on John Lyly (1996) and Elizabethan Humanism (2001), and also essays and articles on a range of mid-Tudor topics. He is presently working on William Baldwin and A Mirror for Magistrates. Cathy Shrank is Reader in Tudor Literature at the University of Sheffield. Her publications include Writing the Nation in Reformation England, 1530-1580 (Oxford University Press, 2004, 2006) and essays and articles on various Tudor and Shakespearean topics, including language reform, civility, travel writing, cheap print, and mid-sixteenth-century sonnets. She is currently working on an edition of Shakespeare's poems and a monograph on non-dramatic dialogue in the sixteenth and early seventeenth centuries.

Table of Contents

  • Acknowledgements
  • Conventions and list of abbreviations
  • List of illustrations
  • Notes on contributors
  • Prologue: The travails of Tudor Literature
  • Section I: 1485-1529
  • 1: Alexandra Gillespie: Caxton and the invention of printing
  • 2: Kent Cartwright: Dramatic theory and Lucres' 'discretion': the plays of Henry Medwall
  • 3: Daniel Wakelin: Stephen Hawes and courtly education
  • 4: Jane Griffiths: Having the last word: manuscript, print, and the envoy in the poetry of John Skelton
  • 5: Joyce Boro: All for love: Lord Berners and the enduring, evolving romance
  • Section II: 1530-1559
  • 6: John N. King: Thomas More, William Tyndale, and the printing of religious propaganda
  • 7: James Simpson: Rhetoric, conscience and the playful positions of Sir Thomas More
  • 8: Peter Happé: John Bale and controversy: readers and audiences
  • 9: Cathy Shrank: Sir Thomas Elyot and the bonds of community
  • 10: Thomas Betteridge: John Heywood and court drama
  • 11: Jason Powell: Thomas Wyatt and Francis Bryan: plainness and dissimulation
  • 12: Hannibal Hamlin: Piety and poetry: English psalms from Miles Coverdale to Mary Sidney
  • 13: Janel Mueller: Katherine Parr and her circle
  • 14: Philip Schwyzer: John Leland and his heirs: the topography of England
  • 15: Mark Rankin: Biblical allusion and argument in Luke Shepherd's verse satires
  • 16: Christopher Warley: Reforming the reformers: Robert Crowley and Nicholas Udall
  • 17: R. W. Maslen: William Baldwin and the Tudor imagination
  • 18: Wolfgang G. Müller: Directions for English: Thomas Wilson's Art of Rhetoric, George Puttenham's Art of English Poesy, and the Search for Vernacular Eloquence
  • 19: Alan Bryson: Order and Disorder: John Proctor's History of Wyatt's Rebellion (1554)
  • 20: Alice Hunt: Marian political allegory: John Heywood's The Spider and the Fly
  • 21: Scott Lucas: Hall's chronicle and A Mirror for Magistrates: history and the tragic pattern
  • 22: Mike Pincombe: A place in the shade: George Cavendish and de casibus tragedy
  • 23: Margaret Tudeau-Clayton: What is my nation?: language, verse and politics in Tudor translations of Virgil's Aeneid
  • 24: Jonathan Woolfson: Thomas Hoby, William Thomas and mid-Tudor travel to Italy
  • 25: Steven W. May: Popularizing courtly poetry: Tottel's 'Miscellany' and its progeny
  • Section III: 1560-1579
  • 26: Laurie Shannon: Minerva's men: horizontal nationhood and the literary production of Googe, Turberville, and Gascoigne
  • 27: Phil Withington: 'For This is True or Els I do Lye': Thomas Smith, William Bullein and Mid-Tudor Dialogue
  • 28: Jessica Winston: English Seneca: Heywood to Hamlet
  • 29: Dermot Cavanagh: Political tragedy in the 1560s: Cambises and Gorboduc
  • 30: Andrew Escobedo: John Foxe's Acts and Monuments, 1563-1583: antiquity and the affect of history
  • 31: Jonathan Gibson: Tragical histories, tragical tales
  • 32: Andrew Hadfield: Foresters, ploughmen and shepherds: versions of Tudor pastoral
  • 33: Paul Whitfield White: Interludes, economics and the Elizabethan stage
  • 34: Syrithe Pugh: Ovidian reflections in Gascoigne's Steel Glass
  • 35: D. J. B. Trim: The art of war: martial poetics from Henry Howard to Philip Sidney
  • 36: Elizabeth Heale: Thomas Whythorne and first-person life-writing in the sixteenth century
  • 37: Janette Dillon: Pageants and Propaganda: Robert Langham's Letter and George Gascoigne's Princely Pleasures at Kenilworth
  • 38: Helen Moore: Sir Philip Sidney and the Arcadias
  • Section IV: 1580-1603
  • 39: Jennifer Richards: Gabriel Harvey's choleric writing
  • 40: Fred Schurink: The intimacy of manuscript and the pleasure of print: literary culture from The Schoolmaster to Euphues
  • 41: Katharine Wilson: Robert Greene's Pandosto and George Pettie's Palace of Pleasure
  • 42: David Bevington: Christopher Marlowe's Doctor Faustus and Nathaniel Woodes's The Conflict of Conscience
  • 43: Lorna Hutson: Fictive Acts: Thomas Nashe and the mid-Tudor legacy
  • 44: Andrew Hiscock: 'Hear my tale or kiss my tail!': The Old Wife's Tale, Gammer Gurton's Needle and the popular cultures of Tudor comedy
  • Epilogue: Edmund Spenser and the passing of Tudor literature
  • Bibliography
  • Index
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