The Shoemaker's Wife

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Overview

High in the Italian Alps at the turn of the twentieth century, Ciro, a strapping mountain boy, meets Enza, a practical beauty. But when scandal rocks Ciro's tiny village, unbeknownst to Enza, he is sent to hide in America. When disaster strikes Enza's family, she, too, is forced to go to America.

Ciro and Enza build fledgling lives—until fate intervenes and reunites them. But it is too late: Ciro has volunteered to serve in World War I and Enza finds success in the costume department of the Metropolitan Opera House. Over time, these star-crossed lovers meet and separate, until the power of their love changes both of their lives forever.

Inspired by Trigiani's own family history, The Shoemaker's Wife defines an era with operatic scope that will live on in the imagina-tions of readers for years to come.

  • The Shoemaker's Wife

Editorial Reviews

From Barnes & Noble

Adriana Trigiana's richly layered historical tale of star-crossed lovers spans a continent, several misunderstandings and fateful separations, but resolves in a pleasing, graceful way. Ciro and Enza, the pair at its heart, are young villagers who don't meet until they are both teenagers. Their youthful romance is nipped in the bud when Ciro catches a local priest in something best left unseen. Forced to flee, he leaves for America without telling Enza the reason. Years later, she and her family also emigrate, but settling in Hoboken, she does not know that Ciro, a shoemaker's apprentice in Greenwich Village, is only a river away. They reunite, but fate is still against them: Ciro has volunteered for World War I. What follows next brings the story to an operatic conclusion. Enthralling to read; easy to recommend.

Sessalee Hensley

Publishers Weekly
Trigiani's page-turning newest (after Viola in the Spotlight) is a sweeping saga that stretches across the World Wars, from Italy to America and back again. Ciro Lazzari and Enza Ravenelli grew up in nearby villages in Italy, but only meet when Ciro is hired to dig the grave for Enza's baby sister. Though they come from different backgrounds—Enza is the eldest daughter in a family of eight, while Ciro and his brother are raised by nuns after their father's death and mother's mental breakdown—the two nevertheless bond. But when Ciro catches a priest embracing a young girl, he is banished from the convent and must depart for New York City, where he apprentices as a shoemaker. Soon thereafter, Enza and her father journey to the U.S. to send money home to their struggling family. There, Enza becomes a talented seamstress and gets involved in the lushly detailed New York opera scene by making costumes for the Met. While in New York, Enza and Ciro reconnect, but Ciro is soon swept away to fight in WWI. When he returns and seeks Enza's hand in marriage, Enza, who is set to be betrothed to another man, must now weigh her possible futures: "A life with Ciro would be about family, a life with Vito would be about her." More than an epic romance, Trigiani's work pays homage to the tribulations of the immigrant experience, and the love that makes the journey and hardships worthwhile. (May)
Library Journal
Italian teenagers Ciro Lazzari and Enza Ravanelli feel an instant romantic connection when they first meet in the Alps in 1908, but their budding relationship is interrupted when Ciro must quickly leave Italy after learning a local priest's shameful secret. The two meet again years later in New York City, where Ciro works as an apprentice to a shoemaker and Enza enjoys the elegant life of a seamstress at the opulent Metropolitan Opera. The couple's trials continue as the story takes them to the harsh winters of Minnesota and through the horrors of two world wars, helping them both finally to realize fully the true value of love and family. While her plot is somewhat predictable, popular novelist Trigiani (Lucia, Lucia) has created two immensely likable main characters, and it's a particular pleasure to root for Enza, a caring but independent woman who loves Ciro but also has dreams of her own. VERDICT Trigiani's gift for using vivid details to create a strong sense of place and her warm affection for her characters will make this a satisfying read for her many fans. [Seven-city tour; library marketing; see Prepub Alert, 11/21/11.]—Mara Bandy, Champaign P.L., IL
Kirkus Reviews
Despite its girth, Trigiani's latest saga of Italian life lies flat on the page. A portrait of early 20th-century Italian immigration, the story starts with two children in the Italian Alps. In one mountain village, serious, hardworking Enza lives with her large family; in another, rascal Ciro and his brother Eduardo are orphans at the convent. When 16-year-old Ciro travels to Enza's village to dig the grave of her little sister, the two meet for the first time, and Enza falls in love. But soon after, Ciro is sent to America (he caught the priest kissing a girl) to apprentice as a shoemaker. Trigiani's novels often bask in Italian culture, and this latest is no exception, taking place during the great wave of Italian immigration. New York's Little Italy is a joyous place, and handsome, outgoing Ciro fits right in. A few years later, Enza and her father go to America (just to make enough money to dig their family out of poverty), and Ciro and Enza briefly meet again. Enza, a talented seamstress, first works in a factory, and then finds her way to becoming a costumer at the Metropolitan Opera House. Life at the Met is a dream for Enza as she works for the great Caruso. Meanwhile, World War I has begun and Ciro leaves behind his comfortable life at the shop (and all the beauties) on Mulberry Street to enlist. In the trenches, he dreams about Enza (though why he never bothered with her before is unclear) while she is getting ready to marry another. Love wins out as Ciro and Enza marry then move to Minnesota to start a business and a family. Much more happens, but Trigiani's wide rush of plot hardly makes up for a dull heroine and a novel filled with workaday prose. A long list of life events, without the emotional depth to draw readers in.
Katherine A. Powers
…an old-fashioned, romantic tale of two star-tangled lovers, Enza Ravanelli and Ciro Lazzari. Beginning in the Italian Alps, the story travels by various routes to New York's Little Italy, a Hoboken factory, backstage at the Metropolitan Opera, Minnesota's Iron Range and the trenches of France. A love story, yes, but also a paean to artisanal work, food, friendship and family…Trigliani is a master of palpable and visual detail: She brings to vivid life the terrible ocean crossings, the tribulation of getting through immigration control at Ellis Island, and the whole look, feel and material reality of the New World.
—The Washington Post

