The Temporary Gentleman

Overview

A stunning new novel from the two-time Man Booker shortlisted author of The Secret Scripture
 
In this highly anticipated new novel, Irishman Jack McNulty is a “temporary gentleman”—an Irishman whose commission in the British army in World War II was never permanent. Sitting in his lodgings in Accra, Ghana, in 1957, he’s writing the story of his life with desperate urgency. He cannot take one step further without examining all the ...

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The Temporary Gentleman

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Overview

A stunning new novel from the two-time Man Booker shortlisted author of The Secret Scripture
 
In this highly anticipated new novel, Irishman Jack McNulty is a “temporary gentleman”—an Irishman whose commission in the British army in World War II was never permanent. Sitting in his lodgings in Accra, Ghana, in 1957, he’s writing the story of his life with desperate urgency. He cannot take one step further without examining all the extraordinary events that he has seen. A lifetime of war and world travel—as a soldier in World War II, an engineer, a UN observer—has brought him to this point. But the memory that weighs heaviest on his heart is that of the beautiful Mai Kirwan, and their tempestuous, heartbreaking marriage. Mai was once the great beauty of Sligo, a magnetic yet unstable woman who, after sharing a life with Jack, gradually slipped from his grasp.
 
Award-winning author Sebastian Barry’s The Temporary Gentleman is the sixth book in his cycle of separate yet interconnected novels that brilliantly reimagine characters from Barry’s own family.

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Editorial Reviews

Publishers Weekly
02/24/2014
The latest novel from Barry (The Whereabouts of Eneas McNulty) is a lyrical but ironic period story. Jack McNulty (Eneas’s younger brother), of Sligo, Ireland, first appears during WWII, as a soldier in Britain’s army, en route to Africa and admiring a peaceful sea, moments before a submarine torpedoes his ship. When we next see him, in 1957, Jack is living in self-imposed exile in Ghana, recalling his days as a soldier and civil servant, and as a suitor, lover, and husband to the haunting and haunted Mai Kirwan. Jack courts Mai avidly; then, after they marry, he gambles away her inheritance and allows creditors to take their house. Having left his two daughters in Ireland, Jack finds a close companion in Ghana: his houseboy, Tom Quaye. Jack must flee the country, however, after a drunken night out with Tom that ends in violence. Even while preparing to leave, Jack’s thoughts return to the past: helping his mother research their family’s history, defusing unexploded German bombs in England, and working as both a U.N. observer and a gunrunner in Africa. With this complex portrait of a man rooted in his hometown but drawn into a wider warring world, Barry again proves himself a prose artist and a skilled navigator of the rocky shoals of modern morality and Irish heritage. (May)
Kirkus Reviews
2014-05-07
Pensive, quietly lyrical novel by Irish writer Barry (On Canaan's Side, 2011, etc.), the sixth in a series of books whose stories are separate yet connected. Jack McNulty, the "temporary gentleman" of the title—that is, an Irishman made into an Englishman in order to serve the crown as an officer—hasn't had it easy. He's been torpedoed off the coast of West Africa during World War II, been made wiser and infinitely sadder in love, and now, tucked away in a relatively quiet corner of riotous Ghana in the time when colonial is verging on post-colonial, is steadily inebriating himself ("Into the small hours we drank the palm wine") into obliviousness. As with the consul in Under the Volcano, drunk gringos do not usually fare well in the tropics. This much we know, and we can foresee the consequences, but the strongest part of Barry's tale is in its visitation of the past, when McNulty falls deeply in love with Mai Kirwan, the rose of Sligo. There, Barry falls into Joycean reveries: "And what I see is an essence which is in itself solo and isolated, but still a woman replete, laden with gifts, musical, athletic, clever as a general, and seems to sit before me, even now, when she is gone, gone for ever, as real as though I could reach forward and touch her, so powerful, so completely present, and so lovely." Indeed. But why is Mai gone, and why is Jack in near exile at an outpost on the River Volta? Therein hangs Barry's tale, and though one romantically inclined might accuse him of a cynical attitude toward love, Jack's actions certainly remind us that a relationship that begins with good intentions so often deteriorates into the idly contemptuous—especially when copious amounts of alcohol are involved.Grim, even cautionary, from first to last. But, for all that, a beautifully written story of a love lost, and inevitably so.
Library Journal
★ 05/01/2014
Expanding on characters and events in his preceding novels, Barry (On Canaan's Edge) tells the story of Jack McNulty, a "temporary gentleman" because his commission in the British Army during World War II wasn't made permanent. In 1957, McNulty finds himself in Accra, Ghana, far from his Sligo, Ireland, home, writing about his unlikely romance and life with the beautiful Mai Kirwan. An engineer who worked as a sapper during the war, McNulty had failed to develop with Mai a strong foundation for their tempestuous marriage. Subsequently, he could neither repair the damage he wreaked over the course of their life together nor lessen all the hurt he caused. After Mai's untimely death, McNulty seeks redemption in postcolonial Africa, finding solace in writing and the friendship of a Ghanese soldier. While there, he runs afoul of a local criminal. Readers are left to wonder whether McNulty, like Mai, dies before his time or writes himself out of his own story. Either way, he remains the author of his own sad fate. VERDICT Like Barry's other characters, Jack McNulty is both noble and terribly flawed. Fans of Roddy Doyle's "Last Roundup" trilogy will appreciate this book's bold lyricism, unforgettable characters, and epic historicism. [See Prepub Alert, 11/18/13.]—John G. Matthews, Washington State Univ. Libs., Pullman
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Product Details

