Praise for The Queens of Crime:
"In this excellent novel, Benedict vividly brings to life real Golden Age mystery novelists ... Fans of Benedict’s previous novels and those who enjoy historical whodunits will find this hard to put down." —Library Journal, starred review
“Mystery fans may know the classic novels by the real queens of crime; now, thanks to historical-fiction star Benedict’s cleverly realized portraits of women committed to friendship and feminism, readers will know the wise, empathetic, and resourceful people who wrote them.” —Booklist, starred review
"An ingenious idea goes a long way in “The Queens of Crime" ... Benedict has something special with her quintet." —The Minnesota Star-Tribune
“A shrewd speculative whodunit … Benedict easily brings each of her five distinct writer/sleuths to life, and honors their literary legacies by providing plenty of ingenious, fair-play clues to help careful readers follow along and solve the central mystery. This is a treat for fans of golden age whodunits.” —Publishers Weekly
“Benedict brings both the twisty mystery and the legendary ladies to life with impeccable style, taking us full circle from the Golden Age and back again.” —CrimeReads
“In this marvelous locked-room puzzle, we’re treated to a masterclass in solving mysteries from the grand dames of the form … A delight from beginning to end.” —firstCLUE
“I was riveted by this quintet of mystery writers... Smart, biting, and a tribute to female friendship and loyalty. An absolute delight!” —Fiona Davis, New York Times bestselling author of The Spectacular
"Faithful to history and at the same time wonderfully inventive, The Queens of Crime is a brilliant, irresistible, and page-turning delight, as well as a rallying cry for what women can accomplish when we stick together. If I always had a new book by Marie Benedict, I would do nothing but read sixteen hours a day." —Nina de Gramont, New York Times bestselling author of The Christie Affair
"I loved Marie Benedict’s stellar The Queens of Crime....[it] will move you with its themes of female friendship and equal justice, which resonate so powerfully even today.” —Lisa Scottoline, New York Times bestselling author of The Truth About the Devlins
"Marie Benedict takes her formidable talents to a new level in The Queens of Crime... Breathtaking suspense and female friendship make for a heady combination in this wonder of a book, which will have fans of both historical fiction and thrillers torn between racing through the pages and wanting to savor every word." —Pam Jenoff, New York Times bestselling author of Code Name Sapphire
"Full of Benedict’s richly textured language, complex moral questions and delicious historic detail, The Queens of Crime reads with the urgency of a mystery and the charm of a captivating, character-driven narrative —this is one to savor. " —Allison Pataki, New York Times bestselling author of Finding Margaret Fuller
Praise for Marie Benedict:
"A powerful and unforgettable story of female strength and the triumph of the human spirit." - Pam Jenoff, New York Times bestselling author of The Woman with the Blue Star on The First Ladies
"Fast-paced and eye-opening." —Fiona Davis, New York Times bestselling author of The Magnolia Place on The Mitford Affair
"Fans of historical fiction will devour this complex portrait of a brilliant and trailblazing genius." —Beatriz Williams, New York Times bestselling author of Our Woman in Moscow on Her Hidden Genius
"A stunning story... The ending is ingenius, and it's possible that Benedict has brought to life the most plausible explanation for why Christie disappeared for 11 days in 1926." —The Washington Post on The Mystery of Mrs. Christie
"[A] fascinating fictionalized account of the consummate political wife." —People magazine on Lady Clementine
"A ready-made thriller as well as a feminist parable." —The New York Times on The Only Woman in the Room
2024-12-11
Five real-life luminaries from the Golden Age of detective fiction team up to solve a murder.
Five months after nurse May Daniels disappeared during a day trip in October 1930 from a railway station near Boulogne-Sur-Mer, a farmer finds her bloody body strangled to death. The French police, unconcerned about the damage they’re doing to the victim and her family, announce on scant evidence that May—whose companion, nurse Celia McCarthy, last saw her entering a ladies’ room she never emerged from—was a drug addict who deserves few tears. By that point, the title quintet—Dorothy L. Sayers, Agatha Christie, Baroness Emma Orczy, Ngaio Marsh, and Margery Allingham—have already sprung into action. Their original motive for traveling to France, proving themselves the equals of G.K. Chesterton and the rest of their condescending male counterparts in the newly formed Detection Club, has morphed into a deep sense of connection to the dead nurse and “an urgent quest to do right.” Working mostly with the reticent, brainy Christie, Sayers, who serves as narrator, methodically retraces May’s last movements and works backward to figure out what she was doing before she and Celia embarked on their trip. Their most promising leads implicate Louis Williams, the son of Mathers Insurance founder Jimmy Williams, as May’s benefactor, beau, and killer. But no reader who’s spent time with any of these writers’ own books will believe that the actual solution will be as simple as that.
A routine whodunit enlivened by the byplay among the author sleuths and their determination to stand up to the patriarchy.