Named one of the Best Science Books of 2017 by Science Friday and Brain Pickings
One of Forbes’ Best Environment, Climate Science and Conservation Books of 2017
“In The Songs of Trees, Haskell champions a kind of ‘ecological aesthetics,’ where we find beauty in connectivity . . . Haskell sees trees as ‘nature’s great connectors,’ living symbols of the book’s great theme – that life is about relationships. . .we can find salvation in this view of life as a community.” —Ed Yong, The Atlantic
“Haskell’s exquisitely wrought ecological study documents the fate of 12 trees, around the globe and over time . . . a ravishing journey into biotic community.” —Nature
“What does an individual tree connect to, through its countless networks? Everything, to those who listen. Haskell’s writing is natural history, in every sense of the phrase, at its very best.” —Richard Powers, author of The Overstory, PBS Newshour
“Both a love song to trees, an exploration of their biology, and a wonderfully philosophical analysis of their role they play in human history and in modern culture.” —Science Friday, “The Best Science Books of 2017”
"Haskell trains his breathtaking observational skills, his eloquence and his capacity for hourslong contemplative practice on 12 trees around the globe . . . Haskell's sentences drip with poignancy and poetry. It's as if the whole world—every dust mote, every molecule of air, each reverberation of birdsong, rainfall or urban jackhammer—is slid beneath his magnifying lens. We see and hear beauties otherwise unimagined." —Chicago Tribune
“Reveals the surprising – and surprisingly fascinating – arboreal secrets hidden in the canopies of ordinary trees . . . Haskell [leverages] three remarkable strengths – vast scientific knowledge, prodigious literary gifts, and a deeply meditative approach to fieldwork." —Outside
“Haskell proves himself to be the rare kind of scientist Rachel Carson was when long ago she pioneered a new cultural aesthetic of poetic prose about science . . . it is in such lyrical prose and with an almost spiritual reverence for trees that Haskell illuminates his subject . . . a resplendent read in its entirety, kindred both to Walt Whitman’s exultation of trees and bryologist Robin Wall Kimmerer’s poetic celebration of moss.” —Brain Pickings
"Rich, often stunningly beautiful prose ... astounding powers of observation ... powerfully arguing against the ‘otherness’ of nature that denies our own wild being ... pushes the genre of nature writing in a welcome new direction." —The Burroughs Medal jury
“Over the course of ten graceful and fine-grained studies of different tree species, Haskell makes our relationship with the trees lambently obvious . . . The Songs of Trees has the diverse busyness of a thriving woodland. It is hard to think of a recent scientifically-inflected book on nature that is as fluent, compelling, and intoxicatingly rich.” —Times Literary Supplement
“The Songs of Trees is the equal of [The Forest Unseen] in its scientific depth, lyricism, and imaginative reach . . . Haskell’s intention is nothing less than to explore interconnection in nature across space and time, and to observe how humans can succeed, or fail, in the co-creation of networks of life that are more intelligent, productive, resilient and creative.” —The Guardian
“A great read for those wanting to be swept away to new locations while gaining a greater appreciation for the impact a single tree can have.” —American Forests
“The ceibo is the first of a fascinating litany of the world’s trees we come to know through the extraordinary observations of Haskell . . . This is a wise and eloquent reminder of the interconnectedness of all things and a lesson in how being open to the wisdom of trees, the great connectors, can help us understand ourselves and our place in the world.” – The Minneapolis Star Tribune
“Haskell writes with a poet’s ear and a biologist’s precision . . . like Rachel Carson’s Silent Spring and Stephen Jay Gould’s Wonderful Life, The Songs of Trees is greater than the sum of its parts: it forces readers to consider complex, interrelated networks of the natural world, the scope and sweep of evolution, and the measurable effects of humanity on both.” – The Knoxville News Sentinel
“David George Haskell is a wonderful writer and an equally keen observer of the natural world. The Songs of Trees is at once lyrical and informative, filled with beauty and also a sense of loss.” – Elizabeth Kolbert, author of The Sixth Extinction
“Here is a book to nourish the spirit. The Songs of Trees is a powerful argument against the ways in which humankind has severed the very biological networks that give us our place in the world. Listen as David Haskell takes his stethoscope to the heart of nature - and discover the poetry and music contained within.” — Peter Wohlleben, author of The Hidden Life of Trees
"David George Haskell may be the finest literary nature writer working today. The Songs of Trees - compelling, lyrical, wise - is a case in point. Don't miss it." — Deborah Blum, author of The Poisoner’s Handbook
“Inspiring . . . Haskell’s study of interconnectedness reveals as much as humans about it does trees.” – Publishers Weekly
“Haskell’s thoughtful prose lulls readers into extraordinarily in-depth studies of the molecular breakdown of dying trees, the sounds created by their great branches, and their manners of germination . . . Haskell is elegant in his observations . . . Blending history and science with the grace of a poet, this is nature writing at its finest.”
– ALA Booklist (starred)
“Engaging and eye-opening. . .Haskell’s message is straightforward and important: we are a part of nature, and the trees with whom we share our environment are vital parts of our lives.”
