The Thinking Woman's Guide to Real Magic

( 30 )

Overview

An imaginative story of a woman caught in an alternate world—where she will need to learn the skills of magic to survive

Nora Fischer’s dissertation is stalled and her boyfriend is about to marry another woman.  During a miserable weekend at a friend’s wedding, Nora wanders off and walks through a portal into a different world where she’s transformed from a drab grad student into a stunning beauty.  Before long, she has a set of glamorous new friends and her romance ...

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The Thinking Woman's Guide to Real Magic

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Overview

An imaginative story of a woman caught in an alternate world—where she will need to learn the skills of magic to survive

Nora Fischer’s dissertation is stalled and her boyfriend is about to marry another woman.  During a miserable weekend at a friend’s wedding, Nora wanders off and walks through a portal into a different world where she’s transformed from a drab grad student into a stunning beauty.  Before long, she has a set of glamorous new friends and her romance with gorgeous, masterful Raclin is heating up. It’s almost too good to be true.

Then the elegant veneer shatters. Nora’s new fantasy world turns darker, a fairy tale gone incredibly wrong. Making it here will take skills Nora never learned in graduate school. Her only real ally—and a reluctant one at that—is the magician Aruendiel, a grim, reclusive figure with a biting tongue and a shrouded past. And it will take her becoming Aruendiel’s student—and learning magic herself—to survive. When a passage home finally opens, Nora must weigh her “real life” against the dangerous power of love and magic.

For lovers of Lev Grossman's The Magicians series (The Magicians and The Magician King) and Deborah Harkness's All Souls Trilogy (A Discovery of Witches and Shadow of Night).

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Editorial Reviews

Publishers Weekly
Nora Fischer has lost everything: dumped by her boyfriend, her dissertation going nowhere fast, her life an empty shell. She decides she needs an escape. In this ambitious, densely packed debut by journalist Barker, Nora finds that instead of getting a small break from normality, she has escaped into another world in which magic exists—and is not as cute and cuddly as she might have imagined. Though the story starts with a classic tale of unpleasant fairies working their will, it morphs into something deeper and more nuanced when Nora meets the magician Aruendiel. Barker weaves together classic fantasy and romantic elements (including shout-outs to Pride and Prejudice and hints of Wuthering Heights) to produce a well-rounded, smooth, and subtle tale. Agent: Emma Sweeney, Emma Sweeney Agency. (Aug.)
Kirkus Reviews
2013-09-01
Debut novelist Barker turns in a pleasant if largely predictable fantasy yarn. Nora Fischer is a brilliant literary scholar, "one of the best close readers of poetry I've ever worked with," as her dissertation director tells her before dropping the big old but on her: but she doesn't deal with big questions, with postmodernism or subalternity or dialogic hegemony or...well, Nora gets the picture. Neither is Nora a slouch when, quite by happenstance it would seem, she wanders through a mysterious portal into the otherworld. Though she has magically become more beautiful, she fails to attract the physical yearnings of Oscar Wilde, though she exchanges some good words with him all the same--and, he reminds her, "appearances are the only true reality." Hmmm. No sooner are the words out than she is swept away by a handsome--well, prince, maybe, certainly VIP in this behind-the-mirror world--man (man?) who is very much something other than what he seems to be. Now Nora's got other things to worry about, like how not to turn into stone ("cream colored stone. Marble, maybe"). Helping her along is a gruff and grumpy sorcerer type named Aruendiel--he wouldn't be a sorcerer without a Welsh name, after all--who, though "a man of strong passions," as another denizen of the back of beyond puts it, can't be moved to make it a friends-with-benefits relationship. Will petrification ruin Nora's looks? Will she ever find her true love in the magic kingdom? Will she get back to real life in time to pay her tuition? Barker's pages tell all--and leave plenty of room for a sequel or even a series. Think of this book as Hermione Granger: The Grad School Years. An entertaining tale capably told.
Library Journal
05/15/2014
Ever wanted to completely escape your life? Nora is a graduate student whose dissertation is stalled and whose boyfriend is getting married—to someone else. On a weekend getaway, Nora wanders off and accidentally slips through a portal into another world. At first it is fairy tale-like, but soon the darker side becomes apparent. How will this modern woman survive in a strange, magical world and will she be able to find her way home? VERDICT This is an intelligent, well-plotted fantasy set in a rich and complex world—a perfect escapist fantasy for a hot summer day. (LJ 7/13)
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Product Details

  • ISBN-13: 9780670023660
  • Publisher: Pamela Dorman Books
  • Publication date: 8/1/2013
  • Pages: 576
  • Sales rank: 225,355
  • Product dimensions: 6.54 (w) x 9.12 (h) x 1.78 (d)

Meet the Author

After twenty years as a journalist, Emily Croy Barker had great fun turning her writing skills to fiction to produce The Thinking Woman's Guide to Real Magic, her first novel. A graduate of Harvard University, she is currently executive editor at The American Lawyer magazine. She lives in New Jersey.

