The Survivor: A Novel

The Survivor: A Novel

4.4 16
by Gregg Hurwitz
     
 

View All Available Formats & Editions

The #1 international bestselling author of You're Next, unleashes his most accomplished, compelling thriller yet


One morning in Los Angeles, Nate Overbay—a divorced former solider suffering from PTSD and slowly dying from ALS — goes to an eleventh-floor bank, climbs out of the bathroom window onto the ledge, and gets ready to end it all

Overview

The #1 international bestselling author of You're Next, unleashes his most accomplished, compelling thriller yet


One morning in Los Angeles, Nate Overbay—a divorced former solider suffering from PTSD and slowly dying from ALS — goes to an eleventh-floor bank, climbs out of the bathroom window onto the ledge, and gets ready to end it all. But as he's steeling himself, a crew of robbers bursts into the bank and begins to viciously shoot employees and customers. With nothing to lose, Nate confronts the robbers, taking them out one-by-one. The last man standing leaves Nate with a cryptic warning.

Nate soon learns what that message meant. He is kidnapped by Pavlo, a savage Russian mobster and mastermind of the failed heist. Unable to break back into the bank to get the critical item inside, Pavlo gives Nate an ultimatum—break in and get what he needs or watch Pavlo slowly kill the one thing Nate loves most—his ex-wife Janie and his teenaged daughter Cielle—both lost when he came back from Iraq broken and confused. Now he's got one last chance to protect the people he loves, even if it's the last thing he is able to do.

Editorial Reviews

The Washington Post
The premise is so crushingly perfect that most Hollywood screenwriters would give a kidney to have dreamed it up…The plot unfolds with propulsive determination…Things go from bad to worse, and for page after irresistible page, Hurwitz ramps up the tension, ending in a climax that's not one bit less satisfying for being predictable. It's so thrillingly cinematic that if Ryan Gosling hasn't already been pitched the role of Nate, he should fire his agent.
—Steve Donoghue
Publishers Weekly
Hurwitz’s hair-raising stand-alone stars an unlikely hero, 36-year-old Nate Overbay. Diagnosed with Lou Gehrig’s disease nine months earlier, Nate is about to leap off an 11th-floor ledge of a bank building in Santa Monica, Calif., when he notices a robbery in progress through the window next to where he’s standing. Nate climbs back in the window undetected, grabs a handgun a masked man has conveniently set down, and, thanks to his ROTC firearms training, succeeds in shooting dead five of the six robbers. In revenge, the thwarted theft’s mastermind, a notorious Ukrainian mobster, vows to brutally kill Nate and his teenage daughter unless Nate can retrieve the robbery’s objective: an envelope stored in one of the bank’s safe deposit boxes. In between tight, compelling action scenes, Hurwitz (You’re Next) sensitively depicts Nate’s struggles with ALS. While Nate’s exploits may be a little beyond his skill set at times, thriller fans won’t let this one gather any dust on the nightstand. Author tour. Agent: Aaron Priest. (Aug.)

Praise for

THE SURVIVOR

“Hurwitz can take a high-concept thriller and deliver the extras needed to elevate it further…[With] The Survivor, he outdoes himself.”—Washington Post 

“In between tight, compelling action scenes, Hurwitz sensitively depicts Nate’s struggles…thriller fans won’t let this one gather any dust on the nightstand.” —Publishers Weekly

“Hurwitz demonstrates his mastery of the thriller genre...The book opens as dramatically as a reader could hope for and doesn’t relent....succeeds on every level.”—Kirkus  Reviews (starred review)

“A riveting, potboiler of a tale, featur[ing] one of the most original, and daring, setups seen in many a thriller…a jigging and jagging hybrid of Rear Window and a Bourne tale with a brain. Just call it terrific.”—Providence Sunday Journal

“Surely Hurwitz can’t keep this up forever. Lately, each new book he publishes is his best so far, and this one’s no exception...It’s hard to imagine that he can top this one, but, based on past performance, don’t bet against it.” —Booklist (starred review)

