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The Prince and the Pauper-Illustrated Classics-Read Along

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Read-Along Includes: 1 paperback and 1 audio CD. These literary masterpieces are made easy and interesting. This series features classic tales retold with color illustrations to introduce literature to struggling readers. Each 64-page softcover book retains key phrases and quotations from the original classics. Two boys- one a prince, the other a pauper- look so much alike that no one can tell them apart! Join them in the days of old England, as they switch places- the prince ...
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Overview


Read-Along Includes: 1 paperback and 1 audio CD. These literary masterpieces are made easy and interesting. This series features classic tales retold with color illustrations to introduce literature to struggling readers. Each 64-page softcover book retains key phrases and quotations from the original classics. Two boys- one a prince, the other a pauper- look so much alike that no one can tell them apart! Join them in the days of old England, as they switch places- the prince becoming a pauper and the pauper a prince.

When young Edward VI of England and a poor boy who resembles him exchange places, each learns something about the other's very different station in life.

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Product Details

  • ISBN-13: 9781562549312
  • Publisher: Saddleback Educational Publishing
  • Publication date: 9/28/2010
  • Series: Saddleback's Illustrated Classics Series
  • Edition description: Graphic Novels
  • Age range: 12 - 17 Years
  • Product dimensions: 5.90 (w) x 8.70 (h) x 0.50 (d)

Meet the Author



Lucy Rollin is Associate Professor of English at Clemson University.

Biography

Mark Twain was born Samuel Langhorne Clemens on November 30, 1835, in Florida, Missouri; his family moved to the port town of Hannibal four years later. His father, an unsuccessful farmer, died when Twain was eleven. Soon afterward the boy began working as an apprentice printer, and by age sixteen he was writing newspaper sketches. He left Hannibal at eighteen to work as an itinerant printer in New York, Philadelphia, St. Louis, and Cincinnati. From 1857 to 1861 he worked on Mississippi steamboats, advancing from cub pilot to licensed pilot.

After river shipping was interrupted by the Civil War, Twain headed west with his brother Orion, who had been appointed secretary to the Nevada Territory. Settling in Carson City, he tried his luck at prospecting and wrote humorous pieces for a range of newspapers. Around this time he first began using the pseudonym Mark Twain, derived from a riverboat term. Relocating to San Francisco, he became a regular newspaper correspondent and a contributor to the literary magazine the Golden Era. He made a five-month journey to Hawaii in 1866 and the following year traveled to Europe to report on the first organized tourist cruise. The Celebrated Jumping Frog of Calaveras County and Other Sketches (1867) consolidated his growing reputation as humorist and lecturer.

After his marriage to Livy Langdon, Twain settled first in Buffalo, New York, and then for two decades in Hartford, Connecticut. His European sketches were expanded into The Innocents Abroad (1869), followed by Roughing It (1872), an account of his Western adventures; both were enormously successful. Twain's literary triumphs were offset by often ill-advised business dealings (he sank thousands of dollars, for instance, in a failed attempt to develop a new kind of typesetting machine, and thousands more into his own ultimately unsuccessful publishing house) and unrestrained spending that left him in frequent financial difficulty, a pattern that was to persist throughout his life.

Following The Gilded Age (1873), written in collaboration with Charles Dudley Warner, Twain began a literary exploration of his childhood memories of the Mississippi, resulting in a trio of masterpieces --The Adventures of Tom Sawyer (1876), Life on the Mississippi (1883), and finally The Adventures of Huckleberry Finn (1885), on which he had been working for nearly a decade. Another vein, of historical romance, found expression in The Prince and the Pauper (1882), the satirical A Connecticut Yankee in King Arthur's Court (1889), and Personal Recollections of Joan of Arc (1896), while he continued to draw on his travel experiences in A Tramp Abroad (1880) and Following the Equator (1897). His close associates in these years included William Dean Howells, Bret Harte, and George Washington Cable, as well as the dying Ulysses S. Grant, whom Twain encouraged to complete his memoirs, published by Twain's publishing company in 1885.

For most of the 1890s Twain lived in Europe, as his life took a darker turn with the death of his daughter Susy in 1896 and the worsening illness of his daughter Jean. The tone of Twain's writing also turned progressively more bitter. The Tragedy of Pudd'nhead Wilson (1894), a detective story hinging on the consequences of slavery, was followed by powerful anti-imperialist and anticolonial statements such as 'To the Person Sitting in Darkness' (1901), 'The War Prayer' (1905), and 'King Leopold's Soliloquy' (1905), and by the pessimistic sketches collected in the privately published What Is Man? (1906). The unfinished novel The Mysterious Stranger was perhaps the most uncompromisingly dark of all Twain's later works. In his last years, his financial troubles finally resolved, Twain settled near Redding, Connecticut, and died in his mansion, Stormfield, on April 21, 1910.