Product Details

  • ISBN-13: 9780061257094
  • Publisher: HarperCollins Publishers
  • Publication date: 4/3/2012
  • Pages: 496
  • Sales rank: 232
  • Product dimensions: 5.90 (w) x 9.10 (h) x 1.70 (d)

Meet the Author

Adriana Trigiani
Adriana Trigiani

Adriana Trigiani is an award-winning playwright, television writer, and documentary filmmaker. The author of the bestselling Big Stone Gap series, Very Valentine; Brava, Valentine; Lucia, Lucia; The Queen of the Big Time; andRococo, she has also written the best-selling memoir Don't Sing at the Table as well as the young adult novels Viola in Reel Life and Viola in the Spotlight. Her books have been published in 36 countries around the world. She has written and will direct the big screen version of her first novel, Big Stone Gap. She lives in New York City with her husband and daughter.

Biography

As her squadrons of fans already know, Adriana Trigiani grew up in Big Stone Gap, a coal-mining town in southwest Virginia that became the setting for her first three novels. The Big Stone Gap books feature Southern storytelling with a twist: a heroine of Italian descent, like Trigiani, who attended St. Mary's College of Notre Dame, like Trigiani. But the series isn't autobiographical -- the narrator, Ave Maria Mulligan, is a generation older than Trigiani and, as the first book opens, has settled into small-town spinsterhood as the local pharmacist.

The author, by contrast, has lived most of her adult life in New York City. After graduating from college with a theater degree, she moved to the city and began writing and directing plays (her day jobs included cook, nanny, house cleaner and office temp). In 1988, she was tapped to write for the Cosby Show spinoff A Different World, and spent the following decade working in television and film. When she presented her friend and agent Suzanne Gluck with a screenplay about Big Stone Gap, Gluck suggested she turn it into a novel.

The result was an instant bestseller that won praise from fellow writers along with kudos from celebrities (Whoopi Goldberg is a fan). It was followed by Big Cherry Holler and Milk Glass Moon, which chronicle the further adventures of Ave Maria through marriage and motherhood. People magazine called them "Delightfully quirky... chock full of engaging, oddball characters and unexpected plot twists."

Critics sometimes reach for food imagery to describe Trigiani's books, which have been called "mouthwatering as fried chicken and biscuits" (USA Today) and "comforting as a mug of tea on a rainy Sunday" (The New York Times Book Review). Food and cooking play a big role in the lives of Trigiani's heroines and their families: Lucia, Lucia, about a seamstress in Greenwich Village in the 1950s, and The Queen of the Big Time, set in an Italian-American community in Pennsylvania, both feature recipes from Trigiani's grandmothers. She and her sisters have even co-written a cookbook called, appropriately enough, Cooking With My Sisters: One Hundred Years of Family Recipes, from Bari to Big Stone Gap. It's peppered with anecdotes, photos and family history. What it doesn't have: low-carb recipes. "An Italian girl can only go so long without pasta," Trigiani quipped in an interview on GoTriCities.com.

