The Scarpetta Collection Volume I: Postmortem and Body of Evidence

Overview

Fans of Patricia Cornwell will rejoice to see her first two novels, Postmortem and Body of Evidence, united in this omnibus volume. Hugely successful when they were first published, these are the two novels that brought Virginia Chief Medical Examiner Kay Scarpetta to the book-reading world. They are presented here complete and unabridged.

Postmortem: A serial killer is on the loose in Richmond, Virginia. Three women have died, brutalized and strangled in their own bedrooms. ...

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Overview

Fans of Patricia Cornwell will rejoice to see her first two novels, Postmortem and Body of Evidence, united in this omnibus volume. Hugely successful when they were first published, these are the two novels that brought Virginia Chief Medical Examiner Kay Scarpetta to the book-reading world. They are presented here complete and unabridged.

Postmortem: A serial killer is on the loose in Richmond, Virginia. Three women have died, brutalized and strangled in their own bedrooms. There is little pattern: the killer appears to strike at random - but always early on Saturday mornings.

When Chief Medical Examiner Dr. Kay Scarpetta is awakened at 2:33 A.M., she knows the news is bad: there is a fourth victim, and she fears now for those who may follow unless she finds the forensic evidence that can break the case.

But not everyone wants her help. Not everyone is pleased to see a woman in this powerful job. Someone may even want to ruin her career and reputation before she can find the killer.

Body of Evidence: A reclusive writer is dead, and her final manuscript has disappeared...

Someone is stalking Beryl Madison. Someone who spies on her and makes threatening, obscene phone calls. Terrified, Beryl flees to Key West - but eventually she must return to her Richmond home. The very night she arrives, Beryl inexplicably invites her killer inside.

Thus begins for Dr. Kay Scarpetta the investigation of a crime that is as convoluted as it is bizarre. Why would Beryl open the door to someone who would brutally slash and then nearly decapitate her? Did she know her killer? Adding to the intrigue is Beryl's enigmatic relationship with a prizewinning author and the disappearance of her ownmanuscript.

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Product Details

  • ISBN-13: 9780743255806
  • Publisher: Scribner
  • Publication date: 10/14/2003
  • Series: Kay Scarpetta Series
  • Pages: 640
  • Sales rank: 752,544
  • Product dimensions: 6.00 (w) x 9.00 (h) x 1.31 (d)

Meet the Author

Patricia  Cornwell

“It’s important for me to live in the world I want to write about,” says Patricia Cornwell, “If I want a character to do or know something, I try to do or know the same thing.” The award-winning former police reporter spent time working both as an employee of the Virginia Chief Medical Examiner’s Office and as a volunteer police officer before she wrote her first Kay Scarpetta novel, Postmortem. Her preparation paid off—Postmortem was the first novel ever to win the Edgar, Creasey, Anthony, Macavity, and French Prix du Roman d’Aventure awards in one year. She has followed that up with ten other bestselling novels featuring Kay Scarpetta. She then began a new series with her #1 New York Times bestsellers Hornet’s Nest and Southern Cross. She is also the author of two cookbooks, Scarpetta’s Winter Table and Food to Die For; A Time for Remembering, a biography of Ruth Bell Graham, wife of evangelist Billy Graham; a children’s book, Life’s Little Fable; and her #1 bestselling work of nonfiction, Portrait of a Killer: Jack the Ripper—Case Closed. She lives in New York City.

Biography

Patricia Cornwell writes crime fiction from an unusually informed point of view. While many writers are, as she says, conjuring up "fantasy" assumptions regarding what really goes into tracking criminals and examining crime scenes, Cornwell really does walk the walk, which is why her novels ring so true.

Before becoming one of the most widely recognized, respected, and read writers in contemporary crime fiction, she worked as a police reporter for The Charlotte Observer and as a computer analyst in the chief medical examiner's office in Virginia. During this period of her life, Cornwell observed literally hundreds of autopsies. While the vast majority of people would surely regard such work unsavory beyond belief, Cornwell was acquiring valuable information that would not only help her write the groundbreaking 2002 study Portrait of a Killer: Jack the Ripper -- Case Closed but would also enrich her fiction with uncommon authenticity.

"Most of these crime scene shows... are what I call ‘Harry Potter' policing," she said in a candid, heated interview. "They're absolutely fantasy. And the problem is the general public watches these, 60 million people a week or whatever, and they think what they're seeing is true." If Cornwell comes off as a bit vehement in her criticism of television shows meant to simply entertain, that's just because she takes her work so seriously.

Not that Cornwell's novels are ever anything short of entertaining, even if their grisly details may require extra-strong stomachs of her readers. She has created a tremendously well-defined and complex character in her favorite fictional crime solver Dr. Kay Scarpetta. Cornwell introduced medical examiner Scarpetta in her first novel, Postmortem in 1990. Today, Scarpetta is still cracking cases and cracking open cadavers. (She has even inspired a cook book called Food to Die For: Secrets from Kay Scarpetta's Kitchen.) In addition, Cornwell writes more lighthearted cop capers in her Andy Brazil & Judy Hammer series.

Good To Know

Cornwell knows what its like to shatter records. Her debut, Postmortem, was the only novel by a first-time author to ever win five major mystery awards in a single year.

Cornwell may be a former crime solver, but she shudders to think that her books could actually contribute to crime. In fact, she says she has received "thank you" notes from prisoners who claim they have gleaned information from her books that might help them cover their tracks while committing future crimes.

If parody is indeed the sincerest form of flattery, then Cornwell has a fan in Chris Elliott. The professional wisenheimer published a hilarious takeoff on her true crime book Portrait of a Killer called The Shroud of the Thwacker.

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    1. Also Known As:
      Patricia Daniels Cornwell (full name)
    2. Hometown:
      Boston, MA and New York, NY
    1. Date of Birth:
      June 9, 1956
    2. Place of Birth:
      Miami, Florida
    1. Education:
      B.A. in English, Davidson College, 1979; King College
    2. Website:

Read an Excerpt

Postmortem: from Chapter One

It was raining in Richmond on Friday, June 6.

