The Signature of All Thingsby Elizabeth Gilbert
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A glorious, sweeping novel of desire, ambition, and the thirst for knowledge, from the # 1 New York Times bestselling author of Eat, Pray, Love and Committed. Look out for Elizabeth Gilbert’s newest book, Big Magic: Creative Living Beyond Fear.
In The Signature of All Things, Elizabeth Gilbert returns to fiction, inserting her inimitable voice into an enthralling story of love, adventure and discovery. Spanning much of the eighteenth and nineteenth centuries, the novel follows the fortunes of the extraordinary Whittaker family as led by the enterprising Henry Whittaker—a poor-born Englishman who makes a great fortune in the South American quinine trade, eventually becoming the richest man in Philadelphia. Born in 1800, Henry’s brilliant daughter, Alma (who inherits both her father’s money and his mind), ultimately becomes a botanist of considerable gifts herself. As Alma’s research takes her deeper into the mysteries of evolution, she falls in love with a man named Ambrose Pike who makes incomparable paintings of orchids and who draws her in the exact opposite direction—into the realm of the spiritual, the divine, and the magical. Alma is a clear-minded scientist; Ambrose a utopian artist—but what unites this unlikely couple is a desperate need to understand the workings of this world and the mechanisms behind all life.
Exquisitely researched and told at a galloping pace, The Signature of All Things soars across the globe—from London to Peru to Philadelphia to Tahiti to Amsterdam, and beyond. Along the way, the story is peopled with unforgettable characters: missionaries, abolitionists, adventurers, astronomers, sea captains, geniuses, and the quite mad. But most memorable of all, it is the story of Alma Whittaker, who—born in the Age of Enlightenment, but living well into the Industrial Revolution—bears witness to that extraordinary moment in human history when all the old assumptions about science, religion, commerce, and class were exploding into dangerous new ideas. Written in the bold, questing spirit of that singular time, Gilbert’s wise, deep, and spellbinding tale is certain to capture the hearts and minds of readers.
"With this novel about a young, nineteenth-century Philadelphia woman who becomes a world-renowned botanist, Gilbert shows herself to be a writer at the height of her powers." —O, The Oprah Magazine, "Our Favorite Reads of the Year"
"The most ambitious and purely imaginative work in Gilbert's twenty-year career." —The Wall Street Journal
"Like Victor Hugo or Emile Zola, Gilbert captures something important about the wider world in The Signature of All Things: a pivotal moment in history when progress defined us in concrete ways." —The Washington Post
"A masterly tale of overflowing sensual and scientific enthusiasms in the nineteenth century." —Time, "Top Ten Fiction Books of the Year"
"Raucously ingenious... a novel of brave and lovely ideas... I found unshackled joy on every page." —The Chicago Tribune
"Alma's extraordinary life unspools like a Jane Austen novel... Here Gilbert claims her rightful spot as one of the twenty-first century's best American writers." —Outside
"Gilbert writes so wonderfully it's impossible not to swoon... Alma's drive for personal epiphany feels absolutely contemporary." —The Boston Globe
"A beautifully written, grandly expansive historical novel... Gilbert's writing is so smart and richly drawn that it does what all the best books do: it sweeps you up." —Entertainment Weekly
"Dazzling... a big-hearted, sweeping, unforgettable novel... If you don't think science or historical fiction can be bright, funny, and engaging, this novel will quickly prove you wrong." —The Miami Herald
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Read an Excerpt
Alma Whittaker, born with the century, slid into our world on the fifth of January, 1800.
Swiftly—nearly immediately—opinions began to form around her.
Alma’s mother, upon viewing the infant for the first time, felt quite satisfied with the outcome. Beatrix Whittaker had suffered poor luck thus far generating an heir. Her first three attempts at conception had vanished in sad rivulets before they’d ever quickened. Her most recent attempt—a perfectly formed son—had come right to the brink of life, but had then changed his mind about it on the very morning he was meant to be born, and arrived already departed. After such losses, any child who survives is a satisfactory child.
Holding her robust infant, Beatrix murmured a prayer in her native Dutch. She prayed that her daughter would grow up to be healthy and sensible and intelligent, and would never form associations with overly powdered girls, or laugh at vulgar stories, or sit at gaming tables with careless men, or read French novels, or behave in a manner suited only to a savage Indian, or in any way whatsoever become the worst sort of discredit to a good family; namely, that she not grow up to be een onnozelaar, a simpleton. Thus concluded her blessing—or what constitutes a blessing, from so austere a woman as Beatrix Whittaker.