“This book evokes a wide range of emotions, from horror at the shocking violence to sympathy for children whose parents are absent. The plot, characters and their actions will keep you thinking for days...” —RT Book Reviews (Top Pick)

 

Library Journal
Divorced and terminally ill, vet Nate Overbay stands 11 stories up on the ledge of a bank building, ready to end it all. When robbers break into the bank, he rushes down to save the day but is later kidnapped by the Russian mobster behind the break-in. He's got a job Nate had better do—or his ex-wife and daughter will suffer. Hurwitz's You're Next was an LJ Best Thriller of 2011.
Kirkus Reviews
Hurwitz demonstrates his mastery of the thriller genre. Nate Overbay stands on an 11th-story building ledge as gunshots erupt inside. Curiosity overcomes his suicide plan as he looks through the bank window and witnesses a robbery in progress. He climbs back inside, shoots five criminals dead and saves the day. Thus, instead of splattering himself on top of a Dumpster, Nate becomes an unwilling hero. He suffers from ALS and simply wants to spare himself the agonizing end that is only months away. The trouble is, now he has angered Pavlo, the Ukrainian mobster who had directed the heist. Pavlo is an unusually sadistic sort who plans to make Nate pay in the worst possible way--through Nate's daughter. The book opens as dramatically as a reader could hope for and doesn't relent. That Nate must die is inevitable, given his fatal illness. The question is whether he dies on his own terms. Nate's been a hero once before, but he's also been weak. Now he must protect and re-bond with his estranged family in the face of vengeful monsters. Hurwitz's writing is crisp and economical, and he steers clear of hackneyed phrases and one-dimensional characters--Nate's and Pavlo's back stories are well-crafted, although the ghost of Nate's dead friend Charles seems inspired by a James Lee Burke novel. A fine thriller that succeeds on every level. How often do you read about a hero who just wants to die in peace?

Product Details

ISBN-13:
9781250009722
Publisher:
St. Martin's Press
Publication date:
08/21/2012
Sold by:
Macmillan
Format:
NOOK Book
Pages:
384
Sales rank:
36,963
File size:
813 KB

Read an Excerpt

The Survivor


By Gregg Hurwitz

St. Martin's Press

Copyright © 2012 Gregg Hurwitz
All rights reserved.
ISBN: 978-1-250-00972-2



CHAPTER 1

From this height the cars looked like dominoes, the pedestrians like roving dots. The breeze blew crisp and constant, cooling Nate's lungs on the inhale — none of that touted L.A. smog this close to the ocean. To the west, blocks of afternoon gridlock ended at the Santa Monica cliffs, a sheer drop to white sand and the eternal slate of the sea. The view would have been lovely.

Except he was here to kill himself.

The eleventh-story ledge gave him two spare inches past the tips of his sneakers. Balance was a challenge, but getting out here had been the hardest part. He'd shoehorned himself through the ancient bathroom window at First Union Bank of Southern California, wobbling for a solid minute on the ledge before daring to rise.

On the street below, people scurried about their business, no one squinting up into the late-morning glare to spot him. As he flattened against the wall, his senses lurched into overdrive — the smacking of his heart against his ribs, the sweat-damp shirt clinging to his shoulders, the salt tinge burning his nostrils. It felt a lot like panic, but somehow calmer, as if his brain was resigned to the circumstances but his body wasn't getting the signals.

Because he was unwilling to risk landing on someone — with his luck he'd pile-drive a pension-check-cashing granny through the pavement — he continued slide-stepping to the end of the ledge. The corner of the building gave him less trouble than he'd anticipated as he elbow-clamped his way around, and then he was staring down at the empty alley and the target of the Dumpster below. It was, if nothing else, a considerate plan. If he hit the bin squarely, the steel walls would contain the spatter, leaving him neatly packaged for delivery to the crematorium. He was sick of people cleaning up after him.

