The Tenth Muse: The Psyche of the American Poet / Edition 2

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In The Tenth Muse, Albert Gelpi asks the hard questions about how poetry can take on for itself the problems of shaping American identities and argues that the conditions of American life and culture have pushed our major poets into a debate between intellect and passion. Gelpi provides thorough readings of major American poets from Bradstreet and Taylor up to the modernists, often using contemporary poets (Rich, Ginsberg, Duncan) as frames for those predecessors. Originally published in 1975 in hardcover only by Harvard University Press

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Editorial Reviews

From the Publisher
"Mr. Gelpi, with brief glances at other poets in addition to the major five under especial scrutiny, illustrates his discussions with analyses of individual poems. His interpretations are often complex and brilliant and it is impossible to do justice to them in a short review. I found his discussion (and his distinction between) types and tropes as they appear in Taylor and in the later nineteenth-century poets and his interpretation of Dickinson's circumference poems as well as her use of sun, moon, and other basic symbols as they relate to the Demeter-Persephone-Kore archetype (as explicated by Jung, Neumann, and Kerenyi) particularly helpful." Donald E. Stanford, American Literature

"Albert Gelpi's The Tenth Muse, has given us a strong, suggestive, and revealing book, exquisitely successful in the balance it offers of specific example, modest statement, and guarded psychological interpretation, on the one hand, and on the other hand, broad social history." Robert Coles, Studies in Romanticism

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Product Details

  • ISBN-13: 9780521424011
  • Publisher: Cambridge University Press
  • Publication date: 9/27/1991
  • Edition description: Reprint
  • Edition number: 2
  • Pages: 358
  • Product dimensions: 5.98 (w) x 8.98 (h) x 0.75 (d)

Table of Contents

Preface; The muse as psyche, the psyche as muse; 1. The American as artist, the artist as American; 2. Edward Taylor: types and tropes; 3. Ralph Waldo Emerson: the eye of the seer; 4. Edgar Allan Poe: the hand of the maker; 5. Walt Whitman: the self as circumference; 6. Emily Dickinson: the self as center; Notes; Index.

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