The Rhetoric of Perspective: Realism and Illusionism in Seventeenth-Century Dutch Still-Life Painting

The Rhetoric of Perspective: Realism and Illusionism in Seventeenth-Century Dutch Still-Life Painting

by Hanneke Grootenboer
     
 

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ISBN-10: 0226309703

ISBN-13: 9780226309705

Pub. Date: 11/01/2006

Publisher: University of Chicago Press


Perspective determines how we, as viewers, perceive painting. We can convince ourselves that a painting of a bowl of fruit or a man in a room appears to be real by the way these objects are rendered. Likewise, the trick of perspective can prevent us from being absorbed in a scene. Connecting contemporary critical theory with close readings of seventeenth-century

Overview


Perspective determines how we, as viewers, perceive painting. We can convince ourselves that a painting of a bowl of fruit or a man in a room appears to be real by the way these objects are rendered. Likewise, the trick of perspective can prevent us from being absorbed in a scene. Connecting contemporary critical theory with close readings of seventeenth-century Dutch visual culture, The Rhetoric of Perspective puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image.

Aided by a stunning full-color gallery, Hanneke Grootenboer proposes a new theory of perspective based on the phenomenological aspects of non-narrative still-life, trompe l'oeil, and anamorphic imagery. Drawing on playful and mesmerizing baroque images, Grootenboer characterizes what she calls their "sophisticated deceit," asserting that painting is more about visual representation than about its supposed objects.

Offering an original theory of perspective's impact on pictorial representation, the act of looking, and the understanding of truth in painting, Grootenboer shows how these paintings both question the status of representation and explore the limits and credibility of perception.

 “An elegant and honourable synthesis.”—Keith Miller, Times Literary Supplement

Product Details

ISBN-13:
9780226309705
Publisher:
University of Chicago Press
Publication date:
11/01/2006
Edition description:
New Edition
Pages:
246
Sales rank:
1,109,248
Product dimensions:
6.00(w) x 9.00(h) x 0.80(d)

Table of Contents

Contents
List of Illustrations....................xi
Acknowledgments....................xiii
INTRODUCTION THE THOUGHT OF PAINTING....................3
CHAPTER ONE THE INVISIBILITY OF DEPTH Merleau-Ponty, Lacan, and the Lure of Painting....................21
CHAPTER TWO TRUTH IN BREAKFAST PAINTING Horror Vacui versus the Void and Pascal's Geometrical Rhetoric....................61
CHAPTER THREE THE RHETORIC OF PERSPECTIVE Panofsky, Damisch, and Anamorphosis....................97
CHAPTER FOUR PERSPECTIVE AS ALLEGORICAL FORM Vanitas Painting and Benjamin's Allegory of Truth....................135
CONCLUSION THE LOOK OF PAINTING....................167
Notes....................173
Bibliography....................189
Index....................201

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