The Picture of Dorian Gray

( 723 )

Overview

The Picture of Dorian Gray is a stage adaptation of Oscar Wilde's classic and controversial novel, described by Osborne as a "Moral Entertainment". The story of a man who preserves his youth and is feted by society, while his portrait deteriorates with age and corruption.

An incredibly handsome young man in Victorian England retains his youthful appearance over the years while his portrait reflects both his age and evil soul as he ...

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Overview

The Picture of Dorian Gray is a stage adaptation of Oscar Wilde's classic and controversial novel, described by Osborne as a "Moral Entertainment". The story of a man who preserves his youth and is feted by society, while his portrait deteriorates with age and corruption.

An incredibly handsome young man in Victorian England retains his youthful appearance over the years while his portrait reflects both his age and evil soul as he pursues a life of decadence and corruption.

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Editorial Reviews

William A. Cohen University of Maryland
"This is a fine edition of Oscar Wilde's novel, ideally suited to readers approaching the work (and all its accompanying mythology) for the first time. The informative introduction, as well as the collection of supplementary materials contained in the appendices, helpfully place the work in historical, biographical, political, and literary contexts. The edition is especially appropriate for undergraduate students, on whom the scandalousness of Wilde's story might be lost, without benefit of such contextualizations."
From the Publisher
"Simon Prebble perfectly achieves Lord Henry's 'low, languid voice' and sparkling conversation, while avidly expressing the other characters' more torrid emotions." —-AudioFile
Children's Literature - Elizabeth Fronk
Basil Hallward paints a wonderful portrait of Dorian Gray, a handsome, young man. In painting the portrait, Dorian realizes that youth is most important but is fleeting. He offers his soul in order to stay young while the picture grows old. Basil allows Dorian to take the portrait home with him. After that, Dorian begins a series of cruel and horrible acts: breaking off his engagement to an actress, treating her cruelly, spending his money recklessly, and consorting with thieves. As time goes by, Dorian remains beautiful while the portrait becomes more and more ugly. Dorian finally confronts Basil and murders the artist to hopefully rid himself of the portrait's power. Unfortunately this murder does not help; Dorian decides he must destroy the portrait. As he tears the portrait, Dorian ends up destroying himself while the portrait of a beautiful youth remains. Adaptations of classic stories can be very helpful in exposing older literature to a wider audience. However, the story is already bizarre; this adaptation does not help clarify anything. The story remains true to Wilde but this faithfulness may cause younger readers to not understand Gray. The illustrations are rather mundane and do not really enhance the story. Reviewer: Elizabeth Fronk
Janice Del Negro
The second volume in a series of comic book adaptations of Wilde's tales [see BKL Ja 15 93 for previous volume] gives "The Young King" and "The Remarkable Rocket" the Marvel-DC treatment. In elaborate underground "comix" style, Russell reintroduces the tales with an accessible if nontraditional approach to picture-book illustration and better-than-average adaptations of the original texts. Whether you believe circulating comics in the library is appropriate or not, this full-color book won't sta
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Product Details

  • ISBN-13: 9781449918101
  • Publisher: CreateSpace Independent Publishing Platform
  • Publication date: 11/24/2009
  • Pages: 122
  • Product dimensions: 6.00 (w) x 9.00 (h) x 0.26 (d)

Meet the Author

Joseph Bristow is editor of the Oxford English Texts edition of The Picture of Dorian Gray, The Cambridge Companion to Victorian Poetry and Olive Schreiner's African Farm for OWC. He is the author of The Fin-de-Siécle Poem: English Culture and the 1890s (Ohio UP, 2005).

Biography

Oscar Fingal O'Flahertie Wills Wilde was born on October 16, 1854, to an intellectually prominent Dublin family. His father, Sir William Wilde, was a renowned physician who was knighted for his work as medical adviser to the 1841 and 1851 Irish censuses; his mother, Lady Jane Francesca Elgee, was a poet and journalist. Wilde showed himself to be an exceptional student. While at the Royal School in Enniskillen, he took First Prize in Classics. He continued his studies at Trinity College, Dublin, on scholarship, where he won high honors, including the Demyship Scholarship to Magdalen College, Oxford.

At Oxford, Wilde engaged in self-discovery, through both intellectual and personal pursuits. He fell under the influence of the aesthetic philosophy of Walter Pater, a tutor and author who inspired Wilde to create art for the sake of art alone. It was during these years that Wilde developed a reputation as an eccentric and a foppish dresser who always had a flower in his lapel. Wilde won his first recognition as a writer when the university awarded him the Newdigate Prize for his poem "Ravenna."