  • ISBN-13: 9780670025879
  • Publisher: Viking Adult
  • Publication date: 5/1/2014
  • Pages: 320
  • Sales rank: 130,297
  • Product dimensions: 5.70 (w) x 8.40 (h) x 1.30 (d)

Meet the Author

Sebastian Barry

Sebastian Barry has won the Costa Book of the Year Award, the Hughes & Hughes Irish Novel of the Year Award and the Walter Scott Prize. His work has twice been shortlisted for the Man Booker Prize. He is the author of five previous novels and lives in Ireland.

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Read an Excerpt

***This excerpt is from an advance uncorrected proof.***
 
Copyright © 2014 by Sebastian Barry

Chapter One

 

‘It’s a beautiful night and no mistake. You would never think there was a war somewhere.’

These less than prophetic words were spoken by a young navy second lieutenant, on the wide, night-bedarkened deck of our supply ship, bound for Accra. He was a tubby little man, whom the day’s sun had scorched red. Happy to hear an Irish accent I asked him where he was from and he said, with that special enthusiasm Irish people reserve for each other when they accidentally meet abroad, Donegal. We talked then about Bundoran in the summer, where my father had often brought his band. It was a pleasure to shoot the breeze with him for a few moments as the engines growled on, deep below.

The cargo was eight hundred men and officers, all headed for various parts of British Africa. There was the noise of the little parliaments of the card-players, and the impromptu music-halls of the whisky drinkers, and true enough a lovely mole-grey air moved across the ship in a beneficent wave. We could see the coast of Africa lying out along a minutely fidgeting shoreline. The only illuminations were the merry lights of the ship, and the sombre philosophical lights of God above. Otherwise the land ahead was favoured only by darkness, a confident brushstroke of rich, black ink.

I had been in an excellent mood for days, having picked the winner of the Middle Park Stakes at Nottingham. Every so often, I stuck a hand in my right pocket and jingled part of my winnings in the shape of a few half-crowns. The rest of it was inserted into an inside pocket of my uniform – a fold of lovely crisp white banknotes. I’d got up to Nottingham on a brief furlough, having been given a length of time not quite long enough to justify the long trek across England and Ireland to Sligo.

France had fallen to Hitler, and suddenly, bizarrely, colonies like the Gold Coast were surrounded by the new enemy, the forces of the Vichy French. No one knew what was going to happen, but we were being shunted down quickly to be in place to blow bridges, burst canals, and break up roads, if the need arose. We had heard the colonial regiments were being swelled by new recruits, thousands of Gold Coast men rushing to defend the Empire. I suppose this was when Tom Quaye, though of course I didn’t know him then, joined up.

