The Snake Stone (Yashim the Eunuch Series #2)
Detective, polyglot, chef, eunuch—Investigator Yashim returns in this evocative Edgar® Award–winning series set in Istanbul at the end of the Ottoman Empire

Istanbul, 1838. In his palace on the Bosphorus, Sultan Mahmud II is dying and the city swirls with rumors and alarms. The unexpected arrival of a French archaeologist determined to track down lost Byzantine treasures throws the Greek community into confusion. Yashim Togalu is once again enlisted to investigate. But when the archaeologist's mutilated body is discovered outside the French embassy, it turns out there is only one suspect: Yashim himself. As the body count starts to rise, Yashim must uncover the startling truth behind a shadowy society dedicated to the revival of the Byzantine Empire, encountering along the way such vibrant characters as Lord Byron's doctor and the Sultan's West Indies–born mother, the Valide. With striking wit and irresistible flair, Jason Goodwin takes us into a world where the stakes are high, betrayal is death—and the pleasure to the reader is immense.

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The Snake Stone (Yashim the Eunuch Series #2)
Detective, polyglot, chef, eunuch—Investigator Yashim returns in this evocative Edgar® Award–winning series set in Istanbul at the end of the Ottoman Empire

Istanbul, 1838. In his palace on the Bosphorus, Sultan Mahmud II is dying and the city swirls with rumors and alarms. The unexpected arrival of a French archaeologist determined to track down lost Byzantine treasures throws the Greek community into confusion. Yashim Togalu is once again enlisted to investigate. But when the archaeologist's mutilated body is discovered outside the French embassy, it turns out there is only one suspect: Yashim himself. As the body count starts to rise, Yashim must uncover the startling truth behind a shadowy society dedicated to the revival of the Byzantine Empire, encountering along the way such vibrant characters as Lord Byron's doctor and the Sultan's West Indies–born mother, the Valide. With striking wit and irresistible flair, Jason Goodwin takes us into a world where the stakes are high, betrayal is death—and the pleasure to the reader is immense.

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The Snake Stone (Yashim the Eunuch Series #2)

The Snake Stone (Yashim the Eunuch Series #2)

by Jason Goodwin
The Snake Stone (Yashim the Eunuch Series #2)

The Snake Stone (Yashim the Eunuch Series #2)

by Jason Goodwin

Paperback(First Edition)

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Overview

Detective, polyglot, chef, eunuch—Investigator Yashim returns in this evocative Edgar® Award–winning series set in Istanbul at the end of the Ottoman Empire

Istanbul, 1838. In his palace on the Bosphorus, Sultan Mahmud II is dying and the city swirls with rumors and alarms. The unexpected arrival of a French archaeologist determined to track down lost Byzantine treasures throws the Greek community into confusion. Yashim Togalu is once again enlisted to investigate. But when the archaeologist's mutilated body is discovered outside the French embassy, it turns out there is only one suspect: Yashim himself. As the body count starts to rise, Yashim must uncover the startling truth behind a shadowy society dedicated to the revival of the Byzantine Empire, encountering along the way such vibrant characters as Lord Byron's doctor and the Sultan's West Indies–born mother, the Valide. With striking wit and irresistible flair, Jason Goodwin takes us into a world where the stakes are high, betrayal is death—and the pleasure to the reader is immense.


Product Details

ISBN-13: 9780312428020
Publisher: Picador
Publication date: 09/30/2008
Series: Yashim the Eunuch Series , #2
Edition description: First Edition
Pages: 320
Product dimensions: 7.06(w) x 10.90(h) x 0.84(d)

About the Author

JASON GOODWIN is the Edgar Award–winning author of the Investigator Yashim series. The first five books—The Janissary Tree, The Snake Stone, The Bellini Card, An Evil Eye, and The Baklava Club—have been published to international acclaim, alongside Yashim Cooks Istanbul, a cookbook of Ottoman Turkish recipes inspired by the series. Goodwin studied Byzantine history at Cambridge and is the author of Lords of the Horizons: A History of the Ottoman Empire, among other award-winning nonfiction. He lives with his wife and children in England.

Read an Excerpt

The Snake Stone

A Novel
By Goodwin, Jason

Farrar, Straus and Giroux

Copyright © 2007 Goodwin, Jason
All right reserved.

