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The Rose Grew Round the Briar, Vol. 1: Early American Rural Love Songs

Editorial Reviews

All Music Guide - Burgin Mathews
Despite its subtitle -- Early American Rural Love Songs -- Yazoo's The Rose Grew Round the Briar features at least as many falsehearted lovers and broken relationships as requited love affairs and happy romance. Indeed, the emotional power of so many of these recordings stems from entwined themes of love and death, illustrated by the ballad metaphor of the rose and the briar. The selections by Clarence Ashley and Dock Boggs are as stark depictions of forsaken, shaken, and demented lovers as the best pieces in those men's repertoires. Especially haunting are the eerie harmonies of the lesser-known Shortbuckle Roark & Family on "I Truly Understand That You Love Another...
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Editorial Reviews

All Music Guide - Burgin Mathews
Despite its subtitle -- Early American Rural Love Songs -- Yazoo's The Rose Grew Round the Briar features at least as many falsehearted lovers and broken relationships as requited love affairs and happy romance. Indeed, the emotional power of so many of these recordings stems from entwined themes of love and death, illustrated by the ballad metaphor of the rose and the briar. The selections by Clarence Ashley and Dock Boggs are as stark depictions of forsaken, shaken, and demented lovers as the best pieces in those men's repertoires. Especially haunting are the eerie harmonies of the lesser-known Shortbuckle Roark & Family on "I Truly Understand That You Love Another Man"; subsequent covers of this song by the New Lost City Ramblers or Jerry Garcia & David Grisman have never been able to recapture the tone of the original. Another often-imitated recording included here is Grayson & Whitter's "Little Maggie With a Dram Glass in Her Hand," later translated into a bluegrass standard by the Stanley Brothers. While this collection delves deeply and unflinchingly into the darkest and lonesomest hollers of human relationships, love here is not exclusively somber or violent; it figures also, with equal emotion, into a smaller handful of breakdown pieces, and emerges with a warm beauty in Bascom Lamar Lunsford's "Lula Walls." Though white "country" performers dominate the compilation, there are a handful of blues performances by Blind Willie McTell, Cannon's Jug Stompers, Leroy Carr, and others, which nicely widen the scope and power of the project. In addition to showcasing some of the great talents of the 1920s and '30s, this collection masterfully presents love in the tradition that 19th century Southern ballads and early-20th century blues characteristically cast it: as harsh, terrifying, deadly, beautiful, and profoundly real. The Rose Grew Round the Briar is consequently one of Yazoo's most effective collections and belongs in almost any collection.
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Product Details

  • Release Date: 11/18/1997
  • Label: Yazoo
  • UPC: 016351203021
  • Catalog Number: 2030
  • Sales rank: 311,708

Tracks

Disc 1
  1. 1 I Went to See My Sweetheart - Lewis McDaniel & Walter Smith (2:28)
  2. 2 Dark Holler Blues - Clarence Ashley (2:58)
  3. 3 I Do Blues (3:39)
  4. 4 What Will I Do, for My Money Is All Gone (3:21)
  5. 5 The Old Fashioned Cottage (3:07)
  6. 6 Lonesome Man Blues (2:47)
  7. 7 Little Maggie with a Dram Glass in Her Hand (3:27)
  8. 8 False Hearted Lover's Blues (3:22)
  9. 9 Brooklyn Blues (45th Street Blues) (2:57)
  10. 10 Stolen Love (2:44)
  11. 11 Shady Grove - The Kentucky Thorobreds (2:34)
  12. 12 Down on My Bended Knee (2:58)
  13. 13 I Truly Understand That You Love Another Man - Shortbuckle Roark & Family (2:38)
  14. 14 Pretty Gal's Love, A (2:44)
  15. 15 Drive Away Blues (3:21)
  16. 16 A Short Life of Trouble (2:53)
  17. 17 Going to Germany (2:34)
  18. 18 Dark Eyes - Morris Family (2:55)
  19. 19 Lulu Wall (3:03)
  20. 20 Lost Lover Blues (3:08)
  21. 21 Don't Say Goodbye (2:54)
  22. 22 Hobo from the T & P Line, Pt. 2 - Almoth Hodges (3:01)
  23. 23 Barbara Allen (3:08)
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Album Credits

Performance Credits
Cannon's Jug Stompers Track Performer
Leroy Carr Track Performer
Blind Willie McTell Track Performer
Dock Boggs Track Performer
Buell Kazee Track Performer
Clifford Gibson Track Performer
Bradley Kincaid Track Performer
Grayson & Whitter Track Performer
Robert Wilkins Track Performer
King Solomon Hill Track Performer
Lottie Kimbrough Track Performer
Uncle Eck Dunford Track Performer
Bascom Lamar Lunsford Track Performer
Red Fox Chasers Track Performer
Walter Smith Track Performer
Alfred Reed Track Performer
Clarence Ashley Track Performer
George Torey Track Performer
Whitter Track Performer
Hattie Stoneman Track Performer
The Kentucky Thorobreds Track Performer
Technical Credits
Blind Boy Fuller Composer
Blind Willie McTell Composer
Don Kent Liner Notes
Richard Nevins Producer, Remastering
Joan Pelosi Art Direction
Public Domain Composer
Traditional Composer
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