The Sword Through the Centuries


Engrossing, carefully researched and illustrated survey spanning 5 centuries covers the development of the sword from its earliest forms, beginning with the Age of Chivalry. Lively contemporary accounts provide details on such weapons as the two-hand sword, the rapier and its auxiliaries, dagger and small sword, broadsword, duelling sword, and sabre. 48 black-and-white illustrations.
Read More Show Less
See more details below
Available through our Marketplace sellers.
Other sellers (Paperback)
  • All (5) from $1.99   
  • New (1) from $18.95   
  • Used (4) from $1.99   
Sort by
Page 1 of 1
Showing All
Note: Marketplace items are not eligible for any coupons and promotions
Seller since 2010

Feedback rating:



New — never opened or used in original packaging.

Like New — packaging may have been opened. A "Like New" item is suitable to give as a gift.

Very Good — may have minor signs of wear on packaging but item works perfectly and has no damage.

Good — item is in good condition but packaging may have signs of shelf wear/aging or torn packaging. All specific defects should be noted in the Comments section associated with each item.

Acceptable — item is in working order but may show signs of wear such as scratches or torn packaging. All specific defects should be noted in the Comments section associated with each item.

Used — An item that has been opened and may show signs of wear. All specific defects should be noted in the Comments section associated with each item.

Refurbished — A used item that has been renewed or updated and verified to be in proper working condition. Not necessarily completed by the original manufacturer.

Mineola, NY 2002 Softcover. NEW This engrossing book on the development of the sword from its earliest forms begins with the Age of Chivalry, during which a knight's main ... weapons were the lance, axe, and sword--with a shield and armor used for defense. Lively accounts excerpted from such old manuscripts as "The Ancient Method and Usage of Duels Before the King" provide numerous details on swordplay between knightly opponents. "A Merrie Pranke of Long Meg of Westminster, and How She Vanquished a Spanish Knight with Her Sword and Buckler, " is another captivating narrative describing the actual use of weapons illustrated and discussed. Limiting his survey largely to swords used in Europe during the past five centuries, and of "single combats ? fought with them, " the author, a noted expert in the field, goes on to describe the two-hand sword, the rapier and its auxiliaries, the dagger and small sword, the broadsword, duelling sword, and the sabre. Also described are points of etiquette in sword fighting and Read more Show Less

Ships from: Blue Bell, PA

Usually ships in 1-2 business days

  • Canadian
  • International
  • Standard, 48 States
  • Standard (AK, HI)
  • Express, 48 States
  • Express (AK, HI)
Page 1 of 1
Showing All
Sort by
The Sword Through the Centuries

Available on NOOK devices and apps  
  • NOOK Devices
  • Samsung Galaxy Tab 4 NOOK 7.0
  • Samsung Galaxy Tab 4 NOOK 10.1
  • NOOK HD Tablet
  • NOOK HD+ Tablet
  • NOOK eReaders
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook)
$10.99 price
(Save 42%)$18.95 List Price


Engrossing, carefully researched and illustrated survey spanning 5 centuries covers the development of the sword from its earliest forms, beginning with the Age of Chivalry. Lively contemporary accounts provide details on such weapons as the two-hand sword, the rapier and its auxiliaries, dagger and small sword, broadsword, duelling sword, and sabre. 48 black-and-white illustrations.
Read More Show Less

Product Details

Read an Excerpt

The Sword Through the Centuries


Dover Publications, Inc.

Copyright © 2002 Dover Publications, Inc.
All rights reserved.
ISBN: 978-0-486-14972-1


How the Lord of Ternant and the Spanish Esquire Galiot de Balthasin fought on Foot and on Horseback for Knightly Honour.

WE are in the year of grace 1445, and we are at the Court of the good Duke Philip of Burgundy. It was the custom in those days for knightly personages to travel in foreign countries in search of adventure, and accordingly Galiot de Balthasin, a noble esquire of Castille, who was Chamberlain to Philip Maria, Duke of Milan, craved permission, which was readily granted, to quit the dukedom for awhile in order that he might see the world, and if occasion offered it might gain glory for himself with his lance and with his sword. He set out accordingly with a goodly retinue, and in course of his wanderings we see him arrive at the town of Mons, in Hainault, where the Burgundian Court happens to be, and here should be an opportunity for gratifying his ambition. But it chanced that at that time the relations between the two Dukes were of a most cordial nature, and Galiot had received orders from his master that he was on no account to take up arms against any of Duke Philip's subjects unless the initiative came from them, and then only with the consent of the good Duke himself. It must be noted that a single combat, whether to settle once for all some deadly quarrel or only to enhance knightly renown, was absolutely forbidden unless permission was granted by the monarch or some other personage duly authorized by him ; which done, the lists were prepared with as much pomp and circumstance as the position of the combatants might require. These lists formed the arena, which for mounted combats was about sixty paces in length and forty in width, and was usually enclosed with a double set of rails, with an entrance at each end.