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Read an Excerpt

Chapter 1

Much later, Nora would learn magic for dissolving glue or killing vermin swiftly and painlessly or barring mice from the house altogether, but that morning—the last normal morning, she later thought of it—as she padded into the kitchen in search of coffee, she was horribly at a loss when she saw the small brown mouse wriggling on the glue trap in front of the sink.

At the sight of Nora, the mouse froze for an instant, then tried to bolt, but only succeeded in gluing another paw to the sticky cardboard.

“Oh, crap,” Nora said aloud. “I can’t deal with this. Not on top of everything else.”

She was angrier at her roommate Dane, than at the mouse. Almost certainly he was the one who had set the trap, and then hadn’t had the decency to handle the result himself. Besides, the mouse problem was Dane’s fault in the first place. If he had not let Astrophel out—by accident, he claimed— Astrophel would not have attempted to cross six lanes of traffi c, and would still be alive and keeping the house mouse-free. The ashy remains of Nora’s cat now resided in a small cardboard box on Nora’s desk, and the mice had become a scrabbling, bold presence in the house.

She thought about simply letting the trapped mouse remain there for Dane to clean up, but she would have to step over it to fill the coffeepot, and what if the mouse got loose while she was still in the kitchen? Before she could lose her nerve, Nora picked up the glue trap with her thumb and forefinger, and moved toward the garbage can.

But the mouse was still alive. That was disturbing. After a second’s thought, Nora took a bottle of olive oil from the cabinet. The good stuff , Tuscan gold, encased in a tall bottle with a sprig of rosemary suspended inside, and she was fairly sure it belonged to Dane.

Outside, a block from her house, in a sliver of park, she carefully poured olive oil on the mouse and the glue board. The smell of the oil filled her nose; she was suddenly hungry. The mouse, its fur now sleek and dark with oil, rolled back and forth on the glue board. All at once it was loose. Nora jumped back, and the mouse scampered away, leaving shiny drops on the pine needles to mark its trail.

She walked back to the house thinking automatically that she had a good story for Adam, and then remembering that she wouldn’t be telling it to him.

On her way to the English department, she kept an eye out for him anyway. He was still in town, probably, unless he’d gotten an earlier flight. She might bump into him on campus. It would be awkward. Then maybe not so awkward. And he would realize what a terrible mistake he had made.

Instead, when someone spoke her name outside the department lounge, it was her adviser.

“Nora. I haven’t seen you all week.” Naomi smiled, showing an unnatural number of teeth. Nora braced herself, trying as always to find Naomi’s presence empowering instead of terrifying. Naomi was carrying her eight-month-old son in a sling on her chest: Last fall, in a single semester, she had produced both the baby and a book on sexual ambiguity in Dickens. Following Naomi into the lounge, Nora wiggled her fingers at the baby, who gave her a somber gaze out of bottomless dark blue eyes. “Where are the rest of the papers from your Gender and Genre section?” Naomi demanded. “I have only half of them.”

Nora unslung the backpack from her shoulder. “Here they are,” she said.

“I wish you’d finished them sooner. I want to look them over before I turn the grades in.”

“I’m sorry. I had to grade the Modern Drama exams, too. It’s been a busy week.”

“Yes, it has. That’s why I wanted to see those papers earlier.” Naomi leafed through her mail, flicking most of it into the trash and then sliding a thin envelope with Italian stamps into the lustrous leather jaws of her slim briefcase.

It was not the best time to bring up any kind of request, Nora saw, but she had no choice. “Actually, I wanted to mention,” she began, “I decided to apply for that travel fellowship, the Blum-Forsythe grant? I was wondering if you could write a recommendation for me.”

“I thought you weren’t going to apply for that. Can’t you ask Marlene to send out the recommendation that’s on file?”

“I realized there’s some work I could do at Cambridge.” The idea had come to Nora two nights before, as she lay awake at three a.m. The inspiration had less to do with John Donne, her thesis subject, than a sudden need to escape. “The form asks some questions that aren’t covered by the recommendation you wrote for me before. If you tweaked the old recommendation, it should be fine. It just has to be postmarked by Monday.”

Naomi pivoted, a wrinkle of annoyance visible between her strong brows. “You know, I’m boarding a plane Sunday to fl y to London. I don’t know if I’ll have time.”

“Oh,” Nora said awkwardly. “I didn’t realize you were leaving so soon.”

Naomi sighed and ran a hand through her hair, which was growing long, Nora noticed. Naomi usually had it cut on one of her frequent trips to Europe, one of the side benefits of having a boyfriend in London. “Come into my office, Nora. I want a word with you.”