The midwife, a German-born local woman, was of the opinion that this had been a decent birth in a decent house, and thus Alma Whittaker was a decent baby. The bedroom had been warm, soup and beer had been freely offered, and the mother had been stalwart—just as one would expect from the Dutch. Moreover, the midwife knew that she would be paid, and paid handsomely. Any baby who brings money is an acceptable baby. Therefore, the midwife offered a blessing to Alma as well, although without excessive passion.
Hanneke de Groot, the head housekeeper of the estate, was less impressed. The baby was neither a boy nor was it pretty. It had a face like a bowl of porridge, and was pale as a painted floor. Like all children, it would bring work. Like all work, it would probably fall on her shoulders. But she blessed the child anyway, because the blessing of a new baby is a responsibility, and Hanneke de Groot always met her responsibilities. Hanneke paid off the midwife and changed the bedsheets. She was helped in her efforts, although not ably, by a young maid—a talkative country girl and recent addition to the household—who was more interested in looking at the baby than in tidying up the bedroom. The maid’s name does not bear recording here, because Hanneke de Groot would dismiss the girl as useless the next day, and send her off without references. Nonetheless, for that one night, the useless and doomed maid fussed over the new baby, and longed for a baby herself, and imparted a rather sweet and sincere blessing upon young Alma.
Dick Yancey—a tall, intimidating Yorkshireman, who worked for the gentleman of the house as the iron-handed enforcer of all his international trade concerns (and who happened to be residing at the estate that January, waiting for the Philadelphia ports to thaw so he could proceed on to the Dutch East Indies)—had few words to say about the new infant. To be fair, he was not much given to excessive conversation under any circumstances. When told that Mrs. Whittaker had given birth to a healthy baby girl, Mr. Yancey merely frowned and pronounced, with characteristic economy of speech, “Hard trade, living.” Was that a blessing? Difficult to say. Let us give him the benefit of the doubt and take it as one. Surely he did not intend it as a curse.
As for Alma’s father—Henry Whittaker, the gentleman of the estate—he was pleased with his child. Most pleased. He did not mind that the infant was not a boy, nor that it was not pretty. He did not bless Alma, but only because he was not the blessing type. (“God’s business is none of my business,” he frequently said.) Without reservation, though, Henry admired his child. Then again, he had made his child, and Henry Whittaker’s tendency in life was to admire without reservation everything he made.
To mark the occasion, Henry harvested a pineapple from his largest greenhouse and divided it in equal shares with everyone in the household. Outside it was snowing, a perfect Pennsylvania winter, but this man possessed several coal-fired greenhouses of his own design—structures that made him not only the envy of every plantsman and botanist in the Americas, but also blisteringly rich—and if he wanted a pineapple in January, by God he could have a pineapple in January. Cherries in March, as well.
He then retired to his study and opened up his ledger, where, as he did every night, he recorded all manner of estate transactions, both official and intimate. He began: “A new nobbel and entresting pasennger has joyned us,” and continued with the details, the timing, and the expenses of Alma Whittaker’s birth. His penmanship was shamefully crabbed. Each sentence was a crowded village of capital letters and small letters, living side by side in tight misery, crawling up on one another as though trying to escape the page. His spelling was several degrees beyond arbitrary, and his punctuation brought reason to sigh with unhappiness.
But Henry wrote up his account, nonetheless. It was important for him to keep track of things. While he knew that these pages would look appalling to any educated man, he also knew that nobody would ever see his writing—except his wife. When Beatrix recovered her strength, she would transcribe his notes into her own ledgers, as she always did, and her elegantly penned translation of Henry’s scrawls would become the official household record. The partner of his days, was Beatrix—and a good value, at that. She would do this task for him, and a hundred other tasks besides.
God willing, she would be back at it shortly.
Paperwork was already piling up.
The Tree of Fevers
For the first five years of her life, Alma Whittaker was indeed a mere passenger in the world—as we all are passengers in such early youth—and so her story was not yet noble, nor was it particularly interesting, beyond the fact that this homely toddler passed her days without illness or incident, surrounded by a degree of wealth nearly unknown in the America of that time, even within elegant Philadelphia. How her father came to be in possession of such great wealth is a story worth telling here, while we wait for the girl to grow up and catch our interest again. For it was no more common in 1800 than it has ever been for a poor-born and nearly illiterate man to become the richest inhabitant of his city, and so the means by which Henry Whittaker prospered are indeed interesting—although perhaps not noble, as he himself would have been the first to confess.