Galiot, having in his mind the orders he had received, much fears that at the Hainault Court he may not find anyone ready to do him pleasure, and decides that, if it be so, he will cross the seas to England, where the difficulty will no longer exist. He is presented to the good Duke, who sees before him a valiant fellow in the early prime of his years, with a handsome, frank face and a tall, graceful figure, with the strength of the bull and the suppleness of the panther. He is of noble blood, too, and of high renown, and such a man goes straight to the heart of the good Duke, who receives him right cordially, and appoints him lodging suited to his rank. He is still, however, hampered with his Milanese commands ; but this soon reaches the ears of the famous Lord of Ternant, a Knight of the Order of the Golden Fleece, and one of the Duke's most cherished warriors. Ternant delights in a passage of arms, and he is very willing to assist Galiot towards the realization of his desires. He accordingly, by permission of the good Duke, mounts on his left arm the badge of his lady-love, which is of itself a challenge to all and sundry to dispute the beauty of the fair damsel, and he sends the King-at-Arms of the Golden Fleece with a courtly message to Galiot to the effect that he wears the badge with special reference to him, and that should he desire to touch it and to take up the challenge, he will find him one hour after mid-day in the great hall of the castle, in the presence of his highness his lord and master. Now, it was the privilege of the person taking up such a knightly challenge to determine how far the combat should be of a serious nature, and this was shown by the manner in which he touched the badge. Galiot inquires of the Kings-at-Arms and Heralds what is the custom of their country in this respect, when Toison d'Or informs him that indeed it is the idea of the Lord of Ternant to contend for chivalry alone, but that the decision must rest with himself: that if he tears off the badge or handles it roughly, they must fight to the death ; but that if he touches it with gentleness and courtesy, then the encounter will be for love of ladies and for knightly honour.

Galiot, having received permission from the good Duke, approaches Ternant with much ceremony, and gently lays his hand upon the badge, saying : "Noble chevalier, je touche à vostre emprise, et au plaisir de Dieu vous fourniray et accompliray tout ce que je scauray que desirez de faire, soit à pied, soit à cheval." The Lord of Ternant bids him right welcome, and thanks him graciously, promising that in due course he will advise him of the weapons which it is his intention to use, and they are on foot the pike, the estoc, or espée d'armes, and the great axe, and on horseback the lance and the sword; while the good Duke arranges that the passage of arms shall take place in the town of Arras in the month of April, 1446, in order to give Galiot time to return to Milan to arm himself and to make his preparations.

The long-looked for day has arrived, the spacious lists are prepared in the great marketplace, and on one side of them a large covered stand is erected for the accommodation of the good Duke and his Court ; at one end is the pavilion (we humble moderns would call it a dressing tent) of the Lord of Ternant, and a very grand affair it is too, being of blue and black damask with his arms on the crown of it, and surrounded by numerous banners and pennons, and the silken tent of Galiot is equally rich. About an hour after midday the good Duke, attended by his son, the Count of Charolois, the Count of Estampes, and many other nobles, enters the stand, bearing in his hand the white staff of the judge, and takes his seat on the throne. The trumpets sound and a party of eight men-at-arms enter the arena. They are armed cap-à-pie, but have no other weapons than white staves, and their duty is to part the champions should the need arise. Of the combatants, the Lord of Ternant, being the challenger, is the first to arrive. He is on horseback. The trappings of his horse are embroidered with his arms, and he himself is wearing his surcoat. He is armed at all points, with his helmet on and his visor raised. He is a dark man with a strong black beard, and in good truth his appearance is such as to inspire respect. He is accompanied by the Lord of Beaujeu and the Count of Sainct-Pol, who act as his seconds or advisers. He dismounts, makes his obeisance to the good Duke, and proceeds to his pavilion. Galiot de Balthasin next rides in. He, too, is in complete armour. He is an agile fellow and intends it to be known, and he vaults clean off his horse as lightly as if he had on nothing more heavy than a silken doublet. He makes his reverence to the Duke, and retires to his tent to prepare for the fray.

