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Overview

The Big Chill meets The Group in Deborah Copaken Kogan’s wry, lively, and irresistible new novel about a once-close circle of friends at their twentieth college reunion.

Clover, Addison, Mia, and Jane were roommates at Harvard until their graduation in 1989. Clover, homeschooled on a commune by mixed-race parents, felt woefully out of place. Addison yearned to shed the burden of her Mayflower heritage. Mia mined the depths of her suburban ennui to enact brilliant performances on the Harvard stage. Jane, an adopted Vietnamese war orphan, made sense of her fractured world through words.

Twenty years later, their lives are in free fall. Clover, once a securities broker with Lehman, is out of a job and struggling to reproduce before her fertility window slams shut. Addison’s marriage to a writer’s-blocked novelist is as stale as her so-called career as a painter. Hollywood shut its gold-plated gates to Mia, who now stays home with her four children, renovating and acquiring faster than her director husband can pay the bills. Jane, the Paris bureau chief for a newspaper whose foreign bureaus are now shuttered, is caught in a vortex of loss.

Like all Harvard grads, they’ve kept abreast of one another via the red book, a class report published every five years, containing brief autobiographical essays by fellow alumni. But there’s the story we tell the world, and then there’s the real story, as these former classmates will learn during their twentieth reunion weekend, when they arrive with their families, their histories, their dashed dreams, and their secret yearnings to a relationship-changing, score-settling, unforgettable weekend.

Editorial Reviews

Publishers Weekly
As readers of photojournalist and author Kogan’s second novel learn, Harvard doesn’t content itself with the alumni mags and e-mails and letters other colleges make do with: before big reunions, it sends out a bound crimson book containing alumni updates on their lives, a reunion cheat sheet that gives Kogan both her title and structural framework. That exasperated sigh you hear, from those of us who didn’t go to Harvard, carries through the first pages, which feature the entries of Kogan’s four main characters: WASPy Addison Cornwall Hunt, an artist and trust funder living in Williamsburg, Brooklyn; black, commune-raised Lehman Brothers managing director Clover Pace Love; Jewish ex-actress and stay-at-home mom Mia Mandelbaum Zane, splitting her time between L.A. and France; and Boston Globe journalist Jane Nguyen Streeter, born in Vietnam, raised in the American suburbs, and based in Paris. Their entries are obviously written to impress and to cover up; real life is what happens before and after, which, in this case, means these class of ’89ers’ 20-plus years of friendship and the three days that constitute their 20th reunion and the bulk of Kogan’s book. What starts out feeling like a marketing-driven “women’s” book—the perfect read for a mani-pedi—turns out to be a smart, funny, engrossing, and action-packed meditation on women’s lives, growing up, having and not having it all, class and the expectations that come with having gone to Harvard, love lost and found, infidelity and sexuality, and finally, loss and lying, especially to yourself. Agent: David McCormick, McCormick & Williams. (Apr.)

Product Details

  • ISBN-13: 9781401340827
  • Publisher: Voice
  • Publication date: 4/3/2012
  • Pages: 368
  • Sales rank: 19,043
  • Product dimensions: 6.40 (w) x 9.40 (h) x 1.30 (d)

Meet the Author

Deborah Copaken Kogan

Deborah Copaken Kogan worked as a war photographer from 1988 to 1992, the period covered in her bestselling memoir Shutterbabe, after which she spent six years as an Emmy Award-winning television producer, first for ABC News, then at Dateline NBC. Her writing, photography, and documentary work have since appeared in many places, including the New Yorker and the New York Times; O, The Oprah Magazine; and on CNN; and she has performed live on stage with both The Moth and Afterbirth. Her novel, Between Here and April, was published in 2008.

Read an Excerpt

The Red Book


By DEBORAH COPAKEN KOGAN

Hyperion Books

Copyright © 2012 Deborah Copaken Kogan
All right reserved.

ISBN: 978-1-4013-4082-7


Chapter One

Friday, June 5, 2009

Addison

It had simply never occurred to Addison that the Cambridge Police Department not only kept two-decade-old records of unpaid parking tickets, but that they could also use the existence of her overdue fines, on the eve of her twentieth college reunion, to arrest her in front of Gunner and the kids. If such a scenario had struck her as even remotely possible, she'd be thinking twice about zooming through that red light on Memorial Drive.

But it hadn't, so here we go.

"Oh my God, look at these idiots," she says, slamming her hand down hard on the horn of her blue and white 1963 VW Microbus, which she purchased online one night in a fit of kitsch nostalgia. Or that's the story she tells friends when they ask what she was thinking buying a vehicle that takes weeks or even months to fix when it breaks down, for want of parts. "Take my advice: don't ever go on eBay stoned," she'll say, whenever the conversation veers toward car ownership, online shopping, or adult pot use. "You'll end up with a first generation off the master Cornell '77 along with the friggin' bus the dude drove to the show."

