The Riverman
Publisher Marketing: Alistair Cleary is the kid who everyone trusts. Fiona Loomis is "not" the typical girl next door. Alistair hasn't really thought of her since they were little kids until she shows up at his doorstep with a proposition: she wants him to write her biography. What begins as an odd vanity project gradually turns into a frightening glimpse into the mind of a potentially troubled girl. Fiona says that in her basement, there's a portal that leads to a magical world where a creature called the Riverman is stealing the souls of children. And Fiona's soul could be next. If Fiona really believes what she's saying, Alistair fears she may be crazy. But if it's true, her life could be at risk. It's up to Alistair to separate fact from fiction, fantasy from reality.
1115382406
The Riverman
Publisher Marketing: Alistair Cleary is the kid who everyone trusts. Fiona Loomis is "not" the typical girl next door. Alistair hasn't really thought of her since they were little kids until she shows up at his doorstep with a proposition: she wants him to write her biography. What begins as an odd vanity project gradually turns into a frightening glimpse into the mind of a potentially troubled girl. Fiona says that in her basement, there's a portal that leads to a magical world where a creature called the Riverman is stealing the souls of children. And Fiona's soul could be next. If Fiona really believes what she's saying, Alistair fears she may be crazy. But if it's true, her life could be at risk. It's up to Alistair to separate fact from fiction, fantasy from reality.
19.99 In Stock
The Riverman

The Riverman

by Aaron Starmer

Narrated by Graham Halstead

Unabridged — 8 hours, 45 minutes

The Riverman

The Riverman

by Aaron Starmer

Narrated by Graham Halstead

Unabridged — 8 hours, 45 minutes

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Overview

Publisher Marketing: Alistair Cleary is the kid who everyone trusts. Fiona Loomis is "not" the typical girl next door. Alistair hasn't really thought of her since they were little kids until she shows up at his doorstep with a proposition: she wants him to write her biography. What begins as an odd vanity project gradually turns into a frightening glimpse into the mind of a potentially troubled girl. Fiona says that in her basement, there's a portal that leads to a magical world where a creature called the Riverman is stealing the souls of children. And Fiona's soul could be next. If Fiona really believes what she's saying, Alistair fears she may be crazy. But if it's true, her life could be at risk. It's up to Alistair to separate fact from fiction, fantasy from reality.

Editorial Reviews

From the Publisher

This blend of magical realism and mystery blurs the line between reality and fantasy, setting up a creepy unease that both disturbs and propels the reader forward.” —BCCB

“Dive into this book and you may never resurface.” —Newbery Medalist Jack Gantos

“Lines between reality and fantasy blur in this powerful, disquieting tale of lost children, twisted friendship and the power of storytelling.” —Kirkus Reviews, starred review

“In this dark, twisting tale, readers are never sure if Fiona's story is true or not, and they won't want to stop reading until they find out...this magical tale is sure to please readers of urban fantasy, and with its theme of missing children and changing friendships, it will be perfect for fans of Neil Gaiman and Charles de Lint, too.” —Booklist

“Readers will find themselves confronted with deep, unanswered questions regarding the relationship of collective imaginary worlds to reality, the evolving nature of memories and friendships, and the unknowability of people. Those ready to explore darker realities will devour this book.” —School Library Journal

“Somewhere between Holly Black's Doll Bones and Nova Ren Suma's 17 & Gone in audience and tone, this blend of magical realism and mystery blurs the line between reality and fantasy, setting up a creepy unease that both disturbs and propels the reader forward...the deliciously tangled web of a plot defies categorization.” —The Bulletin of the Center For Children's Books (recommended)

“Starmer explores the relationship between creation and theft, reality and fantasy in this haunting novel...the novel's strength is in the pervasive aura of unknowing that Starmer creates and sustains.” —Publisher's Weekly

“There is a lot to ponder and recommend in this unusual tale.” —VOYA Magazine

“Starmer makes the possibilites presented by Fiona's stories feel no less improbable (or unsettling) than the scenarios Alistair construsts to explain them away, or actions he takes in an attempt to protect her.” —Publishers Weekly

