- Old World
- The Secret Fluid of Dusk
- Blind Paper Dragon
- Dionysus
- Daisy Bell
- Drawing Lessons
- The Book
- Dead Season
- Black Thursday
- The Tailor's Dummies
- Dionysus, Pt. 2
- The Land of Perpetual Sleep
- Janissary Band
- The Comet
- Intractable
5
1
0031257152426
Tin Hat Trio Primary Artist
Carla Kihlstedt Vocals,Piano,Viola,Tarang,Violin,Voices,Bul-bul,Celeste,Ukulele,Bowed Vibes,Bass Harmonica,Trumpet Violin
Mark Orton Harmonica,Banjo,Dobro,Piano,Guitar,Autoharp,Marxophone,Pump Organ,Drums (Bass),Bass Harmonica
Ara Anderson Piano,Celeste,Trumpet,Toy Piano,Pump Organ,Horn (Baritone)
Zeena Parkins Harp
Marika Hughes Cello
Ben Goldberg Contra-Alto Clarinet,Clarinet,Clarinet (Alto)
Ara Anderson Composer
Zeena Parkins Composer
Carla Kihlstedt Composer,Producer
Mark Orton Mixing,Arranger,Composer,Engineer,Producer
Harry Dacre Composer
Scott Weddle Assistant Engineer
Jon Cohrs Mastering
Erik Paulsrud Photography
James Frazier Engineer
Marika Hughes Composer


CD
$20.49
-
SHIP THIS ITEMIn stock. Ships in 1-2 days.PICK UP IN STORE
Your local store may have stock of this item.
Available within 2 business hours
Related collections and offers
20.49
In Stock
Overview
For its fifth album, the former Tin Hat Trio is minus one founding member, accordionist Rob Burger, but takes in three new musicians: harpist Zeena Parkins (who has recorded with the group before), clarinetist Ben Goldberg (who has recorded several jazz and klezmer albums under his own name) and multi-instrumentalist Ara Anderson, who contributes a number of horns and keyboards to the mix and has played before with Tom Waits and others. Despite the personnel shift -- founders Mark Orton (guitar, piano and other instruments) and Carla Kihlstedt (violins, voice and more) remain -- and the wider canvas, the basic M.O. of Tin Hat remains relatively intact. The group has been described in the past as "acoustic chamber music," and while that is as apt a tag as any, it's also rather limiting. Tin Hat draws from a number of not-always-compatible genres -- among them various branches of classical music, world elements and the freeness of jazz -- but then blurs the lines until none are particularly recognizable as such. But for The Sad Machinery of Spring the reconfigured, largely instrumental group specifically looked for inspiration in the works of surrealist Polish writer Bruno Schulz, who was killed by the Nazis in 1942. The essence of klezmer and related Eastern European sounds hover over Sad Machinery's compositions and improvisations, but Tin Hat is too unorthodox and resourceful to be so obvious. There is a balance of many moods and sonic variations among these tracks, ranging from playful and carefree to bucolic to jarringly eccentric. Whether that reflects Schulz's own creations most listeners will probably never know, but no matter: Sad Machinery is hardly a passive listening experience, but it's never boring. ~ Jeff Tamarkin
Product Details
Release Date: | 01/30/2007 |
---|---|
Label: | Hannibal Records |
UPC: | 0031257152426 |
Tracks
Album Credits
Performance Credits
Tin Hat Primary ArtistTin Hat Trio Primary Artist
Carla Kihlstedt Vocals,Piano,Viola,Tarang,Violin,Voices,Bul-bul,Celeste,Ukulele,Bowed Vibes,Bass Harmonica,Trumpet Violin
Mark Orton Harmonica,Banjo,Dobro,Piano,Guitar,Autoharp,Marxophone,Pump Organ,Drums (Bass),Bass Harmonica
Ara Anderson Piano,Celeste,Trumpet,Toy Piano,Pump Organ,Horn (Baritone)
Zeena Parkins Harp
Marika Hughes Cello
Ben Goldberg Contra-Alto Clarinet,Clarinet,Clarinet (Alto)
Technical Credits
Mike Coykendall EngineerAra Anderson Composer
Zeena Parkins Composer
Carla Kihlstedt Composer,Producer
Mark Orton Mixing,Arranger,Composer,Engineer,Producer
Harry Dacre Composer
Scott Weddle Assistant Engineer
Jon Cohrs Mastering
Erik Paulsrud Photography
James Frazier Engineer
Marika Hughes Composer
From the B&N Reads Blog
Page 1 of