The Second Book
The protagonists of The Second Book, are connected vertically and horizontally by their struggles. Nietzsche, on the edge of madness, spends a number of mornings contemplating his sweeping ideas and the tiny details of life through hazes left by "the gluey fingers of sleep." In "The Hot Sun's Golden Circle," the pharaoh Amenhotep IV, discoverer of monotheism, embarks on a search for the only true god of Egypt. Bazdulj's charming and funny "The Story of Two Brothers" examines the lives of William and Henry James from the shadows of the Old Testament and the age-old archetype of conflict between an eldest brother and the "maladjusted impracticality" of the younger.

Muharem Bazdulj has broken from the pack of new Eastern European writers influenced by innovators such as Danilo Kiš, Milan Kundera, and Jorge Luis Borges. Employing a light touch, a daring anti-nationalist tone, and the kind of ambition that inspires nothing less than a rewriting of Bosnian and Yugoslavian history, Bazdulj weaves the imagined realities of history into fiction and fiction into history. To quote one critic, for Bazdulj history "is the sum of interpretations while imagination is the sum of facts."
1006256096
The Second Book
The protagonists of The Second Book, are connected vertically and horizontally by their struggles. Nietzsche, on the edge of madness, spends a number of mornings contemplating his sweeping ideas and the tiny details of life through hazes left by "the gluey fingers of sleep." In "The Hot Sun's Golden Circle," the pharaoh Amenhotep IV, discoverer of monotheism, embarks on a search for the only true god of Egypt. Bazdulj's charming and funny "The Story of Two Brothers" examines the lives of William and Henry James from the shadows of the Old Testament and the age-old archetype of conflict between an eldest brother and the "maladjusted impracticality" of the younger.

Muharem Bazdulj has broken from the pack of new Eastern European writers influenced by innovators such as Danilo Kiš, Milan Kundera, and Jorge Luis Borges. Employing a light touch, a daring anti-nationalist tone, and the kind of ambition that inspires nothing less than a rewriting of Bosnian and Yugoslavian history, Bazdulj weaves the imagined realities of history into fiction and fiction into history. To quote one critic, for Bazdulj history "is the sum of interpretations while imagination is the sum of facts."
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Overview

The protagonists of The Second Book, are connected vertically and horizontally by their struggles. Nietzsche, on the edge of madness, spends a number of mornings contemplating his sweeping ideas and the tiny details of life through hazes left by "the gluey fingers of sleep." In "The Hot Sun's Golden Circle," the pharaoh Amenhotep IV, discoverer of monotheism, embarks on a search for the only true god of Egypt. Bazdulj's charming and funny "The Story of Two Brothers" examines the lives of William and Henry James from the shadows of the Old Testament and the age-old archetype of conflict between an eldest brother and the "maladjusted impracticality" of the younger.

Muharem Bazdulj has broken from the pack of new Eastern European writers influenced by innovators such as Danilo Kiš, Milan Kundera, and Jorge Luis Borges. Employing a light touch, a daring anti-nationalist tone, and the kind of ambition that inspires nothing less than a rewriting of Bosnian and Yugoslavian history, Bazdulj weaves the imagined realities of history into fiction and fiction into history. To quote one critic, for Bazdulj history "is the sum of interpretations while imagination is the sum of facts."

Product Details

ISBN-13: 9780810119352
Publisher: Northwestern University Press
Publication date: 04/20/2005
Series: Writings From An Unbound Europe
Edition description: 1
Pages: 152
Product dimensions: 5.50(w) x 8.50(h) x 0.70(d)

About the Author

MUHAREM BAZDULJ is a novelist, short story writer, and essayist born in 1977. His other books include One Like a Song and Trinity of Travnik. He lives in Sarajevo.

ANDREW WACHTEL is Chair of the Department of Slavic Languages and Literatures at Northwestern University. He is the editor of Intersections and Transpositions: Russian Music, Literature and Society (1998) and Petrushka: Sources and Contexts (1998), both published by Northwestern University Press.

OLEG ANDRIC was born and raised in Sarajevo. Since 1992 he has been living in Florida. Although an electrical engineer by trade, he finds enjoyment in translating from the language in which he dreams to the language in which he lives.

Read an Excerpt

THE SECOND BOOK


By MUHAREM BAZDULJ
NORTHWESTERN UNIVERSITY PRESS
Copyright © 2005

Northwestern University Press
All right reserved.