As Nora lowered herself onto the steel- and-leather chair in front of Naomi’s desk, Naomi shut the office door. Nora’s stomach tensed. “I should tell you that if I do write you a new recommendation,” Naomi said, “I don’t know that I’d have anything very positive to add.”

Nora blinked. “Really?”

“I haven’t seen very much from you this year, just the one thesis chapter. It was fine, but you finished it back in November, and here it is May.”

“I wrote that Dickinson paper. ‘Wild Nights: The Erotics of Evasion.’ One of the journals was interested, so I’ve been revising—”

“It’s a good paper, and I’m sure you could publish it. But you shouldn’t be spending time trying to publish a paper so removed from your dissertation topic. I was hoping that I’d see at least one more chapter from you before the end of this school year.”

“Well, I’ve been working hard. I’m just not making much progress.” Nora paused, but Naomi said nothing, so she plunged on. “I’m starting to think—I’m just not sure I can say much that’s new about gender politics in Donne.”

“Nora, when you chose your topic, we discussed the pitfalls of writing about a canonical author like John Donne. It can be difficult to find unplowed ground.”

Hundreds of authors to write about, and yet it seemed that every single one had already been chewed over by packs of other hungry doctoral students. Even poets who had written only a handful of decent poems in their entire lives were the subject of lengthy, arcane, lovingly argued dissertations. And someone good, like Shakespeare or Brontë or Dickinson or Dickens—or Donne? They were mobbed by grad students and professors alike, like pop stars surrounded by screaming groupies.

“Yes, I know,” Nora said. “So I’m wondering whether it might be fruitful to look at another writer, too. I have some ideas about Donne and Dickinson, their comparative poetics, that I’d like to outline for you—”

Naomi held up her hand. “If you really want to write about Dickinson, the emphasis needs to be more American or early modern. Otherwise, you’ll get killed on the job market.”

“But I really am just—” Nora searched in vain for a way to describe the vast, barren desert of thesis research where she had been wandering without a compass. “Just stuck.”

The baby had been fidgeting inside the sling, his starfish arms and legs waving in the air. Now he opened his mouth and began to wail. Nora suppressed an urge to do the same.

“I need to feed him,” Naomi said, unsnapping the pouch, “and then I have a meeting with the dean, and then I’m going home to pack. So I’m sorry, I don’t have time to finish this conversation. We’ll talk after I get back in July.”

Nora nodded. “Sure.”

“If you want to e-mail me that Donne and Dickinson idea while I’m away, I’ll take a look at it.” She sounded less than enthusiastic about the prospect.

“Okay, I will. Thanks.” Nora stood up, picking up her backpack. “Enjoy London.”

Naomi looked up from behind her immaculate desktop. “Nora, I agreed to be your adviser because you’re very, very good—in some areas. You’re one of the best close readers of poetry I’ve ever worked with. You have a real knack for understanding the life of a poem. Fifty years ago, that would have gotten you a doctorate, a job, and tenure at any English department in the country. But today that’s not enough. You have to be able to address a big question—something to do with aesthetics, or colonialism, or philosophy—what it is doesn’t matter so much, but you need to play at that level. And that’s where you’re having problems.”

“I know, I know. Big questions aren’t my strong point.” In fact, Nora had plenty of questions, just less and less assurance that she could ever formulate answers to them. She added, a little desperately: “No ideas but in things.”

“Well, that has to change,” said Naomi, unbuttoning her linen blouse.

Nora closed the office door, but not before getting a glimpse of the baby’s mouth closing urgently on Naomi’s brown nipple.

Heading for the library, she checked her phone and found a message from her mother. “Nora, I was hoping you might be able to drive up this weekend. We’re going to the beach, and then to a fellowship dinner that you would really enjoy—”

She skipped to the next message, from her father’s number in New Jersey. Nora’s youngest sister’s voice, high and cheerful: “Hi, Nora, how are you? It’s me. Teacher shirk day, I have to go with Mom to her work, boring boring. I looked for those books of yours you said were in the attic, but I couldn’t find them. Do you know where else they might be? I need something to read. Bye.”

Ramona wasn’t looking hard enough. Nora could picture the box, left of the attic stairs, near EJ’s things. She was in the middle of leaving her own message when she walked smack into Farmer Dahmer, literally collided with him, right in front of the library.

Farmer Dahmer— as in Jeffrey—wasn’t his name, but almost everyone on campus, even the senior faculty, knew whom you were talking about if you mentioned Farmer Dahmer. He was a small man, around sixty, with a stiff, gray-brown beard like the wire pads used to scrub out sinks. He usually wore a faded plaid shirt, which Nora assumed was the origin of the agricultural portion of his nickname. Rumor had it that he was a superannuated grad student who had gone crazy after being unable to complete his thesis. Nora no longer found this story as amusing as she once had. He spent most of his days hanging around the library, where she had often seen him bent over a sheaf of papers in a carrel, swaying back and forth, mumbling to himself.