It had been less than ten minutes since he'd laid open that Dumpster lid, but it seemed like days. The chilly elevator ride up, the nod to the wizened black security guard, that final moment collecting his nerves by the row of urinals before muscling open the sash window — each had stretched out into a lifetime.

First Union of SoCal was one of the few West Coast banks located up off the ground floor — cheaper real estate, more space, better security. But only one high-rise perk held Nate's interest currently. Gauging his position, he slid another half step to the right, stopping shy of a casement window that had been cranked several turns outward. From the gap issued a current of warm, coffee-scented air and the busy hum of tellers and customers. Business as usual.

He considered his own dwindling checking account within. His next step — literally — would void the million-dollar life-insurance policy to which he dutifully wrote a check every January, but even that wouldn't matter. There was no one who wanted anything of him and nothing ahead but increments of misery.

He took a deep breath — his last? — and closed his eyes. Spreading his arms, he let the October wind rise through the thin cotton of his T-shirt and chill the sweat on his ribs. He waited for his life to flash before his eyes, the ethereal song and dance, but there was nothing. No wedding-day close-up of Janie's lips parting to meet his, no image of Cielle dressed as a pumpkin for Halloween with her chocolate-smudged hands and dimpled thighs, just the teeth of the wind and a thousand needle points of fear, skewering him like a pincushion. The longest journey, according to Taoism and Hallmark, begins with a single step.

And so does the shortest.

He took one foot and moved it out into the weightless open.

That was when he heard the gunshots.

CHAPTER 2

For an instant, Nate wobbled at the fulcrum, seemingly past the point of no return, but then a subtle twist of his hip brought him back, fully, to the ledge. As he gulped in a mouthful of air, another gun snapped and a swath of crimson painted the window at his side.

Nate knew the crack of a nine-mil sidearm, but the next eruption, a resonant clatter, suggested that a semiautomatic was in play as well.

A gravelly voice floated out through the window gap: "Don't reach under the desks. Step back. Back. You saw what'll happen. Now lay down. On your fucking faces."

Gripping the frame beneath the swung-out pane, Nate rolled carefully across his shoulder to peer inside the bank. The blood-smeared glass turned the robbers' faces into smudges, but he could see that they were wearing ski masks. One stood a few feet away behind the teller line, his back to the window, automatic rifle cocked in one hand, the Beretta in his other, surveying the room methodically. Like the others he wore a one-piece charcoal flight suit, thick-soled boots, and black gloves. Duct tape wrapped his wrists and ankles so no hint of flesh peeked through. The burst of bullets had punched holes in the ceiling, and white dust clouded him like an aura, lending the scene an otherworldly tint.

The bank workers stretched flat at his feet, hands laced at their necks, foreheads to the tile, their labored breaths coming as rasps. On the main floor beyond, about fifteen customers also lay prone. The coffee trolley had been knocked over, cups resting in brown puddles. Two robbers patrolled the area on a circuit, stepping over bodies, handgun barrels moving from critical mass to critical mass.

By the entrance the black security guard lay sprawled, tangled in a vinyl banner announcing FREE WEB BILL PAY!, a fan of blood marring the money-green print. His pant leg was pulled up, exposing an anomalous striped sock.

Whereas his associates shouted and moved in quick bursts, the man by the window moved with a composed fluidity that suggested greater expertise. While the others barked orders, he remained unnervingly silent. Given the man's assurance and the fact that he commanded the big gun, Nate pegged him as the crew leader. And he was standing close enough that Nate could have reached through the window and tapped him on the shoulder.

To the right, a pair of armed men (five, that made five of them so far) dragged a middle-aged Hispanic woman toward the vault, her hands fussing at two knots of keys and making little progress. The bank manager. Dressed crisply in a wool pantsuit, pearl necklace, and matching earrings, she struggled to keep her legs beneath her. The steel vault door, thicker than a cinder block, rested open, leaving only the glass day gate to protect the nests of safe-deposit boxes beyond. As she fought two keys into two locks and swung the day gate ajar, a sixth masked man appeared from a rear corridor, dumped a black duffel off his shoulder, and announced, "Cameras are down." He removed a fierce-looking circular saw with a chain-saw handle. The teeth of the white-silver blade sparkled.