Kirkus Reviews

★ 2014-01-22
When a classmate asks him to write her biography, 12-year-old Alistair Cleary never dreams the story will "change everything." Growing up in Thessaly, N.Y., in 1989, Alistair's a good kid who hangs out with Nintendo-obsessed pal Charlie. His enigmatic classmate, neighbor Fiona, announces she's chosen him to write her biography because he will "dig up the story beneath the story." Fiona tells Alistair she can travel to a parallel world called Aquavania, where "stories are born" and children with imagination create their own unique worlds. However, the mysterious Riverman is causing children to disappear, and Fiona fears she's next. Convinced Fiona's bizarre story hides something bad in her real life, Alistair's determined to protect her and unearth the truth. But what is the truth, especially when Fiona vanishes after warning Alistair about Charlie and swearing him to secrecy? Alistair's first-person voice lends immediacy and realism to a haunting story, progressing in intensity from October 13 through November 20, as he discovers people are not who they seem to be and reality is much more than he imagined. Lines between reality and fantasy blur in this powerful, disquieting tale of lost children, twisted friendship and the power of storytelling. (Fiction. 10-14)

Product Details

BN ID: 2940171224837
Publisher: Recorded Books, LLC
Publication date: 05/16/2014
Series: Riverman Trilogy Series , #1
Edition description: Unabridged
Age Range: 8 - 11 Years

Read an Excerpt


Before

     Every town has lost a child. Search the archives, ask the clergy. You’ll find stories of runaways slipping out of windows in the dark, never to be seen again. You’ll be told of custody battles gone ugly and parents taking extreme measures. Occasionally you’ll read about kids snatched from parking lots or on their walks home from school. Here today, gone tomorrow. The pain is passed out and shared until the only ones who remember are the only ones who ever really gave a damn.

     Our town lost Luke Drake. By all accounts he was a normal twelve-year-old kid who rode his bike and got into just enough trouble. On a balmy autumn afternoon in 1979, he and his brother, Milo, were patrolling the banks of the Oriskanny with their BB rifles when a grouse fumbled out from some bushes. Milo shot the bird in the neck, and it tried to fly but crashed into a riot of brambles near the water.

     "I shot, you fetch," Milo told Luke, and those words will probably always kindle insomnia for Milo. Because in the act of fetching, Luke slipped on a rock covered with wet leaves and fell into the river.

     It had been a rainy autumn, and the river was swollen and unpredictable. Even in drier times, it was a rough patch of water that only fools dared navigate. Branch in hand, Milo chased the current along the banks as far as he could, but soon his brother’s head bobbed out of view, and no amount of shouting "Swim!" or "Fight!" could bring him back.

     Experts combed the river for at least fifteen miles downstream. No luck. Luke Drake was declared missing on November 20, and after a few weeks of extensive but fruitless searches, almost everyone assumed he was dead, his body trapped and hidden beneath a log or taken by coyotes. Perhaps his family still holds out hope that he will show up at their doorstep one day, a healthy man with broad shoulders and an astounding tale of amnesia.

     I saw Luke’s body on November 22, 1979. Thanksgiving morning. I was almost three years old, and we were visiting my uncle’s cabin near a calm but deep bend in the Oriskanny, about seventeen miles downstream from where Luke fell. I don’t remember why or how, but I snuck out of the house alone before dawn and ended up sitting on a rock near the water. All I remember is looking down and seeing a boy at the bottom of the river. He was on his back, most of his body covered in red and brown leaves. His eyes were open, looking up at me. One of his arms stuck out from the murk. As the current moved, it guided his hand back and forth, back and forth. It was like he was waving at me. It almost seemed as though he was happy to see me.

     My next memory is of rain and my dad picking me up and putting me over his shoulder and carrying me back through the woods as I whispered to him, "The boy is saying hello, the boy is saying hello."

     It takes a while to process memories like that, to know if they’re even true. I never told anyone about what I saw because for so long it meant something different. For so long it was just a boy saying hello, like an acquaintance smiling at you in the grocery store. You don’t tell people about that.

     I was eleven when I finally put the pieces in their right places. I read about Luke’s disappearance at the library while researching our town’s bicentennial for a school paper. With a sheet of film loaded into one of the microfiche readers, I was scanning through old newspapers, all splotchy and purple on the display screen. I stopped dead on the yearbook picture of Luke that had been featured on missing posters. It all came rushing back, like a long-forgotten yet instantly recognizable scent.     My uncle had sold the cabin by then, but it was within biking distance of my house, and I went out there the following Saturday and flipped over stones and poked sticks in the water. I found nothing. I considered telling someone, but my guilt prevented it. Besides, nine years had passed. A lot of river had tumbled through those years.

     The memory of Luke may very well be my first memory. Still, it’s not like those soft and malleable recollections we all have from our early years. It’s solid. I believe in it, as much as I believe in my memory of a few minutes ago. Luke was our town’s lost child. I found him, if only for a brief moment.

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