Farmer Dahmer looked even more stunned than Nora at their collision, and for a moment she was afraid that he would topple over. “I’m so sorry,” she said, clutching his arm. “Are you all right? I can’t believe I didn’t see you. I’m really sorry.”

“Oh, it’s you,” he said to her, blinking his small eyes.

“Um, yes,” Nora said uncertainly. “It’s me, all right. Are you okay?”

With a jerk of his arm, he shook himself free of Nora’s grasp. “Oh, I’m fine. Thanks to you. I very much appreciate it.”

“There’s no need to be sarcastic. I really do apologize.”

“No, I blame my own carelessness. You see, I was very hungry, and when I smelled the peanut butter, I simply forgot to be cautious.”

She nodded, unable to think of a proper response.

Farmer Dahmer’s head swiveled from side to side, as though he were reading something in the figures of passing students or the grass and oak trees of the quad. Then he looked back at Nora. “I suppose you want the usual reward. Is three enough for you?”

“Oh, I’m fine. Don’t worry,” she said, shaking her head vigorously so that there would be no mistake. “I’m just happy to know that you’re okay.”

“Oh, it’s no trouble at all,” he said. “Let’s do the thing properly, shall we?” He squared his shoulders and gave her a brisk nod, then turned and marched away, disappearing around the side of the student union.

What a day, Nora thought, rubbing her head. She noticed for the first time the rich smell of olive oil mingled with rosemary hanging in the air. Hell, she must have spilled that stuff on her clothes this morning. She must reek. What had Naomi thought?

She went into the library and spent a few hours finishing up the Blum- Forsythe application. In the air-conditioned quiet of the stacks on the twelfth floor, where she had her carrel, the scent of olive oil and rosemary faded, much to her relief.

Heading home, she took the long way, past Adam’s favorite coffeehouse, the one where he used to hold his office hours when he was a teaching assistant because he couldn’t smoke in his assigned cubbyhole in the English department. Of course he was not sitting there now. Why would he be? Not running into him was a clear sign from the heavens that whatever had existed between her and Adam was over, finished for good, the invisible karmic connection between them severed and tied off forever.

She said aloud, but softly: “I wish I could see him again, though.”

Maggie picked her up at four for the drive to the wedding in the mountains. That was a relief. Someone to tell about this nightmare of a week.

“Oh, you’re kidding,” Maggie said, when Nora had gotten only partway into her story, as they shot into the I-40 traffic. “He flew all the way back here just to break up with you? And you really thought he was going to ask you to marry him. That’s so awful.”

“He said he had something big to tell me, and he wanted to tell me in person.”

“Well, that’s big.”

“And he is getting married. Just not to me,” Nora clarified.

“And who is this woman?”

“Another assistant professor there. An art historian. The French baroque—”

“Oh, God.”

“—and they got to be friends, and it was all very casual, and then they went away for the weekend, an art exhibition in New York—”

“You don’t just go away for the weekend with a casual friend!”

“I know,” Nora said miserably. “He told me all this right after I picked him up at the airport. He wouldn’t shut up about her. As though I cared. And then he apologized and said he’d been meaning to tell me, but he didn’t want to do it over the phone. And he said he had other friends in town to see. So that’s when I said, well, maybe you can stay with one of them. I haven’t seen him since.” Maggie nodded her approval, but Nora grimaced. “Well, I kept thinking I’d see him and somehow we’d work it out, but he hasn’t called, nothing.

“Oh, and then just to top it off,” she added, “this morning my adviser gave me the something-has-to-change talk. One step away from the what-are-you-still-doing-here talk. My career and my love life, both going up in flames.”

“Oh, honey.” Maggie leaned over suddenly to give Nora a hug. The car veered toward the median for an instant, which made the gesture less reassuring than she intended. “Well, fuck it. So what if grad school doesn’t work out? There are plenty of other options. You should open your own restaurant and be a celebrity chef. I mean it. That toffee soufflé you made, my God.”

Nora was silent, thinking again about her morning’s conversation with Naomi. Unofficial probation, that’s what she was on, even if Naomi hadn’t used those words. All at once she missed Adam more than ever. He had brilliant political instincts; he knew exactly how to soothe and beguile the most implacable thesis adviser. Nora wasn’t sure how she’d get by without Adam’s coaching, not to mention his protective aura. He’d been such a star in the department that some of his prestige had invisibly accrued to her, too. She wondered suddenly how far news of their breakup had spread. Did Naomi know? Yes, Nora thought, or she would have asked me about him this morning. She always did before.

“You sure you want to go to this thing?” Maggie was saying. “Weddings are no fun when you’re newly single, not by choice—that’s my experience.”

Nora shrugged. “It’s okay. How can I not go to Luca’s wedding, anyway?”

“Any chance that Adam will be there?”