A woman's hoarse sobs echoed off the faux marble walls, and somewhere a man was pleading, a broken loop of desperation: "— God oh God please I just got engaged I just —"

Nate tried to swallow, but his throat had gone to sand. Forgetting where he was, he drew back slightly. The drop to the pavement below swirled vertiginously into view between his legs.

One sneaker lost purchase, his weight pulling out and away, and his stomach flew up into his throat and choked off a cry. His hand slipped a few inches before wedging in the corner of the window frame and firming him, panting, against the concrete.

The robbers kept shouting, oblivious to the mini-commotion outside on the ledge.

"— anyone moves or speaks, and I mean one fucking squeak —"

"Three and Five, get going on those hinges. Four, that bitch better get you into the —"

All of them barking nervous commands except the crew leader, who stood mutely, projecting calm menace.

Nate had wound up clinging to the frame with his face filling the gap, peering down into the eyes of a teller crumpled just beneath the window. He was shocked he hadn't noticed her before. Her white blouse blotted a growing spot of blood. Her mouth guppied a few times, a bubble forming. She looked up at Nate, disbelieving, as if she wasn't sure how she'd been knocked over or why a stubble-faced angel had fluttered up to the eleventh-floor window.

One arm was slung back across her head, an ivory hand quivering in a sideways float. She stared at Nate imploringly. Watching the shallow rise and fall of her chest, he felt his breath catch. He reached down and took her hand. It was cool and smooth, carved from marble. A burbling sound escaped her, the bubble popping, leaving behind a speckled lipstick stain.

The crew leader consulted a stopwatch and for the first time spoke. Faint accent, utterly serene. "I would like to hear that saw, Three."

In reply, metal shrieked in the vault, sparks cascading into view. The manager backed into the hinges, her balled hands in front of her face. Her mouth formed an oval and veins bulged in her neck, but the metal-on-metal screech of the saw eclipsed all other noise. The biggest of the men had her by the hair. He smacked her head into the vault door, a smudge of blood darkening her forehead, but still the mouth stayed ajar, her fists trembling at her chin. The half-wall partition and open teller gate sliced Nate's view into horror-movie glimpses — straining arm, kicked-off high heel, hank of loose hair clutched in a dark glove.

It took the bite of the sill in his armpit to remind him he was hanging through a window. The cool hand tightened in his, grinding his knuckles together. He looked down at the woman beneath him. Her gaze went loose, looking through him instead of at him, and then her pretty green eyes turned to ice.

The saw paused, the manager came off mute, and Nate tore his focus from the death-smooth face below. Twisting his hand free, he withdrew his arm through the gap and tried to shake feeling back into it.

The manager's screams continued. The big man turned to look helplessly at the crew leader, who said with quiet authority, "She is near the duress alarm. Put her down."

"Look, Six, how many we gonna kill?"

Crew leader, Nate thought. Number Six.

The leader's boots tapped as he crossed the room. Sheetrock dust flecked his back. He raised his arms, and the automatic rifle coughed, tapping a line of holes through the woman's stiff suit, the percussion and horror nearly knocking Nate off the ledge. The woman remained grotesquely standing, propped against the open vault door, until Six placed two fingers on her shoulder and tipped her over. She slapped the floor, one arm unfurling, her rings clacking tile. A pearl earring skittered away, pinwheeling off a desk leg.

Several people yelped on the main floor, and a child began to wail, a single wavering note. A middle-aged man choked out a series of sobs, blurred against the floor into something feral.

"One dead or twenty — it carries the same sentence." The crew leader's voice remained exceedingly even, almost peaceful. He brushed white powder from his shoulder. "I'll handle the vault. Empty the teller drawers." He handed off the automatic rifle and stepped toward the safe-deposit boxes, pointing. "Here next. Then here."

