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| City of Prague Philharmonic Orchestra | Primary Artist, Performing Ensemble |
| Nic Raine | Conductor |
| Kenneth Alwyn | Conductor |
| Paul Bateman | Conductor |
| James Fitzpatrick | Conductor |
| Mario Klemens | Conductor |
| Enya | Composer |
| Michael Kamen | Composer |
| John Williams [composer] | Composer |
| James Horner | Composer |
| Carter Burwell | Composer |
| Rick Clark | Producer, Artwork, Mastering |
| Trevor Jones | Composer |
| Lisa Gerrard | Composer |
| Will Jennings | Composer |
| Thomas Newman | Composer |
| Howard Shore | Composer |
| Bill Whelan | Composer |
| Victor Young | Composer |
| Hans Zimmer | Composer |
| James Fitzpatrick | Producer |
| Reynold D'Silva | Executive Producer |
| Sean O'Riada | Composer |
Editorial Reviews
All Music Guide
The mental disconnect between the "Celtic" content of this release and its performance by the City of Prague Philharmonic Orchestra (no conductor is listed) fades when you notice that it's not Celtic music in general that's on offer, but rather, with just one exception, cinematic scores that present images of the Celtic world. These are so frequent by now as to be considered common property, even for Czechs, and the category is a very blurry one. The inclusion of "My Heart Will Go On," from the soundtrack of Titanic, is Celtic only by virtue of the uilleann pipes that accompany the departure of the star-crossed lovers from...England, and some of the other selections (the end title of The Shawshank Redemption ...