The Sound of 65/There's a Bond Between Us

Editorial Reviews

All Music Guide - Bruce Eder
This two-LPs-on-one-CD package is essential listening for anyone who is seriously interested in either British blues, the Rolling Stones' early sound, or the history of popular music, in England or America, during the late '50s and early '60s. In England during the years 1957-1962, jazz and blues used to intermix freely, especially among younger blues enthusiasts and more open-minded jazzmen -- by 1963, most of the former had gone off to form bands like the Rolling Stones, the Yardbirds, the Pretty Things, etc., with guitars a the forefront of their sound, while the latter most notably British blues godfather Alexis Korner kept some jazz elements in their work. The Graham ...
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Editorial Reviews

All Music Guide - Bruce Eder
This two-LPs-on-one-CD package is essential listening for anyone who is seriously interested in either British blues, the Rolling Stones' early sound, or the history of popular music, in England or America, during the late '50s and early '60s. In England during the years 1957-1962, jazz and blues used to intermix freely, especially among younger blues enthusiasts and more open-minded jazzmen -- by 1963, most of the former had gone off to form bands like the Rolling Stones, the Yardbirds, the Pretty Things, etc., with guitars a the forefront of their sound, while the latter most notably British blues godfather Alexis Korner kept some jazz elements in their work. The Graham Bond Organization along with Zoot Money's Big Roll Band and other, similar outfits represented the jazzier side of the British blues boom, less charismatic and sexually provocative than blues-rock bands like the Stones or the Yardbirds, but no less potent a product of the same inspiration, sax and organ being much more prominent in their sound. Indeed, Bond's playing on the organ as represented on this CD is the distant antecedent to Keith Emerson's more ambitious keyboard excursions of 3-4 years later, without the incessant copping of classical riffs. The playing and singing by Graham Bond and a young Jack Bruce are curiously soulful, and when Ginger Baker takes a solo on "Oh Baby," it's a beautiful, powerful, even lyrical experience as drum solos go, and one of those bold, transcendant, virtuoso moments, akin to Brian Jones' harmonica solo on the Stones' version of "Hi Heel Sneakers." The band was more exciting on stage, as the evidence of their one surviving early live performance indicates, but they were worth hearing on record as well. In a universe that was fair and idealized, this CD and the two albums contained on it would rank right up there in sales with anything including the Bluesbreakers with Eric Clapton album that John Mayall ever released, and Bond also proves himself a more fervent and exciting figure here than Mayall ever seemed on his records.
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Product Details

  • Release Date: 12/14/1999
  • Label: Bgo - Beat Goes On
  • EAN: 5017261205001
  • Catalog Number: 500
  • Sales rank: 24,667

Album Credits

Performance Credits
Graham Bond Organisation Primary Artist, Track Performer
Graham Bond Indexed Contributor, Hammond Organ, Alto Saxophone, Vocals, Mellotron
Ginger Baker Drums
Jack Bruce Bass, Vocals
Dick Heckstall-Smith Tenor Saxophone
Technical Credits
Ginger Baker Cover Design
Ray Charles Composer
Getty Arranger
Don Kirkpatrick Composer
Booker T. Laury Composer
Harry Shapiro Liner Notes
Robert Stigwood Producer
Vicki Wickham Liner Notes
Graham Bond Organisation Arranger
Keith Knox Composer
Preston Foster Composer
J. Stone Composer
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