Wilde went from Oxford to London, where he published his first volume of verse, Poems, in 1881. From 1882 to 1884, he toured the United States, Ireland, and England, giving a series of lectures on Aestheticism. In America, between speaking engagements, he met some of the great literary minds of the day, including Henry Wadsworth Longfellow, Oliver Wendell Holmes, and Walt Whitman. His first play, Vera, was staged in New York but did poorly. After his marriage to Constance Lloyd in 1884 and the birth of his two sons, Wilde began to make his way into London's theatrical, literary, and homosexual scenes. He published Intentions, a collection of dialogues on aesthetic philosophy, in 1891, the year he met Lord Alfred Douglas, who became his lover and his ultimate downfall. Wilde soon produced several successful plays, including Lady Windermere's Fan (1892) and A Woman of No Importance (1893). Wilde's popularity was short-lived, however. In 1894, during the concurrent runs of his plays An Ideal Husband and The Importance of Being Earnest, he became the subject of a homosexual scandal that led him to withdraw all theater engagements and declare bankruptcy. Urged by many to flee the country rather than face a trial in which he would surely be found guilty, Wilde chose instead to remain in England. Arrested in 1895 and found guilty of "homosexual offenses," Wilde was sentenced to two years hard labor and began serving time in Wandsworth prison. He was later transferred to the detention center in Reading Gaol, where he composed De Profundis, a dramatic monologue written as a letter to Lord Alfred Douglas that was published in 1905. Upon his release, Wilde retreated to the Continent, where he lived out the rest of his life under a pseudonym. He published his last work, The Ballad of Reading Gaol, in 1898 while living in exile.

During his lifetime, Wilde was most often the center of controversy. The Picture of Dorian Gray, which was serialized in Lippincott's Monthly Magazine in 1890 and published in book form the next year, is considered to be Wilde's most personal work. Scrutinized by critics who questioned its morality, the novel portrays the author's internal battles and arrives at the disturbing possibility that "ugliness is the only reality." Oscar Wilde died penniless, of cerebral meningitis, in Paris on November 30, 1900. He is buried in Paris's Père Lachaise Cemetery.

Author biography from the Barnes & Noble Classics edition of The Picture of Dorian Gray.

Good To Know

To make ends meet, Wilde edited the popular ladies' periodical Woman's Day from 1887 to 1889.

When in exile on the Continent, Wilde was forced to live under the alias Sebastian Melmoth.

It is rumored that Wilde's last written words were found in his journal, left behind in the Left Bank flophouse where he died: "My wallpaper and I are fighting a duel to the death. One or the other of us has got to go."

Wilde is buried in the Paris cemetery of Père Lachaise; there, he keeps company with other famous artists, including Jim Morrison and Edith Piaf.

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    1. Also Known As:
      Oscar Fingal O'Flahertie Wills Wilde (full name)
    1. Date of Birth:
      October 16, 1854
    2. Place of Birth:
      Dublin, Ireland
    1. Date of Death:
      November 30, 1900
    2. Place of Death:
      Paris, France

Read an Excerpt

THE studio was filled with the rich odour of roses, and when the light summer wind stirred amidst the trees of the garden, there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pink-flowering thorn.

From the corner of the divan of Persian saddle-bags on which he was lying, smoking, as was his custom, innumerable cigarettes, Lord Henry Wotton could just catch the gleam of the honey-sweet and honey-coloured blossoms of a laburnum, whose tremulous branches seemed hardly able to bear the burden of a beauty so flame-like as theirs; and now and then the fantastic shadows of birds in flight flitted across the long tussore-silk curtains that were stretched in front of the huge window, producing a kind of momentary Japanese effect, and making him think of those pallid jade-faced painters of Tokyo who, through the medium of an art that is necessarily immobile, seek to convey the sense of swiftness and motion. The sullen murmur of the bees shouldering their way through the long unmown grass, or circling with monotonous insistence round the dusty gilt horns of the straggling woodbine, seemed to make the stillness more oppressive. The dim roar of London was like the bourdon note of a distant organ.

In the centre of the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty, and in front of it, some little distance away, was sitting the artist himself, Basil Hallward, whose sudden disappearance some years ago caused, at the time, such public excitement, and gave rise to so many strange conjectures.

As the painter looked at the gracious and comely form he had so skillfullymirrored in his art, a smile of pleasure passed across his face, and seemed about to linger there. But he suddenly started up, and, closing his eyes, placed his fingers upon the lids, as though he sought to imprison within his brain some curious dream from which he feared he might awake.