Henry Whittaker was born in 1760 in the village of Richmond, just up the Thames from London. He was the youngest son of poor parents who had a few too many children already. He was raised in two small rooms with a floor of beaten earth, with an almost adequate roof, with a meal on the hearth nearly every day, with a mother who did not drink and a father who did not beat his family—by comparison to many families of the day, in other words, a nearly genteel existence. His mother even had a private spot of dirt behind the house in which to grow larkspurs and lupines, decoratively, like a lady. But Henry was not fooled by larkspurs and lupines. He grew up sleeping one wall away from the pigs, and there was not a moment in his life when poverty did not humiliate him.
Perhaps Henry would have taken less offense at his destiny had he never seen wealth around him against which to compare his own poor circumstances—but the boy grew up witnessing not only wealth, but royalty. There was a palace at Richmond, and there were pleasure gardens there, too, called Kew, cultivated with expertise by Princess Augusta, who had brought with her from Germany a retinue of gardeners eager to make a false and regal landscape out of real and humble English meadows. Her son, the future King George III, spent his childhood summers there. When he became king, George sought to turn Kew into a botanical garden worthy of any Continental rival. The English, on their cold, wet, isolated island, were far behind the rest of Europe on botanizing, and George III was eager to catch up.
Henry’s father was an orchardman at Kew—a humble man, respected by his masters, as much as anyone could respect a humble orchardman. Mr. Whittaker had a gift for fruiting trees, and a reverence for them. (“They pay the land for its trouble,” he would say, “unlike all the others.”) He had once saved the king’s favorite apple tree by whip-grafting a scion of the ailing specimen onto sturdier rootstock and claying it secure. The tree had fruited off the new graft that very year, and soon produced bushels. For this miracle, Mr. Whittaker had been nicknamed “the Apple Magus” by the king himself.
The Apple Magus, for all his talents, was a simple man, with a timid wife, but they somehow turned out six rough and violent sons (including one boy called “the Terror of Richmond” and two others who would end up dead in tavern brawls). Henry, the youngest, was in some ways the roughest of them all, and perhaps needed to be, to survive his brothers. He was a stubborn and enduring little whippet, a thin and exploding contrivance, who could be trusted to receive his brothers’ beatings stoically, and whose fearlessness was frequently put to the test by others, who liked to dare him into taking risks. Even apart from his brothers, Henry was a dangerous experimentalist, a lighter of illicit fires, a roof-scampering taunter of housewives, a menace to smaller children; a boy who one would not have been surprised to learn had fallen from a church steeple or drowned in the Thames—though by sheer happenstance these scenarios never came to pass.
But unlike his brothers, Henry had a redeeming attribute. Two of them, to be exact: he was intelligent, and he was interested in trees. It would be exaggeration to claim that Henry revered trees, as his father did, but he was interested in trees because they were one of the few things in his impoverished world that could readily be learned, and experience had already instructed Henry that learning things gave a person advantage over other people. If one wanted to continue living (and Henry did) and if one wanted to ultimately prosper (and Henry did), then anything that could be learned, should be learned. Latin, penmanship, archery, riding, dancing—all of these were out of reach to Henry. But he had trees, and he had his father, the Apple Magus, who patiently took the trouble to teach him.
So Henry learned all about the grafter’s tools of clay and wax and knives, and about the tricks of budding, booting, clefting, planting, and pruning with a judicious hand. He learned how to transplant trees in the springtime, if the soil was retentive and dense, or how to do it in the autumn, if the soil was loose and dry. He learned how to stake and drape the apricots in order to save them from wind, how to cultivate citruses in the Orangery, how to smoke the mildew off the gooseberries, how to amputate diseased limbs from the figs, and when not to bother. He learned how to strip the tattered bark from an old tree and take the thing right down to the ground, without sentimentality or remorse, in order to demand life back out of it for a dozen more seasons to come.
Henry learned much from his father, though he was ashamed of the man, who he felt was weak. If Mr. Whittaker truly was the Apple Magus, Henry reasoned, then why had the king’s admiration not been parlayed into wealth? Stupider men were rich—many of them. Why did the Whittakers still live with pigs, when just nearby were the great wide green lawns of the palace, and the pleasant houses on Maid of Honor Row, where the queen’s servants slept on French linens? Henry, climbing to the top of an elaborate garden wall one day, had spied a lady, dressed in an ivory gown, practicing manège on her immaculate white horse while a servant played the violin to entertain her. People were living like this, right there in Richmond, while the Whittakers did not even have a floor.