The relentless downpour, which began at dawn, beat the lilies to naked stalks, and blacktop and sidewalks were littered with leaves. There were small rivers in the streets, and newborn ponds on playing fields and lawns. I went to sleep to the sound of water drumming the slate roof, and was dreaming a terrible dream as night dissolved into the foggy first hours of Saturday morning.

I saw a white face beyond the rain-streaked glass, a face formless and inhuman like the faces of misshapen dolls made of nylon hose. My bedroom window was dark when suddenly the face was there, an evil intelligence looking in. I woke up and stared blindly into the dark. I did not know what had awakened me until the telephone rang again. I found the receiver without fumbling.

"Dr. Scarpetta?"

"Yes." I reached for the lamp and switched it on. It was 2:33 A.M. My heart was drilling through my ribs.

"Pete Marino here. We got us one at 5602 Berkley Avenue. Think you better come."

The victim's name, he went on to explain, was Lori Petersen, a white female, thirty years old. Her husband had found her body about half an hour earlier.

Details were unnecessary. The moment I picked up the receiver and recognized Sergeant Marino's voice, I knew. Maybe I knew the instant the telephone rang. People who believe in werewolves are afraid of a full moon. I'd begun to dread the hours between midnight and 3:00 A.M. when Friday becomes Saturday and the city is unconscious.

Ordinarily, the medical examiner on call is summoned to a death scene. But this wasn't ordinary. I had made it clear after the second case that no matter the hour, if there was another murder, I was to be called. Marino wasn't keen on the idea. Ever since I was appointed chief medical examiner for the Commonwealth of Virginia less than two years ago he'd been difficult. I wasn't sure if he didn't like women, or if he just didn't like me.

"Berkley's in Berkley Downs, Southside," he said condescendingly. "You know the way?"

Confessing I didn't, I scribbled the directions on the notepad I always kept by the phone. I hung up and my feet were already on the floor as adrenaline hit my nerves like espresso. The house was quiet. I grabbed my black medical bag, scuffed and worn from years of use.

The night air was like a cool sauna, and there were no lights in the windows of my neighbors' houses. As I backed the navy station wagon out of the drive, I looked at the light burning over the porch, at the first-story window leading into the guest bedroom where my ten-year-old niece, Lucy, was asleep. This would be one more day in the child's life I would miss. I had picked her up at the airport Wednesday night. Our meals together, so far, had been few.

There was no traffic until I hit the Parkway. Minutes later I was speeding across the James River. Taillights far ahead were rubies, the downtown skyline ghostly in the rearview mirror. Fanning out on either side were plains of darkness with tiny necklaces of smudged light at the edges. Out there, somewhere, is a man, I thought. He could be anybody, walks upright, sleeps with a roof over his head, and has the usual number of fingers and toes. He is probably white and much younger than my forty years. He is ordinary by most standards, and probably doesn't drive a BMW or grace the bars in the Slip or the finer clothing stores along Main Street.

But, then again, he could. He could be anybody and he was nobody. Mr. Nobody. The kind of guy you don't remember after riding up twenty floors alone with him inside an elevator.

He had become the self-appointed dark ruler of the city, an obsession for thousands of people he had never seen, and an obsession of mine. Mr. Nobody.

Because the homicides began two months ago, he may have been recently released from prison or a mental hospital. This was the speculation last week, but the theories were constantly changing.

Mine had remained the same from the start. I strongly suspected he hadn't been in the city long, he'd done this before somewhere else, and he'd never spent a day behind the locked doors of a prison or a forensic unit. He wasn't disorganized, wasn't an amateur, and he most assuredly wasn't "crazy."

Wilshire was two lights down on the left, Berkley the first right after that.

I could see the blue and red lights flashing two blocks away. The street in front of 5602 Berkley was lit up like a disaster site. An ambulance, its engine rumbling loudly, was alongside two unmarked police units with grille lights flashing and three white cruisers with light bars going full tilt. The Channel 12 news crew had just pulled up. Lights had blinked on up and down the street, and several people in pajamas and housecoats had wandered out to their porches.

I parked behind the news van as a cameraman trotted across the street. Head bent, the collar of my khaki raincoat turned up around my ears, I briskly followed the brick wall to the front door. I have always had a special distaste for seeing myself on the evening news. Since the stranglings in Richmond began, my office had been inundated, the same reporters calling over and over again with the same insensitive questions.

"If it's a serial killer, Dr. Scarpetta, doesn't that indicate it's quite likely to happen again?"

As if they wanted it to happen again.

"Is it true you found bite marks on the last victim, Doc?"

It wasn't true, but no matter how I answered such a question I couldn't win. "No comment," and they assume it's true. "No," and the next edition reads "Dr. Kay Scarpetta denies that bite marks have been found on the victims' bodies..." The killer, who's reading the papers like everybody else, gets a new idea.

Recent news accounts were florid and frighteningly detailed. They went far beyond serving the useful purpose of warning the city's citizens. Women, particularly those who lived alone, were terrified. The sale of handguns and deadbolt locks went up fifty percent the week after the third murder, and the SPCA ran out of dogs—a phenomenon which, of course, made the front page, too. Yesterday, the infamous and prizewinning police reporter Abby Turnbull had demonstrated her usual brass by coming to my office and clubbing my staff with the Freedom of Information Act in an unsuccessful attempt at getting copies of the autopsy records.

Crime reporting was aggressive in Richmond, an old Virginia city of 220,000, which last year was listed by the FBI as having the second-highest homicide rate per capita in the United States. It wasn't uncommon for forensic pathologists from the British Commonwealth to spend a month at my office to learn more about gunshot wounds. It wasn't uncommon for career cops like Pete Marino to leave the madness of New York or Chicago only to find Richmond was worse.

What was uncommon were these sex slayings. The average citizen can't relate to drug and domestic shootouts or one wino stabbing another over a bottle of Mad Dog. But these murdered women were the colleagues you sit next to at work, the friends you invite to go shopping or to stop by for drinks, the acquaintances you chat with at parties, the people you stand in line with at the checkout counter. They were someone's neighbor, someone's sister, someone's daughter, someone's lover. They were in their own homes, sleeping in their own beds, when Mr. Nobody climbed through one of their windows.

