The Strangest of Theatres: Poets Writing Across Borders

The Strangest of Theatres: Poets Writing Across Borders

by Jared Hawkley
     
 

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The Strangest of Theatres explores how poets who are willing to venture beyond our borders can serve as envoys to the wider world and revitalize American poetry in the process. What are they looking for when they leave? What do they find? How does their experience shape them, and what is revealed when they sit down at their desks and take up theSee more details below

Overview


The Strangest of Theatres explores how poets who are willing to venture beyond our borders can serve as envoys to the wider world and revitalize American poetry in the process. What are they looking for when they leave? What do they find? How does their experience shape them, and what is revealed when they sit down at their desks and take up the pen?

Original and reprinted essays by contemporary poets who have spent time abroad address questions of estrangement, identity, and home. These reflections represent a diverse atlas of experience from authors such as Kazim Ali, Elizabeth Bishop, Naomi Shihab Nye, Nick Flynn, Yusef Komunyakaa, Claudia Rankine, Alissa Valles, and many others.

Following these literary reflections is a roundtable conversation among fourteen poets as well as a section that provides practical re-sources for finding work abroad, applying for fellowships and residencies, funding a trip, obtaining proper travel documents, and attending to other cultural considerations. This inspiring, useful book addresses concerns relevant to any American writer preparing to go abroad, already traveling, just returning, or simply dreaming of the faraway.

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Editorial Reviews

From the Publisher

The Strangest of Theatres is an invaluable resource for poets blessed with a spirit of adventure. These reflections, insights, and tips will orient wanderers of every stripe, from those contemplating their first trip abroad to hardened travelers, instructing one and all in the pleasures and meaning of crossing borders. Your passport, please. The plane is boarding.”—Christopher Merrill, The University of Iowa
Publishers Weekly
This anthology-cum-travel guide—comprised of essays, poems, discussion, and recommendations by canonical and award-wining writers—is essential reading for potential globetrotters and provides dangerous temptation for those suffering wanderlust. Reflecting on their time as internationally deployed field poets, many of the essays describe profoundly transformative experiences, whether teaching poetry at an international secondary school in Saudi Arabia, volunteering in Rwanda through the Peace Corps, or translating classical-era Japanese female poets. The three editors skillfully avoid what, in less adept hands, could be fodder for expatriate platitudes or mere observations from abroad. Instead the material ruminates on how language, place, politics, and personal identity are remade through translation, estrangement, and the traversing of borders. In addition to these lyrical and poetic reflections is a thorough appendix of practical information on grants, residencies, and fellowships as well as travel tips for conscientiously visiting charged or war-torn regions. This juxtaposition of the insightful with the practical makes for an exquisite array ideal for any reader longing to lift anchor. Although aimed at traveling writers, this travelogue collection possesses all the giddiness and universal appeal of an imminent adventure. (May)

Product Details

ISBN-13:
9781938073274
Publisher:
McSweeney's Publishing
Publication date:
04/09/2013
Pages:
464
Sales rank:
883,837
Product dimensions:
5.90(w) x 8.90(h) x 1.10(d)

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From the Publisher
The Strangest of Theatres is an invaluable resource for poets blessed with a spirit of adventure. These reflections, insights, and tips will orient wanderers of every stripe, from those contemplating their first trip abroad to hardened travelers, instructing one and all in the pleasures and meaning of crossing borders. Your passport, please. The plane is boarding.”—Christopher Merrill, The University of Iowa

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