But Henry’s father never fought for anything fine. He’d earned the same paltry wage for thirty years, and had never once disputed it, nor had he ever complained about working outdoors in the foulest of weather for so long that his health had been ruined by it. Henry’s father had chosen the carefullest steps through life, particularly when interacting with his betters—and he regarded everyone as his better. Mr. Whittaker made a point never to offend, and never to take advantage, even when advantages may have been ripe for plucking. He told his son, “Henry, do not be bold. You can butcher the sheep only once. But if you are careful, you can shear the sheep every year.”
With a father so forceless and complacent, what could Henry expect to receive out of life, aside from whatever he could clutch at with his own hands? A man should profit, Henry started telling himself when he was only thirteen years old. A man should butcher a sheep every day.
But where to find the sheep?
That’s when Henry Whittaker started stealing.
By the mid-1770s, the gardens at Kew had become a botanical Noah’s Ark, with thousands of specimens already in the collection, and new consignments arriving weekly—hydrangeas from the Far East, magnolias from China, ferns from the West Indies. What’s more, Kew had a new and ambitious superintendent: Sir Joseph Banks, fresh from his triumphant voyage around the world as chief botanist for Captain Cook’s HMS Endeavour. Banks, who worked without salary (he was interested only in the glory of the British Empire, he said, although others suggested he might be just the slightest bit interested in the glory of Sir Joseph Banks), was now collecting plants with furious passion, committed to creating a truly spectacular national garden.
Oh, Sir Joseph Banks! That beautiful, whoring, ambitious, competitive adventurer! The man was everything Henry’s father was not. By the age of twenty-three, a drenching inheritance of six thousand pounds a year had made Banks one of the richest men in England. Arguably, he was also the handsomest. Banks could easily have spent his life in idle luxury, but instead he sought to become the boldest of botanical explorers—a vocation he took up without sacrificing a bit of flash or glamour. Banks had paid for a good deal of Captain Cook’s first expedition out of his own pocket, which had afforded him the right to bring along on that cramped ship two black man-servants, two white manservants, a spare botanist, a scientific secretary, two artists, a draftsman, and a pair of Italian greyhounds. During his adventure, Banks had seduced Tahitian queens, danced naked with savages on beaches, and watched young heathen girls having their buttocks tattooed in the moonlight. He had brought home with him to England a Tahitian man named Omai, to be kept as a pet, and he had also brought home nearly four thousand plant specimens—almost half of which the world of science had never before seen. Sir Joseph Banks was the most famous and dashing man in England, and Henry admired him enormously.
But he stole from him anyway.
It was merely that the opportunity was there, and that the opportunity was so obvious. Banks was known in scientific circles not merely as a great botanical collector, but also as a great botanical hoarder. Gentlemen of botany, in those polite days, generally shared their discoveries with each other freely, but Banks shared nothing. Professors, dignitaries, and collectors came to Kew from all over the world with the reasonable hope of obtaining seeds and cuttings, as well as samples from Banks’s vast herbarium—but Banks turned them all away.
Young Henry admired Banks for a hoarder (he would not have shared his own treasure, either, had he possessed any) but he soon saw opportunity in the angered faces of these thwarted international visitors. He would wait for them just outside the grounds of Kew, catching the men as they were leaving the gardens, sometimes catching them cursing Sir Joseph Banks in French, German, Dutch, or Italian. Henry would approach, ask the men what samples they desired, and promise to procure those samples by week’s end. He always carried a paper tablet and a carpenter’s pencil with him; if the men did not speak English, Henry had them draw pictures of what they needed. They were all excellent botanical artists, so their needs were easily made clear. Late in the evenings, Henry would sneak into the greenhouses, dart past the workers who kept the giant stoves going through the cold nights, and steal plants for profit.
He was just the boy for the task. He was good at plant identification, expert at keeping cuttings alive, a familiar enough face around the gardens not to arouse suspicion, and adept at covering his tracks. Best of all, he did not seem to require sleep. He worked all day with his father in the orchards, and then stole all night—rare plants, precious plants, lady’s slippers, tropical orchids, carnivorous marvels from the New World. He kept all the botanical drawings that the distinguished gentlemen made for him, too, and studied those drawings until he knew every stamen and petal of every plant the world desired.
Like all good thieves, Henry was scrupulous about his own security. He trusted nobody with his secret, and buried his earnings in several caches throughout the gardens at Kew. He never spent a farthing of it. He let his silver rest dormant in the soil, like good rootstock. He wanted that silver to accumulate, until it could burst forth hugely, and buy him the right to become a rich man.