So I was standing there, flush with my winnings, not thinking of much, as always somewhat intoxicated by being at sea, somewhat in love with an unknown coastline, and the intriguing country lying in behind. I had also about a bottle of Scotch whisky in me, though I stood rooted as a tree for all that. It was a moment of simple exhilaration. My red hair, the selfsame red hair that had first brought me to the attention of Mai, for it was not I who said hello to her first, but she, with her playful question in the simple neat quadrangle of the university, ‘I suppose you put a colour in that?’ – my red hair was brushed flat back from my forehead, my second lieutenant’s cap holding it down like a pot lid, my cheeks had been shaved by my batman Percy Welsh, my under-clothes were starched, my trousers were creased, my shoes were signalling back brightly to the moon – when suddenly the whole port side of the ship seemed to go up, right in front of my eyes, an enormous gush and geyser of water, a shuddering explosion, an ear-numbing rip of metallic noise, and a vast red cornet of flames the size of the torch on the Statue of Liberty. The young second lieutenant from Donegal was suddenly as dead as one of those porpoises you will see washed up on the beach at Enniscrone after a storm, on the deck beside me, felled by a jagged missile of stray metal. Men came tearing up from below, the doorways oozing them out as if so much boiling molasses, there were cries and questions even as the gigantic fountain of displaced water collapsed and found the deck, and hammered us flat there as if we were blobs of dough. Two of my sappers were trying to peel me back up from the deck, itself splintered and cratered from the force, and now other stray bits of the ship rained down, clattering and banging and boasting and killing.

‘That was a fucking torpedo,’ said my sergeant, with perfect redundancy, a little man called Ned Johns from Cornwall, the most knowledgeable man for a fuze I ever worked with. He probably knew the make and poundage of the torpedo, but if he did he didn’t say. The next second the huge ship started to pitch to port, and before I could grab him, Ned Johns went off sliding down the new slope and smashing into the rail, gathered himself, stood up, looked back at me, and then was wrenched across the rail and out of view. I knew we were holed deep under the waterline, I could more or less feel it in my body, something vital torn out of the ship echoed in the pit of my stomach, some mischief done, deep, deep in some engine room or cargo hold.

My other helper, Johnny ‘Fats’ Talbott, a man so lean you could have used him for spare wire, as poor Ned Johns once said, in truth was using me now as a kind of bollard, but that was no good, because the ship seemed to make a delayed reaction to its wound, and shuddered upward, the ship’s rail rearing up ten feet in a bizarre and impossible movement, catching poor Johnny completely off guard, since he had been bracing himself against a force from the other direction, and off he went behind me, pulling the trouser leg off my uniform as he did so, sending my precious half-crowns firing in every direction.

So for a moment of odd calm I stood there, one leg bare to the world, my cap still in place inexplicably, myself drenched so thoroughly I felt one hundred per cent seawater. An iron ladder full of men, from God knows where, maybe even from inside the ship, or from the side of the command deck more likely, with about a dozen calling and screaming persons clinging to it like forest monkeys, moved past me as if it were a trolley being wheeled by the demon of this attack, and crossed the ravaged deck, and pitched down into the moiling, dark sea behind. Everything roared for that moment, the high night sky of blankening stars, the great and immaculate silver serving dish of the sea itself, the rended ship, the offended and ruined men – and then, precipitatively, a silence reigned, the shortest reign of any silence in the empires of silence, the whole vista, the far-off coast, the deck, the sea, was as still for a moment as a painting, as if someone had just painted it all in his studio, and was gazing at it, contemplating it, reaching out to put a finishing touch on it, of smoke, of fire, of blood, of water, and then I felt the whole ship leave me, sink under my boots so suddenly that there was for that second a gap between me and it, so that wasn’t I like an angel, a winged man suspended. Then gravity broke the spell, gravity ruined the bloody illusion, and I went miserably and roaringly downward with the ship, the deck broke into the waters, it smashed through the sacred waters like a child breaks an ice puddle in a Sligo winter, it made a noise like that, of something solid, something icy breaking, glass really, but not glass, infinitely soft and receiving water, the deeps, the dreaded deeps, the reason why fishermen never learn to swim, let the waters take us quickly, let there be no thrashing and hoping and swimming, no, let your limbs go, be calm, put your trust in God, pray quick to your Redeemer, and I did, just like an Aran fisherman, and gave up my soul to God, and sent my last signal of love flying back across Europe to Mai, Mai, and my children, up the night-filthied coast of Africa, across the Canaries, across the old boot of England and the ancient baby-shape of Ireland, I sent her my last word of love, I love thee, I love thee, Mai, I am sorry, I am sorry.

