The Small Hand and Dolly

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Overview

A HAUNTING PAIR OF GHOST STORIES FROM THE BESTSELLING AUTHOR OF THE WOMAN IN BLACK
 
The Small Hand
 
Antiquarian bookseller Adam Snow is returning from a client visit when he takes a wrong turn and stumbles upon a derelict Edwardian house with a lush, overgrown garden. As he approaches the door, he is startled to feel the unmistakable sensation of a ...
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The Small Hand & Dolly: Two Novellas

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Overview

A HAUNTING PAIR OF GHOST STORIES FROM THE BESTSELLING AUTHOR OF THE WOMAN IN BLACK
 
The Small Hand
 
Antiquarian bookseller Adam Snow is returning from a client visit when he takes a wrong turn and stumbles upon a derelict Edwardian house with a lush, overgrown garden. As he approaches the door, he is startled to feel the unmistakable sensation of a small, cold hand creeping into his own, almost as though a child has taken hold of it. Shaken, he returns home to find himself plagued by nightmares. But when he decides to investigate the house’s mysteries, he is troubled by increasingly sinister visitations.
 
Dolly
 
After being orphaned at a young age, Edward Cayley is sent to spend the summer with his forbidding Aunt Kestrel at Iyot house, her decaying estate on the damp, lonely fens in the west of England. With him is his spoiled, spiteful cousin Leonora. And when Leonora’s birthday wish for a beautiful doll is denied, she unleashes a furious rage which will haunt Edward through the years to come.
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Editorial Reviews

Publishers Weekly
Spiritual malignance stemming from tragic pasts casts sinister nets of revelation and despair in two subtle, intelligent, and shocking modern ghost stories from Hill (The Woman in Black). These poetic and emotionally painful nightmares lay waste to the claim that the ghost story is dead and buried. In “The Small Hand,” antiquarian bookseller Adam Snow visits the grounds of a derelict house, where a small, cold hand grasps his own. Urging him to self-annihilation, this wrathful spirit leads Adam to unravel an ancient crime that may involve his own family. In “Dolly,” a future classic of the genre, Edward Cayley returns to his late Aunt Kestrel’s Iyot House, where a moldering china doll weeps in a churchyard. Rage culminates in tragedy as a simple toy soiled by a child’s hatred visits revenge on the innocent. Hill’s unemotional style envelopes the uncanny in prosaic realism, and her suggestive approach achieves superb uneasiness. Unresolved moral complexities bedevil victims in an unjust universe where decency is no protection from evil. Hill’s characters are haunted by conscience and insecurity as well as specters. Fear aficionados take note: these pleasing terrors shatter nerves with a whisper, not a scream. (Oct.)
From the Publisher
"A compact, elegantly structured ghost story . . . happens to be one of Hill's specialties. . . . Like all good British ghost-story writers, Hill believes in meticulous structure and very rough justice. . . . Maybe it's the uneasy feeling, or maybe it's the simple pleasure of confident British storytelling craftsmanship, but something pulls you through The Small Hand with relentless urgency. This writer's grip is vicious."
The New York Times Book Review

"Thanks to Hill’s deceptively simple plots and straightforward prose, you won’t even notice the noose she’s slipping around your throat."
The Seattle Times

"Subtle, intelligent, shocking. . . . Shatters nerves with a whisper, not a scream."
Publishers Weekly starred review

"A ghost-story duo that may remind many readers of [Stephen] King at his absolute best. . . . Turn on the lights, readers. These tales are the definition of bone chilling."
Suspense Magazine  

"Masterfully done. . . . Subtle, elegant."
The Times London 
 
"Spine-tingling fiction."
The Tattler London

"An assuredly chilling ghost story."
The Guardian London 

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Product Details

  • ISBN-13: 9780345806659
  • Publisher: Knopf Doubleday Publishing Group
  • Publication date: 9/24/2013
  • Series: Vintage Original Series
  • Pages: 288
  • Sales rank: 395,798
  • Product dimensions: 5.20 (w) x 8.00 (h) x 0.62 (d)

Meet the Author

Susan Hill has been a professional writer for over fifty years. Her books have won the Whitbread, the John Llewellyn Prize, and the W. Somerset Maugham Award, and have been shortlisted for the Booker Prize. Her novels include Strange Meeting, Ìm the King of the Castle and A Kind Man, and she has also published collections of short stories and two autobiographies. Her ghost story, The Woman in Black, has been running in London’s West End since 1988. Susan is married with two adult daughters and lives in North Norfolk.
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Read an Excerpt

One

It was a little before nine o’clock, the sun was setting into a bank of smoky violet cloud and I had lost my way. I reversed the car in a gateway and drove back half a mile to the fingerpost.