Two uniformed men flanked the front door, which was open wide and barred by a yellow ribbon of tape, warning: CRIME SCENE—DO NOT CROSS.

"Doc." He could have been my son, this boy in blue who stepped aside at the top of the steps and lifted the tape to let me duck under.

The living room was immaculate, and attractively decorated in warm rose tones. A handsome cherry cabinet in a corner contained a small television and a compact disc player. Nearby a stand held sheet music and a violin. Beneath a curtained window overlooking the front lawn was a sectional sofa, and on the glass coffee table in front of it were half a dozen magazines neatly stacked. Among them were Scientific American and the New England Journal of Medicine. Across a Chinese dragon rug with a rose medallion against a field of cream stood a walnut bookcase. Tomes straight from a medical school's syllabi lined two shelves.

An open doorway led into a corridor running the length of the house. To my right appeared a series of rooms, to the left was the kitchen, where Marino and a young officer were talking to a man I assumed was the husband.

I was vaguely aware of clean countertops, linoleum and appliances in the off-white that manufacturers call "almond," and the pale yellow of the wallpaper and curtains. But my attention was riveted to the table. On top of it lay a red nylon knapsack, the contents of which had been gone through by the police: a stethoscope, a penlight, a Tupperware container once packed with a meal or a snack, and recent editions of the Annals of Surgery, Lancet and the Journal of Trauma. By now I was thoroughly unsettled.

Marino eyed me coolly as I paused by the table, then introduced me to Matt Petersen, the husband. Petersen was slumped in a chair, his face destroyed by shock. He was exquisitely handsome, almost beautiful, his features flawlessly chiseled, his hair jet-black, his skin smooth and hinting of a tan. He was wide-shouldered with a lean but elegantly sculpted body casually clad in a white Izod shirt and faded blue jeans. His eyes were cast down, his hands stiffly in his lap.

"These are hers?" I had to know. The medical items might belong to the husband.

Marino's "Yeah" was a confirmation.

Petersen's eyes slowly lifted. Deep blue, bloodshot, they seemed relieved as they fixed on me. The doctor had arrived, a ray of hope where there was none.

He muttered in the truncated sentences of a mind fragmented, stunned, "I talked to her on the phone. Last night. She told me she'd be home around twelve-thirty, home from VMC, the ER. I got here, found the lights out, thought she'd already gone to bed. Then I went in there." His voice rose, quivering, and he took a deep breath. "I went in there, in the bedroom." His eyes were desperate and welling, and he was pleading with me. "Please. I don't want people looking at her, seeing her like that. Please."

I gently told him, "She has to be examined, Mr. Petersen."

A fist suddenly banged the top of the table in a startling outburst of rage. "I know!" His eyes were wild. "But all of them, the police and everybody!" His voice was shaking. "I know how it is! Reporters and everybody crawling all over the place. I don't want every son of a bitch and his brother staring at her!"

Marino didn't bat an eye. "Hey. I got a wife, too, Matt. I know where you're coming from, all right? You got my word she gets respect. The same respect I'd want if it was me sitting in your chair, okay?"

The sweet balm of lies.

The dead are defenseless, and the violation of this woman, like the others, had only begun. I knew it would not end until Lori Petersen was turned inside out, every inch of her photographed, and all of it on display for experts, the police, attorneys, judges and members of a jury to see. There would be thoughts, remarks about her physical attributes or lack of them. There would be sophomoric jokes and cynical asides as the victim, not the killer, went on trial, every aspect of her person and the way she lived, scrutinized, judged and, in some instances, degraded.

A violent death is a public event, and it was this facet of my profession that so rudely grated against my sensibilities. I did what I could to preserve the dignity of the victims. But there was little I could do after the person became a case number, a piece of evidence passed from hand to hand. Privacy is destroyed completely as life.

Copyright © 1990 by Patrica Cornwell

Body of Evidence: Chapter One

Returning the Key West letters to their manila folder, I got out a packet of surgical gloves, tucked it inside my black medical bag, and took the elevator down one floor to the morgue.

The tile hallway was damp from being mopped, the autopsy suite locked and closed for business. Diagonally across from the elevator was the stainless-steel refrigerator, and opening its massive door, I was greeted by the familiar blast of cold, foul air. I located the gurney inside without bothering to check toe tags, recognizing the slender foot protruding from a white sheet. I knew every inch of Beryl Madison.

Smoky-blue eyes stared dully from slitted lids, her face slack and marred with pale open cuts, most of them on the left side. Her neck was laid wide open to her spine, the strap muscles severed. Closely spaced over her left chest and breast were nine stab wounds spread open like large red buttonholes and almost perfectly vertical. They had been inflicted in rapid succession, one right after the other, the force so violent there were hilt marks in her skin. Cuts to her forearms and hands ranged from a quarter of an inch to four and a half inches in length. Counting two on her back, and excluding her stab wounds and cut throat, there were twenty-seven cutting injuries, all of them inflicted while she was attempting to ward off the slashing of a wide, sharp blade.

I would not need photographs or body diagrams. When I closed my eyes I could see Beryl Madison's face. I could see in sickening detail the violence inflicted upon her body. Her left lung was punctured four times. Her carotid arteries were almost transected. Her aortic arch, pulmonary artery, heart, and pericardial sac were penetrated. She was, for all practical purposes, dead by the time the madman almost decapitated her.

I was trying to make sense of it. Someone had threatened to murder her. She fled to Key West. She was terrified beyond reason. She did not want to die. The night she returned to Richmond it happened.

Why did you let him into your house? Why in God's name did you?

Rearranging the sheet, I returned the gurney to the others bearing bodies against the refrigerator's back wall. By this time tomorrow her body would be cremated, her ashes en route to California. Beryl Madison would have turned thirty-four next month. She had no living relatives, no one in this world, it seemed, except a half sister in Fresno. The heavy door sucked shut.