Her heroines are also ardent readers, so it comes as no surprise that book groups love Adriana Trigiani. And she loves them right back. She's chatted with scores of them on the phone, and her Web site includes photos of women gathered together in living rooms and restaurants across the country, waving Italian flags and copies of Lucia, Lucia.

Trigiani, a disciplined writer whose schedule for writing her first novel included stints from 3 a.m. to 8 a.m. each morning, is determined not to disappoint her fans. So far, she's produced a new novel each year since the publication of Big Stone Gap.

"I don't take any of it for granted, not for one second, because I know how hard this is to catch with your public," she said in an interview with The Independent. "I don't look at my public as a group; I look at them like individuals, so if a reader writes and says, 'I don't like this,' or, 'This bit stinks,' I take it to heart."

Good To Know

Some fascinating, funny outtakes from our interview with Trigiani:

"I appeared on the game show Kiddie Kollege on WCYB-TV in Bristol, Virginia, when I was in the third grade. I missed every question. It was humiliating."

"I have held the following jobs: office temp, ticket seller in movie theatre, cook in restaurant, nanny, and phone installer at the Super Bowl in New Orleans. In the writing world, I have been a playwright, television writer/producer, documentary writer/director, and now novelist."

"I love rhinestones, faux jewelry. I bought a pair of pearl studded clip on earrings from a blanket on the street when I first moved to New York for a dollar. They turned out to be a pair designed by Elsa Schiaparelli. Now, they are costume, but they are still Schiaps! Always shop in the street -- treasures aplenty."

"Dear readers, I like you. I am so grateful that you read and enjoy my books. I never forget that -- or you -- when I am working. I am also indebted to the booksellers who read the advanced reader's editions and write to me and say, "I'm gonna hand-sell this one." That always makes me jump for joy. I love the people at my publishing house. Smart. Funny, and I like it when they're slightly nervous because that means they care. The people I have met since I started writing books have been amazing on every level -- and why not? You're readers. And for someone to take reading seriously means that you are seeking knowledge. Yes, reading is fun, but it is also an indication of a serious-minded person who values imagination and ideas and, dare I say it, art. I never thought in a million years when I was growing up in Big Stone Gap that I would be writing this to you today. Books have always been sacred to me -- important, critical, fundamental -- and a celebration of language and words. And authors! When I was little, I didn't play Old Maid, I played authors. They had cards with the famous authors on them. Now, granted, they didn't look like movie stars, but I loved what they wrote and had to say. I can boil this all down to one thing: I love to tell stories -- and I love to hear them. I didn't think there was a job in the world where I would get to do both, and now thank God, I've found it."

Interviews & Essays

Kathryn Stockett interviews Adriana Trigiani

KS: This is by far your most epic novel to date. How long did it take you to write The Shoemaker's Wife?
AT: I worked on this story for over twenty years as I wrote scripts and novels and had my own family. There are scraps of paper, dinner napkins, and bills with timelines and notes scrawled across them. There are old notebooks filled with my grandmother's musings from 1985. I collected train tickets, copies of ships' manifests, and a silk tag with my grandmother's name from garments she had created. I traveled as far as the Italian Alps and as close as the few blocks it takes me to walk to Little Italy in New York City to capture the historical aspects of the story. All of this went into the novel. It was a delicious gestation period.

KS: This is a novel, but it is inspired by a true story—a family story, right?
AT: Yes—my grandparents, Lucia and Carlo. Their love was a dance with fate. It is riddled with near misses against a landscape of such massive world events that it's a wonder they got together at all. My challenge was to present their world to the reader so it might feel it was happening in the moment. I wanted the reader to have the experience I had when stories were told to me by the woman who lived them.

KS: The novel takes place during the first half of the twentieth century—what is so compelling about this period of time to you?
AT: The cusp of the twentieth century was a time everything was new—cars, phones, planes, electricity, even sportswear, and in each innovation was a kind of explosive potential. No one could predict where all the inventions would lead, people only knew that change was unavoidable.