– Kirkus Reviews
"David Haskell has opened up a new dimension in sound - and given us a powerful tool to rethink the way we look at the roots of our reality and how trees are the best way to guide us. A tour de force of sound and symbol. Read. Listen. Learn."
—Paul D. Miller aka DJ Spooky
“With a poet’s ear and a naturalist’s eye Haskell re-roots us in life’s grand creative struggle and encourages us to turn away from empty individuality. The Songs of Trees reminds us that we are not alone, and never have been.”
—Neil Shea, writer, National Geographic
"David Haskell does the impossible in The Song of Trees. He picks out a dozen trees around the world and inspects each one with the careful eye of a scientist. But from those observations, he produces a work of great poetry, showing how these trees are joined to the natural world around them, and to humanity as well."
—Carl Zimmer, author of A Planet of Viruses
"David Haskell writes with uncommon insight and sensitivity: listening and giving voice to the ineluctable networks in which trees and all human experiences are embedded."
—Peter Crane, President, Oak Spring Garden Foundation
02/27/2017
In this inspiring but uneven account, Haskell (The Forest Unseen), professor of biology at Sewanee, investigates the myriad connections between trees and their natural surroundings. Trees do not exist in isolation, he notes, and though their “trunks seemingly stand as detached individuals, their lives subvert this atomistic view.” He devotes each of his 10 chapters (plus two interludes) to a particular tree, visiting Ecuador, Japan, and various points in North America. In Amazonian Ecuador, for example, Haskell calls attention to the ceibo tree, describing local hummingbirds, frogs, and monkeys before touching on oil-drilling camps now found in the rainforest. The heavy machinery cannot be ignored; “half of Ecuador’s export revenues and one third of the government’s budget come from oil.” Juxtaposing contrasting images of nature in urban landscapes, Haskell describes the worlds revolving around a cottonwood tree in Denver and a callery pear in Manhattan in lively chapters full of engaging digressions and meditations. But the chapters on a balsam fir in Ontario and maples in Tennessee and Illinois are harder to read, sometimes dazing readers with tangential and obscure references. Despite a few weak spots, Haskell’s study of interconnectedness reveals as much about humans as it does trees. Agent: Alice Martell, Martell Agency. (Apr.)
Trees have songs, says Haskell, and he wants to record them. Cassandra Campbell's narration is soothing and perhaps musical, a good match to Haskell’s descriptive writing on the beauty of trees. He starts his global tour in the Amazonian forest of Ecuador, where he considers the environment of a sabo tree. He then discusses the spiders and monkeys that surround it, and the oil fields that threaten it. Campbell's voice stays soft but adds an edge when the subjects aren't so poetic, as when Haskell describes the bite of a bullet ant. Her edgy tone hints at the pain. As the author visits both remote and urban locations, he gives coordinates so that listeners themselves can find the trees he describes if they’re in the vicinity. J.A.S. © AudioFile 2017, Portland, Maine
Trees have songs, says Haskell, and he wants to record them. Cassandra Campbell's narration is soothing and perhaps musical, a good match to Haskell’s descriptive writing on the beauty of trees. He starts his global tour in the Amazonian forest of Ecuador, where he considers the environment of a sabo tree. He then discusses the spiders and monkeys that surround it, and the oil fields that threaten it. Campbell's voice stays soft but adds an edge when the subjects aren't so poetic, as when Haskell describes the bite of a bullet ant. Her edgy tone hints at the pain. As the author visits both remote and urban locations, he gives coordinates so that listeners themselves can find the trees he describes if they’re in the vicinity. J.A.S. © AudioFile 2017, Portland, Maine
2017-01-24
Haskell (Biology/The Univ. of the South; The Forest Unseen: A Year's Watch in Nature, 2012) uses the metaphor of song to capture how the "living memories of trees…tell of life's community, a net of relations" of which humans are "incarnate members."As the author rightly warns, we allow the destruction of the global biological network that sustains us at our peril. Although we live in urban environments that appear to allow us to "step outside life's songs," this is a dangerous illusion. There is no fundamental duality between humans and the natural environments we inhabit. Moreover, writes Haskell, our fundamental nature is "as natural and wild" as it ever was. In this engaging and eye-opening narrative, he chronicles his travels in the Amazonian rain forests where the tree canopy provides shelter and food for at least half of the people, birds, and animals that dwell there. In those forests, there are more living tree species than in all of North America. The growth of tree roots communicates information about the rain and soil in different environments, and Haskell illustrates this by a comparison with the forests in Northern Ontario and the birds they shelter. Trees also give us crucial information about our shared environment. Through their roots, they send chemical messages that influence the growth of other vegetation and the behavior of resident animals. The author considers this to be a significant form of communication even though it is not deliberate. Not only do trees shelter us and the animals that contribute to our survival; they also record our planet's history, and they contribute to the coal and oil deposits that fuel our civilization. On a more spiritual level, the happy voices of children playing in a park give testimony to trees' importance in our lives in urban as well as wilderness settings. Haskell's message is straightforward and important: we are a part of nature, and the trees with whom we share our environment are vital parts of our lives.