The big man moved obediently toward the teller line, Nate jerking his head back from the gap. As the footsteps neared, he pressed his face into his straining biceps. His wet shirt had gone to ice against his lower back, the wind riffling the hem. He realized he was biting into his own flesh to keep quiet.

The man passed by the window, shoving aside the teller's lifeless leg with his boot. He set his Beretta on a low file cabinet, looped the rifle over his shoulder, and began emptying teller drawers into a black trash bag.

A scream knifed through the bank, pronounced even out on the ledge. Nate risked another peek across the room, his face grinding the concrete to give himself a one-eyed vantage. A customer was bucking on her stomach, both masked men across the main floor oriented toward her. Nate wondered what the hell she was doing until a pigtailed girl, maybe four years old, popped out from beneath her and ran toward the exit. Two handgun barrels traced the girl's movement. The mother screamed again, lunging to a knee and grabbing her daughter's flailing arm. The man nearest kicked the woman in the face, blood erupting from her lip, and she fell limply, dragging the girl to the floor with her. The girl scooted away, hands and feet scrabbling for purchase, a streak of her mother's blood darkening the lobe of one ear. She struck a pillar, her feet still trying to propel her back until she realized she had nowhere to go. Shivering violently, she hugged her legs, buried her face in the bumps of her knees, and shut off like an unplugged TV.

The other man — Number Two? — walked over and stared down at her. "Get back over there with the others. Go on. Move it."

The girl remained motionless. He aimed the gun loosely at her head.

At the sight Nate pressed forward into the window gap, long-buried paternal instincts firing. The pane notched farther open against the pressure of his elbow. A few feet in front of Nate, the big man watched the scene unfolding on the main floor. He made a soft noise of deference in his throat and returned his focus to the next teller drawer, shoulder blades shifting beneath the charcoal flight suit.

Number Two firmed both hands on a Beretta, sighting on the girl. "You're gonna want to listen now, girlie."

The saw revved back to life over in the vault, a metallic grinding, and the ski mask pulsed again where Number Two's mouth would be — a final warning to the girl.

One dead or twenty — it carries the same sentence.

Nate looked down at the pretty green dead eyes aimed up at him. Across to the clip-on pearl earring resting on the dappled tile. Then over at the Beretta, sitting on the low file cabinet next to the big man's turned back, less than two steps from the windowsill.

Nate strained against the casement window, and it gave another few inches, enough for him to worm his torso through. Headfirst, he cascaded down over the dead teller. Her body softened his landing, though the circular saw's teeth-rattling reverberation in the concrete walls obscured all sound. Three of the robbers were out of sight in the vault. The big man was a few feet away, his back still turned, rummaging in a cash drawer. The two across on the main floor stayed focused on the girl. Both pistols were now raised, their boots shuffling in at her. Still she didn't move, her head bowed, arms fastened around her bent legs.

Rising, Nate felt the complaint of his thirty-six-year-old knees. The listlessness of the past several months fell away, and for the first time in a long damn time he sensed himself moving without hesitation. With something like purpose.

Stepping forward, he reached for the Beretta on the file cabinet.

CHAPTER 3

Nate lifted the Beretta, swung the barrel to the back of the big man's head, and fired. The trigger hitched, a quarter-second delay, and somewhere between recoil and the flare of scarlet against the teller glass he registered that the first trigger pull had been double-action. From here on out, the Beretta would be single-action.

The gunshot was all but silent compared to the amplified screech of the saw within the vault. The big man's knees struck the ground as he collapsed, shuddering his shoulders and clearing Nate's view to the masked men on the main floor.

And theirs to him.

Both masks swiveled in puzzlement to take him in, the stillness of the moment stretching out in painful slow motion. The heads cocked slightly, an instinctive attack-dog tilt, sending an icy ripple up Nate's spine. He realized what looked off about the faces: There were no eyes. Mesh had been stitched over the holes so that no flesh was visible, an insectoid effect that smoothed the heads to disturbing perfection.