Author biography courtesy of Random House, Inc.

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    1. Also Known As:
      Samuel Langhorne Clemens (real name); Sieur Louis de Conte
    1. Date of Birth:
      November 30, 1835
    2. Place of Birth:
      Florida, Missouri
    1. Date of Death:
      April 21, 1910
    2. Place of Death:
      Redding, Connecticut

Read an Excerpt

Chapter One

The Birth of the Prince and the Pauper


In the ancient city of London, on a certain autumn day in the second quarter of the sixteenth century, a boy was born to a poor family of the name of Canty, who did not want him. On the same day another English child was born to a rich family of the name of Tudor, who did want him. All England wanted him, too. England had so longed for him, and hoped for him, and prayed God for him, that now that he was really come, the people went nearly mad for joy. Mere acquaintances hugged and kissed each other and cried; everybody took a holiday, and high and low, rich and poor, feasted and danced, and sang, and got very mellow?and they kept this up for days and nights together. By day, London was a sight to see, with gay banners waving from every balcony and house-top, and splendid pageants marching along. By night it was again a sight to see, with its great bonfires at every corner and its troops of revelers making merry around them. There was no talk in all England but of the new baby, Edward Tudor, Prince of Wales, who lay lapped in silks and satins, unconscious of all this fuss, and not knowing that great lords and ladies were tending him and watching over him?and not caring, either. But there was no talk about the other baby, Tom Canty, lapped in his poor rags, except among the family of paupers whom he had just come to trouble with his presence.

Chapter Two

Tom's Early Life


Let us skip a number of years.

London was fifteen hundred years old, and was a great town-for that day. It had a hundred thousand inhabitants-some think double as many. The streets were very narrow, and crooked,and dirty, especially in the part where Tom Canty lived, which was not far from London Bridge. The houses were of wood, with the second story projecting over the first, and the third sticking its elbows out beyond the second. The higher the houses grew, the broader they grew. They were skeletons of strong criss-cross beams, with solid material between, coated with plaster. The beams were painted red or blue or black, according to the owner's taste, and this gave the houses a very picturesque look. The windows were small, glazed with little diamond-shaped panes, and they opened outward, on hinges, like doors.

The house which Tom's father lived in was up a foul little pocket called Offal Court, out of Pudding Lane. It was small, decayed, and ricketty, but it was packed full of wretchedly poor families. Canty's tribe occupied a room on the third floor. The mother and father had a sort of bedstead in the corner, but Tom, his grandmother, and his two sisters, Bet and Nan, were not restricted-they had all the floor to themselves, and might sleep where they chose. There were the remains of a blanket or two and some bundles of ancient and dirty straw, but these could not rightly be called beds, for they were not organized; they were kicked into a general pile, mornings, and selections made from the mass at night, for service.

Bet and Nan were fifteen years old-twins. They were good-hearted girls, unclean, clothed in rags, and profoundly ignorant. Their mother was like them. But the father and the grandmother were a couple of fiends. They got drunk whenever they could; then they fought each other or anybody else who came in the way; they cursed and swore always, drunk or sober; John Canty was a thief, and his mother a beggar. They made beggars of the children, but failed to make thieves of them. Among, but not of, the dreadful rabble that inhabited the house, was a good old priest whom the king had turned out of house and home with a pension of a few farthings, and he used to get the children aside and teach them right ways secretly. Father Andrew also taught Tom a little Latin, and how to read and write; and would have done the same with the girls, but they were afraid of the jeers of their friends, who could not have endured such a queer accomplishment in them.

All Offal Court was just such another hive as Canty's house. Drunkenness, riot and brawling were the order, there, every night and nearly all night long. Broken heads were as common as hunger in that place. Yet little Tom was not unhappy. He had a hard time of it, but did not know it. It was the sort of time that all the Offal Court boys had, therefore he supposed it was the correct and comfortable thing. When he came home empty handed at night, he knew his father would curse him and thrash him first, and that when he was done the awful grandmother would do it all over again and improve on it; and that away in the night his starving mother would slip to him stealthily with any miserable scrap or crust she had been able to save for him by going hungry herself, notwithstanding she was often caught in that sort of treason and soundly beaten for it by her husband.

No, Tom's life went along well enough, especially in summer. He only begged just enough to save himself, for the laws against mendicancy were stringent, and the penalties heavy; so he put in a good deal of his time listening to good Father Andrew's charming old tales and legends about giants and fairies, dwarfs and genii, and enchanted castles, and gorgeous kings and princes. His head grew to be full of these wonderful things, and many a night as he lay in the dark on his scant and offensive straw, tired, hungry, and smarting from a thrashing, he unleashed his imagination and soon forgot his aches and pains in delicious picturings to himself of the charmed life of a petted prince in a regal palace. One desire came in time to haunt him day and night: it was, to see a real prince, with his own eyes. He spoke of it once to some of his Offal Court comrades; but they jeered him and scoffed him so unmercifully that he was glad to keep his dream to himself after that.