While the story is technically true, the impetus behind the purchase was much more about economic necessity, practicality, and appearances than Addison likes to admit. For one, she and Gunner couldn't afford a new Prius. They refused, on ecological principle, to buy a used SUV, or rather they refused to be put in the position of being judged for owning an SUV. (While they loved the earth as much as the next family, they weren't above, strictly speaking, adding a supersize vehicle to its surface for the sake of convenience.) A cheap compact, with three kids and a rescued black Lab, was out of the question. And they couldn't wrap their heads around the image of themselves at the helm of a minivan. To be a part of their close-knit circle of friends, all of whom have at least one toe dipped in the alternative art scene in Williamsburg, meant upholding a certain level of épater-le-bourgeois aesthetics. If a minivan or even a station wagon could have been done ironically, believe her, it would have.

Traffic in front of the Microbus has halted, an admixture of the normal clogged arteries at the Charles River crossings during rush hour compounded by the arterial plaque of reunion weekend attendees, those thousands of additional vehicles that appear every June like clockwork, loaded up with alumni families and faded memories, the latter triggered out of dormancy by the sight of the crimson cupola of Dunster House or the golden dome of Adams House or the Eliot House clock tower, such that any one of the drivers blocking Addison's path to Harvard Square might be thinking, as Addison is right now (catching a glimpse of the nondescript window on the sixth floor of that disaster of a modernist building that is Mather House), There, right there: That's where I first fucked her.

No, that wasn't a typo. Prior to marrying Gunner, Addison spent almost two years in a relationship with a woman. This, she likes to remind everyone, was before "Girls Gone Wild," before the acronym LUG ("lesbian until graduation") had even debuted in the Times, so she'd appreciate it if you wouldn't accuse her of following a trend, okay?

If anything, Addison has come to realize, thanks to a cut-rate Jungian who came highly recommended, Bennie was just one more way—like the roommates she wound up choosing—she'd been trying to shake off her pedigree, to prove to herself and to others that she had more depth and facets than her staid history and prep school diploma would suggest. Addison may have been one of the eighth generation of Hunts to matriculate from Harvard, but she would be the first not to heed the siren call of Wall Street. For one, she had no facility with numbers. For another, she'd seen what Wall Street had done to her father. He, too, had been enamored of the stroke of fresh Golden's on canvas from the moment he could hold a paintbrush, but he'd tossed his wooden box of acrylics into the back of the closet of his Park Avenue duplex—where it gathered dust until Addison happened upon it one day during a game of hide-and-seek—because that's what Hunts did: They subsumed themselves into their Brooks Brothers suits. The cirrhosis that killed him in his early fifties, when Addison was just a sophomore in college, was no act of God. It was an act, every glass-tinkling night, of desperation.

Bennie was the first person in her life to make that suggestion. Out loud, at least, and to Addison's face. And though both Bennie and her pronoun were aberrations in the arc of Addison's sexual history, what the two had together—although Addison would only be able to understand this in retrospect, per the cut-rate Jungian—was love.

(Continues...)



Excerpted from The Red Book by DEBORAH COPAKEN KOGAN Copyright © 2012 by Deborah Copaken Kogan. Excerpted by permission of Hyperion Books. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Customer Reviews

Average Rating 3.5
( 17 )

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Sort by: Showing 1 – 16 of 17 Customer Reviews
  • Posted April 4, 2012

    Fascinating but cluttered

    The Red Book was hard for me to get into because it starts with the least sympathetic character, then proceeds to introduce a number of characters it's nearly impossible to keep track of, hopping in and out of all their heads like an especially psychologically perceptive housefly. By the tenth page, I had decided that, in spite of my interest in Ivy League culture and love of Boston, I was not the right audience for this book. But I'm not a reader who gives up easily, and I found that by the middle of the book, when we start to see some of the more meaningful revelations, I was well-trained in jumping between the characters' perspectives, and by the end, the technique actually worked in the story's favor. Not a Harvard alum, I've never read a "red book," so was skeptical as to whether the personal essays were realistic, but they served as convenient character guides when I just couldn't figure out who was who otherwise.

    I haven't read any of the author's other books, but she does have some clout coming in, and by the time I was three-quarters of the way through, I had decided she had enough psychological depth to carry off what she was trying to do. I ended up really enjoying the way she takes each character and implies big themes about that character's stage in life. I never did sympathize with that first character, Addison. However, her story arc included a really terrible husband who was echoed lightly in one of the others, and both husbands left the picture. That contributed to the satisfying sense that in spite of all the things that have gone so terribly, everybody's going to be just fine.

    This book about Harvard alums will astonish with the incredible range of life experience it manages to pack in, and give book clubs in particular a lot to talk about.

    7 out of 7 people found this review helpful.

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  • Anonymous

    Posted May 24, 2012

    Amazing twists and turns

    I really enjoyed this book. The characters lives were so interconnected after many years, which intrigued me as I don't keep in touch with anyone I went to college with.

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  • Posted May 23, 2012

    Loved this book!

    If yo're a sucker for reunions, and always wonder what has happened to your classmates - check this book out. I couldn't lay it down. Follow these classmates and see what has happened to them in the 20 years since college.

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  • Posted May 17, 2012

    easy beach reading

    This book is entertaining but highly predictable. None of the characters are well developed and the life stories do not ring true. In spite of that, I did turn the pages and finished quickly. Light fluff that left no lingering impression.

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