The Teacher's Funeral : A Comedy in Three Parts: A Comedy in Three Parts by Richard Peck, Hardcover | Barnes & Noble
The Teacher's Funeral : A Comedy in Three Parts: A Comedy in Three Parts

The Teacher's Funeral : A Comedy in Three Parts: A Comedy in Three Parts

by Richard Peck

"If your teacher has to die, August isn't a bad time of year for it," begins Richard Peck's latest novel, a book full of his signature wit and sass. Russell Culver is fifteen in 1904, and he's raring to leave his tiny Indiana farm town for the endless sky of the Dakotas. To him, school has been nothing but a chain holding him back from his dreams. Maybe now that


"If your teacher has to die, August isn't a bad time of year for it," begins Richard Peck's latest novel, a book full of his signature wit and sass. Russell Culver is fifteen in 1904, and he's raring to leave his tiny Indiana farm town for the endless sky of the Dakotas. To him, school has been nothing but a chain holding him back from his dreams. Maybe now that his teacher has passed on, they'll shut the school down entirely and leave him free to roam.
No such luck. Russell has a particularly eventful season of schooling ahead of him, led by a teacher he never could have predicted—perhaps the only teacher equipped to control the likes of him: his sister Tansy. Despite stolen supplies, a privy fire, and more than any classroom's share of snakes, Tansy will manage to keep that school alive and maybe, just maybe, set her brother on a new, wiser course.
As he did in A Long Way from Chicago and A Year Down Yonder, Richard Peck creates a whole world of folksy, one-of-a-kind characters here—the enviable and the laughable, the adorably meek and the deliciously terrifying. There will be no forgetting Russell, Tansy, and all the rest who populate this hilarious, shrewd, and thoroughly enchanting novel.

Editorial Reviews

From the Publisher
"Peck is in his element here. [S]o vivid is the telling of every event, conversation, and emotion. Best of all, the dry wit and unpretentious tone make the story's events comical, its characters memorable, and its conclusion unexpectedly moving."-Booklist, starred review
Publishers Weekly
PW wrote in a starred review, "Following the tradition of Mark Twain, Peck gently pokes fun at social manners and captures local color while providing first-rate entertainment." Ages 8-up. (Apr.) Copyright 2006 Reed Business Information.
Children's Literature
Combine a slice of Americana with young adult angst, throw in some humor, unforgettable characters and beautiful writing and you have this YA novel by one of the country's most skilled and prolific writers. Russell Culver, 15, wastes few tears when he hears about his school teacher's sudden death. Maybe their one-room school will close for lack of a teacher and he and his friend, Charlie Parr, can light out for the Dakotas and a life of running shining farm machines. Or maybe not. Suddenly, his seventeen-year-old sister, Tansy, persuades the county school board to let her teach. Russell and his younger brother, Lloyd, are reluctantly educated at a pace that leaves the late Miss Myrt Arbuckle in the dust. Then the questions come: can Tansy handle a class ranging from a six-year-old to young men taller than she is? Why does Glenn Tarbox, older than the teacher, suddenly show up "for learnin' and for the long haul?" Are he and Charlie sweet on the teacher? Who is the mysterious Sweet Singer of Sycamore Township who posts her poems around the community and seems to know everyone too well? What about Eugene Hammond, the driver of the Overland speedster who literally ran into Russell's family as they returned from Miss Myrt's funeral? When boxes of school supplies arrive, compliments of the Overland Automobile Company, Russell is forced to see Tansy—and life in the small farming community—a bit differently. Peck is a wordsmith whose descriptions sing. Comedy or not, this book is a pleasure to read. 2004, Dial Books, Ages 12 up.
—Judy Crowder
Over the past few years, Richard Peck has left the realm of realistic fiction and ventured into the historical realms of his own past and the people and places that make up America of an earlier time. His new novel takes a humorous yet wholesome look at the Indiana farm country as America begins the 20th century. Rich with colorful characters, Midwest dialect and poignant plot twists, The Teacher's Funeral is the story of Russell Culver and the year the county schoolteacher dies of old age. What follows is a rollicking glimpse of adolescent pranks and dreams in a simpler time. Russell is all boy, 15 years old and not yet out of the eighth grade. He hopes that his school will close down, leaving him and his best friend free to ride the rails to the wheat harvests in the Dakotas. To his chagrin, his older sister Tansy is given the position of schoolteacher, and no sheets in the bell tower or snakes in the desk drawer are going to deter her. Tansy takes the task seriously and helps her brother see the importance of education in a rural world that has already begun to change with the times. Lloyd is Russell's younger brother, who looks up to him; Charlie is his best friend; and the Tarbox farm is one place to avoid. Russell's father is a good, wise man who allows for mischief but not at the expense of family relationships. Younger YAs might need help understanding the historical context, but Peck fully and gracefully describes the family life of an era gone by. KLIATT Codes: JS*—Exceptional book, recommended for junior and senior high school students. 2004, Penguin, Dial, 190p., Ages 12 to 18.
—Janis Flint-Ferguson
School Library Journal
Gr 6 Up-C'mon back to rural Indiana in 1904 and join 15-year-old Russell, whose summer ends with the unexpected death of old Miss Myrt Arbuckle. Russell and his younger brother are thrilled because just maybe the school board will decide to stop its foolishness and tear down the one-room schoolhouse. Surely it doesn't pay to hire a new teacher for the six students who attend. But to his utter horror, one is hired and it's none other than his extremely bossy older sister, even though she still has a year left of high school herself. Tansy takes to teaching with vigor and manages to circumvent all of the high jinx and calamities that threaten to undermine her authority, such as an accidental fire in the privy and a puff adder in her desk drawer. Peck expertly evokes humor and colloquial speech and mores with such sentences as "The water wasn't crotch-deep on a dwarf at that point," and "She had a snout on her long enough to drink water down a crawdad hole." Even readers who are blas about current technological advances will be as excited as Russell is when he sees the steel Case Agitator threshing machine down from Wisconsin on its once-yearly exhibit, or the Overland Automobile Company's Bullet No. 2 racing car that can travel a mile in an unheard-of 43 seconds. Another gem from Peck-and a fabulous lead-in to titles such as Olive Burns's Cold Sassy Tree (Houghton, 1984).-Susan Riley, Mount Kisco Public Library, NY Copyright 2004 Reed Business Information.
Kirkus Reviews
"If your teacher has to die, August isn't a bad time of year for it," 15-year-old Russell Culver says, hoping the miracle of his teacher's death will mean his one-room school will close. Unfortunately, his great big, looming sister Tansy fills the teacher vacancy, and nothing-not a fire in the boys' privy, an adder in her desk, an exploding stove, or a fat lady stuck in a ditch-will deter her from bringing her charges to "the trough of education." It's 1904, and as Tansy sets about transforming the students, modern technology is transforming America. Motorcars, telephones, all-steel threshing machines, Edison Victrolas, and the Monkey Ward catalogue all figure in this story that richly evokes a time and place. Tansy, akin to Grandma Dowdel in A Year Down Yonder (2000) and A Long Way from Chicago (1998), is the elder who makes Russell grow up, able to go out into the world and seek his fortune. Laugh-out-loud scenes beg to be read aloud in this masterfully crafted ode to a strong teacher and a bygone era. (Fiction. 10+)