ISBN: 978-0-8101-1936-9



Chapter One TEARS IN TURIN

Shame.-A beautiful horse stands there, scratches the soil, wheezes, and longs for someone to ride it and loves the one who usually rides it-but, oh, what a shame! Today he is not able to soar on the horse, being tired.-That is a shame of a tired philosopher faced with his own philosophy.

The Dawn

There are cases in which we are like horses, we psychologists, and become restless: we see our own shadow wavering up and down before us. A psychologist must turn his eyes from himself to eye anything at all.

Twilight of the Idols

12.31.1888

Just as the sun began to draw golden hieroglyphs on the wall through the translucent fabric of the curtains, Nietzsche woke up. The bed was under a window, so Friedrich, lying on his side, was able to observe undisturbed the golden symbols' dance on the white wall across from the window, a dance that reminded him of the flickering of Midsummer's Eve fires. In the silence he heard only the uniform sound of his own breathing and the slow and regular beating of his heart (as always, his pulse was never more than sixty beats per minute, just as it usually was never less than that limit; his heart beat exactly once per second like some atomic clock, the temporal equivalent of one of those geometric bodies of exact dimensions made of a particular alloy that are kept in a special institute as prototypes of official measurement units; thus if one kilogram is in fact the mass of an equilateral cylinder of a radius of thirty-nine millimeters made of an alloy of 90 percent platinum and 10 percent iridium kept in the International Bureau for Measurements and Weights in Sevres, then one second is the time during which Nietzsche's heart made one beat, and not, as it is claimed, the duration of 9192631770 periods of radiation corresponding to the transition between two hyperfine levels of the ground state of the cesium 133 atom-if this means anything at all). With his right hand he was massaging his forehead around the temples. Maybe he had a headache. Last night, as usual, he was bothered by insomnia, which almost every night was as quietly and unpretentiously persistent as the sound of a fountain. It returned eternally. That is why this morning, too, Nietzsche was lying wide awake and trying, apparently, to give his tired body a rest, a rest his brain did not want. It was as if his brain had an inkling of the rest it would not give his body. On a night table next to the bed were books stacked in straight towers, like floors of a high-rise. The letters on their spines formed some strange crossword, with the vertical letters making incomprehensible and mostly unpronounceable piles of consonants mixed with a few vowels, while the horizontal letters proffered the famous names of Dostoyevsky, Seneca, Stendhal, Kant, Thucidydes, Schiller, Heraclitus, Rousseau, Goethe, and Schopenhauer. On a desk by the wall, illuminated by the sun, were Nietzsche's papers and writings. He had written a lot in the past year, a year whose last hours were just passing. He had never liked this holiday, this so-called New Year, the grotesque tail of Christmas, dies nefastus, a day that in fact represents the day of the circumcision of the purported Messiah, his almost grotesque first spilling of blood. But today's day was nearly special even according to Nietzsche's personal calendar, the calendar he had invented in The Antichrist (which was on the desk among other writings), completed exactly three months ago, on September 30, 1888, according to-as he wrote-the false calendar. That day Nietzsche declared to be Salvation Day, the first day of the first year, making this thirty-first day of December of 1888 the second day of the third month of the first year. Nietzsche frowned while the thoughts of some mystic quasi-pythagorian analogy were probably going through his head. In fact, the day dearest to Friedrich, which he would pick as a starting point for his calendar (from which he-it is completely logical-did start counting time in a way), was his birthday-October 15. That day was in some way his name day-luckily, not in a religious sense. October 15 was the birthday of the Prussian king Friedrich Wilhelm IV after whom Nietzsche was named. On the desk among the manuscripts, as a silent witness, his Ecce Homo was lying. Nietzsche probably knew by heart all the sentences he had written not so long ago. Maybe he was whispering them now in his bed. As I was born on October 15, the birthday of the above-named king, I naturally received the Hohenzollern name Friedrich Wilhelm. There was at all events one advantage in the choice of this day: my birthday throughout my entire childhood was a public holiday. If Nietzsche was really remembering his childhood birthdays, when he believed that his whole homeland was celebrating just his birthday, then he could not have missed an ironic detail connected to his birthday and the calendar he had established three months ago that had declared September 30 Salvation Day and the start of a new calculation of time. By establishing his own calendar he had made himself a kind of Julius Caesar (and he loved Caesar as can be witnessed by another