The tarmac of the parking lot behind the Office of the Chief Medical Examiner was warm and reassuring beneath my feet, and I could smell the creosote of nearby railroad trestles baking in the unseasonably warm sun. It was Halloween.

The bay door was open wide, one of my morgue assistants hosing off the concrete. He playfully arched water, slapping it close enough for me to feel mist around my ankles.

"Hey, Dr. Scarpetta, you keeping banker's hours now?" he called out.

It was a little past four-thirty. I rarely left the office before six.

"Need a lift somewhere?" he added.

"I've got a ride. Thanks," I answered.

I was born in Miami. I was no stranger to the part of the world where Beryl had hidden during the summer. When I closed my eyes I saw the colors of Key West. I saw bright greens and blues and sunsets so gaudy only God can get away with them. Beryl Madison should never have come home.

A brand-new LTD Crown Victoria, shining like black glass, slowly pulled into the lot. Expecting the familiar beat-up Plymouth, I was startled when the new Ford's window hummed open. "You waiting for the bus or what?" Mirrored shades reflected my surprised face. Lieutenant Pete Marino was trying to look blasé as electronic locks opened with a firm click.

"I'm impressed," I said, settling into the plush interior.

"Went with my promotion." He revved the engine. "Not bad, huh?"

After years of broken-down dray horses, Marino had finally gotten himself a stallion. I noticed the hole in the dash as I got out my cigarettes. "You been plugging in your bubble light or just your electric razor?"

"Oh, hell," he complained. "Some drone swiped my lighter. At the car wash. I mean, I'd only had the car a day, you believe it? I take her in, right? Was too busy bitching after the fact, the brushes broke off the antenna, was giving the drones holy hell about that..."

Sometimes Marino reminded me of my mother.

"...wasn't until later I noticed the damn lighter gone." He paused, digging in his pocket as I rummaged through my purse for matches.

"Yo, Chief, thought you was gonna quit smoking," he said rather sarcastically, dropping a Bic lighter in my lap.

"I am," I muttered. "Tomorrow."

The night Beryl Madison was murdered I was out enduring an overblown opera followed by drinks in an overrated English pub with a refired judge who became something less than honorable as the evening progressed. I wasn't wearing my pager. Unable to reach me, the police had summoned Fielding, my deputy chief, to the scene. This would be the first time I had been inside the slain author's house.

Windsor Farms was not the sort of neighborhood where one would expect anything so hideous to happen. Homes were large and set back from the street on impeccably landscaped lots. Most had burglar alarm systems, and all featured central air, eliminating the need for open windows. Money can't buy eternity, but it can buy a certain degree of security. I had never had a homicide case from the Farms.

"Obviously she had money from somewhere," I observed as Marino halted at a stop sign.

A snowy-haired woman walking her snowy Maltese squinted at us as the dog sniffed a tuft of grass, which was followed by the inevitable.

"What a worthless fuzz ball," he said, staring disdainfully at the woman and the dog moving on. "Hate mutts like that. Yap their damn heads off and piss all over the place. Gonna have a dog, ought to be something with teeth."

"Some people simply want company," I said.

"Yeah." He paused, then picked up on my earlier statement. "Beryl Madison had money, most of it tied up in her crib. Apparently whatever savings she had, she blew the dough down there in Queer West. We're still sorting through her paperwork."

"Had any of it been gone through?"

"Don't look like it," he replied. "Found out she didn't do half bad as a writer — bucks-wise. Appears she used several pen names. Adair Wilds, Emily Stratton, Edith Montague." The mirrored shades turned my way again.

None of the names were familiar except Stratton. I said, "Her middle name is Stratton."

"Maybe accounting for her nickname, Straw."

"That and her blond hair," I remarked.

Beryl's hair was honey blond streaked gold by the sun. She was petite, with even, refined features. She may have been striking in life. It was hard to say. The only photograph from life I had seen was the one on her driver's license.

"When I talked to her half sister," Marino was explaining, "I found out Beryl was called Straw by the people she was close to. Whoever she was writing down there in the Keys, this person was aware of her nickname. That's the impression I get." He adjusted the visor. "Can't figure why she Xeroxed those letters. Been chewing on that. I mean, how many people do you know who make photocopies of personal letters they write?"

"You've indicated she was an inveterate record keeper," I reminded him.

"Right. That's bugging me, too. Supposedly the squirrel's been threatening her for months. What'd he do? What'd he say? Don't know, because she didn't tape his calls or write nothing down. The lady makes photocopies of personal letters but don't keep a record when someone's threatening to whack her. Tell me if that makes sense."

"Not everybody thinks the way we do."

"Well, some people don't think because they're in the middle of something they don't want nobody to know about," he argued.

Pulling into a drive, he parked in front of the garage door. The grass was badly overgrown and spangled with tall dandelions swaying in the breeze, and there was a FOR SALE sign planted near the mailbox. Still tacked across the gray front door was a ribbon of yellow crime-scene tape.

"Her ride's inside the garage," Marino said as we got out. "A nice black Honda Accord EX. Some details about it you might find interesting."

We stood on the drive and looked around. The slanted rays of the sun were warm on the back of my shoulders and neck. The air was cool, the pervasive hum of autumn insects the only sound. I took a slow, deep breath. I was suddenly very tired.

Her house was International style, modern and starkly simplistic with a horizonal frontage of large windows supported by ground-floor piers, bringing to mind a ship with an open lower deck. Built of fieldstone and gray-stained wood, it was the sort of house a wealthy young couple might build — big rooms, high ceilings, a lot of expensive and wasted space. Windham Drive dead-ended at her lot, which explained why no one had heard or seen anything until it was too late. The house was cloistered by oaks and pines on two sides, drawing a curtain of foliage between Beryl and her nearest neighbors. In back, the yard sharply dropped off into a ravine of underbrush and boulders, leveling out into an expanse of virgin timber stretching as far as I could see.