'It is your best work, Basil, the best thing you have ever done,' said Lord Henry, languidly. 'You must certainly send it next year to the Grosvenor. The Academy is too large and too vulgar. Whenever I have gone there, there have been either so many people that I have not been able to see the pictures, which was dreadful, or so many pictures that I have not been able to see the people, which was worse. The Grosvenor is really the only place.'

'I don't think I shall send it anywhere,' he answered, tossing his head back in that odd way that used to make his friends laugh at him at Oxford. 'No: I won't send it anywhere.'

Lord Henry elevated his eyebrows, and looked at him in amazement through the thin blue wreaths of smoke that curled up in such fanciful whorls from his heavy opium-tainted cigarette. 'Not send it anywhere? My dear fellow, why? Have you any reason? What odd chaps you painters are! You do anything in the world to gain a reputation. As soon as you have one, you seem to want to throw it away. It is silly of you, for there is only one thing in the world worse than being talked about, and that is not being talked about. A portrait like this would set you far above all the young men in England, and make the old men quite jealous, if old men are ever capable of any emotion.'

'I know you will laugh at me,' he replied, 'but I really can't exhibit it. I have put too much of myself into it.'

Lord Henry stretched himself out on the divan and laughed.

'Yes, I knew you would; but it is quite true, all the same.'

'Too much of yourself in it! Upon my word, Basil, I didn't know you were so vain; and I really can't see any resemblance between you, with your rugged strong face and your coal-black hair, and this young Adonis, who looks as if he was made out of ivory and rose-leaves. Why, my dear Basil, he is a Narcissus, and you--well, of course you have an intellectual expression, and all that. But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid. Look at the successful men in any of the learned professions. How perfectly hideous they are! Except, of course, in the Church. But then in the Church they don't think. A bishop keeps on saying at the age of eighty what he was told to say when he was a boy of eighteen, and as a natural consequence he always looks absolutely delightful. Your mysterious young friend, whose name you have never told me, but whose picture really fascinates me, never thinks. I feel quite sure of that. He is some brainless, beautiful creature, who should be always here in winter when we have no flowers to look at, and always here in summer when we want something to chill our intelligence. Don't flatter yourself, Basil: you are not in the least like him.'

'You don't understand me, Harry,' answered the artist. 'Of course I am not like him. I know that perfectly well. Indeed, I should be sorry to look like him. You shrug your shoulders? I am telling you the truth. There is a fatality about all physical and intellectual distinction, the sort of fatality that seems to dog through history the faltering steps of kings. It is better not to be different from one's fellows. The ugly and the stupid have the best of it in this world. They can sit at their ease and gape at the play. If they know nothing of victory, they are at least spared the knowledge of defeat. They live as we all should live, undisturbed, indifferent, and without disquiet. They neither bring ruin upon others, nor ever receive it from alien hands. Your rank and wealth, Harry; my brains, such as they are--my art, whatever it may be worth; Dorian Gray's good looks--we shall all suffer for what the gods have given us, suffer terribly.'

'Dorian Gray? Is that his name?' asked Lord Henry, walking across the studio towards Basil Hallward.

'Yes, that is his name. I didn't intend to tell it to you.'

'But why not?'

'Oh, I can't explain. When I like people immensely I never tell their names to anyone. It is like surrendering a part of them. I have grown to love secrecy. It seems to be the one thing that can make modern life mysterious or marvellous to us. The commonest thing is delightful if one only hides it. When I leave town now I never tell my people where I am going. If I did, I would lose all my pleasure. It is a silly habit, I daresay, but somehow it seems to bring a great deal of romance into one's life. I suppose you think me awfully foolish about it?'

'Not at all,' answered Lord Henry, 'not at all, my dear Basil. You seem to forget that I am married, and the one charm of marriage is that it makes a life of deception absolutely necessary for both parties. I never know where my wife is, and my wife never knows what I am doing. When we meet--we do meet occasionally, when we dine out together, or go down to the Duke's--we tell each other the most absurd stories with the most serious faces. My wife is very good at it--much better, in fact, than I am. She never gets confused over her dates, and I always do. But when she does find me out, she makes no row at all. I sometimes wish she would; but she merely laughs at me.'

'I hate the way you talk about your married life, Harry,' said Basil Hallward, strolling towards the door that led into the garden. 'I believe that you are really a very good husband, but that you are thoroughly ashamed of your own virtues. You are an extraordinary fellow. You never say a moral thing, and you never do a wrong thing. Your cynicism is simply a pose.'