My grandparents were delighted every time America presented them with something they had never seen before. And my grandparents' sense of wonder never left them, so I tried not to let it leave the page, be it a cross-country train ride or the first snap of the bobbin on an electric Singer sewing machine.

KS: Through the remarkable story of Enza and Ciro, your novel tells the larger story of the immigrant experience in America.
AT: What a gift immigrants were and are to this country! They bring their talents and loyalty and make our country even greater. My grandparents were proud to be new Americans. Assimilation was not about copying an American ideal, but aspiring to their own version of it. The highest compliment you could pay a fellow immigrant was: he (or she) was a hard worker. I hear the phrase work like an immigrant said, but really, it's bigger than that—we must also dream like immigrants.

KS: The Shoemaker's Wife seamlessly brings together fictional characters and historical figures—how did the wonderful Caruso enter the novel?
AT: It started with a three-foot stack of vinyl records—my grandmother Lucia's collection of Caruso. Her absolute devotion to The Great Voice lasted her whole life long. I knew, in order to write this novel, I had to fall in love with Caruso too, because he sang the score of my grandparents' love affair.

When Lucia passed, I went to my first opera, seeking understanding and comfort. As the music washed over me, I began to understand why my grandmother was such a fan. The words were Italian, and the emotions were big; nothing was left unexpressed in the music. If only life were that way.

Customer Reviews

Average Rating 4
( 68 )

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See All Sort by: Showing 1 – 20 of 68 Customer Reviews
  • Posted April 19, 2012

    I Also Recommend:

    loved the story line, so naturally had to get the this book. It

    loved the story line, so naturally had to get the this book. It did not disappoint!

    9 out of 10 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted April 15, 2012

    An Epic Tale of a Forgotten Era

    Adriana Trigiani has more than proven herself as an outstanding author & storyteller, however with The Shoemaker's Wife, she has brought home to us an important era in history that has been almost completely forgotten. Adriana's novel reminds us of the true character of people who immigrated to America from Europe during the mass migration of early 1900s. This novel parallels the lives of 2 people, Ciro & Enza, who were born just miles apart in the Italian Alps, and met only once during a tragic time in Enza's life. It was a lasting impression on both, however, both were forced by circumstances to leave for America, neither expected to see each other again.

    As an Italian American who had a grandmother, grandfather & many great-aunts and uncles who immigrated to the United States during that time, I could see each of the women in Enza, the heroine in The Shoemakers wife. Enza is a woman who, because she is the oldest child, takes on responsibilities many of us today cannot relate to. Coming to America with her father while still in her mid-teens was the only option she had to secure the financial stability of the family.

    I loved everything about Ciro. He is light-hearted, kind and lovable throughout the novel. In the early stages of his life, Ciro & his brother Eduardo are brought to the convent by their mother after their father was killed in a mining accident America. Because of health and financial issues, their mother could no longer care for them. The first day at the convent, Ciro found a way to charm the nuns, and makes a potentially bad situation a good experience. The relationship between the brothers is very touching, with Eduardo, the serious brother, feeling responsible for his younger brother. Both of their lives changed again by something Ciro accidentally witnesses, after doing his duties at the church. He is sent to America to live with a relative of one of the nuns, where he learned to craft of making shoes, while his brother was sent to become a priest.

    The novel takes you through Italy, New York, New Jersey, and Minnesota, and back to Italy one more time. There are many great relationships that developed throughout the novel. One of my favorites was the deep lifelong friendship between Enza & Laura, a young Irish-American Enza meets at the factory. Like Enza, Laura is a highly talented seamstress. Through both of their talents and Enza's tenacious personality, they find jobs working on costumes for opera singer Caruso. During their time with Caruso, they learn of the better things in life. Romance comes to Enza during these years, and finding Ciro once more keeps you wondering what will happen next.

    What I enjoyed about the book was that I not only related to many of the characters, but it clearly brought out the pride and precision in everything the people of that era did, from working to how they lived in their homes. These immigrants came to America with skills and talents. Their work ethic was beyond normal expectations. Plus they had a love for their culture, and respect for the cultures of those from other countries. They loved their families, and knew that whatever they did would affect generations that followed them. Many assimilated into the culture of the new world (especially during World War 1, when many of the male immigrants felt it was their duty to serve), and developed friendships with other immigrants from various nations as well as Americans. This was the generation,

    4 out of 7 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted April 11, 2012

    CHE BELLA!