The passage of arms is commenced with the combats on foot. The initial ceremonies having been completed, the Marshal of the Lists proceeds to the pavilion of Ternant and demands the pikes which he proposes to use. They are similar in every detail, and he takes them to Galiot, who selects one. At three o'clock the trumpet sounds and the champions appear in complete armour with their visors closed. Ternant advances steadily, holding his pike in both hands. Galiot assumes a much more lively manner. He has his weapon in his right hand only, and plays with it as if it were no heavier than an archer's arrow, and makes one or two leaps in the air so light and so quick that it is clear his armour is no hindrance to him. They charge with such vigour that Galiot breaks the point of his pike on Ternant's breastplate, while the latter strikes so fiercely on his opponent's helmet as to force it open. The white wanded guards appear on the scene and cause the combatants to retire a few paces, when, the damage having been repaired, they charge again, and again a third time, when Ternant's point is broken off and Galiot's pike shivered. Both now retire to their pavilions, the number of thrusts agreed upon having been delivered, for it must be understood that in this affair it had been arranged that each combat should cease after a given number of blows had been exchanged.

They again issue forth armed with the long stiff estoc. In a subsequent story we shall see what a terrible weapon this was, when used in deadly earnest, but our champions of the moment are contending only for knightly honour, just as we ourselves play a friendly bout with the foils in the fencing-room.

Galiot, as before, chooses his weapon, and the encounter commences. The Lord of Ternant, who is fond of fine clothes, and has changed his surcoat for one of white satin embroidered with gold, advances, covered with his round shield, and delivers so furious a thrust that he again forces open his adversary's helmet; but when they charge again, Galiot pierces the armguard of Ternant and carries it away on the point of his sword ; the armourers adjust it there and then, and when again they meet they both break the points of their swords and have to be supplied with others. After this Ternant plays a more careful game, and deals Galiot such a blow on his helmet that it fairly staggers him ; but he recovers himself and pays it back with a thrust on the gauntlet which twists it quite round, to such a degree that the spectators think the wrist is dislocated, but fortunately no serious harm has been done, and they retire to their pavilions, where Ternant takes advantage of the short delay to again change his costume. The Marshal of the Lists now supplies each with a great axe ; these axes are exactly similar, about five feet in length, but they have no spikes, as it has been agreed that this combat is to be one of downright blows only. Galiot springs forward and charges Ternant furiously, who steps aside, and, as his assailant is carried forward by the impetus of his advance, deals him such a blow on the back part of his helmet that he makes him reel again ; but he quickly recovers himself, and attacks Ternant with such a rain of blows that he is obliged to give back four or five large paces. This is closely watched, and the requisite number of blows having been exchanged, the good Duke throws down his white staff and so terminates the encounter. The guards separate the combatants and conduct them, each with his visor raised and his axe in his hand, to the presence of the Duke, who expresses his pleasure at their prowess and bids them retire.

But their passage of arms is not ended, and the combat on horseback with lance and sword must shortly take place. Monday, May 2, 1446, is the day chosen by the good Duke for Galiot and Ternant to accomplish the remainder of their feats of arms, and something after mid-day he and his Court take their seats, the eight guards make their appearance mounted on the finest coursers that the ducal stables can produce, each one bearing in his hand a short strong staff with which it is again their duty to part the combatants should necessity arise. The Lord of Ternant is the first to come on the scene ; he is in complete armour, and both he and his horse are, as usual, magnificently arrayed, the crest, mane, and tail of the latter being interplaited with threads of gold. He makes his obeisance to the Duke and takes his place at his end of the lists. Galiot de Balthasin now appears on a powerful charger which is covered with a species of clothing of buff leather, and he carries on the "chanfrain" and on the "poictral" great sharp spikes of steel. No sooner does the Marshal of the Lists perceive these spikes than he draws to them the attention of the Duke, who, in his capacity of judge, directs the King at Arms to inform Galiot that in his country such things are not permissible; Galiot apologizes most courteously and the offending spikes are removed. He makes his salute to the Duke and proceeds to his place opposite to Ternant. The Marshal now takes the lances and the swords which have been provided by the challenger and presents them to Galiot, who makes his selection. The trumpets sound and the combat commences ; they advance at a rapid pace, lance in hand. Ternant has girt himself with his sword in the usual fashion, but Galiot holds his weapon ready drawn in his left hand along with his bridle, and one can see from their manner of approaching each other that Ternant intends to bring his lance into play, while Galiot, who is very powerfully mounted, evidently aims at the contact of the horses themselves, in which the aforesaid spikes would have been very useful. The two champions collide with a tremendous crash, which forces Ternant's charger backwards on to his croup, but both horse and man are equal to the occasion. Unfortunately, however, a hanger of his sword-belt breaks, the hilt of the sword swings free and rests on the horse's croup ; but it cannot be said that he is actually disarmed, as the weapon is still in its scabbard, and the scabbard is still more or less attached to his person. He attempts to draw the sword, but he cannot reach it; Galiot takes advantage of this, and rushes upon him with furious blows of edge, point, and pommel. Ternant parries as well as he can with his steel gauntlet, gives his horse the spur, causing it to bound in the air, which frees the sword-hilt, and the weapon slips out of the scabbard on to the ground. He is now completely disarmed, through no fault of his own, and the guards interfere, separate the combatants, and restore the sword to its owner. It is now Ternant's turn to assume the offensive, and after delivering two fierce blows on the helmet he aims with his point at the open joints of Galiot's armour, but the shirt of mail below is serviceable, and no injury is inflicted. By this time the number of blows agreed upon have been accomplished, the good Duke throws down his white staff, and the combat ceases. The champions are conducted to his presence, when he compliments them on their skill and courage, and commands them to embrace and be friends, and thus ends a pas d'armes as fiercely fought and as highly thought of as any recorded by the chroniclers of old.