ISBN: 9780374299354

Chapter 1
The voice was low and rough and it came from behind as dusk fell.
“Hey, George.”
It was the hour of the evening prayer, when you could no longer distinguish between a black thread and a white one, in ordinary light. George pulled the paring knife from his belt and sliced it through the air as he turned. All over Istanbul, muezzins in their minarets threw back their heads and began to chant.
It was a good time to kick a man to death in the street.
The grainy ululations swept in sobbing waves across the Golden Horn, where the Greek oarsmen on the gliding caïques were lighting their lamps. The notes of prayer rolled over the European town at Pera, a few lights wavering against the black ridge of Pera Hill. They skimmed the Bosphorus to ÜskÜdar, a smudge of purple fading back into the blackness of the mountains; and from there, on the Asian side, the mosques on the waterline echoed them back.
A foot caught George in the small of his back. George’s arms went wide and he stumbled toward a man who had a long face as if he were sorrowing for something.
The sound swelled as muezzin after muezzin picked up the cry, weaving between the city’s minarets the shimmer of a chant that expressed in a thousandways the infirmity of man and the oneness of God.
After that the knife wasn’t any good.
The call to prayer lasts about two and a half minutes, but for George it stopped sooner. The sad-faced man stooped and picked up the knife. It was very sharp, but its end was broken. It wasn’t a knife for a fight. He threw it into the shadows.
When the men had gone, a yellow dog came cautiously out of a nearby doorway. A second dog slunk forward on its belly and crouched close by, whining hopefully. Its tail thumped the ground. The first dog gave a low growl and showed its teeth. 
2
Maximilien Lefèvre leaned over the rail and plugged his cheroot into the surf which seethed from the ship’s hull. Seraglio Point was developing on the port bow, its trees still black and massy in the early light. As the ship rounded the point, revealing the Galata Tower on the heights of Pera, Lefèvre pulled a handkerchief from his sleeve to wipe his hands; his skin was clammy from the salt air.
He looked up at the walls of the sultan’s palace, patting the back of his neck with the handkerchief. There was an ancient column in the Fourth Court of the seraglio, topped by a Corinthian capital, which was sometimes visible from the sea, between the trees. It was the lingering relic of an acropolis that had stood there many centuries ago, when Byzantium was nothing but a colony of the Greeks: before it became a second Rome, before it became the navel of the world. Most people didn’t know the column still existed; sometimes you saw it, sometimes not.
The ship heaved, and Lefèvre gave a grunt of satisfaction.
Slowly the Stamboul shore of the Golden Horn came into view, a procession of domes and minarets that surged forward, one by one, and then modestly retired. Below the domes, cascading down to the busy waterfront, the roofs of Istanbul were glowing red and orange in the first sunlight. This was the panorama that visitors always admired: Constantinople, Istanbul, city of patriarchs and sultans, the busy kaleidoscope of the gorgeous East, the pride of fifteen centuries.
The disappointment came later.
Lefèvre shrugged, lit another cheroot, and turned his attention to the deck. Four sailors in bare feet and dirty singlets were stooped by the anchor chain, awaiting their captain’s signal. Others were clawing up the sails overhead. The helmsman eased the ship to port, closing in on the shore and the countercurrent that would bring them to a stop. The captain raised his hand, the chain ran out with the sound of cannon fire, the anchor bit, and the ship heaved slowly back against the chain.
A boat was lowered, and Lefèvre descended into it after his trunk.
At the Pera landing stage, a young Greek sailor jumped ashore with a stick to push back the crowd of touts. With his other hand he gestured for a tip.
Lefèvre put a small coin into his hand and the young man spat.
“City moneys,” he said contemptuously. “City moneys very bad, Excellency.” He kept his hand out.
Lefèvre winked. “Piastres de Malta,” he said quietly.
“Oho!” The Greek squinted at the coin and his face brightened.
“Ve-ery good.” He redoubled his efforts with the touts. “These is robbers. You wants I finds you porter? Hotel? Very clean, Excellency.”
“No, thank you.”
“Bad mans here. You is first times in the city, Excellency?”
“No.” Lefèvre shook his head.
The men on the landing stage fell silent. Some of them began to turn away. A man was approaching across the planked walk in green slippers. He was of medium build, with a head of snowy white hair. His eyes were piercingly blue. He wore baggy blue trousers, an open shirt of faded red cotton.
“Doctor Lefèvre? Follow me, please.” Over his shoulder he said: “Your trunk will be taken care of.”
Lefèvre gave a shrug. “À la prochaine.”
“Adio, m’sieur,” the Greek sailor replied slowly.  Excerpted from The Snake Stone by Jason Goodwin. Copyright © 2007 by Jason Goodwin. Published in October 2007 by Sarah Crichton Books, a division of Farrar, Straus and Giroux, LLC. All rights reserved.