    Move over great Italian artists and make room for Adriana Trigiani. She has more than proved herself with THE SHOEMAKER'S WIFE. This novel will be a classic for all time and will be enjoyed by generations to come. From what she says this has been in the making for twenty years and aren't we lucky she persevered! Enrico Caruso would love her writing abilities maybe more than her antipasto if he was here among us. I have been following Ms. Trigiani's career for about ten years and while I have loved every one of her novels - and even her cookbook - this book is her best yet. Every page of THE SHOEMAKER'S WIFE held my interest with historical facts, geographical lessons, cultural involvements, etc. but the pulsating passion of love and devotion for family captures the greatness of Ms.Trigiani's writing. While this is a novel we learn about the almost-didn't- happen destiny of the author's grandparents on her mother's side. When you are fortunate enough to feast your eyes on the beautiful cover art it will lead you to a fascinating epic within its pages - one you will savor and not soon forget.

    4 out of 4 people found this review helpful.

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  • Posted April 26, 2012

    Amazing book!

    After I finished this book, I turned to my husband and said, “I think this is the saddest book I have ever read.” He replied, “Well I did have to keep handing you Kleenex.” It’s true, I cried so much during this book that I gave myself a headache. Ms. Trigiani made the story so moving and so believable that I felt all the emotions that the characters were feeling throughout the story, and even though I cried, this is a good thing.

    The plot kept me thoroughly engaged the entire time; I could barely put the book down. I wanted to see what would happen next for Ciro and Enza. I can’t really say this book had a happy ending; it was a totally different ending than I would have expected. It is not at all your traditional love story, though it is one overall. The plot has many twists and turns and a bunch of times you just want to yell at Ciro, “Wake up you fool, what are you thinking!” Ms. Trigiani wrote an amazing book about love, friendship, war, immigrants in America, and loss. I am in love. This is one of my favorite books I have read recently. It was moving and powerful. It was sad and happy at the same time.

    Ms. Trigiani wrote a magnificent piece on the trials and tribulations of Italian Immigrants who came to America in the early 1900’s, one of my favorite topics since I am an IBM (Italian by marriage) and grew up in NYS where the Italian influence is still strong today. Many of the foods Enza talked about made me smile and think of my husband’s Sicilian family and the recipes I was given by them, some on our wedding day, like the “famous” chocolate cinnamon clove cookies that have been in his family for generations, and the ones I was allowed to have once we moved away and I had proven myself an adequate cook, such as cutlets. Reading this book also made me very hungry for food I have either had to learn to make myself, or go without since we moved away, such as gnocchi, though we make ours in red sauce. Oh and I do know how to pronounce gnocchi properly even though I am German, it was part of my unofficial Italian education upon marriage.

    I highly recommend this book to anyone. There is a tiny bit of sex, but it is not graphic and they are married if that makes a difference. This book gives the reader a view of life for an immigrant that is filled with history, but is not written in a history book style. This book is a love story, but is also filled with much sadness and has many ups and down, emotionally, throughout the story. This is a great book to take on a vacation, but it is not an entirely lighthearted read, it makes you think a bit. Make sure to keep the tissues close by.

    I received this book as an ARC. I do not get paid to review books; I do so in order to assist you in recognizing books that you might enjoy.

    Please read more of my reviews on my blog: sarahereads(dot)wordpress(dot)com

    3 out of 3 people found this review helpful.

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  • Posted April 20, 2012

    I Also Recommend:

    This is a beautiful and heart-wrenching but also heart-warming s

    This is a beautiful and heart-wrenching but also heart-warming story taking place in the late1800’s in Italy on to 1900s in America. This is Enza and Ciro’s journey through poverty. They meet when Enza’s young sister dies as Ciro is hired to dig the grave. Enza is the oldest and has a lot of responsibility thrust on her. Ciro is cared for by nuns after his dad dies and leaves his mom devastated. Ciro is suddenly transported to America without Enza’s knowledge but as luck would have it Enza finds herself also in America for work. It’s the American dream where Europeans make good on the streets of gold in America. Family, respect and a good moral life are all important…Wonderful book!!

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted April 29, 2012

    Review 1335704055279

    This is a really nice book! 1335704055279

    2 out of 3 people found this review helpful.

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  • Anonymous

    Posted April 11, 2012

    Terrific book!

    Terrific book!

