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| Preface | 9 | |
| Introduction : the spectacle of the real | 13 | |
| 1 | Media culture and the triumph of the spectacle | 23 |
| 2 | Real time, catastrophe, spectacle : reality as fantasy in live media | 37 |
| 3 | 'Just like a movie'? : 9/11 and Hollywood spectacle | 47 |
| 4 | Reframing fantasy : September 11 and the global audience | 59 |
| 5 | Teratology of the spectacle | 71 |
| 6 | Caught on tape : a legacy of low-tech reality | 83 |
| 7 | Love 'n the real; or, how I learned to love reality TV | 93 |
| 8 | Looking inside : showing medical operations on ordinary television | 105 |
| 9 | Hell in a cell and other stories : violence, endangerment and authenticity in professional wrestling | 117 |
| 10 | Docobricolage in the age of simulation | 129 |
| 11 | A production designer's cinema : historical authenticity in popular films set in the past | 139 |
| 12 | The new spatial dynamics of the bullet-time effect | 151 |
| 13 | 'I was dreaming I was awake and then I woke up and found myself asleep' : dreaming, spectacle and reality in Waking life | 161 |
| 14 | Cannibal Holocaust and the pornography of death | 173 |
| 15 | Beyond the Blair witch : a new horror aesthetic? | 187 |
| 16 | Spectres and capitalism / spectacle and the horror film | 201 |
| 17 | Looking on : troubling spectacles and the complicitous spectator | 213 |
| 18 | The enigma of the real : the qualifications for real sex in contemporary art cimema | 223 |
Overview
Hollywood special effects offer spectacular creations or re-creations that make claims to our attention on the grounds of their 'incredible-seeming reality'.
They can appear both 'incredible' and 'real', their appeal based on their ability to 'convince'-to appear real in terms such as detail and texture-and on their status as fabricated spectacle, to be admired as such. At a seemingly very different end of the audio-visual media spectrum, ...