'Being natural is simply a pose, and the most irritating pose I know,' cried Lord Henry, laughing; and the two young men went out into the garden together, and ensconced themselves on a long bamboo seat that stood in the shade of a tall laurel bush. The sunlight slipped over the polished leaves. In the grass, white daisies were tremulous.

After a pause, Lord Henry pulled out his watch. 'I am afraid I must be going, Basil,' he murmured, 'and before I go, I insist on your answering a question I put to you some time ago.'

'What was that?' said the painter, keeping his eyes fixed on the ground.

'You know quite well.'

'I do not, Harry.'

'Well, I will tell you what it is. I want you to explain to me why you won't exhibit Dorian Gray's picture. I want the real reason.'

'I told you the real reason.'
'No, you did not. You said it was because there was too much of yourself in it. Now, that is childish.'

'Harry,' said Basil Hallward, looking him straight in the face, 'every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself. The reason I will not exhibit this picture is that I am afraid that I have shown in it the secret of my own soul.'

Lord Henry laughed. 'And what is that?' he asked.

'I will tell you,' said Hallward; but an expression of perplexity came over his face.

'I am all expectation, Basil,' continued his companion, glancing at him.

'Oh, there is really very little to tell, Harry,' answered the painter; 'and I am afraid you will hardly understand it. Perhaps you will hardly believe it.'

Lord Henry smiled, and, leaning down, plucked a pink-petalled daisy from the grass, and examined it. 'I am quite sure I shall understand it,' he replied, gazing intently at the little golden white-feathered disk, 'and as for believing things, I can believe anything, provided that it is quite incredible.'

The wind shook some blossoms from the trees, and the heavy lilac-blooms, with their clustering stars, moved to and fro in the languid air. A grasshopper began to chirrup by the wall, and like a blue thread a long thin dragon-fly floated past on its brown gauze wings. Lord Henry felt as if he could hear Basil Hallward's heart beating, and wondered what was coming.

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Table of Contents

The Picture of Dorian Gray Acknowledgements
Introduction
Chronology
Further Reading
A Note on the Text

The Picture of Dorian Gray

Appendix 1: Selected Contemporary Reviews of The Picture of Dorian Gray

Appendix 2: Introduction to the First Penguin Classics Edition, by Peter Ackroyd

Notes

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Customer Reviews

Average Rating 4
( 723 )
Rating Distribution

5 Star

(325)

4 Star

(209)

3 Star

(111)

2 Star

(33)

1 Star

(45)

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See All Sort by: Showing 1 – 20 of 724 Customer Reviews
  • Posted June 20, 2009

    SPECTACULAR NOVEL, but buy a different edition

    "The Picture of Dorian Gray" is a fantastic book, mixing excellent wit with poignant commentary on society, intertwined around a spiritual story about a man who sold his soul unwittingly, but unrepentantly. Make sure you read this book, BUT ... buy a different edition.

    The editor of this book, Cauti, included many intelligent and spectacular notes throughout the book, but he includes asterisks and cross-marks throughout the book so that you will check his footnotes. These appear on 90% of the pages, and they ruin the flow of Wilde's prose because the reader is compelled to stop reading, check the footnote, and return to their previous position. The rhythm of the writing is totaly disrupted whenever this happens, and it is fair to say that this happens often. Often enough, in fact, that I recommend you buy another edition. Not this one.

    25 out of 28 people found this review helpful.

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  • Posted June 15, 2009

    more from this reviewer

    Decadent

    I knew relatively little going into this book...and what little I did know was from less than 100% accurate retellings such as in League of Extraordinary Gentlemen or references from cheesy shows or horror flicks (I think perhaps there was a reference in Scooby Doo somewhere?). I had the basic gist...there's a guy, Dorian Gray, who has some magical painting that ages while he stays young and wonderful forever. Not much to go on, but I was still excited to read it. I was pleasantly surprised that the book had much more depth to it.

    I was a little torn on my overall feeling for the book. It took me a while to get into it and there were long passages that were drudgerous to push through. However, from a high level, this is one of the better books I've read this year...or even for numerous years. It had a plenitude of intriguing themes that left me thinking in between readings. It had a lot of humorous quips and paradigms as presented by Harry that I laughed out loud at. It had surprising twists and tension that left me curious as to the true outcome (as opposed to that from rip-off stories). There are a couple of spots that could be considered "climax"...the confrontation with the artist is the main turning point in the book. Personally, I would have rather seen more pages after that turning point than before it. I think the last 1/3 of the book was far more engaging. At the same time, the buildup was necessary to promote the intended mood.