The ocean closed over my head with its iron will, and the fantastical suck of the sinking ship drew me down as if a hundred demons were yanking on my legs, down down we went, our handsome troopship made in Belfast, the loose bodies of the already drowned, the myriad papers and plans for war, the tins of sardines we had taken in in Algiers, the fabulous materiel, the brand new trucks, the stocks of tyres, the fifty-three horses, the wooden stakes, the planks, the boxes of carefully stored explosives, all down down to Neptune we went, extinguished in a moment without either glory or cowardice, an action of the gods, of queer physics, that huge metal mass sucker-punched, beaten, ruined, wrecked, fucked to all hell as Ned Johns would say, and I felt the water all around as if I were in the body of a physical creature, as if this were its blood, and the scientifically explainable forces at work were its sinews and muscles. And it stopped my mouth and found the secret worm-whorls of my ears, and it wanted entry into me, but I had grabbed, stolen, fetched out with an instinctive exuberance, a last great gulp of breath, and I was bearing this down with me, in my chest, around my heart, as my singing response, my ears were now thundering with the thunders of the sea, I thought I could hear the ship itself cry out in a crazy vocabulary of pain, as if a man could learn this lingo somewhere, the tearing death-cries of a vessel. All the while as if still standing on the deck, but that was not possible, and then I thought the ship was turning sideways, like a giant in its bed, and I had no choice but to go with it, I was like a salmon looking for the seam in a waterfall, where it could grip its way to the gravel-beds on grips of mere water, and now I thought I was rushing over the side, away from the deck, accelerated by some unknown force faster than the ship itself, and I was scraping along metal, I felt long sea-grass and barnacles, surely I could not have, but I thought I did, and just as the ship went right over, or so I imagined it, how could I know, in the deepest dark, the darkest deepest dark that ever was, an instance of utter blankness, suddenly I felt the very keel of the troopship, something wide and round and good, the sacred keel, the foundation of the sailor’s hope, the guarantor of his sleep between watches, but all up the wrong way, in the wrong place, violently torn from its proper place, and just in that moment, just in that moment, with a great groan, a weird and menacing sighing, a sort of silence as the worst noise in creation, the keel halted and went back the other way, like the spine of a whale, as if the ship were now fish, and because I was holding onto the keel, riding it, like a fly on a saddle, it sort of threw me back the other way, catapulted me slowly, Mr. Cannonball himself in the tuppenny circus of old at Enniscrone, my childhood flaring in my head, my whole life flaring, and then I seemed to be in the shrouds of the little forward mast, and I squeezed my body into a tight ball, again pure instinct, not a thought in my mind, and as the killed ship rolled slowly over, seeking its doom at least in a balletic and beautiful curve, the furled sails rolled me over and over, giving me strange speed, volition unknown, and I unfolded myself, like a lover rising victorious from the marriage bed, and I spread my arms, and I thrashed them into the ocean, and swam, and swam, looking for the surface, praying for it, gone a mile beyond mere breathlessness, ready to grow gills to survive this, and then it was there, the utterly simple sky, God’s bare lights, in the serene harbours of the constellations, and I grabbed like a greedy child onto something, a shard of something, a ruined and precious fragment, and there I floated, gripping on, half-mad, for a minute without memory, oh Mai, Mai, for a minute all absence and presence, a creature blanked out and destroyed, a creature bizarrely renewed.

By the grace of God we were travelling in convoy that night. And by the grace of God, for some reason only known to its captain and its crouching sailors, the submarine melted off into the deeps, not that any of us saw it. A corvette bristling with machine guns manoeuvered up near me, I heard the confident voices with wild gratitude, arms reached down into the darkness for me, pulled me from the chaos, and I slumped, suddenly lumpish and exhausted, at the boots of my rescuers, falling down to lie with other survivors, some with dark-blooded wounds, a few entirely naked, the clothes sucked off them.

I lay there, ticking with life, triumphant, terrified. I noticed myself checking my inside pocket for the roll of banknotes, as if watching someone else, as if I were two people, and I laughed at my other self for his foolishness.

We steamed into Accra the following morning.

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