Product Details

Penguin Group (USA) Incorporated
Publication date:
Product dimensions:
5.86(w) x 8.60(h) x 0.79(d)
750L (what's this?)
Age Range:
8 - 12 Years

Read an Excerpt

Chapter One


If your teacher has to die, August isn't a bad time of year for it. You know August. The corn is earring. The tomatoes are ripening on the vine. The clover's in full bloom. There's a little less evening now, and that's a warning. You want to live every day twice over because you'll be back in the jailhouse of school before the end of the month.

Then our teacher, Miss Myrt Arbuckle, hauled off and died. It was like a miracle, though she must have been forty. You should have seen my kid brother's face. It looked like Lloyd was hearing the music of the spheres. Being ten that summer, he was even more willing to believe in miracles than I was.

You couldn't deny Miss Myrt Arbuckle was past her prime. She was hard of hearing in one ear, no doubt deafened by her own screaming. And she couldn't whup us like she wanted to. She was a southpaw for whupping, and she had arthritis in that elbow, so while she could still whup, it didn't make much of an impression.  

Back in the spring when she called up Lester Kriegbaum for some infraction, nothing serious, he brought a book to the front of the room and read it over her knee while she larruped away at his far end.

So when you get right down to it, if you can't hear and you can't whup, you're better off dead than teaching. That's how I looked at it.

There was always talk about shutting down Hominy Ridge School anyhow. Now that me and Lloyd saw its end might be nigh, hope broke over us. It was surely too late to find another teacher who'd teach in a place like that.

Hominy Ridge was nothing but an out-of-date, unimproved, one-room country schoolhouse in the backwoodsiest corner of Indiana. They admitted it didn't pay to keep it just for us straggle of kids who went there.