I had spent the past twenty-four hours with a client near the coast and was returning to London, but it had clearly been foolish to leave the main route and head across country.

The road had cut through the Downs, pale mounds on either side, and then run into a straight, tree-lined stretch to the crossroads. The fingerpost markings were faded and there were no recent signs. So that when the right turning came I almost shot past it, for there was no sign at all here, just a lane and high banks in which the roots of trees were set deep as ancient teeth. But I thought that this would eventually lead me back to the A road.

The lane narrowed. The sun was behind me, flaring into the rear-view mirror. Then came a sharp bend, the lane turned into a single track and the view ahead was dark beneath overhanging branches.

I slowed. This could not possibly be a way.

Was there a house? Could I find someone to put me on the right road?

I got out. Opposite me was an old sign, almost greened over. the white house. Below, someone had tacked up a piece of board. It hung loose but I could just make out the words garden closed in roughly painted lettering.

Well, a house was a house. There would be people. I drove slowly on down the track. The banks were even steeper, the tree trunks vast and elephantine.

Then, at the end of the lane I came out of the trees and into a wide clearing and saw that it was still light after all, the sky a pale enameled silver-blue. There was no through road. Ahead were a wooden gate and a high hedge wound about with briars and brambles.

All I could hear were birds settling down, a thrush singing high up on the branches of a walnut tree and blackbirds pinking as they scurried in the undergrowth. I got out of the car and, as I stood there, the birdsong gradually subsided and then there was an extraordinary hush, a strange quietness into which I felt I had broken as some unwelcome intruder.

I ought to have turned back then. I ought to have retraced my way to the fingerpost and tried again to find the main road. But I did not. I was drawn on, through the gate between the overgrown bushes.

I walked cautiously and for some reason tried not to make a noise as I pushed aside low branches and strands of bramble. The gate was stuck halfway, dropped on its hinges, so that I could not push it open further and had to ease myself through the gap.

More undergrowth, rhododendron bushes, briar hedge growing through beech. The path was mossed over and grassy but I felt stones here and there beneath my feet.

After a hundred yards or so I came to a dilapidated hut which looked like the remains of an old ticket booth. The shutter was down. The roof had rotted. A rabbit, its scut bright white in the dimness of the bushes, scrabbled out of sight.

I went on. The path broadened out and swung to the right. And there was the house.

It was a solid Edwardian house, long and with a wide verandah. A flight of shallow steps led up to the front door. I was standing on what must once have been a large and well-kept forecourt—there were still some patches of gravel between the weeds and grass. To the right of the house was an archway, half obscured by rose briars, in which was set a wrought-iron gate. I glanced round. The car ticked slightly as the engine cooled.

I should have gone back then. I needed to be in London and I had already lost my way. Clearly the house was deserted and possibly derelict. I would not find anyone here to give me directions.

I went up to the gate in the arch and peered through. I could see nothing but a jungle of more shrubs and bushes, overarching trees, and the line of another path disappearing away into the darkening greenery.

I touched the cold iron latch. It lifted. I pushed. The gate was stuck fast. I put my shoulder to it and it gave a little and rust flaked away at the hinges. I pushed harder and slowly the gate moved, scraping on the ground, opening, opening. I stepped through it and I was inside. Inside a large, overgrown, empty, abandoned garden. To one side, steps led to a terrace and the house.

It was a place which had been left to the air and the weather, the wind, the sun, the rabbits and the birds, left to fall gently, sadly into decay, for stones to crack and paths to be obscured and then to disappear, for windowpanes to let in the rain and birds to nest in the roof. Gradually, it would sink in on itself and then into the earth. How old was this house? A hundred years? In another hundred there would be nothing left of it.

I turned. I could barely see ahead now. Whatever the garden, now “closed,” had been, nature had taken it back, covered it with blankets of ivy and trailing strands of creeper, thickened it over with weed, sucked the light and the air out of it so that only the toughest plants could grow and in growing invade and occupy.

I should go back.

But I wanted to know more. I wanted to see more. I wanted for some reason I did not understand to come here in the full light of day, to see everything, uncover what was concealed, reveal what had been hidden. Find out why.

I might not have returned. Most probably, by the time I had made my way back to the main road, as of course I would, and reached London and my comfortable flat, the White House and what I had found there in the dusk of that late evening would have receded to the back of my mind and before long been quite forgotten. Even if I had come this way I might well never have found it again.