"Damn. Bet she had deer," Marino said as we wandered around back. "Something, huh? You look out your windows, think you got the world to yourself. Bet the view's something when it snows. Me, I'd love a crib like this. Build a nice fire in the winter, pour yourself a little bourbon, and just look out at the woods. Must be nice to be rich."

"Especially if you're alive to enjoy it."

"Ain't that the truth," he said.

Fall leaves crackled beneath our shoes as we rounded the west wing. The front door was level with the patio, and I noted the peephole. It stared at me like a tiny empty eye. Marino flicked a cigarette butt, sent it sailing into the grass, then dug in a pocket of his powder-blue trousers. His jacket was off, his big belly hanging over his belt, his short-sleeved white shirt open at the neck and wrinkled around his shoulder holster.

He produced a key attached to a yellow evidence tag, and as I watched him open the dead-bolt lock I was startled anew by the size of his hands. Tan and tough, they reminded me of baseball mitts. He would never have made a musician or a dentist. Somewhere in his early fifties, with thinning gray hair and a face as shopworn as his suits, he was still formidable enough to give most people pause. Big cops like him rarely get in fights. The street punks take one look and sit on their bravado.

We stood in a rectangle of sunlight inside the foyer and worked on pairs of gloves. The house smelled stale and dusty, the way houses smell when they have been shut up for a while. Though the Richmond police department's Identification Unit, or ID, had thoroughly processed the scene, nothing had been moved. Marino had assured me the house would look exactly as it had when Beryl's body was found two nights earlier. He shut the door and flipped on a light.

"As you can see," his voice echoed, "she had to have let the guy in. No sign of forcible entry, and the joint's got a triple A burglar alarm." He directed my attention to the panel of buttons by the door, adding, "Deactivated at the moment. But it was in working order when we got here, screaming bloody murder, which is why we found her so fast to begin with."

He went on to remind me the homicide was originally called in as an audible alarm. At shortly after eleven P.M., one of Beryl's neighbors dialed 911 after the alarm had been going for nearly thirty minutes. A patrol unit responded and the officer found the front door ajar. Minutes later he was on his radio requesting backups.

The living room was in shambles, the glass coffee table on its side. Magazines, a crystal ashtray, several art deco bowls and a flower vase were strewn over the dhurrie rug. A pale blue leather wingchair was overturned, a cushion from the matching sectional sofa nearby. On the whitewashed wall left of a door leading into a hallway were dark spatters of dried blood.

"Does her alarm have a time delay?" I asked.

"Oh, yeah. You open the door and the alarm hums about fifteen seconds, long enough for you to punch in your code before it goes off."

"Then she must have opened the door, deactivated the alarm, let the person in, and then reset the alarm while he was still here. Otherwise, it would never have gone off later, when he left. Interesting."

"Yeah," Marino replied, "interesting as shit."

We were inside the living room, standing near the overturned coffee table. It was sooty with dusting powder. The magazines on the floor were news and literary publications, all of them several months old.

"Did you find any recent newspapers or magazines?" I asked. "If she bought a paper locally, it could be important. Anywhere she went after getting off the plane is worth checking."

I saw his jaw muscles flex. Marino hated it when he assumed I was telling him how to do his job.

He said, "There were a couple of things upstairs in her bedroom where her briefcase and bags was. A Miami Herald and something called the Keynoter, has mostly real estate listings for the Keys. Maybe she was thinking of moving down there? Both papers came out Monday. She must've bought them, maybe picked them up in the airport on her way back to Richmond."

"I'd be interested in what her realtor has to say..."

"Nothing, that's what he has to say," he interrupted. "Has no idea where Beryl was and only showed her house once while she was gone. Some young couple. Decided the price was too high. Beryl was asking three hundred Gs for the joint." He looked around, his face impervious. "Guess someone could get a deal now."

"Beryl took a taxi home from the airport the night she got in." I doggedly pursued the details.

He got out a cigarette and pointed with it. "Found the receipt in the foyer there, on that little table by the door. Already checked out the driver, a guy named Woodrow Hunnel. Dumb as a bag of hammers. Said he was waiting in the line of cabs at the airport. She flagged him down. This was close to eight, it was raining cats and dogs. He let her out here at the house maybe forty minutes later, said he carried her two suitcases to the door, then split. The fare was twenty-six bucks, including the tip. He was back at the airport about half an hour later picking up another fare."

"You're sure, or is this what he told you?"

"Sure as I'm damn standing here." He tapped the cigarette on his knuckle and began fingering the filtered tip with his thumb. "We checked out the story. Hunnel was shooting straight with us. He didn't touch the lady. There wasn't time."

I followed his eyes to the dark spatters near the doorway. The killer's clothing would have been bloody. It wasn't likely a cabdriver with bloody clothes was going to be picking up fares.

"She hadn't been home long," I said. "Got in around nine and a neighbor calls in her alarm at eleven. It had been going for a half hour, meaning the killer was gone by around ten-thirty."

"Yeah," he answered. "That's the hardest part to figure. Based on those letters, she was scared shitless. So she sneaks back to the city, locks herself inside her house, even has her three-eighty on the kitchen counter — show you that when we get there. Then, boom! The doorbell rings or what? Next thing you know, she's let the squirrel in and reset the burglar alarm behind him. Had to be somebody she knew."

"I wouldn't rule out a stranger," I said. "If the person is very smooth, she may have trusted him, let him in for some other reason."

"At that hour?" His eyes flicked me as they went around the room. "What? He's selling magazine subscriptions, Good Humor bars at ten o'clock at night?"

I didn't reply. I didn't know.

We stopped at the open doorway leading into a hallway. "This is the first blood," Marino said, looking at the dried spatters on the wall. "She got cut right here, the first cut. I figure she's running like hell and he's slashing."

I envisioned the cuts on Beryl's face, arms, and hands.

"My guess," he went on, "is he cut her left arm or back or face at this point. The blood on the wall here's cast off from blood slinging off the blade. He'd already cut her at least once, the blade was bloody, and when he swung again drops flew off and hit the wall."