Continues...

Excerpted from The Snake Stone by Goodwin, Jason Copyright © 2007 by Goodwin, Jason. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Reading Group Guide

About this Guide

The following author biography and list of questions about The Snake Stone are intended as resources to aid individual readers and book groups who would like to learn more about the author and this book. We hope that this guide will provide you a starting place for discussion, and suggest a variety of perspectives from which you might approach The Snake Stone.


Discussion Questions

1. Yashim has a special place in Istanbul because he is a eunuch. He is a "listener", a "protector" and "not entirely a man". He has access to Topkapi Palace, reaching levels as high as the Valide, the Sultan's mother, but is also comfortable with farmers and money lenders. How else does Yashim's station help him in his investigation? How does it affect his relationships and his interactions with others?

2. In The Snake Stone, there are many characters, and the city of Istanbul itself may be considered one of them. Early in the novel, LeFevre gives a brief history of the city, as well as an introduction to some of its many names: Byzantium, Constantinople, and Istanbul. How does the character of Istanbul shape and influence the story? Can you think of other cites you've visited whose long history continues to shape them today?

3. On a similar note, Istanbul and the Ottomans were always at the crossroads of East and West. This continues in modern day Turkey where the traditional and Islamic are constantly battling with more secular, Western lifestyles. How does Goodwin address this tension in the novel?

4. One point that Goodwin mentions repeatedly is the Sultan's focus on bringing Western dress to Istanbul, in particular, the change from the turban to the Fez. Yashim, however, prefers to wear a turban. His friend George–the market vendor whose beating begins the novel–also wears his own traditional dress: the "brimless, blue cap and black slippers that defined him as a Greek." Discuss how the characters' clothes do more than define there place in society – do they also move the story forward in some way?

5. One of the most interesting aspects of The Snake Stone is the way the author gives a full picture of the city and all its varied ethnic groups. For example, the main focus of Yashim's investigations through much of the novel is the Hetira. Discuss how this cultural diversion brings tension to the story.

6. Although we primarily see the story through Yashim's eyes, Goodwin also gives us a taste of what's happening outside his range of vision. Often, these events are happening simultaneously. The most interesting example of this is when Amelie LaFevre is trying to get into Aya Sofia and Yashim is moving through the water tunnels looking for Xani's body. What does this kind of storytelling do for the novel? Does it heighten the suspense for the readers to know what Yashim does not?

7. As a Pole, Stanislaw Palewski is distinctly an outsider in Istanbul and a very good friend to Yashim. Does he give a perspective to the investigation that the characters native to Istanbul cannot? Or is his importance in the story more closely related to what is hidden in his cupboard?

8. Food and cooking play a big part in Yashim's life and in this novel. Why do you think the author would choose to write about Yashim's cooking in such fine detail?

9. Yashim also says that the Ottomans had been perfecting the subtleties of flavor and spices centuries earlier while Europeans were still eating meat off the bone with their fingers. Do Turkish and Middle Eastern food still reflect this today? Does an American hamburger or an English roast beef seem more appealing to you than one of Yashim's carefully crafted dolma?

10. Yashim is not a detective by trade, rather, he is forced to find Max LeFevre's killer to prevent himself from being named as such. Does this give Yashim's search greater urgency than if he were a hired detective or a government official? How would the story have been different if he was?

11. The "snake stone" of the title literally refers to the Medusa statue hidden in Istanbul's water tunnels, and eventually links the watermen's guild to the protection of the relics that LeFevre and others are searching for. Can you see other, more subtle references and allusions implied by the title?

12. In the beginning of the book, Max LeFevre tells Yashim and Palewski that he believes everything he reads in books. The Gyllius– the book Max LeFevre leaves in Yashim's apartment–is what leads him and his wife Amelie to believe that there is hiding place under Aya Sofia. There is a thread about myth and reality in this novel which is illustrated in the example of the Gyllius. Even after Yashim pieces together the mystery of the relics, the watermen, and the serpent heads, the valide reminds him, and the reader, that one should never believe everything they read. How do the history and myths of Istanbul help deliver this cliché-turned-lesson in this novel?

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