Excerpted from The Sword Through the Centuries by ALFRED HUTTON. Copyright © 2002 Dover Publications, Inc.. Excerpted by permission of Dover Publications, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Read More Show Less

Table of Contents


Title Page,
Copyright Page,
CHAPTER I - How the Lord of Ternant and the Spanish Esquire Galiot de Balthasin fought on Foot and on Horseback for Knightly Honour.,
CHAPTER II - How the Good Knight Jacques de Lalain and the English Esquire Thomas Qué fought with the Great Axe.,
CHAPTER III - How Two Tailors fought to the Death with Shield and Cudgel.,
CHAPTER IV - How the Good Knight Sans Peur et sans Reproche fought in the Lists with the Estoc against the Spaniard Sotomaior, and slew him.,
CHAPTER V - How the Baron d'Aguerre fought with the Lord of Fendilles with the Bastard Sword, and what came of it.,
CHAPTER VI - The Two-hand Sword.,
CHAPTER VII - Of the Sword and Buckler, and how the Sieur de Jarnac fought in the Lists with the Lord of Chastaigneraïe and how he slew him.,
CHAPTER VIII - The Ancient Method and Usage of Duels before the King.,
CHAPTER IX - The Rapier and its Auxiliaries.,
CHAPTER X - Of Certain of the Evils which arose from the Vow of Henri II.,
CHAPTER XI - How the Admirable Crichton fought with an Italian Bravo at Single Rapier and slew him, and how afterwards he was slain with Unfair Advantage.,
CHAPTER XII - Of Chivalrous Amenities among the Rapier Men.,
CHAPTER XIII - Of the Dagger.,
CHAPTER XIV - A Merrie Pranke of Long Meg of Westminster, and how she vanquished a Spanish Knight with her Sword and Buckler.,
CHAPTER XV - Of the Two Swords, or the "Case of Rapiers.",
CHAPTER XVI - Of Further Inconvenients which ensued from the Rash Vow of Henri II. of France.,
CHAPTER XVII - Touching what resulted from the Duel of the Mignons.,
CHAPTER XVIII - George Silver, Gentleman.,
CHAPTER XIX - The Reign of Richelieu.,
CHAPTER XX - The Sword of Justice.,
CHAPTER XXI - The Flamberge and the Early Small Sword.,
CHAPTER XXII - The " Colichemarde.",
CHAPTER XXIII - The Small Sword. Introductory.,
CHAPTER XXIV - Three Famous Fencers.,
CHAPTER XXV - The Prizes and their Players.,
CHAPTER XXVI - The "Gladiating" Prize-fighter.,
CHAPTER XXVII - The Broadsword.,
CHAPTER XXVIII - The Duelling Sword.,
CHAPTER XXIX - The Sabre.,
CHAPTER XXX - Cudgelling-Backswording-Singlestick.,

Read More Show Less

Customer Reviews

Be the first to write a review
( 0 )
Rating Distribution

5 Star


4 Star


3 Star


2 Star


1 Star


Your Rating:

Your Name: Create a Pen Name or

Barnes & Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation


  • - By submitting a review, you grant to Barnes & and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Terms of Use.
  • - Barnes & reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously

    If you find inappropriate content, please report it to Barnes & Noble
    Why is this product inappropriate?
    Comments (optional)