    2 out of 3 people found this review helpful.

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  • Anonymous

    Posted April 29, 2012

    In Love

    One of the best books that I have read in a long time!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted April 26, 2012

    Beautifully written

    What a wonderful story, I could smell the air, hear the music , and eat the pasta ! I laugh, I cried, and all the while not wanting it to end. There is nothing better than a book that can take you on an adventure, never having to leave your living room!

    1 out of 1 people found this review helpful.

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  • Posted April 25, 2012

    What a sweet surprise! This is an epic tale that engulfs the re

    What a sweet surprise! This is an epic tale that engulfs the reader. The characters are well-drawn, and their plights are believable, understandable, and richly described. I wished that the book had concentrated more on Ciro and Enza's adult life as opposed to their childhoods. I thought their experiences and lives in NYC and Minnesota were captivating and that the ending was a bit rushed. Still, it was a beautiful book and I savored every word. I hated to see it end.

    1 out of 1 people found this review helpful.

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  • Posted April 19, 2012

    AN ABSOLUTELY WONDERFUL BOOK!! I wished that this book didn't ha

    AN ABSOLUTELY WONDERFUL BOOK!!
    I wished that this book didn't have to end. I enjoyed all the characters and felt like I knew them. It swept me away into another time and era. I love all of Ms. Trigiani's books.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted April 17, 2012

    Lovely tale...swept me away to another time and different places

    Lovely tale...swept me away to another time and different places!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted April 15, 2012

    I absolutely loved this book. I enjoy reading about other natio

    I absolutely loved this book. I enjoy reading about other nationalities and their customs. I have about 30 more pages to go and I hate for it to end but want to come to the conclusion. The characters were wonderful. Laughing and crying at the same time.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted May 26, 2012

    forget this one

    I found the story line in this book to be very repetitive and written very immaturely. I was hoping for so much more, and felt as though I read this story before.

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  • Posted May 21, 2012

    This book was wonderful, I want to be more like Enza, the heroin

    This book was wonderful, I want to be more like Enza, the heroine. She is strong, compassionate, reliable, and practical. This is a story that had I read it at 20, I would have said it was a good story. Having read it with a little life behind me; it is wonderful. When I reread it, having experienced more life...it will be exquisite. If you are looking for strong characters and a belief in the human spirit I highly recommend this book.

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  • Anonymous

    Posted May 17, 2012

    best book i read in a long time, fell in love with the character

    best book i read in a long time, fell in love with the characters , so sad to see the book end

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  • Posted May 15, 2012

    When a book is so good, you want to read it slow and savor each


    When a book is so good, you want to read it slow and savor each word. You know you have a keeper! Whether you have read Trigiani’s books before or not, you should definitely read this one. The character development and story is one you will remember long after you finish reading. This is the best of Trigiani.

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  • Anonymous

    Posted May 13, 2012

    Loved

    I loved this book I also did not want it to end. Great story.

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  • Posted May 8, 2012

    On chapter 10 so far, and the images in my mind won't shut up. I

    On chapter 10 so far, and the images in my mind won't shut up. I feel like I am these people as I read about them. I can see the imagery exactly as it's described. Trigiani is excellent with her descriptives and giving us eyes into that world.

    My ancestors are also from Italy, and unfortunately I don't have as much information as Trigiani does, but it's nice to see those times.

    I have cried and laughed as Ciro is hilarious and very chivalrous. The talks of death and longing for the one they lost makes it so sad. He learned well from his mother and his mother nun's. I wish I could know more about where his mother is, but I still have a long ways to go in the book.

    I love this book so far. Will update later.

    I have to say that as I finished the last words of this book I felt sad that it was over, but such a heartache I could never explain fully. Those characters became a part of me. Adriana did so well in every aspect of writing this novel that I hope one day I could become half the writer she is.

    I openly sobbed so many times, and that has never happened to me while reading a book before. I have teared up and cried a bit, but during this book I literally sobbed as if it was my Ciro that died. So much loss in the story, but it was held together with so much love. The importance of family is the theme, and I learned so much from it. I understood Enza's description that she felt her time with Ciro was not enough. It felt like her whole life was spent waiting for him only to have him then to lose him so quickly.

    These people, characters, will stay with me for a long time. This truly was more than New York Best Seller quality.

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  • Anonymous

    Posted May 9, 2012

    No text was provided for this review.

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