He often read the priest's old books and got him to explain and enlarge upon them. His dreamings and readings worked certain changes in him, by and by. His dream-people were so fine that he grew to lament his shabby clothing and his dirt, and to wish to be clean and better clad. He went on playing in the mud just the same, and enjoying it, too; but instead of splashing around in the Thames solely for the fun of it, he began to find an added value in it because of the washings and cleansings it afforded.

Tom could always find something going on around the May-pole in Cheapside, and at the fairs, and now and then he and the rest of London had a chance to see a military parade when some famous unfortunate was carried prisoner to the Tower, by land or boat. One summer's day he saw poor Anne Askew and three men burned at the stake in Smithfield, and heard an ex-Bishop preach a sermon to them which did not interest him. Yes, Tom's life was varied and pleasant enough, on the whole.

By and by Tom's reading and dreaming about princely life wrought such a strong effect upon him that he began to act the prince, unconsciously. His speech and manners became curiously ceremonious and courtly, to the vast admiration and amusement of his intimates. But Tom's influence among these young people began to grow, now, day by day; and in time he came to be looked up to, by them, with a sort of wondering awe, as a superior being. He seemed to know so much! and he could do and say such marvelous things! and withal, he was so deep and wise! Tom's remarks, and Tom's performances, were reported by the boys to their elders, and these also presently began to discuss Tom Canty, and to regard him as a most gifted and extraordinary creature. Full grown people brought their perplexities to Tom for solution, and were often astonished at the wit and wisdom of his decisions. In fact he was become a hero to all who knew him except his own family-these, only, saw nothing in him.

Privately, after a while, Tom organized a royal court! He was the prince; his special comrades were guards, chamberlains, equerries, lords and ladies in waiting, and the royal family. Daily the mock prince was received with elaborate ceremonials borrowed by Tom from his romantic readings; daily the great affairs of the mimic kingdom were discussed in the royal council, and daily his mimic highness issued decrees to his imaginary armies, navies, and viceroyalties.

After which, he would go forth in his rags and beg a few farthings, eat his poor crust, take his customary cuffs and abuse, and then stretch himself upon his handful of foul straw, and resume his empty grandeurs in his dreams.

And still his desire to look just once upon a real prince, in the flesh, grew upon him, day by day, and week by week, until at last it absorbed all other desires, and became the one passion of his life.

One January day, on his usual begging tour, he tramped despondently up and down the region round about Mincing Lane and Little East Cheap, hour after hour, barefooted and cold, looking in at cookshop windows and longing for the dreadful pork-pies and other deadly inventions displayed there - for to him these were dainties fit for the angels; that is, judging by the smell, they were - for it had never been his good luck to own and eat one. There was a cold drizzle of rain; the atmosphere was murky; it was a melancholy day. At night Tom reached home so wet and tired and hungry that it was not possible for his father and grandmother to observe his forlorn condition and not be moved?after their fashion; wherefore they gave him a brisk cuffing at once and sent him to bed. For a long time his pain and hunger, and the swearing and fighting going on in the building kept him awake; but at last his thoughts drifted away to far, romantic lands, and he fell asleep in the company of jeweled and gilded princelings who lived in vast palaces, and had servants salaaming before them or flying to execute their orders. And then, as usual, he dreamed that he was a princeling himself.

All night long the glories of his royal estate shone upon him; he moved among great lords and ladies, in a blaze of light, breathing perfumes, drinking in delicious music, and answering the reverent obeisances of the glittering throng as it parted to make way for him, with here a smile, and there a nod of his princely head.

And when he awoke in the morning and looked upon the wretchedness about him, his dream had had its usual effect-it had intensified the sordidness of his surroundings a thousand fold. Then came bitterness, and heartbreak, and tears.

Chapter Three

Tom's Meeting with the Prince

Tom got up hungry and sauntered hungry away but with his thoughts busy with the shadowy splendors of his night's dreams. He wandered here and there in the city, hardly noticing where he was going or what was happening around him. People jostled him, and some gave him rough speech, but it was all lost on the musing boy. By and by he found himself at Temple Bar the furthest from home he had ever traveled in that direction. He stopped and considered a moment, then fell into his imaginings again and passed on, outside the walls of London. The Strand had ceased to be a country road then, and regarded itself as a street-but by a strained construction, for though there was a tolerably compact row of houses on one side of it, there were only some scattering great buildings on the other, these being palaces of rich nobles, with ample and beautiful grounds stretching to the river grounds that are now closely packed with grim acres of brick and stone.