The stains were elliptical, about six millimeters in diameter, and became increasingly elongated the farther they arched left of the doorframe. The spread of drops spanned at least ten feet. The assailant had been swinging with the vigor of a hard-hitting squash player. I felt the emotion of the crime. It wasn't anger. It was worse than that. Why did she let him in?

"Based on the location of this spatter, I'm thinking the drone was right about here," Marino said, positioning himself several yards back from the doorway and slightly to the left of it. "He swings, cuts her again, and as the blade follows through, blood flies off and hits the wall. The pattern, as you can see, starts here." He gestured toward the highest drops, which were almost level with the top of his head. "Then sweeps down, stopping several inches from the floor." He paused, his eyes challenging me. "You examined her. What do you think? He's right-handed or left-handed?"

The cops always wanted to know that. No matter how often I told them it was anybody's guess, they still asked.

"It's not possible to tell from this blood spatter," I said, the inside of my mouth dry and tasting like dust. "It depends entirely on where he was standing in relation to her. As for the stab injuries to her chest, they're slightly angled from left to right. That might make him left-handed. But again, it depends on where he was in relation to her.

"I just think it's interesting almost all her defense injuries are located on the left side of her body. You know, she's running. He's coming at her from the left instead of the right. Makes me suspicious he's left-handed."

"It all depends on the victim and assailant's positions in relation to each other," I repeated impatiently.

"Yo," he muttered shortly. "Everything depends on something."

Through the doorway was a hardwood floor. A runway had been chalked off to enclose drips of blood leading to a stairway some ten feet to our left. Beryl had fled this way and up the stairs. Her shock and terror were greater than her pain. On the left wall at almost every step was a bloody smear made by her cut fingers reaching out for balance and dragging across the paneling.

The black spots were on the floor, on the walls, on the ceiling. Beryl had run to the end of the upstairs hall, where she was momentarily cornered. In this area there was a great deal of blood. The chase resumed after she apparently fled from the end of the hall into her bedroom, where she may have eluded him by climbing over the queen-size bed as he came around it. At this point, either she threw her briefcase at him or, more likely, it was on top of the bed and was knocked off. The police found it on the rug, open and upside down like a tent, papers scattered nearby, including the photocopies of the letters she had written from Key West.

"What other papers did you find in here?" I asked.

"Receipts, a couple tourist guides, including a brochure with a street map," Marino answered. "I'll make copies for you if you want."

"Please," I said.

"Also found a stack of typed pages on her dresser there." He pointed. "Probably what she was writing in the Keys. A lot of notes scribbled in the margins in pencil. No prints worth noting, a few smudges and a few partials that are hers."

Her bed was stripped to the bare mattress, its bloodstained quilted spread and sheets having been sent to the lab. She had been slowing down, losing motor control, getting weak. She had stumbled back out into the hall, where she'd fallen over an Oriental prayer rug I remembered from the scene photographs. There were bloody drag marks and handprints on the floor. Beryl had crawled into the guest bedroom beyond the bath, and it was here, finally, that she died.

"Me," Marino was saying, "I think it wasn't any fun unless he chased her. He could've grabbed her, killed her down there in the living room, but that would've ruined the sport. He was probably smiling the whole time, her bleeding and screaming and begging. When she finally makes it in here, she collapses. The gig's up. No fun anymore. He ends it."

The room was wintry, decorated in yellow as pale as January sunshine. The hardwood floor was black near the twin bed, and there were black streaks and splashes on the whitewashed wall. In the scene photographs Beryl was on her back, her legs spread, her arms up around her head, her face turned toward the curtained window. She was nude. When I had first studied the photographs I could not tell what she looked like or even the color of her hair. All I saw was red. The police had found a pair of bloody khaki slacks near her body. Her blouse and undergarments were missing.

"The cabdriver you mentioned — Hunnel or whatever his name was — did he remember what Beryl was wearing when he picked her up at the airport?" I asked.

"It was dark," Marino replied. "He wasn't sure but thought she was wearing pants and a jacket. We know she was wearing pants when she was attacked, the khaki ones we found in here. There was a matching jacket on a chair inside her bedroom. I don't think she changed clothes when she got home, just tossed her jacket on the chair. Whatever else she was wearing — a blouse, her underclothes — the killer took them."

"A souvenir," I thought aloud.

Marino was staring at the dark-stained floor where her body had been found.

He said, "The way I'm seeing it, he has her down in here, takes her clothes off, rapes her or tries to. Then he stabs her and nearly cuts her head off. A damn shame about her PERK," he added, referring to her Physical Evidence Recovery Kit, swabs from which were negative for sperm. "Guess we can kiss DNA good-bye."

"Unless some of the blood we're analyzing is his," I replied. "Otherwise, yes. Forget DNA."

"And no hairs," he said.

"None except a few consistent with hers."

The house was so quiet our voices were unnervingly loud. Everywhere I looked I saw the ugly stains. I saw the images in my mind: the stab wounds, the hilt marks, the savage wound in her neck gaping like a yawning red mouth. I went out into the hall. The dust was irritating my lungs. It was hard to breathe.

I said, "Show me where you found her gun."

When the police had arrived at the scene that night, they'd found Beryl's .380 automatic on the kitchen counter near the microwave oven. The gun was loaded, the safety on. The only partial prints the lab could identify were her own.

"She kept the box of cartridges inside a table by her bed," Marino said. "Probably kept the gun there, too. I figure she carried her bags upstairs, unpacked and dumped most of her clothes in the bathroom hamper, and put her suitcases back in the bedroom closet. At some point during all this, she got out her piece. A sure sign she was antsy as hell. What you wanta bet she checked out every room with it before she started winding down?"

"I know I would have," I commented.

He looked around the kitchen. "So maybe she came in here for a snack."

"She may have thought about a snack, but she didn't eat one," I answered. "Her gastric contents were about fifty milliliters, or less than two ounces, of dark brown fluid. Whatever she ate last was fully digested by the time she died — or better put, by the time she was attacked. Digestion shuts down during acute stress or fear. If she'd just eaten a snack when the killer got to her, the food wouldn't have cleared her stomach."

"Not much to munch on anyway," he said as if this were an important point to make as he opened the refrigerator door.

