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| Ali Farka Touré | Composer |
| Bassekou Kouyate | Arranger |
| Sandra Alayon-Stanton | translation |
| Amadou Bagayoko | Composer |
| Traditional | Composer |
| Nayim Alal | Arranger |
| Mariem Hassan | Composer |
| Abdallah Ag Alhousseyni | Composer |
| Laurence Cedar | Mastering |
| Samba Touré | Composer |
| Ghalitane Khamidoune | Arranger, Composer, Lyricist |
| Bammo Agonla | Arranger, Composer, Lyricist |
| Bagui Bouga | Composer, Lyricist |
| Alhousseini Mohamed Anivolla | Composer, Lyricist |
| Mohammed Assori Ahmed | Composer |
| Irène Rognier | translation |
Editorial Reviews
All Music Guide - Chris Nickson
The desert blues has developed into its own musical genre, the root of the blues. Following its initial popularization by the late Ali Farka Touré (who is represented here, of course, showing how stripped-down his music could be compared to those who have followed), it has really blossomed thanks to the influx of Tuareg bands. After artists like Tartit and Mariem Hassan came Tinariwen, who broke through and really established the desert blues. They were followed by their sub-Saharan companions Terakaft and Tamikrest, who have also been receiving plenty of attention, and yet more names wait in the wings, such as Jalihena Natu. The odd ones out here are Amadou & Mariam,...