The Steampunk Trilogy

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Overview

Steampunk is the twisted offspring of science fiction and postmodernism, a sassy, unpredictable tongue-in-cheek style of which the incomparable Paul Di Filippo is master. The three short novels in The Steampunk Trilogy are all set in a very alternative nineteenth century, and feature a mixture of historical and imaginary figures. In "Victoria," a young and lissome Queen Victoria disappears from her throne and is replaced by a sexy human/newt clone. The race is on to find the original Victoria and to hide the terrible secret from the nation. In "Hottentots," Massachusetts is threatened by monsters from the deep; in "Walt and Emily," Emily Dickinson hooks up with a robust and lusty Walt ...

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Overview

Steampunk is the twisted offspring of science fiction and postmodernism, a sassy, unpredictable tongue-in-cheek style of which the incomparable Paul Di Filippo is master. The three short novels in The Steampunk Trilogy are all set in a very alternative nineteenth century, and feature a mixture of historical and imaginary figures. In "Victoria," a young and lissome Queen Victoria disappears from her throne and is replaced by a sexy human/newt clone. The race is on to find the original Victoria and to hide the terrible secret from the nation. In "Hottentots," Massachusetts is threatened by monsters from the deep; in "Walt and Emily," Emily Dickinson hooks up with a robust and lusty Walt Whitman, loses her virginity, and travels to a dimension beyond time where she meets the future Allen Ginsberg.

Steampunk, the twisted offspring of science fiction and post-modernism, colors these stories set in the 19th century. Queen Victoria disappears from the throne and is replaced by a young, sexy woman, while Emily Dickinson and Walt Whitman have a lurid love affair and travel to the future to meet Allen Ginsburg.

Editorial Reviews

Publishers Weekly
The term ``steampunk'' has come to intimate a subgenre of work set in a fantastic 19th century characterized by the inhumanity wrought by bogus science and a fanatical embrace of scientific method. Di Filippo's first book is a collection of three novellas that jumbles science and pseudoscience into an interesting, if not always completely successful, mlange. The narratives are united not only by their reliance on the occult-mysticism dominates ``Walt and Emily'' while Lovecraft's monsters appear in the previously published ``Hottentots''-but also by their focus on female sexuality. ``Victoria'' replaces the Queen of England with a licentious salamander, while ``Walt and Emily'' features a robust poetic encounter between Ms. Dickinson and Mr. Whitman. Even the weakest of the pieces here-``Hottentots,'' in which nothing is learned while much credulity is stretched-features amusing faux-Victorian prose worthy of Anne Rice (``Like a Maine sawmill, like an asthmatic platypus... like a Michigan beaver... uneasily winter-dreaming of Ojibway hunters led by a wild Chief Snapping Turtle, Mister Dogberry roughly rasped and snorted through the night, making it nigh impossible for Agassiz to get any rest'') and enough ``scientific'' pasquinades to satisfy the Luddite in anyone. (May)
Library Journal
Raunchy, uproarious silliness in the time-honored sf tradition of alternative history. In the first novella, young Queen Victoria has disappeared, and the prime minister has called on inventor Cosmo Cowperthwait for temporary use of his recent creation: a nymphomaniacal, insect-eating queen-clone made from "newt and human growth factors, fresh cadavers." The next story finds Swiss naturalist and blustering racist Louis Agassiz to the Underground Railroad in search of the pickled, bottled genitals of a woman known as the Hottentot Venus. A potentially dangerous fetiche, it is also being sought by a Polish messianic cadre and a medieval sect, the Teutonic Knights. The final piece, "Walt and Emily," opens on a spring morn in 1860 as Emily Dickinson espies Walt Whitman "laving his muscled," naked body at a rain barrel outside her window. They join her brother, Austin, on a Spiritualist journey beyond the flesh in search of the souls of his regrettably aborted children. They set sail on the Bay of Seven Souls, aboard the Thanatopsis, Di Fillippo's poorly written dialog adds to the general goofiness. Recommended.-Ron Antonucci, Hudson Lib. & Historical Soc., Ohio

Product Details

  • ISBN-13: 9781568581026
  • Publisher: Running Press Book Publishers
  • Publication date: 10/28/1997
  • Pages: 354
  • Sales rank: 497,603
  • Series: Di Filippo, Paul Series
  • Product dimensions: 5.50 (w) x 8.53 (h) x 0.89 (d)

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