Dad was on the school board. Me and Lloyd hoped to encourage him to close down the school and drive all formal education out of this part of Parke County. For one thing, I'd been fifteen since winter and still hadn't passed the eighth-grade graduation exam.  

Besides, I had me a dream, and school only stood in my way.

"Russell, will they have a funeral for Miss Myrt?" Lloyd looked up at me, wondering.

"Of course they'll have a funeral for her," I said. "Did you think they'd just feed her to the hogs?"

But I know how Lloyd thought. Regular people have funerals, but Miss Myrt was a teacher. As for a funeral, it was hot weather and the crops were in the ground and the roads were dry and the fair was over. "What else do people have to do?" I said. "They'll turn out for Miss Myrt."

"They better," Lloyd said darkly. "She's liable to set up in her coffin and take roll."

Chapter Two

The Best Boys in the World

How we learned that Miss Myrt Arbuckle had turned up her toes gets ahead of the story. This news didn't reach us till almost midnight, and then under dramatic circumstances.

But it had been a red-letter day anyhow, the main day of the year for me, better than the 4 th of July. It was the day the J.I. Case Company of Racine, Wisconsin, sent their special train down through Indiana. We'd watched for the flyers announcing it all summer. My heart was in my mouth that Dad wouldn't let us go.

The Case Special came through every August with flatcars of the latest in steam engines and threshing machines. It was better than a circus. Every man and boy from twenty miles around converged on Montezuma to see the Case Special. I walked the floor all night for fear Dad would keep us in the field. I hadn't figured out he wouldn't have missed the Case Special himself.

Me and Lloyd were up ahead of the chickens. We worked a seven-day week anyway, even in this quiet season. As Dad said, the only man who got his work done by Friday was Robinson Crusoe. And we were a corn, wheat, hay, and hogs farm in a never-ending round of chores, plus the milking. Today me and Lloyd were a pair of whirlwinds—two tornadoes back and forth to the barn a dozen times before breakfast. And it was already hot enough to fry your brains through your hat.

Then we pulled cockleburs out of the corn into the heat of the day. Cockleburs have two seeds that mature at different times, so you have to kill them twice. All the while, one cricket after another walked in under our hickory shirts on bobwire legs and made life a misery. Still, we worked ahead of Dad all morning, the best boys in the world, and Dad never let on that he knew why.

You talk about hot. They don't make Augusts like that anymore. An old horsethief from just over in Putnam County died and went down to Hades. And he sent back for a blanket. That's the kind of heat we were used to. At long last we heard the dinner bell sound from the house.

When we came to the end of the row, we saw Dad up in the lot, bent over the horse trough. He wasn't just washing a little bit for the dinner table. He was washing his whole top half. That meant he was fixing to go to town. Lloyd was ready to rip out a whoop, but I put a lid on him. We weren't there yet.

I thought if we had to take the time to sit down to dinner, we'd be too late to see the Case Special come in. But the hand that rang the dinner bell was our sister Tansy's. And if she cooked, you sat and ate it.

Tansy was named for a wildflower, which suited her because she was as countrified and rawboned as me and Lloyd, almost. She was our big sister—great big, and she loomed over our lives.

"Let's see those hands." Tansy gave the back of my head a painful thump. There was no arthritis in her elbows. She had a pancake turner in her other hand, so I showed her my palms.

"Well, I see where you've been," she remarked, and she didn't mean the trough. She passed along to Lloyd. "You should have left more of the field where it was," said she after a look at his paws.

"We washed," Lloyd whined. I had the sense to keep quiet. "We washed in the trough, same as Dad."

Dad obliged by turning up his palms, but Tansy thought Lloyd deserved the same thump she'd given me. She was fair that way. "Ow!" Lloyd exclaimed.

  "Do you have such a thing as a lump of soap down at the trough?" Tansy inquired.

"No," said Lloyd, who never learned. "It'd gag the horses. They'd foam at the mouth."

Dad gazed out the door and down the corn rows, trying not to smile.

"Now I see your neck and ears," Tansy told Lloyd, "I'm gagging myself."

"Let'em be so they can eat," Aunt Maud called out from the stove. I was wolfing it down already, crazy to head for town. But we had a good big dinner to get through first: chicken-fried steak, boiled potatoes and cream gravy, a platter of dead-ripe, deep red beefsteak tomatoes, and a pyramid of pickled peaches in the cut-glass dish. We were being force-fed last year's pickled peaches to make way for this year's.

Aunt Maud pulled down the oven door and drew out a sheet of her drop biscuits. Dad's thorny hand covered his eyes. Aunt Maud was the worst baker in the United States. You couldn't use her dough balls for bait.