Within a year Henry had several regular clients. One of them, an old orchid cultivator from the Paris Botanical Gardens, gave the boy perhaps the first pleasing compliment of his life: “You’re a useful little fingerstink, aren’t you?” Within two years, Henry was driving a vigorous trade, selling plants not only to serious men of botany, but also to a circle of wealthy London gentry, who longed for exotic specimens for their own collections. Within three years, he was illicitly shipping plant samples to France and Italy, expertly packing the cuttings in moss and wax to ensure they survived the journey.
At the end, however, after three years of this felonious enterprise, Henry Whittaker was caught—and by his own father.
Mr. Whittaker, normally a deep sleeper, had noticed his son leaving the house one night after midnight and, heartsick with a father’s instinctive suspicion, had followed the boy to the greenhouse and seen the selecting, the thieving, the expert packing. He recognized immediately the illicit care of a robber.
Henry’s father was not a man who had ever beat his sons, even when they deserved it (and they frequently did deserve it), and he didn't beat Henry that night, either. Nor did he confront the boy directly. Henry didn't even realize he’d been caught. No, Mr. Whittaker did something far worse. First thing the next morning, he asked for a personal audience with Sir Joseph Banks. It was not often that a poor fellow like Whittaker could request a word with a gentleman like Banks, but Henry’s father had earned just enough respect around Kew in thirty years of tireless labor to warrant the intrusion, if only just this once. He was an old and poor man, indeed, but he was also the Apple Magus, the savior of the king’s favorite tree, and that title bought him entrance.
Mr. Whittaker came at Banks almost upon his knees, head bowed, penitent as a saint. He confessed the shaming story about his son, along with his suspicion that Henry had probably been stealing for years. He offered his resignation from Kew as punishment, if the boy would only be spared arrest or harm. The Apple Magus promised to take his family far away from Richmond, and see to it that Kew, and Banks, would never again be sullied by the Whittaker name.
Banks—impressed by the orchardman’s heightened sense of honor— refused the resignation, and sent for young Henry personally. Again, this was an unusual occurrence. If it was rare for Sir Joseph Banks to meet with an illiterate plantsman in his study, it was exceedingly rare for him to meet with an illiterate plantsman’s thieving sixteen-year-old son. Probably, he ought to have simply had the boy arrested. But theft was a hanging crime, and children far younger than Henry got the rope—and for far less serious infractions. While the attack on his collection was galling, Banks felt sympathy enough for the father to investigate the problem himself before summoning the bailiff.
The problem, when it walked into Sir Joseph Banks’s study, turned out to be a spindly, ginger-haired, tight-lipped, milky-eyed, broad-shouldered, sunken-chested youth, with pale skin already rubbed raw by too much exposure to wind, rain, and sun. The boy was underfed but tall, and his hands were large; Banks saw that he might grow into a big man someday, if he could get a proper meal.
Henry did not know precisely why he had been summoned to Banks’s offices but he had sufficient brains to suspect the worst, and he was much alarmed. Only through sheer thick-sided stubbornness could he enter Banks’s study without visibly trembling.
God’s love, though, what a beautiful study it was! And how splendidly Joseph Banks was dressed, in his glossy wig and gleaming black velvet suit, polished shoe buckles and white stockings. Henry had no sooner passed through the door than he had already priced out the delicate mahogany writing desk, covetously scanned the fine collection boxes stacked on every shelf, and glanced with admiration at the handsome portrait of Captain Cook on the wall. Mother of dead dogs, the mere frame for that portrait must have cost ninety pounds!
Unlike his father, Henry did not bow in Banks’s presence, but stood before the great man, looking him straight in the eye. Banks, who was seated, permitted Henry to stand in silence, perhaps waiting for a confession or a plea. But Henry neither confessed nor pleaded, nor hung his head in shame, and if Sir Joseph Banks thought Henry Whittaker was fool enough to speak first under such hot circumstances, then he did not know Henry Whittaker.
Therefore, after a long silence, Banks commanded, “Tell me, then—why should I not see you hang at Tyburn?”
So that’s it, Henry thought. I’m snapped. Nonetheless, the boy grappled for a plan. He needed to find a tactic, and he needed to find it in one quick and slender moment. He had not spent his life being beaten senseless by his older brothers to have learned nothing about fighting. When a bigger and stronger opponent has landed the first blow, you have but one chance to swing back before you will be pummeled into clay, and you’d best come back with something unexpected.
