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“In his fiction, especially, [Harrison has] hit a deep groove. His meditations on mortality are blended with an antic wit. . . . Mr. Harrison’s new book, The River Swimmer . . . contains some of the best writing of his career. Both novellas burn brightly with what he calls, at one point, ‘unmitigated cupidity,’ not for money or possessions but for life and experience. . . . He is among the most indelible American novelists of the last hundred years . . . Mr. Harrison contains multitudes; like a good rabbit liver pâté, there is a lot of him to spread around. . . . If The River Swimmer is any indication, he remains at the height of his powers.”—Dwight Garner, The New York Times
“Trenchant and visionary . . . Harrison is a writer of the body, which he celebrates as the ordinary, essential and wondrous instrument by which we measure the world. Without it, there is no philosophy. And with it, of course, philosophy can be a rocky test. . . . I could feel Jim Harrison grinning . . . in his glorious novella The River Swimmer.”—Ron Carlson, The New York Times Book Review
“[Harrison] has crafted gorgeous and wry sentences out of the quiet raging against the indignities and infirmities of age. And, in Clive, he has created another indelible and soulful rascal. . . . Harrison is one of our greatest voices of aging both clumsily and well and of teasing out hope amid sentimentality and dread.”—Ian Crouch, The Boston Globe
“You can’t escape your true nature, Jim Harrison’s two new novellas assert. . . . Here, he’s achieved a mood that approximates in modern terms the tranquility of Shakespeare’s late romances. The existential uncertainties that always animate Harrison’s fiction are not so much resolved as accepted for what they are: the basic fabric of existence, from which we pluck as much happiness as we can.”—Wendy Smith, The Washington Post
“[Harrison’s] latest book of novellas . . .deepens and broadens his already openhearted and smart-minded sense of the way we live now, and what we might do to improve it. . . . Harrison [is] the reigning master of the [novella] form. . . . I have to say that Harrison has been hard put to better his personal best, Legends of the Fall. . . . But with the lead piece in this new book, the autumnal novella he calls The Land of Unlikeness,’ he comes quite close. . . . The new novella is . . . no less intense, as it enriches and enlarges an emotion-charged period in the life of Clive, a divorced Midwestern painter-turned-critic. . . . What does the male version of quality of life really mean? Something like this, something like this. And female readers who don’t give over some time to studying Harrison’s version of it will be as foolish as the men.”—Alan Cheuse, NPR
“Ever since writing Legends of the Fall 30 years ago, Jim Harrison has produced a steady stream of novellas demonstrating what a writer can do in approximately 100 pages. The trick to a good novella is to give the same richness of story, action and characters as one finds in a full-length novel. At its best, it is a novel shorn of fat, full of story.”—Steve Novak, Minneapolis Star Tribune
“Tales of manhood and magic . . . Harrison addresses with insight and humor such themes as the human relationship to the natural world, the powers of sexuality and violence, the uses of art, the line between sanity and madness, and the shadow of mortality.”—Colette Bancroft, Tampa Bay Times
“Exquisite . . . While the first novella is about the constancy of the past to reassert itself in our lives, the second focuses on the inescapable currents that bear us into the future. . . . The two novellas masterfully treat themes that will be familiar to Harrison’s readers — the disjunction between contemporary life and rural terrain, our inability to escape the past, the vapidity of urbanity. The writing is sparse but powerful. . . . this diptych of a collection is a joy.”—Ted Hart, Kansas City Star
“Refreshing . . . The River Swimmer is Harrison at his crusty best.”—Bruce Jacobs, Shelf Awareness (online)
“Jim Harrison is a master of the novella form.”—Steve Byrne, Detroit Free Press
“The ways in which [the two novellas] complement and contrast with each other attests to [Harrison’s] range. . . . Everyday epiphanies from a major author.”—Kirkus Reviews
“[A] fine new collection . . .Harrison’s novellas are each striking in their own ways, rich and satisfying.”—Publishers Weekly
“Harrison is one of America’s great literary treasures; his rugged, beautifully tough-minded works help define America and its wide-open spaces, and his readers form almost a cult. Here, he will delight them.”—Barbara Hoffert, Library Journal
Posted January 28, 2013
Posted January 25, 2013
Harrison is a master of the novella format ever since his first three were published as "Legends of the Fall". Rounding out at about 100 pages, novellas nicely bridge the gap between short story and novel. The first story is classic later Harrison: A well meaning, benevolent if somewhat salacious old man enjoys food and restorative walks as a means to recover significance. The second, The River Swimmer, more resembles Harrison's earlier work: more action and youthful folly. Both tales provide an excellent few hours of reading.
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Posted May 17, 2013
**I received this book for free through Goodreads First Reads**
I know I liked this book, but I am not sure of my reaction to it. It left me feeling confused, in a daze. I honestly am having difficulty writing this review; I just feel so overwhelmed with trying to put my thoughts and feelings into words that make sense.
The main character in each of the novellas was likable, and I rooted for the two of them the entire time. They were both trying to find their place in the world, live a life that made them happy, and I was wishing them the best (although I was not always happy with their decisions: I felt that Thad should stay away from Emily, and Clive needed to stay away from Laurette; I did not feel that either girl was good for the main character and would only help him flounder [no pun intended, as both characters fished]).
The only thing that actually bothered me was that there were times where I felt that the book was taking place decades ago, when it was made clear that both of the novellas took place post-2000 (The River Swimmer mentioned 9/11; I forget how I came to the conclusion that The Land Of Unlikeness took place during this time period). However, this could be because of the setting, rural Michigan for the most part. Since I never have lived or been there, it could very well be like taking a step into the past and I am just unaware of that fact.
I wish that I knew what the water babies were. I hope that I did not just miss the description that told me what they were. But I think that maybe the author wanted us to think about what they could be; maybe we were not meant to know the actual answer. It was sweet, though, how much Thad cared about them and missed being around them.
Posted February 2, 2013
This book sounds good to me to read because it sounds bad at the some time so if yoy like to read books that arbad for you to read try this book maybe tou will like it or you will not like to read this book
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