“No, he’s flying back tonight. He wanted to spend the weekend with his fiancée.” Nora grimaced as she spoke the last word.

“Bastard. Well, maybe you’ll meet someone this weekend. And there’ll be lots to drink. Forget about Adam.”

“Just what I’m planning to do.”

Which made it all the more disconcerting, at the party following the rehearsal dinner, to turn and find Adam standing a few feet away. He had a beer in his hand, and he was having a desultory conversation with a couple of law students, friends of Maggie’s. He looked vaguely ill at ease even before he saw Nora.

“What are you doing here?” he asked her.

“I was going to ask you the same thing,” she said. “I thought you were back in Chicago.”

He shook his head. “Couldn’t change my flight. I’m going back Sunday.”

“So you decided to come to this thing after all.”

“Well, yes. I was invited. Is that a problem?”

“No, I’m just surprised to see you here.”

“You shouldn’t be. I’ve known Chris and Luca a long time. About time they got married.” He took a swig of beer.

Nora bit her lip. “They started dating a month after we did.”

“Really? I thought they’d been together longer.”

“No, I remember. We saw them at that French movie, Amélie.”

“God, that was a terrible movie.”

“I liked it.”

“Really?” Nora knew the expression on his face well: Adam enjoying the sense of his own superior judgment. Other, more benighted people had always inspired that look—never her. Then he seemed to recollect himself: “Well, good for you. How are you doing?”

“Very well, thank you.”

“Good.” For an instant, his eyes practically shone with sincerity. “I’m glad. I was a little worried, you know, after the other night.”

Nora wanted to believe him. A man may smile and smile and be a villain. “No, you weren’t. You would have called me if you were.”

“I did call you. Couple of times.”

She shook her head. “I would have seen your number.”

They went around and around, until it emerged that Adam had dialed the wrong number, manually. He had a new phone, the kind that knew everything, but he had not bothered to enter her number.

“I see,” Nora said grimly. “Well, as you can tell, I’m just fine.”

“Good.” He started to turn away, then swung back. “You know, I still care about you.”

She closed her eyes for a moment. “I care about you, too.”

“You may not want to hear this right now, but I mean it in the best possible way, believe me. When Celeste and I get married this fall, I hope you can be there. I mean it. October sixteenth.”

A few days ago, waiting for Adam in the airport, Nora had been thinking about wedding dates, wondering if October would be too soon. It wasn’t as though she’d want a huge, elaborate wedding. “Thank you, Adam,” she said now, smiling, with as much dignity as she could muster. “That’s awfully”—she considered and rejected a number of words, settling for a relatively bland and obvious choice that she hoped would trouble Adam anyway—“stupid of you.”

She turned and plunged into the crowd. The party was a large, loose affair: It flowed through the house, which belonged to one of the bride’s relatives, and onto the rambling cedar decks wrapped around the outside. Plenty of room to retreat.

Nora refilled her wineglass, then topped it up again and again. The alcohol began to make her feel blurry as she drifted from one group to the next, never quite finding her way into the conversation. But the recollection of her encounter with Adam remained razor-sharp. She kept looking for him—to avoid him, she told herself. Once she looked up and saw him looking at her from across the deck. He turned away without acknowledging her.

They flee from me that sometime did me seek, she told herself. Ducking away, she found herself in a room where a cluster of partygoers were watching an old episode of The Avengers. She plunked herself on a couch— grateful for its solidity, although her surroundings continued to wobble slightly—and watched John Steed and Emma Peel battle evil, he in a morning coat, she in a catsuit, exchanging arch bons mots. Why can’t real love be debonair and fun? she wondered.

After a while, she noticed that the man in the chair next to her was looking at her more than at the television. He addressed an occasional remark to her, and laughed when she did. When someone turned the lights up for a moment, she saw that his eyes were a bright green, like traffic lights. She took it as a good omen. They kept talking after someone turned the TV off. His name was Dave, he was in the history department, but he wanted to know about her life outside of grad school. She told him about being a cook after college. An organic café with locally sourced, seasonal menus; Nora made it to sous-chef. “It was fun for a while. But, God, so much work.”

“I hear you,” he said. “I waited tables in college. Whenever I get fed up with sitting in a library, I make myself remember what it was like to be on my feet carrying trays until midnight. So you decided to do something more intellectually challenging, huh?”

“For some reason I thought that would be grad school.” He laughed at that, and they started kissing soon afterward. Dave’s lips were softer than she liked, but that was okay. It was the first time she had kissed someone else besides Adam in almost four years. She hoped hazily that he would come into the room and see her with Dave. Doing just fine, thank you.

Dave’s phone rang. The ring tone was Rod Stewart: “Do Ya Think I’m Sexy?” Dave jolted away from Nora. Putting the phone to his ear, he turned, moving toward the door, but Nora still heard more of the conversation than she wanted to.

“Your girlfriend?” she asked when he came back.