She was no better a cook. We lived for summer because Tansy was home to do most of the cooking for us. In the fall she went back to board in town, to go to the high school. Why Tansy needed to go to high school was another of life's mysteries to me.

"Pie's pretty nearly baked!" she declared. "Who wants a slab?" But by then Lloyd was halfway to the back door, and Dad was right on his heels.

We hitched up Siren and Stentor to the spring wagon and off we went along the boiling roads. Somehow we made it to town with minutes to spare. It beat me why Tansy and Aunt Maud didn't want to go.

"Gawk at a bunch of implements in the Montezuma railroad yard with all those cinders underfoot?" Tansy said. "I thank you, no."

It occurred to me even that early in life that there's not much romance in a woman's soul. The very names of the big steam threshers turned my heart over: the Geiser Peerless, the Minnesota Little Giant, the Avery Yellow Fellow, the Pitts Challenger, the Frick Eclipse.

Finally our wagon was in a row with others, down the hill into town. This was the biggest crowd we saw from one year to the next. An acre of wagons drew up by the depot. Two hundred straw hats bobbed against the punishing sun, and not a bonnet among us.

This is how I pictured Indianapolis, this crush of humankind with nary a familiar face. I looked for my best friend, Charlie Parr, but didn't see him. Of course he could have been an arm's length away, and I wouldn't know. You could scarcely draw breath, and not every farmer had stopped by the trough on the way here.

Then in the farthest distance we heard a trill. It was the steam calliope on the Case Special, flinging a tune to the four winds. The sound of music coming down the tracks made every hair on my head stand up. Though he was too big to hold my hand, Lloyd had me in a grip. It was the Case Special.

Smoke billowed, and the whistle screamed as the train roared in. The shrieking brakes set, and live steam singed our bare feet. On the car past the calliope a Farmer's Friend wind stacker blew out circulars and handbills instead of chaff. Paper and then tin buttons with the Case eagle on them rained over us.

Now we were waiting for Uncle Sam and the Gold Dust Twins because we wanted every year to be just like last year. As the calliope swung into "Marching Through Georgia," Uncle Sam unfolded himself out of the caboose. He stood over us, twelve feet tall in spangled top hat and stilts.

But we were lost to him. The Gold Dust Twins couldn't hold us either, even when they bucked-and-winged into "Under the Bamboo Tree" and threw soapy scouring pads for our womenfolk. A cloud passed, and the full glare of the sun fell on this year's 1904 models of the Case Agitator threshing machine.

They were steel.

Threshing machines had been wooden-sided from the beginning. But these monsters were sheet steel. We were blinded by their sheen. The twentieth century had found us at last, even here. We didn't know how to look at something so new. A lump formed in my throat.

Now Uncle Sam was calling somebody up out of the mob. An Agitator was fired up and steaming. Somebody was wanted to feed lumber into the rig to prove how rugged these new steel models were. If the Agitator could do this to hardwood, think what it could do to your wheat crop.

The face Uncle Sam lit upon was Charlie Parr's. He was older than me, though he hadn't passed the eighth-grade graduation examination either. He swung up on the flatcar and commenced feeding stove lengths into the Agitator. The sawdust blew a dry cloudburst over us.

My mind was miles away by then, up in the Dakotas. I caught a glimpse of me up there for the wheat harvest. I was working one of these all-steel Case Agitators across the thousand-mile fields, under endless sky. I saw me doing a man's work on a crew of men who'd logged all winter. I felt the chaff in my hair.

All I wanted was to be on a threshing crew, to be in the stubble fields on crisp mornings like the dawn of creation. When I'd get back after the harvest I couldn't tell you. How cold it got up there I didn't know. But that was my dream, and school stood between me and it.

Lloyd tightened his grip on me. He knew I was fixing to go, that in my heart I was already gone.

Meet the Author

Richard Peck has written more than thirty novels, and in the process has become one of the country’s most highly respected writers for children. In fact The Washington Post called him “America’s best living author for young adults.” A versatile writer, he is beloved by middle-graders as well as young adults for his historical and contemporary comedies and coming-of-age novels. He lives in New York City, and spends a great deal of time traveling around the country to speaking engagements at conferences, schools, and libraries.

Mr. Peck is the first children’s book author to have received a National Humanities Medal. He is a Newbery Medal winner (for A Year Down Yonder), a Newbery Honor winner (for A Long Way from Chicago), a two-time National Book Award finalist, and a two-time Edgar Award winner. In addition, he has won a number of major honors for the body of his work, including the Margaret A. Edwards Award, the ALAN Award, and the Medallion from the University of Southern Mississippi.

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