“Because I’m a useful little fingerstink,” Henry said.
Banks, who enjoyed unusual incidents, barked with surprised laughter. “I confess that I don’t see the use of you, young man. All you have done for me is to rob me of my hard-won treasure.”
It wasn't a question, but Henry answered it nonetheless.
“I might’ve trimmed a bit,” he said.
“You don’t deny this?”
“All the braying in the world won’t change it, do it?”
Again, Banks laughed. He may have thought the boy was putting on a show of false courage, but Henry’s courage was real. As was his fear. As was his lack of penitence. For the whole of his life, Henry would always find penitence weak.
Banks changed tack. “I must say, young man, that you are a crowning distress to your father.”
“And him to me, sir,” Henry fired back.
Once more, the surprised bark of laughter from Banks. “Is he, then? What harm has that good man ever done to you?”
“Made me poor, sir,” Henry said. Then, suddenly realizing everything, Henry added, “It were him, weren’t it? Who peached me over to you?”
“Indeed it was. He’s an honorable soul, your father.”
Henry shrugged. “Not to me, eh?”
Banks took this in and nodded, generously conceding the point. Then he asked, “To whom have you been selling my plants?”
Henry ticked off the names on his fingers: “Mancini, Flood, Willink, LeFavour, Miles, Sather, Evashevski, Feuerle, Lord Lessig, Lord Garner—”
Banks cut him off with a wave. He stared at the boy with open astonishment. Oddly, if the list had been more modest, Banks might have been angrier. But these were the most esteemed botanical names of the day. A few of them Banks called friends. How had the boy found them? Some of these men hadn't been to England in years. The child must be exporting. What kind of campaign had this creature been running under his nose?
“How do you even know how to handle plants?” Banks asked.
“I always knowed plants, sir, for my whole life. It’s like I knowed it all beforehand.”
“And these men, do they pay you?”
“Or they don’t get their plants, do they?” Henry said.
“You must be earning well. Indeed, you must have accumulated quite a pile of money in the past years.”
Henry was too cunning to answer this.
“What have you done with the money you’ve earned, young man?” Banks pushed on. “I can’t say you’ve invested it in your wardrobe. Without a doubt, your earnings belong to Kew. So where is it all?”
“Dice, sir. I have a weakness of the gambling, see.”
That may or may not have been true, Banks thought. But the boy certainly had as much nerve as any two-footed beast he had ever encountered. Banks was intrigued. He was a man, after all, who kept a heathen for a pet, and who—to be honest—enjoyed the reputation of being half heathen himself. His station in life required that he at least purport to admire gentility, but secretly he preferred a bit of wildness. And what a little wild cockerel was Henry Whittaker! Banks was growing less inclined by the moment to hand over this curious item of humanity to the constables.
Henry, who saw everything, saw something happening in Banks’s face— a softening of countenance, a blooming curiosity, a sliver of a chance for his life to be saved. Intoxicated with a compulsion for self-preservation, the boy vaulted into that sliver of hope, one last time.
“Don’t put me to hang, sir,” Henry said. “You’ll regret it that you did.”
“What do you propose I do with you, instead?”
“Put me to use.”
“Why should I?” asked Banks.
“Because I’m better than anyone.”
