The New York Times Book Review - Charles McGrath
If only Daisy Dunn's book had been around back when I was an aspiring classicist. There were actually two Roman writers named Pliny…and I could never keep them straight, let alone understand why they were worth studying. Dunn makes a persuasive case for both…Dunn is a good writer, with some of the easy erudition of Mary Beard, that great popularizer of Roman history, and her translations from both Plinys are graceful and precise. Ultimately her enthusiasm, together with her eye for the odd, surprising detail, wins you over, and the younger Pliny gradually emerges as a mostly sympathetic character, interesting for his ordinariness and for the ways he resembles us today.
Kathleen McCallister
"Enthusiastic and vividly drawn.... An appreciation of both men, with frequent digressions on the Elder's opinions on oysters and metal scripture, the Younger's poetical ambitions and villas along Lake Como, and the effect of their dual legacy on future eras."
James Romm
"Only a writer as sure-footed as Ms. Dunn would even attempt such a challenge…. Her exploration of his life and times, and that of his uncle, has much to offer to readers, with its ground-up, kaleidoscopic view of a nine-decade span of Roman history."
New York Times - Franz Lidz
"The Shadow of Vesuvius is the definitive guide to Plinydom."
Merle Jacob
"A delightful biography, interweaving extracts from [Pliny the] Elder’s Natural History with [Pliny the] Younger’s letters, speeches, and poetry into an insightful portrait of the men, their world, and their influence on people such as Giorgio Vasari, Frances Bacon, and Percy and Mary Shelley.... This is a rich, entertaining dual biography of two fascinating men, a revealing portrait of ancient Rome, and a celebration of nature that will appeal to fans of Mary Beard."
Charles McGrath
"If only Daisy Dunn’s book had been around back when I was an aspiring classicist… Dunn is a good writer, with some of the easy erudition of Mary Beard, that great popularizer of Roman history, and her translations from both Plinys are graceful and precise. Ultimately her enthusiasm, together with her eye for the odd, surprising detail, wins you over."
Literary Review (UK)
"Rather than provide us with merely a biography of a magistrate, Dunn gives us a portrait of an entire way of life…. Dunn also knows how to work a sentence. Without ever veering into historical fiction, she consistently succeeds in bringing what might otherwise seem dusty and remote to vivid life…. If there is much about Pliny’s world that she makes seem familiar, then there is just as much that she makes seem very strange….The result is a portrait of the Roman Empire that gives the reader something of the shiver down the spine that Herculaneum can inspire: a sense that we are as close to the vanished world of two millennia ago as we are ever likely to get."
The New Yorker - Joan Acocella
"If you were writing a biography of Gaius Plinius Caecilius Secundus—or Pliny the Younger, the author of one of the most famous collections of letters surviving from the early Roman Empire—it would be hard not to start with the eruption of Mt. Vesuvius, on the Bay of Naples, in 79 A.D., for Pliny was the only writer to leave us an eyewitness account of the catastrophe. The English classicist Daisy Dunn… wisely does not resist the temptation… She succeed[s] in making Pliny [the Younger]…a poignant character, the kind of person who has to do the dirty jobs of an empire and, having done them, gets no compliments…. Neither Pliny knew that his homeland’s great mountain, Vesuvius, was nourishing in her bosom the extermination of so many of her people. This somehow makes the two men’s kinship closer."
MARCH 2020 - AudioFile
This biography of Pliny the Younger, with many references to his uncle, Pliny the Elder, interposes episodes from his life, such as the eruption of Vesuvius, rather than telling a chronological story. That approach gives a full but rather foggy sense of his life in ancient Rome. Mike Grady’s narration takes the listener past the book’s limitations. His intelligence and sensitivity go beyond the basics of a clear, incisive voice, a British accent, and good pacing. He reads in a kind of confidential tone, as if speaking of personal matters with care and consideration, all of which engage the listener. Beyond that, he gives an elegiac sense to this story of a life now long gone, making this audiobook affecting as well as informative. W.M. © AudioFile 2020, Portland, Maine