    Overall, this is a book I definitely recommend, with the caveat that you should be aware that it does slow down at points. Just push through those. The overall work is worthy of a couple of slow zones. In fact, perhaps those slow zones serve the purpose of allowing more pondering.

    13 out of 14 people found this review helpful.

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  • Anonymous

    Posted December 7, 2011

    One of the most well written books you'll ever read

    Believe it or not, I had not heard of The Picture of Dorian Gray until the movie League of Extraordinaty Gentleman came out. I know, crazy right. No, I havn't lived under a rock my whole life. I don't know how i missed it. Well, after seeing the movie I rented every movie of The Picture of Dorian Gray I could find and fell in love with the story. Then I read the book... and fell in love with the writing.

    Reading the first chapter is like being swathed in wonderful writing from head too toe. I felt completely surrounded by it. You can almost feel the warmth of the garden, hear the sounds of the birds and dragonflies, and smell the beauty of the flowers as you sit and listen to this conversation between Harry and Basil. The writing is an immersive experince. And Basil's description of his first encounter with Dorian and the feelings that Dorian stirs in him, sound almost... romantic. At the least there's definately a bromance going on. And we also see the first crack of Dorian's facade in this chapter, which Basil's decsription of how Dorian sometiems seems purposefully cruel to him. Isn't it interesting, the first chapter ends with Harry demanding to meet Dorian and dragging Basil into the house and we haven't even met Dorian yet ourselves.

    As I read the book it occured to me that it could also have been titled the Influence of Lord Henry Wotten, for Harry's (as he's called by his friends) opinions and influence are as central to the story as Dorian Gray himself and more of a factor than the portrait itself. Hardly a scene goes by that Harry, whether present or not, is not quoted as an authority. It was as if he was the potter and Dorian was the clay. Harry was fully aware of his influence, and Dorian... Dorian seemed to be racing from one sensation to another like a spoiled child.

    This was by far one of the best written, most interesting stories I have read. I will read it over and over and would recommend it to everyone.

    STATS:
    Nook Pages: 240
    Genere: Classic
    Re-readability: Very High

    10 out of 10 people found this review helpful.

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  • Anonymous

    Posted May 5, 2010

    Better if you know about the author

    An interesting story rife with paradoxical witticisms and artistic commentary. Something falls short in the plot structure for me to withold labeling it as a great work of literature though I did very much enjoy it

    This book becomes infinitely more interesting as one researches Oscar Wilde and what the characters and art meant to him and the historical context in which they were illustrated.
    I would definitely recommend trying to find at least a brief account of Wilde's life and reading before delving into this book, it will pay dividends in the end and leave you less nonplussed about the surfeit of now untimely allusions.

    4 out of 4 people found this review helpful.

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  • Anonymous

    Posted July 28, 2009

    Absolutely wonderful book

    I had to read this book for class. Sadly if it wasn't required I wouldn't have read it because I cannot stand classics. When I read this book and loved it I was astonished. Before reading it though I do recommend looking into the time period in which it was published so that you understand why it was such a controversial book. It was absolutely genius though.

    4 out of 4 people found this review helpful.

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  • Anonymous

    Posted July 21, 2008

    Really pretty good - probably deserves a 4.5

    I read this book many months ago, and as time has passed, it only grows upon me more. Though I will admit some parts are dry... other parts are fraught with action and suspense. The ending'and book itself' shocked me, and I am still thinking about it now, 7 months later. If you want a 'thriller', a book that is plot-driven and never drones, read another book. But if you want a complex, horrifying, intriguing work based on characters and self-conflict, then definitely I highly recommend Dorian Gray

    4 out of 4 people found this review helpful.

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  • Anonymous

    Posted December 26, 2011

    Very Bad

    This is a very poorly copied version of a great book and to my knowledge the only free version available. You are better off just buying a cheap copy of the ebook.

    3 out of 3 people found this review helpful.

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  • Anonymous

    Posted November 17, 2011

    Very good book

    First classic i've ever read and it was amazing. It was a unique and interesting change from most books i read.

    3 out of 3 people found this review helpful.

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  • Anonymous

    Posted November 3, 2012

    DO not get.

    Horrible book scans that don't include the whole book do not get.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted August 16, 2012

    Typos galore

    Typos galore

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted October 22, 2011

    Amazing!