He nodded, looking uncomfortable. “Sorry, we just broke up. But she keeps calling me.”

Looking at him, Nora was fairly sure he wasn’t telling the whole truth to someone—Nora, his girlfriend, or himself. “Well, fuck,” she said, hitting the arm of the couch. “Call her back. She wants to talk to you.”

He made a face. “She’s just emotional.”

“Maybe she has a right to be.”

“Don’t be that way, Norma. It’s not that big a deal.”

Nora, and yes, it is a big deal.”

She had to wait around for a while until she could get a ride back to the house where she and Maggie were staying. That meant having to avoid both Adam and Dave. She skulked on the deck in the darkness with a Coke, pretending to look at the invisible view over the mountains.

Back in her room, Nora undressed quickly. In the mirror, she saw her brown roots were showing. On some women that was sexy. Nora was not one of them. She tried not to imagine what Celeste looked like.

October 16. How extraordinarily dense of Adam to invite her to the wedding. And Adam always so careful—even calculating—about everything he said. That was what really hurt. He wasn’t even trying. He had written her off .

She slid under the sheet. My life is a catastrophe, she thought, shutting her eyes.

Lately, for reassurance, Nora had taken to reminding herself of John Donne’s own checkered employment history—his unfinished legal training; the government job he was fired from; the long search for preferment— before he finally found success and security in holy orders. But even at the beginning he had been writing those intricate, intimate poems of passion and thought. Nora was almost thirty, and what did she have to show for herself?

Turning restlessly in bed, she thought: Naomi is right, I don’t fit in, I’m all wrong for this. I can’t do anything right. Well, maybe saving the life of that mouse today. And it’s probably already back in my kitchen, eating my food. I wish my life were different. I don’t care how.

She woke early, her mouth dry from all the alcohol she’d drunk the night before. In the other bed, Maggie was still asleep. Nora pulled on a T-shirt and jeans and went quietly out of the room.

The cabin that she and Maggie and four other wedding guests were renting for the weekend perched on the mountainside, at the end of a long gravel driveway lined with rhododendrons. She peered out of the living room window. It had rained during the night, but the sky was clear now. The wedding was not until five. People had talked about driving to Asheville for brunch. So far she was the only one up. Nora made herself some coffee and ate half a bagel, then stepped onto the deck outside. Chilly for May. She thought she might walk down to the road for some exercise, but then she noticed the trail leading up the mountain. She went back inside for a sweatshirt. Out of habit, she stopped by the bookshelf in the living room to see if there was a paperback that she could stuff into her pocket for emergencies—you never knew when you might need a book to entertain and comfort and distract you in the day’s empty places.

There was not much to choose from. She passed on the Robert Ludlum and a couple of the Dune books in favor of a yellowed paperback edition of Pride and Prejudice that had originally cost fifty cents. Privately Nora agreed with Charlotte Brontë that Jane Austen’s world was too manicured for sustained interest, but on the other hand you could always dip in and find something amusing on almost any page. Besides, she had to teach the novel in summer school next month.

No reason to leave a note. She would be back in half an hour. Nora went outside and started up the path. At first it tunneled through more rhododendrons, but the forest brightened when she reached a stand of hardwoods, skinny gray poles, newly leafed out. There was almost no undergrowth at this time of year, only dead leaves covering the ground as far as she could see.

After the novelty of walking somewhere that wasn’t a street or a campus path had worn off, Nora began to find the upward-sloping, dun-colored landscape monotonous. She was wondering whether to head back when suddenly the path leveled off and she stepped out of the woods onto grass.

A fragment of conversation from the party last night came back to her. So this was what Chris’s cousin meant by the Bald. The crown of the mountain was an immense green meadow. A few steps forward, and Nora had a 360-degree view of the undulating horizon, mountains rising in all directions.

She walked across the meadow, feeling her heart lift in spite of herself. Ye visions of the hills, and souls of lonely places. Nora found herself smiling. She had the absurd thought—she squelched it quickly—that she could bring Adam up here to show him this place.

Nora turned back when she reached the other side of the hilltop. It was going to rain again, she saw with regret; gray clouds were looming in the west. Otherwise, she would have been tempted to sit down and read for a while. She retraced her steps across the meadow. There was no sign of the trail where she thought it should be, but she reasoned that if she followed the edge of the woods, she was bound to come across the path, even if she had to circle the entire mountaintop.

The first raindrops hit her face as she walked along. Still no path. She walked faster. After a few minutes, she saw a gap in the trees and what looked like the beginnings of a path.

But was it the right one? There might be several paths. A disturbing thought crystallized: If she took the wrong trail down, she could wind up on the other side of the mountain, miles from where she wanted to be.

Oh, well, she thought as the rain began to pelt down, I can go a little way and see whether it looks familiar.