With detached tranquillity, Nate watched their gloved hands rise, blued steel glinting inside curled fingers. A bullet lasered past his face, close enough to trail heat across his cheek. He was, it struck him, utterly unafraid. In his indifference he felt a weight lift from his shoulders, felt a smile curve his lips, felt imaginary manacles release. And then his hands, too, were lifting. He reminded himself with alarming calmness that he had to keep his wrists steady as he'd learned in basic, that he should not anticipate recoil, that he was, if not an ace, a decent shot. The air around his head took form as more bullets rocketed past, and he aimed across the teller partition at the first man and squeezed, and half the masked head went to red mist. The man toppled out of sight. His companion was shooting, the muzzle flashing but still inaudible beneath the earsplitting action of the saw. Nate was firing, too, the far wall giving off little puffs of drywall, spent cartridges cartwheeling across his field of vision. He stepped forward through the laid-open teller gate into the incoming bullets, to his death, his senses alive with the thrill of freedom — no, more than that. The thrill of liberation.


(Continues...)

Excerpted from The Survivor by Gregg Hurwitz. Copyright © 2012 Gregg Hurwitz. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Gregg Hurwitz is the critically acclaimed, internationally bestselling author of twelve novels, most recently, You're Next, They're Watching, and Trust No One. His books have been translated into twenty languages. In addition, he is a screenwriter, television producer, and writes for Marvel and DC Comics. He lives in Los Angeles.
Gregg Hurwitz is the author of a number of critically acclaimed thrillers, including They’re Watching, Trust No One, The Crime Writer, Troubleshooting, and Orphan X. His novels are international bestsellers and have been finalists for several awards, including the Crime Writers of America Ian Fleming Steel Dagger and the ITW Best Novel of the Year awards. In addition, he has also written comic books and screenplays, developed television series for Warner Brothers and Lakeshore, published scholarly articles on Shakespeare, and is a consulting producer with ABC. He has taught fiction at the University of Southern California and guest lectured for UCLA and Harvard. Hurwitz grew up in the Bay Area and earned his B.A. from Harvard and M.A. from Trinity College at Oxford. He lives in Los Angeles, California.

Customer Reviews

Average Review:

Write a Review

and post it to your social network

     

