The Print

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The technical information is clear and concise, starting with deisinging and euqipping a darkroom and continues through making the first print, ending with all sorts of professional tips and tricks for achieving that special image.

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1995 PAPERBACK Good 0821221876 1995 thirteenth printing Little, Brown and Co. (Boston), 7 5/8 x 9 1/2 inches tall trade paperback, x, 210 pp. Minor rubbing and edgewear to ... covers, with sun fading to the spine. Price sticker to rear cover. Slight staining to half title page. Otherwise, a very good copy-clean, bright and unmarked. ~EE~ Ansel Easton Adams (1902-1984) was an American photographer and environmentalist. His black-and-white landscape photographs of the American West, especially Yosemite National Park, have been widely reproduced on calendars, posters, and books. With Fred Archer, Adams developed the Zone System as a way to determine proper exposure and adjust the contrast of the final print. The resulting clarity and depth characterized his photographs. Read more Show Less

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Overview

The technical information is clear and concise, starting with deisinging and euqipping a darkroom and continues through making the first print, ending with all sorts of professional tips and tricks for achieving that special image.

Read More Show Less

Product Details

  • ISBN-13: 9780821221877
  • Publisher: Bulfinch
  • Publication date: 6/1/1995
  • Series: Ansel Adams Photography Series , #3
  • Edition description: Reprint
  • Edition number: 1
  • Pages: 224
  • Sales rank: 128,571
  • Product dimensions: 7.50 (w) x 9.50 (h) x 0.75 (d)

Meet the Author

Ansel Adams (1902-1984) was one of the great artists and environmentalists of the twentieth century. In a remarkable career spanning more than sixty years, he made over 40,000 photographs. Adams was a master teacher as well as a master photographer, believing that his approach to photography was universally applicable. From 1955 until 1984 he conducted annual photography workshops, first in Yosemite and later in Carmel. But his most important and lasting contribution to the artistic, practical, and technical aspects of black-and-white photography was through his legendary technical series (revised several times since the initial publication in the early 1950s): The Camera, The Negative, and The Print.

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