She started down the path. Had the trail been this slick, this steep before? Almost immediately she slipped and fell in a patch of cold mud. Her right ankle protested when she tried to get to her feet. Nora cursed herself. Accidents like this were precisely why she should have left a note at the cabin. Well, someone— Maggie, perhaps— would eventually notice if she didn’t show up for brunch or the wedding or the reception. After a minute, Nora tried again to stand, and this time she was able to pull herself upright. So far so good. The ankle was sore, but it would take her weight. Well, she thought, I wasn’t planning to do much dancing tonight anyway.

She found a stick to lean on, and began limping down the mountain. The forest here was full of spindly young trees like the ones that she had passed on the way up, but she couldn’t tell whether they were the same trees. It was darker here than on the mountaintop, and the woods were full of soft pattering noises, rain smacking leaves. After ten minutes of slow progress, Nora had to admit that she still had no clue as to whether she was on the right path or not.

She had just about decided to turn around and retreat when something ahead caught her eye. Instantly she knew that she had taken the wrong trail. I would have remembered that, she thought.

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See All Sort by: Showing 1 – 20 of 30 Customer Reviews
  • Posted August 1, 2013

    The Thinking Woman's Guide to Real Magic Emily Croy Barker. ARC

    The Thinking Woman's Guide to Real Magic Emily Croy Barker.

    ARC provided by Netgalley.

    I love books about magic, but as this is Emily's début novel I didn't know what to expect. Its been compared to Deborah Harness Witches trilogy which I love, so I put in my request. Started it yesterday and was engrossed and transported into a different world.
    It starts in a fairly conventional way, then Grad student Nora wanders off from a wedding party into a churchyard...and steps through into another dimension, populated with all sorts of folk including the Faitloren, a magical group who need her for a specific reason. There follows all sorts of adventures. Fabulous parties with amazing food and clothes, sunshine and sweetness everyday. Nora meets all sorts of people from history, goes all over the world in the blink of an eye and doesn't find anything strange about this, except occasionally a little voice in the back of her mind says “is this real”, but then Ilissa plans another party and the roundabout starts again. Once Raclin marries Nora then a different side to the group emerges, and she learns the truth about her friends but she's trapped.
    The story is full of kidnappings, rescues, escapes, magical creatures and dangerous undertakings. The magician Aruendiel has taken her in reluctantly, and over the following months she works in his household with his long time housekeeper. Slowly she persuades him to teach her magic, it takes up time but that’s something she has in abundance, not knowing when or if ever she can return home.
    The descriptions, first of the wonderful parties Ilissa has, and then of the castles and places Nora visits are wonderful. They really took me into a magical realm, where it seemed normal to heal by magic, to mend pots and things using magic, and to have transport made of sticks and feathers that could fly, doors in walls that were hidden and opened by witchcraft. The descriptions too of the differences between Wizards and Magicians and the spell books were fabulous. I felt as if I was there with Nora, learning as she learned, feeling all that she felt. Loved that, I like to get so absorbed in a story that I become part of it and swinging in the shade on my hammock in the garden yesterday that’s exactly what happened. I've always had a vivid imagination and enjoyed books about magic. As a child my mum used to try to persuade me to more practical books, rather than the fairies and magic I preferred, and I can recall a conversation with my father over why he couldn't buy me a magic wand for Christmas. “They're so expensive we couldn't afford to buy presents for anyone else” “but dad, I could just magic them” Logic of a child :) I was always being told off for having my head in the clouds, and getting board rubber thrown at me by teachers for daydreaming...well, fantasy was so much more interesting than the real world and still is to me at times....
    Anyway, back to the story, there were some things that didn't work so well for me. It took time for me to warm to Nora, at first she seems too anodyne, and I didn't ever really warm to her as a person, which made it hard for me to empathise with her. I felt a bit detached and need to be almost one with the main characters to feel and worry about them even though its fiction.... Then the world of Ilissa; I know Nora was under many spells but I think we needed to have that reinforced a few times, because I began to get impatient with her when she just accepted everything. This was explained much better later by Aruendiel, and I understood more but it could have put me off earlier as I was soo “Nora, get a grip girl!!” and of course later I learned why she couldn't, however if it wasn't a review book I may have given up then, and missed out on a magical treat. It is a long book, and I love long novels but there is a lot in it that tends to drag a little that maybe could have been tightened. I guess for me its because I’m always looking for the romance, this isn't marketed as a romance ( I think anyway ) but for some reason I expect one to develop. Maybe because of the one in the Harkness trilogy which is the cornerstone of those books. Anyway I was always looking for some developments between Nora and Arundiel – I suspect that he does want her but for whatever reason won't allow himself, and its clear Nora at times has feeling for him.
    The ending is somewhat opaque, it suggests to me that there will be another book and that may have the romance that I wanted but missed – who knows? I can't find any references that say there's a follow up, and this can easily be read as a stand alone but it just seems to me to hint at more to come – or perhaps its wishful thinking on my part, as I'd love Nora and Arundiel to get together and to be back in that magical world.
    Overall a good read, and at £3.99 for a massive 572 pages its a bargain on my VFM scale.
    Stars: four, I needed that romance :) and a little more explanation of Nora earlier, and to make her more likeable. That would have made this a five star read for me but then we all need different things and I'm sure for others Emily has got this spot on.

