The Quarter After

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Editorial Reviews

All Music Guide - Stewart Mason
Between them, singing brothers Dominic Campanella and Rob Campanella have been at least an adjunct member of just about every band in the axis between the Brian Jonestown Massacre, Beachwood Sparks and the Tyde. Unsurprisingly, the self-titled debut by their own band works that circa-'67 L.A. sound, with heavy echoes of the pre-David Axelrod the Electric Prunes, Buffalo Springfield, and various other half-forgotten exemplars of the sound, minimizing the country-rock inflections of Beachwood Sparks only notable on the Neil Young-like "Mirror to You" or much of the slightly unhinged experimentalism of the the Brian Jonestown Massacre. For a little less than half of the ...
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July 12, 2005 CD New in new packaging. Originally released: 2005.

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Editorial Reviews

All Music Guide - Stewart Mason
Between them, singing brothers Dominic Campanella and Rob Campanella have been at least an adjunct member of just about every band in the axis between the Brian Jonestown Massacre, Beachwood Sparks and the Tyde. Unsurprisingly, the self-titled debut by their own band works that circa-'67 L.A. sound, with heavy echoes of the pre-David Axelrod the Electric Prunes, Buffalo Springfield, and various other half-forgotten exemplars of the sound, minimizing the country-rock inflections of Beachwood Sparks only notable on the Neil Young-like "Mirror to You" or much of the slightly unhinged experimentalism of the the Brian Jonestown Massacre. For a little less than half of the album, the brothers, along with bassist David Koenig and drummer Nelson Bragg, do a pretty good pastiche of Sunset Strip psychedelia, kicking up a particularly lysergic head of steam on the self-explanatory "One Trip Later." The problem is that the other half of the album, nearly a full thirty minutes, consists of three endless acid-guitar jams that don't justify their overextended length; the most frustrating one is the nine-minute "Taken," which cooks up a good old-fashioned freight train momentum and then blows it on a flaccid and seemingly endless solo. At about four-and-a-half minutes, it would be the best song on the album, but at nine-minutes-and-16-seconds, it's a prime candidate for the forward skip button. With an editor and a bit more emphasis on Love than the Quicksilver Messenger Service, the Quarter After may really have something.
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Product Details

  • Release Date: 7/12/2005
  • Label: Bird Song Recordings
  • UPC: 795306710127
  • Catalog Number: 101

Tracks

Disc 1
  1. 1 So Far to Fall (3:42)
  2. 2 Your Side Is Mine (2:42)
  3. 3 Always Returning (4:35)
  4. 4 A Parting (4:42)
  5. 5 Too Much to Think About (11:56)
  6. 6 Know Me When I'm Gone (7:15)
  7. 7 Mirror to You (4:07)
  8. 8 One Trip Later (3:43)
  9. 9 Taken (9:16)
  10. 10 Everything Again (2:58)
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Album Credits

Performance Credits
The Quarter After Primary Artist
Rob Campanella Organ, Acoustic Guitar, Dobro, Mandolin, Piano, Electric Guitar, Vocals, Various, Mellotron
Miranda Lee Richards Background Vocals
Nelson Bragg Percussion, Drums, Vocals
Dominic Campanella Acoustic Guitar, Harmonica, Electric Guitar, Vocals, Guitar (12 String Electric)
Farmer Dave Scher Steel Guitar
Dave Koenig Bass, Bass Guitar, 12-string Guitar, Guitar (12 String Acoustic)
Kathrin Shorr Background Vocals
David Koenig Acoustic Guitar, Guitar, Bass Guitar
Technical Credits
Rob Campanella Composer, Producer, Engineer, Audio Production
Hunter Crowley Engineer
Nick Walusko Engineer
Anton Newcombe Engineer
Steve Stanley Art Direction, Cover Design
Brad Vance Mastering
Nelson Bragg Composer, Art Direction
Erik Colvin Engineer
Dominic Campanella Composer
The Quarter After Audio Production
Dave Koenig Composer
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Customer Reviews

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Sort by: Showing 1 Customer Review

  • Anonymous

    Posted October 1, 2010

    One to Watch

    Never having heard of them, I saw them open for Brian Jonestown Massacre in Houston. I'm not big on harmonies but otherwise they sounded great. I'm not sure the better aspects are captured here. They sound a little confined in these clips. Certainly, fans of the Byrds should give it a listen.

    Was this review helpful? Yes  NoThank you for your feedback.   Report this reviewThank you, this review has been flagged.
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