And then, as I stood in the gathering stillness and soft spring dusk, something happened. I do not much care whether or not I am believed. That does not matter. I know. That is all. I know, as surely as I know that yesterday morning it rained onto the windowsill of my bedroom after I had left a window slightly open. I know as well as I know that I had a root canal filling in a tooth last Thursday and felt great pain from it when I woke in the night. I know that it happened as well as I know that I had black coffee at breakfast.

I know because if I close my eyes now I feel it happening again, the memory of it is vivid and it is a physical memory. My body feels it, this is not only something in my mind.

I stood in the dim, green-lit clearing and above my head a silver paring of moon cradled the evening star. The birds had fallen silent. There was not the slightest stirring of the air.

And as I stood I felt a small hand creep into my right one, as if a child had come up beside me in the dimness and taken hold of it. It felt cool and its fingers curled themselves trustingly into my palm and rested there, and the small thumb and forefinger tucked my own thumb between them. As a reflex, I bent it over and we stood for a time which was out of time, my own man’s hand and the very small hand held as closely together as the hand of a father and his child. But I am not a father and the small child was invisible.

Two

It was after midnight when I got back to London and I was tired, but because what had happened to me was still so clear I did not go to bed until I had got out a couple of maps and tried to trace the road I had taken in error and the lane leading to the deserted house and garden. But nothing was obvious and my maps were not detailed enough. I needed several large-scale Ordnance Survey ones to have any hope of pinpointing an individual house.

I woke just before dawn and as I surfaced from a dreamless sleep I remembered the sensation of the small hand taking hold of my own. But it was a memory. The hand was not there as it had been there, I was now quite sure, in the dusk of that strange garden. There was all the difference in the world, as there was each time I dreamed of it, which I did often during the course of the next few weeks.

I am a dealer in antiquarian books and manuscripts. In the main I look for individual volumes on behalf of clients, at auction and in private sales as well as from other bookmen, though from time to time I also buy speculatively, usually with someone in mind. I do not have shop premises, I work from home. I rarely keep items for very long and I do not have a large store of books for sale at any one time because I deal at the upper end of the market, in volumes worth many thousands of pounds. I do collect books, much more modestly and in a disorganized sort of way, for my own interest and pleasure. My Chelsea flat is filled with them. My resolution every New Year is to halve the number of books I have and every year I fail to keep it. For every dozen I sell or give away, I buy twenty more.

The week after finding the White House saw me in New York and Los Angeles. I then went on trips to Berlin, Toronto and back to New York. I had several important commissions and I was completely absorbed in my undertakings. Yet always, even in the midst of a crowded auction room, or when with a client, on a plane or in a foreign hotel, always and however full my mind was of the job I was engaged upon, I seemed to have some small part of myself in which the memory of the small hand was fresh and immediate. It was almost like a room into which I could go for a moment or two during the day. I was not in the least alarmed or troubled by this. On the contrary, I found it oddly comforting.

I knew that when my present period of travel and activity was over I would return to it and try both to understand what had happened to me and if possible to return to that place to explore and to discover more about it—who had lived there, why it was empty. And whether, if I returned and stood there quietly, the small hand would seek mine again.

I had one disconcerting moment in an airport while buying a newspaper. It was extremely busy and as I queued, first of all someone pushed past me in a rush and almost sent me flying and then, as I was still recovering myself, I felt a child’s hand take my own. But when I glanced down I saw that it was the real hand belonging to a real small boy who had clutched me in panic, having also been almost felled by the same precipitate traveler. Within a few seconds he had pulled away from me and was reunited with his mother. The feeling of his hand had been in a way just the same as that of the other child, but it had also been quite different—hot rather than cool, sticky rather than silky. I could not remember when a real child had last taken my hand but it must have been years before. Yet I could distinguish quite clearly between them.

It was mid-June before I had a break from traveling. I had had a profitable few weeks and among other things I had secured two rare Kelmscott Press books for my client in Sussex, together with immaculate signed first editions of all Virginia Woolf’s novels, near-mint in their dust wrappers. I was excited to have them and anxious to get them out of my hands and into his. I am well insured, but no amount of money can compensate for the loss or damage of items like these.

So I arranged to drive down with them.

At the back of my mind was the idea that I would leave time to go in search of the White House again.

Three

Was there ever a June as glorious as that one? I had missed too much of the late spring but now we were in the heady days of balmy air and the first flush of roses. They were haymaking as I drove down and when I arrived at my client’s house, the garden was lush and tumbling, the beds high and thick with flowers in full bloom, all was bees and honeysuckle and the smell of freshly mown grass.