What People are Saying About This
“Gilbert has established herself as a straight-up storyteller who dares us into adventures of worldly discovery, and this novel stands as a winning next act. The Signature of All Things is a bracing homage to the many natures of genius and the inevitable progress of ideas, in a world that reveals its best truths to the uncommonly patient minds.”– Barbara Kingsolver, The New York Times Book Review
“Unlike anything Gilbert has ever written…Its prose has the elegant sheen of a 19th-century epic, but its concerns — the intersection of science and faith, the feminine struggle for fulfillment, the dubious rise of the pharmaceutical industry — are essentially modern… Gilbert has returned to her roots in fiction and written the sort of rip-roaring tale that would have been considered entertainment for the masses 150 years ago.” – Steve Almond, The New York Times Magazine
“The most ambitious and purely imaginative work in Gilbert’s 20-year career: a deeply researched and vividly rendered historical novel about a 19th century female botanist.”– Alexandra Alter, The Wall Street Journal
“A radiant novel…that rare literary achievement, a big, panoramic novel about life and love that captures the idiom and tenor of its age…Like Victor Hugo or Emile Zola, Gilbert captures something important about the wider world in The Signature of All Things: a pivotal moment in history when progress defined us in concrete ways.” – Marie Arana, The Washington Post
“A delightful” book…one of the best of the year…Gilbert marries the technical, cultural and spiritual with a warm, frankly funny wit that adds richness to all three, her central character’s evolution going lockstep with her actual discovery of evolution. This kind of storytelling is rare – one in which an author can depict the particulars of a moss colony as skillfully as she maps the landscape of the human heart.”– Lizzie Skurnick, “All Things Considered,” NPR
“Gilbert’s sumptuous third novel, her first in thirteen years, draws openly on nineteenth-century forebears: Dickens, Eliot, and Henry James…Gilbert’s prose is by turns flinty, funny, and incandescent.”– The New Yorker
“Engrossing…The Signature of All Things is one of those rewardingly fact-packed books that make readers feel bold and smart by osmosis. Alma commits her life to ceaseless study, but reading this vibrant, hot-blooded book about her takes no work at all.”– Janet Maslin, The New York Times
“Gilbert has mulled, from the confines of her desk, the correlations of nature, the principle that connects a grain of sand to a galaxy, to create a character who does the same – who makes the study of existence her life’s purpose. And in doing so, she has written the novel of a lifetime.”– Katie Arnold-Ratliff, O, The Oprah Magazine
“A fabulous read…Gilbert has returned to fiction with a boisterous historical novel about a 19th-century botanist named Alma Whittaker…Alma’s fabulous brain is a hot pot of scientific knowledge, lonely feminist turmoil and erotic longing. All of which makes her an irresistible character to accompany through history and around the world.”– Helen Rogan, People
“[An] action-packed tale…Gilbert’s latest work has modern resonance…her engaging, lively style is once more on display – along with an impressive versatility. Few among the legions of contemporary memoir writers could turn out a novel as imaginative as this one.” – Clare McHugh, The Wall Street Journal
“Raucously ingenious…Signature is not just a historical novel that spans two centuries and many geographies. It’s a 500-page novel of ideas…I found unshackled joy on every page.”– Beth Kephart, The Chicago Tribune
“A beautiful rumination on a life from start to near end, specifically the life of stubborn, talented, nineteenth-century-Philadelphia-dwelling Alma Whittaker…the real treat of the text is Gilbert’s lyrical writing. She manages to spin the study of mosses into something fascinating.”– Cotton Codinha, Elle Magazine
“With a charming, flawed heroine straight out of Jane Austen, a Dickensian rags-to-riches story and thwarted romances that hark back to the Brontes, Elizabeth Gilbert has taken cues from the greatest nineteenth-century writers for her big nineteenth-century novel…it is gorgeously detailed, robustly filled with elements of bygone times and esoteric study.”– Carolyn Kellogg, The Los Angeles Times
“This splendid novel by Elizabeth Gilbert spans much of a century (the 1800s) and circumnavigates the globe, in a page-turner that is equal parts family saga, love story, and meditation on the origin of species – particularly our own.”– Parade Magazine
“Gilbert’s writing is so smart and richly drawn that it does what all the best books do: it sweeps you up.” – Leah Greenblatt, Entertainment Weekly
“A sweeping tale of fortune, adventure, and the quinine trade…Alma’s extraordinary life unspools like a Jane Austen novel…here Gilbert claims her rightful spot as one of the 21st century’s best American writers.”̵
Meet the Author
Elizabeth Gilbert is the #1 New York Times bestselling author of Eat Pray Love, Big Magic, and several other internationally bestselling books of fiction and nonfiction. She began her career writing for Harper's Bazaar, Spin, The New York Times Magazine and GQ, and was a three-time finalist for the National Magazine Award. Her story collection Pilgrims was a finalist for the PEN/Hemingway award;The Last American Man was a finalist for both the National Book Award and the National Book Critics Circle Award. The follow-up memoir Committed became an instant #1 New York Times bestseller. Her latest novel, The Signature of All Things, was named a Best Book of 2013 by The New York Times, O Magazine, The Washington Post, The Chicago Tribune, and The New Yorker. Gilbert’s short fiction has appeared in Esquire, Story, One Story, and the Paris Review.
- Hudson Valley, New York
- Date of Birth:
- July 18, 1969
- Place of Birth:
- Waterbury, Connecticut
- BA, New York University, 1991 (Political Science)
Most Helpful Customer Reviews
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This book was 520 pages of awesome. Could not put it down. The research that went in to this book plus the obvious intelligence of the writer made this a wondrous read from start to finish. I have been a lover of books for greater then 50 years now and am putting this in my top ten of all time favorites.