of his works, Twilight of the Idols, lying on the desk between The Antichrist and Ecce Homo). Caesar's calendar was adjusted approximately fifteen days backward by Pope Gregory, but if Nietzsche's calendar could be adjusted, this could be done only by some antipope and Antigregory, and adjusted in the only possible way, fifteen days ahead, making New Year's day fall on his birthday-the Antichrist's birthday, instead of some Middle Eastern mess about the circumcision of a purported Messiah. Nietzsche smiled silently. In moments of silence and loneliness he always found most similar to himself the personalities he scorned the most in his writings, the personalities of the two greatest and most famous oral teachers (and that was probably their only feature completely opposite to his own, because Nietzsche was a teacher only in a written sense, but orally-while teaching at the University-he was only a lecturer; but even this difference between the oral preaching of his two greatest impossibles and his own leaning toward written prophecies was more a consequence of the times than their characters): with the dialectician and the rabbi, Socrates and Christ. He raised himself on his elbows just to reach a clock on the night table with books, to see the time. It was almost eleven. But still, Nietzsche lay down again. Forgetting, apparently, that he had awakened at daybreak, he thought it might have been noon already, making this late morning moment too early for getting up. If he had already resigned himself to wait for noon in bed, then there was no reason not to do it. Again he smiled gently, as if he remembered that Russian novel in which the hero wakes up at the beginning of the novel and spends the whole first section lying lazily in bed. But Friedrich was not accustomed to lazy lying in bed. It must have been that some strange and undefined weakness enveloped him this morning, this day actually, because he was still prone even at half an hour after noon. But realizing the time, he immediately got up. Strangely, he was not hungry. He spent the next three hours-almost till dusk-sitting in a chair. This way his afternoon was the same as his morning, apart from his back being in a vertical position. Luckily, it was not cold although it was December. Such was Turin. (The quiet and aristocratic city of Turin-so he wrote in Ecce Homo.) When dusk fell in his room, Nietzsche decided to go out. The decision to eat something was more the fruit of his giving in to habit rather than to demands from his belly, his brain searched for food more than did his stomach. After having a quick meal, Nietzsche walked through the streets of Turin for a long time. Almost paradoxically, his tiredness diminished as he walked more. A light southern wind was bringing a puff of additional warmth to the already mild air, like the feeling of a burst of blood to the head of a man with fever. Nietzsche's forehead was beaded with sweat. But his heart was still working like a clock (and this comparison should not be considered colloquial but rather concrete and the most correct possible), and his breathing was just slightly quicker. At a street corner he stopped for a bit. He did not pause to rest (he didn't need to), nor because he was in thought (in his youth he had read somewhere that people with lower mental capabilities are incapable of thinking and walking at the same time, the start of any barely significant thinking stops them immediately; then with pleasure he remembered a fact he had noticed long ago, although without assigning to it any positive or negative meaning, the fact that he thought better and quicker while walking), he simply tried to separate the sensations of time and space, to put himself under the control of time while being motionless in space, as if by doing this the power of time over him would be higher, as if the sum of time and space within a person is always constant, bringing him closer to time if he gives less control to space, and vice versa. Then he went to a particular spot, his own spot on the banks of Po. He had gone there for the first time when he completed The Antichrist, on the first day of the first year of his own calendar. For the last three months he had been coming here almost every time he went walking. He watched the water flowing. A river by day is not the same as by night. The sound of a river flowing in darkness is unreal and healing. He came back home fifteen minutes after ten o'clock and went straight to bed. Usually he went to bed later, trying to trick the insomnia. But this time he lay down early and, amazingly, fell asleep quickly. He did not want to be awake to hear the clock strike twelve irrevocable chimes.

(Continues...)



Excerpted from THE SECOND BOOK by MUHAREM BAZDULJ
Copyright © 2005 by Northwestern University Press. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Tears in Turin3
The Poet15
The Hot Sun's Golden Circle38
A Twilight Encounter51
The Story of Two Brothers58
Fiat Iustitia66
The Second Book80
The Bridge on Land96
The Threshold of Maturity105
A Red Flower for Tomislav Podgorac117
Author's Note133
Translators' Notes141
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