The Public Face of Modernism: Little Magazines, Audiences and Reception, 1905-1920

The Public Face of Modernism: Little Magazines, Audiences and Reception, 1905-1920

by Mark S. Morrisson
     
 

ISBN-10: 0299169243

ISBN-13: 9780299169244

Pub. Date: 12/20/2000

Publisher: University of Wisconsin Press


Between the 1890s and the 1920s, mass consumer culture and modernism grew up together, by most accounts as mutual antagonists. This provocative work of cultural history tells a different story.  By delving deeply into the publishing and promotional practices of the modernists in Britain and America, however, Mark Morrisson reveals that their engagements with

Overview


Between the 1890s and the 1920s, mass consumer culture and modernism grew up together, by most accounts as mutual antagonists. This provocative work of cultural history tells a different story.  By delving deeply into the publishing and promotional practices of the modernists in Britain and America, however, Mark Morrisson reveals that their engagements with the commercial mass market were in fact extensive and diverse.
    The phenomenal successes of new advertising agencies and mass market publishers did elicit what Morrisson calls a "crisis of publicity" for some modernists and for many concerned citizens in both countries. But, as Morrisson demonstrates, the vast influence of these industries on consumers also had a profound and largely overlooked effect upon many modernist authors, artists, and others. By exploring the publicity and audience reception of several of the most important modernist magazines of the period, The Public Face of Modernism shows how modernists, far from lamenting the destruction of meaningful art and public culture by the new mass market, actually displayed optimism about the power of mass-market technologies and strategies to transform and rejuvenate contemporary culture—and, above all, to restore a public function to art.
    This reconstruction of the "public face of modernism" offers surprising new perceptions about the class, gender, racial, and even generational tensions within the public culture of the early part of the century, and provides a rare insight into the actual audiences for modernist magazines of the period.  Moreover, in new readings of works by James Joyce, George Bernard Shaw, Wyndham Lewis, Ford Madox Ford, T. S. Eliot, William Carlos Williams, and many others, Morrisson shows that these contexts also had an impact on the techniques and concerns of the literature itself.

Product Details

ISBN-13:
9780299169244
Publisher:
University of Wisconsin Press
Publication date:
12/20/2000
Edition description:
New Edition
Pages:
296
Product dimensions:
6.00(w) x 9.00(h) x 0.90(d)

Table of Contents

Illustrations
ix
Acknowledgments xi
Introduction: Mass Market Publicity-Modernism's Crisis and Opportunity 3(14)
The Myth of the Whole and Ford's English Review: Edwardian Monthlies, the Mercure de France, and Early British Modernism
17(37)
Performing the Pure Voice: Poetry and Drama, Elocution, Verse Recitation, and Modernist Poetry in Prewar London
54(30)
Marketing British Modernism: The Freewoman, the Egoist, and Counterpublic Spheres
84(49)
Youth in Public: The Little Review and Commercial Culture in Chicago
133(34)
Pluralism and Counterpublic Spheres: Race, Radicalism, and the Masses
167(36)
Epilogue 203(8)
Notes 211(40)
Works Cited 251(18)
Index 269

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