This amazing work stays with you past the very last line Beautiful, haunting and satisfying the reader enters the antisceptic world of science and learns of natural selection only to find out that each amazing discovery via Alma's eyes/work is truly a discovery and disection of the human heart! Superb and highly recommended!
A lovely tale spanning beyond a century. Beautifully written, researched with the most unique, in depth characters I've seen in so long. Wonderful!
I enjoyed this novel very much for several reasons. I enjoy historical fiction and also I love horticultural history as well as the period of time which this story took place. I would definitely recommend it to people who enjoy these qualities in a novel. If you are looking for a quick light read-this isn't the book for you.
I was angry at this book when I was done reading. It hooks you because you keep expecting a transformative, game-changing experience for the main character but instead you get more of the same depressing, meaningless nothing.
I have to agree with another review that stated they only got through it because they had spent money purchasing it! I had to struggle to get through this book even though I am an avid reader. I found it dull & boring. One of the worst books I've read in a long time.
I am in awe of anyone who writes a novel, because I know how much work it takes. And I bought this book with great expectations. But I really did not like it. As others have said, most of the interesting part was in the first few chapters. I only finished it because I had spent money on it. I thought the main character was not realistic and that the things she did in the book were not realistic for a person in her time. None of the characters seemed real to me, so I didn't really care much what happened to them. Frankly, in spite of all the research that obviously was done in order to write it, the book didn't seem very smart.
This novel will appeal to readers interested in horticulture, history of science and exploration, women's issues and psychology. The plot is detailed, descriptions exotic and vivid, characters memorable. This is an involving read, excellent for book clubs.
Reading this was a little like watching moss grow. The author was very ambitious in the scope of the story, but it would have been more satisfying to have had a bit more dimension to the characters and not quite so many locales. I am an avid reader and was looking forward to this book after reading several good reviews, but it was very tough to slog through and the characters never grabbed me.
Her best book to date and hard to put down. Her talent is rare and her research of life in the nineteenth centry is remarkable. Buy this and share with someone you care about.
This is the kind of book you're unable to put down when you begin reading. There are surprises around every page - surprises you would never even expect. And it pulls at your heart, it makes you FEEL for the characters and the events that unfold. It's terrifyingly realistic, yet beautiful and imaginative. What an amazing read.
This is a book you dont want to hurry through. It is such a nicely written books, one of those that just dont come along often. Very very nice.
Signature of All Things - 3 stars After starting out with such high expectations, I finished this book with mixed feelings. The scientific writing was great! For those of us who are science geeks, but whose knowledge lies in other fields, the taste of botany was informative! I felt that though there was excessive text about her father, Alma was well-developed as a character. However, there was way too much continuing emphasis on her and her husband’s sexual proclivities, and this detracted from what would otherwise have been a extrraordinary book about a pioneering female scientist. This book was good, but could have been so much better.
I was very disappointed with this book. I found it very interesting in the beginning, but soon went down hill with the main character's obsession with her body. I
What a strong woman for her times. I learned so many fascinating things about plants, places, people and an insight into another period of history.
What a waste of time. Only continued to plod through this predicable and loathsome tome because I had spent the money and was hopeful something interesting would take place. After 444 pages Alma has a encounter that made no sense. The characters were underdeveloped and uninteresting. My recommendation is to read anything else!
This books is interesting, boring and very long, all at the same time. It could have used some strong editing.
Begins as 19th century adventure story but altimately becomes a repetitive saga of alma's joyless sexual frustration. I read it because it was on nyt top 100--why?
The signature of all things,is a major book.E.Gilbert tackles major issues and intertwines a staggering amount of research and knowledge in a story full of insight,tenderness and passion.Although the language is simple,I appreciated her linear format.The depth of the understanding of her characters will grab and delight you as they interplay brilliantly with theory,science and human struggle.A seriously intelligent and erudite novel.
Excellent Page turner. Interesting look at the time period.
Wonderful characters, and ideas, lots of ideas. Keeps you guessing where the tale will lead.
A great story of love and self-discovery. I really enjoy Elizabeth Gilbert's writing style.
Kiss ur hand three times ppst this on three other books and look under ur pillow
This is a basically interesting story but there is sometimes an overabundance of detail that does nothing to contribute to the story but rather becomes a distraction.
I had to force myself to finish this book. I respect the research that had to go into this book - the scientific ventures, portraying society as it would have been in that time period - however, it was just too drawn out and dull for my taste. Very disappointed.