Inside we found a shriveled lemon, two sticks of butter, a block of moldy Havarti cheese, condiments, and a bottle of tonic water. The freezer was a little more promising, but not much. There were a few packages of chicken breasts, Le Menus, and lean ground beef. Cooking, it appeared, was not a pleasure for Beryl but a utilitarian exercise. I knew what my own kitchen was like. This one was depressingly sterile. Motes of dust were suspended in the pale light seeping through slits of the gray designer blinds in the window over the sink. The drainboard and sink were empty and dry. The appliances were modern and looked unused.

"The other thought is she came in here for a drink," Marino speculated.

"Her STAT alcohol was negative," I said.

"Don't mean she didn't think about it."

He opened a cabinet above the sink. There wasn't an inch to spare on three shelves: Jack Daniel's, Chivas Regal, Tanqueray, liqueurs, and something else that caught my attention. In front of the Cognac on the top shelf was a bottle of Haitian Barbancourt Rhum, aged fifteen years and as expensive as unblended Scotch.

Lifting it out with a gloved hand, I set it on the counter. There was no strip stamp, and the seal around the gold cap was unbroken.

"I don't think she got this around here," I told Marino. "My guess is she got it in Miami, Key West."

"So you're saying she brought it back from Florida?"

"It's possible. Clearly, she was a connoisseur of good booze. Barbancourt's wonderful."

"Guess I should start calling you Doc-tor Connoisseur," he said.

The bottle of Barbancourt wasn't dusty, even though many of the bottles near it were.

"It might explain why she was in the kitchen," I went on. "Perhaps she came downstairs to put away the rum. She may have been contemplating a nightcap when someone arrived at her door."

"Yeah, but what it don't explain is why she left her piece in here on the counter when she answered the door. She was supposed to be spooked, right? Still makes me think she was expecting company, knew the squirrel. Hey, she's got all this fancy booze, right? She drinks the stuff alone? Don't make sense. Makes more sense to think she did a little entertaining from time to time, had some guy in. Hell, maybe it's this 'M' she was writing down there in the Keys. Maybe that's who she was expecting the night she was whacked."

"You're entertaining the possibility 'M' is the killer," I said.

"Wouldn't you be?"

He was getting combative, and his unlit cigarette was beginning to grate on my nerves.

"I would entertain every possibility," I replied. "For example, I would also entertain the possibility she wasn't expecting company. She was in the kitchen putting away her rum and possibly thinking of pouring herself a drink. She was nervous, had her automatic nearby on the counter. She was startled when the doorbell rang or someone started knocking — "

"Right," he cut me off. "She's startled, jumpy. So why does she leave her piece here in the kitchen when she goes to the damn door?"

"Did she practice?"

"Practice?" he said as our eyes met. "Practice what?"

"Shooting."

"Hell...I donno..."

"If she didn't, it wasn't a natural reflex for her to arm herself but a conscious deliberation. Women carry Mace in their pocketbooks. They're assaulted and the Mace never enters their minds until after the fact because defending themselves isn't a reflex."

"I don't know..."

I did know. I had a Ruger .38 revolver loaded with Silvertips, one of the most destructive cartridges money could buy. The only reason it would occur to me to arm myself with the handgun was I practiced, took it down to the range inside my building several times a month. When I was home alone, I was more comfortable with the handgun than without it.

There was something else. I thought of the living room, of the fireplace tools upright in their brass stand on the hearth. Beryl had struggled with her assailant in that room and it never occurred to her to arm herself with the poker or the shovel. Defending herself was not a reflex. Her only reflex was to run, whether it was up the stairs or to Key West.

I explained, "She may have been a stranger to the gun, Marino. The doorbell rings. She's unnerved, confused. She goes into the living room and looks through the peephole. Whoever it is, she trusts the person enough to open the door. The gun is forgotten."

"Or else she was expecting her visitor," he said again.

"That is entirely possible. Providing somebody knew she was back in town."

"So maybe he knew," he said.

"And maybe he's 'M'." I told him what he wanted to hear as I replaced the bottle of rum on the shelf.

"Bingo. Making more sense now, isn't it?"

I shut the cabinet door. "She was threatened, terrorized for months, Marino. I find it hard to believe it was a close friend and Beryl wasn't the least bit suspicious."

He looked annoyed as he glanced at his watch and dug another key out of a pocket. It made no sense at all that Beryl would have opened the door to a stranger. But it made even less sense that someone she trusted could have done this to her. Why did she let him in? The question wouldn't stop nagging at me.

A covered breezeway joined the house to the garage. The sun had dipped below the trees.

"I'll tell you right off," Marino said, the lock clicking open, "I only went in here right before I called you. Could've busted down the door the night of her murder but didn't see no point." He shrugged, lifting those massive shoulders of his as if to make sure I understood he really could tackle a door or a tree or a Dumpster if he were so inclined. "She hadn't been in here since she left for Florida. Took us a while to find the friggin' key."

It was the only paneled garage I had ever seen, the floor a gorgeous dragon skin of expensive red Italian tile.

"Was this really designed to be a garage?" I asked.

"It's got a garage door, don't it?" He was pulling several more keys out of a pocket. "Some place to keep your ride out of the rain, huh?"

The garage was airless and smelled dusty, but it was spotless. Other than a rake and a broom leaning against a corner, there was no sign of the usual tools, lawnmowers, and other impedimenta one would expect to find. The garage looked more like a car dealership showroom, the black Honda parked in the center of the tile floor. The car was so clean and shiny it could have passed for new and never driven.

Marino unlocked the driver's door and opened it.

"Here. Be my guest," he said.

Momentarily, I was settled back in the soft ivory leather seat, staring through the windshield at the paneled wall.

Stepping back from the car, he added, "Just sit there, okay? Get the feel of it, look around the interior, tell me what comes to mind."

"You want me to start it?"

He handed me the key.

"Then please open the garage door so we don't asphyxiate ourselves," I added.

Frowning as he glanced around, he found the right button and cracked the door.

