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Editorial Reviews
Barnes & Noble
When Sublime's Bradley Nowell sang about how he wanted to be more like KRS-One on Sublime's 1992 classic "40 Oz. of Freedom," he was speaking for a nation of American youth -- kids who have admired the rap legend's confrontational flow since he and his South Bronx rap crew, Boogie Down Productions, bum-rushed the New York rap scene in 1986. On his first solo album since 1997's I Got Next, the Blastmaster makes a triumphant return to the spotlight with his finest work since BDP's 1992 swan song, Sex and Violence. Flanked by thumping, dancehall-inspired beats and some of his dopest lyrics in years, The Sneak Attack finds KRS assuming the role of hip-hop's elder statesman, fearlessly chastising younger MCs who've ...