The Pushcart Prize XXXV: Best of the Small Presses 2011

The Pushcart Prize XXXV: Best of the Small Presses 2011

5.0 1
by Bill Henderson
     
 

View All Available Formats & Editions

“A must have book for contemporary literature lovers.”—Publishers Weekly, starred review
In The Pushcart Prize XXXV more than sixty selections of brilliant short stories, essays, and poetry have been picked from thousands of nominations. This is a communal effort by the Pushcart Press staff, contributing editors, and hundreds of small presses. For…  See more details below

Overview

“A must have book for contemporary literature lovers.”—Publishers Weekly, starred review
In The Pushcart Prize XXXV more than sixty selections of brilliant short stories, essays, and poetry have been picked from thousands of nominations. This is a communal effort by the Pushcart Press staff, contributing editors, and hundreds of small presses. For this edition distinguished poets Julie Sheehan and Tom Sleigh served as poetry editors. The result is an introduction to a literary world that few readers have access to, where much of today's important new writing is published, far from the commercial influence of the conglomerates.
In reviewing last year's edition, Donna Seaman of Booklist commented: "A brimming, vibrant anthology-the perfect introduction to new writers and adventurous new work by established writers . . . extraordinary in its range of voices and subjects. Here is literature to have and to hold."The Pushcart Prize has been chosen for the Ivan Sandrof Lifetime Achievement recognition by the National Book Critics Circle and the Writers for Writers award from Poets & Writers / Barnes & Noble.

Read More

Editorial Reviews

Publishers Weekly
Henderson reminds us in the latest anthology showcasing the "best" poetry, fiction, and nonfiction from this year's crop of literary magazines, that 2010 was a monumental year for the small press: Paul Harding's Tinkers, published by Bellevue, won the Pulitzer Prize, after all. And these Pushcart picks generally substantiate Henderson's claim that contemporary literature is thriving, not dying. Like many "best of" assemblages, it is best enjoyed in small portions, thus avoiding the risk of taking in too many at a time, at which point the attempt for quirkiness and resonance begins to detract from the singular power these stories, essays, and poems genuinely do hold. This year's volume opens with "The River Nemunas" by Anthony Doerr, originally published in Tin House and, in keeping with the competitive theme, this story clearly wins the cart. Other notables include Tony Hoagland's poem "Victory," Bob Hicok's "Watchful," Ravi Shankar's "Barter," the story "Shelter" by Susan Perabo, and the essay "Mot" by Sarah Einstein. In an age of the daily death knell--a "gleeful slaughter" as Henderson calls the domino demise of small and literary presses and publications--the Pushcart, at 35, continues to age with defiance and grace. (Nov 15.)
Kirkus Reviews

The Pushcart Prize hits its 35th anniversary, and editor, literary activist and Pushcart pusher Henderson is ticked off.

That's about 16 decades in dog years, or a century in computer years, a time long enough to note some trends and to develop a cantankerous irascibility. When he started his annual round-up of the small-press world, writes Henderson, "as now, publishing was in crisis,"with conglomerates snapping up formerly independent houses and pundits bemoaning the collapse of literary culture. Well, now things are different, he writes: "Now, our busy money folks don't even recognize print—fake books (Kindle) and fake publishers (vanity) abound." No e-books, presumably, for the Pushcartians, and Henderson compounds the snippiness later with outlashings at the likes of Northwestern University Press and Doubleday for various sins against the culture. But no matter; publishing may be in a state of crisis, but that seems not to have stanched the flow of manuscripts into the judges' inboxes. As usual, the Pushcart Prize anthology turns up many of the usual suspects, the tenured MFA mafia, seasoned with young and emerging writers bursting with fresh insights. Which is to say: It's always good to hear from warhorses such as Philip Levine ("I'm doing my feeble best to entrance you") and Barney Rosset ("Beckett came in, tall, trench coated, and taciturn, on his way to another appointment"), but for the news-seekers, the greater pleasures in the book will be in the arrivals of writers such as Amanda Rea, who writes affectingly of her father's efforts to make it as a country singer, and Susan McCallum-Smith, who blends offbeat family history with, of all things, episodes in philately. As is often the case, the nonfiction is fresher than the fiction, which tends to the derivative (if the accomplished derivative)—though Marilyn Chin's subversive take on Buddhist folklore, mixing plainspun folktales with lines of the Don Rickles variety ("Leave the poor bird alone, you loser-redneck"), makes up for a lot of workshoppish sins.

As ever, an essential barometer for spotting literary trends—and, for would-be writers, figuring out where to send the next submission. And, as ever, essential, period.

Read More

Product Details

ISBN-13:
9781888889598
Publisher:
Pushcart Press, The
Publication date:
11/15/2010
Series:
Pushcart Prize Series, #35
Edition description:
2011 Edition
Pages:
580
Product dimensions:
6.70(w) x 9.30(h) x 1.90(d)

Meet the Author

Bill Henderson is the founder and editor of the Pushcart Prize. He received the 2006 National Book Critic Circle’s Lifetime Achievement Award and the Poets & Writers / Barnes & Noble Writers for Writers Award. He is also the author of several memoirs, including All My Dogs: A Life. The founder of the Lead Pencil Club, Henderson lives in New York.

Customer Reviews

Average Review:

Write a Review

and post it to your social network

     

Most Helpful Customer Reviews

See all customer reviews >

The Pushcart Prize XXXV: Best of the Small Presses 2011 5 out of 5 based on 0 ratings. 1 reviews.
Anonymous More than 1 year ago