Most Helpful Customer Reviews

See all customer reviews >

The Survivor 4.4 out of 5 based on 0 ratings. 16 reviews.
SUKIELJ More than 1 year ago
This is a fun read for suspense lovers with an interesting set-up right from the beginning. You're rooting for the hero and hoping he can stay alive long enough to save his family. The detectives are also interestings and you find yourself involved in their side stories.
MaryBNC More than 1 year ago
This is a book that is well-written! It grabs you right from the start and keeps you so intrigued that you cant put it down,I highly recommend this book!
mommybooknerd More than 1 year ago
Would you intervene in a bank robbery in progress if you thought you had nothing else to lose? Well, that is precisely what Nate Overbay did after stepping off the ledge of a high rise building in LA where he was about to kill himself because he was not only dying from ALS, but also lost his family due to PTSD resulting from serving over seas. He felt like he had nothing to lose so he jumped into the middle of the robbery becoming a hero to many and a target of the Russian mobster, Pavlo. Overbay must do what Pavlo instructs or his daughter will be killed in a very heinous way. Can Overbay do it in time? Read this novel and find out!!!! This page turning novel is packed full of what Hurwitz does best; great suspense, great characters and a great story. I was at the edge of my seat and taken on a wild ride. I absolutely love Hurwitz. He is definitely a master of his craft!!!
Anonymous More than 1 year ago
I was hooked at page 31 and couldn't put my NOOK down. Introduced to him at a book review for "They're Watching" and "You're Next". I'm a big fan of his books.
Anonymous More than 1 year ago
Fast moving, action packed story!
Anonymous More than 1 year ago
One action done on auto-pilot brings severe consequences to a widening circle of innocent people. Good narration on the audio.
dslNJ More than 1 year ago
Fast paced compelling story kept me turning pages all night. Gregg Hurwitz deserves greater recognition in that his stories are not formulaic but rather independent, complex, tightly written tales. Keep them coming, Gregg!
MexicoDan More than 1 year ago
Unfortunately, the hero has ALS, so I suppose there won't be a sequel. A few mildly unbelievable plot twists, but overall an excellent read.
Anonymous More than 1 year ago
I love all of this author's books. It grabs you from the beginning right thru to the last page. Now have to wait for his next book. Tried to read it slowly - but couldn't do it!!!!!!
Drewano More than 1 year ago
Full of non-stop action and interesting characters “The Survivor” places you right in the middle of a mob land plot. The main character Nate, is flawed but overall has a good heart. The villan, Pavlo is hard core with a killing style I’ve never even heard of before. Between the two a pulse pounding journey begins which takes the reader from the depths of depression to the mountains of Afghanistan and through the back alleys of LA. Wonderfully written this story really take the reader along for a ride!
Anonymous More than 1 year ago
This may be the best book of this type ever written!  The plot is absolutely compelling, the prose is superb, and the suspense is overwhelming.  The challenge is to read this without crying more than once, as the story is just to emotional to bear without the relief of tears.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
CBH More than 1 year ago
Nate Overbay was on the eleventh-floor ledge of a building that also had a bank located on the same floor. Nate was there to commit suicide, not be a hero but as it turned out, he was a hero when he heard shots ring out in the bank and he heard stern voices telling all those in the bank to lie down on their faces. Nate turned to look into the bank when he heard what was going on and he saw people wearing ski masks pointing guns at others. He looked down and saw one of the bank tellers bleeding. He reached down to take her hand but he was in no position to help just stretching down through a window. The ski mask robbers had already shot quite a few and even they were getting scared at how many they would end up killing. They proceeded using a saw cutting into the areas they wanted to get to. Nate eventually squeezed through the window and grabbed a Beretta gun that he had spied on a cabinet, apparently left there by one of the robbers. Nate started shooting and hitting the robbers and somehow their shots missed or just grazed him. One of the robbers was left and told Nate that he would pay for what he did in stopping that robbery—some day, somehow, he would pay. If you think this part was exciting, think again. This entire book keeps the reader on edge not knowing what was next. What was next was Nate being treated in the emergency room for his wounds he received in the bank and the nurse recognized his conditions by his actions and medications that he had Lou Gehrig’s disease and didn’t have much time left. Then we go back to when Nate met his wife, Janie. Then a tour of duty with the military where he and his brother, Charles, were together. Charles gets killed but even though he was dead he somehow appears at inopportune times in front of Nate but only Nate can see and hear him as Charles gives him advice. Nate was so sad and heartbroken when Charles was killed. Upon his arrival home, his wife, Janie and their young daughter, Cielle, presented Nate with a dog named Casper telling Nate he would grow very big. Nate wanted to be the one that went to the home of the family of returning dead soldiers. He started doing this but when he got to the home of Charles, he couldn’t do it. This notification job he discovered he couldn’t do. All the while Nate was deteriorating. He knew what to expect and those indications were there and they caused him to lose senses sometimes. Now Janie wanted a divorce. Upon Nate’s visit he met Pete, the new boyfriend that Janie lived with. Nate was furious because he didn’t want Janie living with another man. The FBI and the police had Nate work with them to learn more about the bank robbery. Nate was approached by some men he didn’t know but he found out what they were when the threats were thrown at him. They wanted him to get back into the bank and recover what they originally had wanted, no matter how he would do it, he was told to get the information or be killed. This started a long time of insecurity for Nate. He had no family now so what did he have to live for? But the threats against his wife and child made him sit up and take notice of what he had to try to do. Nate was one of the ones that had to notify local civilian families when one of their members died or was killed. It was hard for him to do this. But through this job he found some ways to wiggle information as to what he had to get from the bank. Nate's daughter, Cielle, had a boyfriend, Pete that