The car turned over the first time, the engine dropping several octaves and purring throatily. The radio and air conditioning were on. The gas tank was a quarter full, the odometer registering less than seven thousand miles, the sunroof partially open. On the dash was a dry cleaning slip dated July eleventh, a Thursday, when Beryl took in a skirt and a suit jacket, garments she obviously never picked up. On the passenger's seat was a grocery receipt dated July twelfth at ten-forty in the morning, when she bought one head of lettuce, tomatoes, cucumbers, ground beef, cheese, orange juice, and a roll of mints, the total nine dollars and thirteen cents out of a ten she gave the check-out clerk.

Next to the receipt was a slender white bank envelope that was empty. Beside it a pebbly tan Ray Ban sunglasses case — also empty.

In the backseat was a Wimbledon tennis racket, and a rumpled white towel I reached over the seat to get. Stamped in small blue letters on a terrycloth border was WESTWOOD RACQUET CLUB, the same name printed on a red vinyl tote bag I had noted upstairs in Beryl's closet.

Marino had saved his theatrics for last. I knew he had looked over all of these items and wanted me to see them in situ. They weren't evidence. The killer had never gone inside the garage. Marino was baiting me. He had been baiting me since we had first stepped inside the house. It was a habit of his that irritated the hell out of me.

Turning off the engine, I got out of the car, the door shutting with a muffled solid thud.

He looked speculatively at me.

"A couple of questions," I said.

"Shoot."

"Westwood is an exclusive club. Was she a member?"

A nod.

"You checked out when she last reserved a court?"

"Friday, July twelfth, at nine in the morning. She had a lesson with the pro. Took a lesson once a week, that was about the extent of her playing."

"As I recall, she flew out of Richmond early Saturday morning, July thirteenth, arriving in Miami shortly after noon."

Another nod.

"So she took her lesson, then went straight to the grocery store. After that, she may have gone to the bank. Whatever the case, at some point after she did her shopping, she suddenly decided to leave town. If she'd known she was leaving town the next day, she wouldn't have bothered going to the grocery store. She didn't have time to eat everything she bought, and she didn't leave the food in the refrigerator. Apparently she threw away everything except the ground beef, the cheese and possibly the mints."

"Sounds reasonable," he said unemphatically.

"She left her glasses case and other items on the seat," I continued. "Plus, the radio and air conditioning were left on, the sunroof partially open. Looks like she drove into the garage, cut the engine, and hurried into the house with her sunglasses on. Makes me wonder if something happened while she was out in the car driving home from tennis and her errands..."

"Oh yeah. I'm pretty damn sure it did. Walk around, take a look at the other side — specifically at the passenger's door."

I did.

What I saw scattered my thoughts like marbles. Gouged into the glossy black paint right below the door handle was the name BERYL enclosed in a heart.

"Kind of gives you the creeps, don't it?" he said.

"If he did this while her car was parked at the club or the grocery store," I reasoned, "it seems someone would have seen him."

"Yo. So maybe he did it earlier." He paused, casually perusing the graffiti. "When's the last time you looked at your passenger's door?"

It could have been days. It could have been a week.

"She went grocery shopping." He finally lit the damn cigarette. "Didn't buy much." He took a deep, hungry drag. "And it probably all fit inside one bag, right? When my wife's got just one or two bags, she always sticks them up front, on the floor mat, maybe on the seat. So maybe Beryl went around to the passenger's side to put the groceries in the car. That's when she noticed what was scratched into the paint. Maybe she knew it had to have been done that day. Maybe she didn't. Don't matter. Freaked her right out, pushed her over the edge. She makes tracks home or maybe to the bank for cash. Books the next flight out of Richmond and runs to Florida."

I followed him out of the garage and back to his car. Night was falling fast, a chill in the air. He cranked the engine while I stared mutely out the side window at Beryl's house. Its sharp angles were deteriorating in the shadows, the windows dark. Suddenly the porch and living room lights blinked on.

"Geez," Marino muttered. "Trick or treat."

"A timer," I said.

"No kidding."

Copyright © 1991 by Patricia D. Cornwell

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Sort by: Showing all of 3 Customer Reviews
  • Posted December 9, 2008

    more from this reviewer

    two terrific Scarpetta thrillers

    ¿Postmortem¿. In Richmond, Virginia, Chief Medical Examiner for the commonwealth of Virginia, Dr. Kay Scarpetta struggles with stopping the serial killer, 'Mr. Nobody,'' who strangles young women. Her seemingly 24/7 tireless efforts searching databases and seeking forensic clues are taking its toll on the ME while a bitter chauvinistic male tries everything to insure this high powered female fails even if it means more women die. This is Scarpetta¿s terrific debut tale filled with intriguing forensic science woven into the serial killer plot while an irritable heroine struggles with testosterone officialdom as much as with finding the culprit. --- ¿Body of Evidence¿. In Richmond, Virginia someone brutally slashes to death historical romance writer Beryl Madison in the woman¿s home. The crime scene evidence points towards the victim knowing her killer as no forced entry appears. State medical examiner Dr. Kay Scarpetta also investigates other seemingly related deaths that of writer Cary Harper and the suicide of his sister. Meanwhile, the FBI looks into the activities of Madison's lawyer though Scarpetta cannot see the link to her case. As she follows the forensic clues in Virginia and Florida, someone threatens to kill Scarpetta. This second Scarpetta thriller is one of the best forensic tales written in the past decade or two, as the heroine works a difficult case with intelligence and aplomb while the readers obtain deep insight into the working of a medical examiner. --- Both terrific thrillers hold-up well though published in 1990 and 1991 respectively as they showcase the early Scarpetta using forensic science to investigate homicides. Worth the price to fans and anyone who wants to read Scarpetta¿s roots. --- Harriet Klausner

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  • Anonymous

    Posted July 16, 2004

    A must for any Scarpetta fan

    If you like to collect Patricia Cornwell's books like me, then you'll definitely want to pick up this treasure. PC's first two Scarpetta masterpieces are presented here together in one fabulous compendium.

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  • Anonymous

    Posted January 4, 2010

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