    I honestly loved the book, couldn't stop reading. I truely fell in love with this book and its characters. Would most deffinately recomend it to everyone, if you enjoy mystery and scandelous happenings.

    2 out of 2 people found this review helpful.

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  • Posted February 16, 2011

    I Also Recommend:

    Insightful on the essentials of life...

    Reading the synopsis of this novel, you would expect it to be a fantastical tale of magic and suspense. This is absolutely untrue. The novel delves into the nooks and crannies of the human soul. It dwells upon the subjects of right and wrong, heaven and hell, and vanity and evil. Every page is quotable and in every line, a debate can be found. Excellent writing. Excellent skill. The ending is abrupt, but also brilliant.

    *On a scale of 1-10 of reading difficulty, this book is a 4 or 5. Not hard to understand at all. Go for it.

    2 out of 2 people found this review helpful.

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  • Posted February 14, 2011

    Invest your time

    The Picture of Dorian Gray is an interesting exploration of human weaknesses. Kind of creepy!

    2 out of 2 people found this review helpful.

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  • Posted May 6, 2010

    I Also Recommend:

    One of my favorite books.

    I's an amazing book, but hard to read mostly because i'm not familiar with the words used in the book. but when I read it again, I believe Oscar Wilde IS A GENIUS!!!!

    2 out of 3 people found this review helpful.

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  • Posted October 25, 2008

    more from this reviewer

    be careful what you wish for...

    This book contains 5 stories, all fascinating! The Picture of Dorian Gray is a gripping tale about the evils of being superficial. It was intriguing to see how the portrait changed to reflect the heart and soul of Dorian. Dorian was able to remain young and beautiful while his sins were reflected on canvas for the whole world to see. Dorian locks the portrait away to try to hide his shame from the world which is a very human impulse! I wonder, if it hadn't all been to much for him to bear, would he have been immortal? Could he truly have stayed young forever? Dorian must never have heard the old adage, be careful what you wish for because it may come true!

    2 out of 3 people found this review helpful.

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  • Anonymous

    Posted September 12, 2013

    Great Book

    This is an amazing tale of how flesly desires can corrpput. Amazing classic!!!!

    1 out of 1 people found this review helpful.

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  • Posted September 7, 2011

    The Picture Of Dorian Gray Review

    Dorian Gray is a classic novel written by Irish author Oscar Wilde. It is a very unique book that is a classic due to its excellent plot, colorful characters, and dramatic conclusion, which is also an amazing combination of drama and a touch of horror. The book takes place in Victorian London and its main characters are Dorian and Lord Henry, two very wealthy men, and also a painter named Basil who later goes on to draw that infamous portrait. In a way the characters are a bit cliché, but they all have quite a bit of depth, Dorian in particular. The story is mainly based around Dorian and Henry discussing the best way to live their lives, while Basil comes in to talk every now and then. Lord Henry always seemed to be a bad influence on Dorian as they both grew up to be rich, fat, narcissistic pigs.
    Later on in the book, Basil made a picture of Dorian when he was around 17 years old, at the height of his late youth. He claimed it to be his best work although Dorian never permitted him to display it at a gallery. After Basil painted it, Dorian cried out as to why the painting could stay young but he would not. He then later went on to rant about wishing to have eternal youth. Afterwards, Dorian spent the rest of his days living his life in a terrible fashion while something peculiar seemed to happen to the painting. In the beginning I stated that some characters were cliché, but Oscar Wilde was only displaying the sad truth about many Victorian Lords. Many could be very greedy and self-centered (although not to the extent of Dorian obviously.) The Picture Of Dorian Gray was a marvelous book of the 19TH Century, and readers can still enjoy this wonderful book today.

    1 out of 1 people found this review helpful.

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  • Posted July 2, 2011

    more from this reviewer

    My most highlighted book!

    I absolutely LOVE this book!!! Very quotable and extremely spellbinding! I highly recommend it!

    1 out of 1 people found this review helpful.

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  • Posted April 8, 2011

    more from this reviewer

    actually, horrible story

    I realized I never read this book, only knowing the legend through pop-culture. It was different than I expected, Widle's writing style is atrocious; no one in this novel sits down, they all throw themselves upon the furniture, Every Single Time. Its a ridiculous piece of prose, not all that engaging. The pop-culture idea of Dorian is much more interesting than the genuine article.

    1 out of 4 people found this review helpful.

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  • Anonymous

    Posted July 9, 2014

    Fantastic

    Not for the dim of wit

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