I had been invited to stay the night and we dined on a terrace from which there was a distant view of the sea. Sir Edgar Merriman was elderly, modest of manner and incalculably rich. His tastes were for books and early scientific instruments and he also had a collection of rare musical boxes which, when wound and set going, charmed the evening air with their sound.

We lingered outside and Sir Edgar’s blue-grey coils of cigar smoke wreathed upwards, keeping the insects at bay, the pungent smell mingling with that of the lilies and stocks in the nearby beds. His wife, Alice, sat with us, a small, grey-haired woman with a sweet voice and a shyness which I found most appealing.

At one point the servant came to call Sir Edgar to the telephone and as she and I sat companionably in the soft darkness, the moths pattering around the lamp, I thought to ask her about the White House. Did she know of it? Could she direct me to it again?

She shook her head. “I haven’t heard of such a place. How far were you from here?”

“It’s hard to tell . . . I was hopelessly lost. I suppose I’d driven for forty-five minutes or so? Perhaps a bit longer. I took a byroad which I thought I knew but did not.”

“There are so many unsigned roads in the country. We all know our way about so well, but they are a pitfall for the unwary. I don’t think I can help you. Why do you want to go back there, Mr. Snow?”

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Customer Reviews

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  • Posted September 25, 2013

    more from this reviewer

    What's better than a ghost story? Two ghost stories! And that's

    What's better than a ghost story? Two ghost stories! And that's what Susan Hill gives us in The Small Hand and Dolly. I love the cover -the doll's eye is unsettling and just set the tone for what awaits the reader.

    I've fallen in love with Hill's Simon Serrailler detective series, but it was only on looking at the author's website that I realized she was the author of The Woman in Black - a classic ghost tale that has been made into a stage play (opened in 1989 and is still running) as well as a movie starring Daniel Radcliffe.

    Hill writes the most delicious stories - atmospheric with slow building tension that increases with every page turned. And all accomplished without overt gore and violence. Just wonderfully wrought words.

    In The Small Hand, a rare book seller is on a way to a client's home when he takes a wrong turn - and discovers an abandoned house. "I should have gone back then. I needed to be in London and I had already lost my way. Clearly the house was deserted and possibly derelict. I would not find anyone her to give me directions." But he explores a litter further and finds that the house once housed a spectacular garden. It is while standing in the ruins that "I felt a small hand creep into my right one, as if a child had come up beside me in the dimness and take hold of it."

    That wrong turn haunts him in more ways than one - he now feels compelled to throw himself into water, knowing that he will drown. And this in turn drives him back to house....

    "What would I find? I did not know and I tried not to give my imagination any rein. I would obey the insistent, silent voice that told me I must go back and once there I would see. I would see."

    Delicious!

    In Dolly, Edward revisits the home of his now deceased aunt. He spent a summer there as a child, along with his cousin Leonora, a spoiled girl subject to fits of anger. In the forty years following that summer, he never returned. Until now. In present day, in the empty house, he hears a sound that brings back memories from that summer....memories of Leonora's wish for a dolly and her anger when it wasn't the right one.

    "The cupboard. It was something about the cupboard, something in it or that had happened beside it? I shook myself, and was about to close the cupboard door when I heard it - a very soft rustling, as if someone were stirring their hand about in crisp tissue paper, perhaps as they unpacked a parcel."

    Dolly's tension builds as well, but in a different way. This time there's a more tangible scary thing - the inanimate doll. (I'm not a doll fan - they give me the creeps) You could even say this story dipped it's toe in the horror pool. Lots of foreshadowing leads the way to the final chapter. I was slightly disappointed with the ending of this story - I thought one character did not deserve their ending.

    But with both stories, I enjoyed the slow build, the weaving of possibilities and the gothic ghost flavour.

    Of the two, I preferred The Small Hand. But, both are perfect one sitting with a cup of tea before you head to bed reading. Who knows what your dreams will conjure up? Or what that rustling under the bed might really be......

    5 out of 5 people found this review helpful.

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  • Anonymous

    Posted April 27, 2014

    This was a great book to curl up with in bed. Both stories were

    This was a great book to curl up with in bed. Both stories were creepy and quick to read. I will most definitely be reading this again, Dolly was my favorite and I will not forget the summer that Edward spent at his Aunt's House. Such delicious, eerie imagery was conjured up by Susan Hill's writing. I recommend this book to people that like their tales a bit unnerving

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  • Anonymous

    Posted December 10, 2013

    No text was provided for this review.

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