Tom discovered Charing village, presently, and rested himself at the beautiful cross built there by a bereaved king of earlier days; then idled down a quiet, lovely road, past the great cardinal's stately palace, toward a far more mighty and majestic palace beyond-Westminster. Tom stared in glad wonder at the vast pile of masonry, the wide-spreading wings, the frowning bastions and turrets, the huge stone gateway with its gilded bars and its magnificent array of colossal granite lions and the other signs and symbols of English royalty. Was the desire of his soul to be satisfied at last? Here, indeed, was a king's palace-might he not hope to see a prince, now, a prince of flesh and blood, if heaven were willing?

At each side of the gilded gate stood a living statue-that is to say, an erect and stately and motionless man-at-arms, clad from head to heel in shining steel armor. At a respectful distance were many country folk, and people from the city waiting for any chance glimpse of royalty that might offer. Splendid carriages with splendid people in them and splendid servants outside were arriving and departing by several other noble gateways that pierced the royal enclosure.

Poor little Tom, in his rags, approached, and was moving slow and timidly past the sentinels, with a beating heart and a rising hope, when all at once he caught sight, through the golden bars, of a spectacle that almost made him shout for joy. Within was a comely boy, tanned and brown with sturdy out-door sports and exercises, whose clothing was all of lovely silks and satins, shining with jewels; at his hip a little jeweled sword and dagger; dainty buskins on his feet, with red heels, and on his head a jaunty crimson cap with drooping plumes fastened with a great sparkling gem. Several gorgeous gentlemen stood near his servants, without a doubt. O, he was a prince! a prince! a living prince, a real prince, without the shadow of a question, and the prayer of the pauper-boy's heart was answered at last!

Tom's breath came quick and short with excitement, and his eyes grew big with wonder and delight. Everything gave way in his mind, instantly, to one desire; that was, to get close to the prince and have a good, devouring look at him. Before he knew what he was about, he had his face against the gate-bars. The next instant one of the soldiers snatched him rudely away and sent him spinning among the gaping crowd of country gawks and London idlers. The soldier said:

"Mind thy manners thou young beggar!"
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Table of Contents

I. The Birth of The Prince and the Pauper 23
II. Toms Early Life 27
III. Tom's Meeting with the Prince 37
IV. The Prince's Troubles begin 49
V. Tom as a Patrician 57
VI. Tom receives Instructions 73
VII. Tom's First Royal Dinner 89
VIII. The Question of the Seal 97
IX. The River Pageant 103
X. The Prince in the Toils 109
XI. At Guildhall 123
XII. The Prince and His Deliverer 133
XIII. The Disappearence of the Prince 151
XIV. "Le R oi est mort--Vive le R oi" 161
XV. Tom as King 179
XVI. The State Dinner 195
XVII. Foo-Foo the First 203
XVIII. The Prince with the Tramps 223
XIX. The Prince with the Peasants 237
XX. The Prince and the Hermit 247
XXI. Hendon to the Rescue 259
XXII. A Victim of Treachery 269
XXIII. The Prince a Prisoner 281
XXIV. The Escape 289
XXV. Hendon Hall 295
XXVI. Disowned 309
XXVII. In Prison 317
XXVIII. The Sacrifice 333
XXIX. To London 341
XXX. Tom's Progress 347
XXXI. The Recognition Procession 353
XXXII. Coronation Day 365
XXXIII. Edward as King 385
Conclusion: Justice and Retribution 399
Notes 405
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Reading Group Guide

Set in sixteenth-century England, Mark Twain’s classic “tale for young people of all ages” features two identical-looking boys—a prince and a pauper—who trade clothes and step into each other’s lives. While the urchin, Tom Canty, discovers luxury and power, Prince Edward, dressed in rags, roams his kingdom and experiences the cruelties inflicted on the poor by the Tudor monarchy. As Christopher Paul Curtis observes in his Introduction, The Prince and the Pauper is “funny, adventurous, and exciting, yet also chock-full of . . . exquisitely reasoned harangues against society’s ills.”

This Modern Library Paperback Classic is set from the Mark Twain Project edition, which is the approved text of the Center for Scholarly Editions of the Modern Language Association.

1. The Prince and the Pauper is set in sixteenth-century Tudor England during the reign of Henry VIII. This time was marked by a great social and economic disparity between the rich and the poor. How does Twain tackle this issue in the novel? What did you learn from this time period about democracy and monarchy?

2. Some might say Miles Hendon acts as the "hero" in this novel. What heroic qualities does he possess? Is he lacking any that prevent him from being a true hero?

3. What are some of the similarities between Tom's and Edward's lives? What makes the other's life more appealing to Tom and Edward, respectively? How do they grow through their experiences?

4. In the novel, children believe that Edward is the king while the adults do not. Are there other examples where children have greater knowledge than adults? ConsiderTwain's implications here.

5. The Prince and the Pauper has been compared in style to works of Dickens. What aspect of the novel stands out to you most?

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