    5 out of 9 people found this review helpful.

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  • Anonymous

    Posted February 14, 2014

    Must Read!

    I loved this book! Hands down one of the best things I've read this past year! I couldnt put it down!
    If you love The Magicians, The Discovery of Witches, & Harry Potter you will love this too!
    I can it wait for the sequel!

    3 out of 3 people found this review helpful.

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  • Posted August 17, 2013

    Loved story line , pace, and characters. Hope there is #2 in th

    Loved story line , pace, and characters. Hope there is #2 in the pipeline.

    3 out of 3 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted January 28, 2014

    Anon

    Why would I have to read this book now after all the very long reviews full of plot spoilers. Iaccidentally read one and now know the whole story. So I shall look elsewhere for a fantasy story where I won't find reviews that tell me everything!!

    2 out of 5 people found this review helpful.

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  • Anonymous

    Posted September 15, 2013

    Amazing

    I loved this book, it is so creative and captivating. I didnt want it to end, I hope she writes a sequel!

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted September 3, 2013

    GREAT BOOK

    Loved this book! Really hopong book 2 comes out soon :)

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted August 31, 2013

    Crafty girl

    More please!!! Loved it, couldn't put it down.

    2 out of 2 people found this review helpful.

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  • Posted August 8, 2013

    Involved--But Worth It.

    Involved--But Worth It. This is a novel which is going to take a chunk of time to read; it's involved and extremely detailed. However, those are not bad elements. This is a wonderfully imaginative novel--so much so it is rather mind boggling. Tipping her hat to everything from 'Alice in Wonderland' to Harry Potter, Narnia, and Tolkien, Barker has crafted an incredible epic starring a Ph.D. candidate whose life is a mess. Nora's boyfriend has dumped her; her dissertation is stalled; her cat has bee run over--and all she wishes is that her life was different. As the saying goes, be careful what you wish for. Stumbling into another world, one dominated by magic and wizardry, Nora is forced to come of age. While this will keep you up to the wee hours, it is not necessarily a quick read; Barker's world is dense. There are endless characters and plotlines--to the point they are sometimes hard to keep straight. While the author's place and character names are extremely creative, they are also extremely hard to pronounce at times. While we learn endless details about this magical world and how its people live, its societies operate (sexism runs rampant), there are definitely chunks that drag; it could use some editing. And while there are those that keep insisting upon comparing this to the 'Discovery of Witches' trilogy--I really do not see it except for the idea of 'young woman immersed in magical world.' This is beautifully written, starkly/wildly original with a heroine who, while not always totally likeable, is given a true arc of character development. Barker makes not only Nora a real person but this incredible world real as well. I have NEVER found that in either of the 'All Souls' novels. Additionally, the romance here is tension-filled, understated, and smacks of a real relationship. Those readers looking for the ridiculous (and icky) over the top sexual fantasies of a 'Twilight' or 'All Souls'--between beyond gorgeous people--need not look here. This is a romance between two very physically and emotionally damaged people that is more a meeting of the minds than of the bodies. Also--anyone looking for neatly tied up plotlines will be disappointed; I cannot help but think there has to be a sequel here. Several characters' fates are left uncertain; Nora's final choices seem rushed, and that relationship with her mentor, Arundiel, seems to have unfinished business. What I like most about this is that the title really is true--this IS a thinking woman's novel full of fantastic worlds, beautiful writing, all sorts of literary allusion...a really amazing debut that I really hope has a follow up.

    2 out of 3 people found this review helpful.

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  • Anonymous

    Posted February 13, 2014

    This book drags on and on...

    Starting out with a great premise, I got sucked in and couldn't wait to find out what would happen with the main character. Sadly, things took a dark and ridiculous turn and now she's on a seemingly never-ending journey that is boring me to tears. I forced myself to read on... And on... And on... Never to be rewarded. I had high hopes for this book but am sorely disappointed.

    1 out of 1 people found this review helpful.

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  • Posted August 3, 2013

    more from this reviewer

    Think back to the first book that transported you on a journey t

    Think back to the first book that transported you on a journey to elsewhere: not a rapid movement, but a gentle realization that the world in the book is all around you.  For me that was Through the Looking Glass. I found much of the same wonder and enjoyment in this book: a subtle return to those moments when reading where all outside influences cease to exist, and hours pass before they return. 




    Emily Croy Barker uses a smooth and beautifully descriptive writing style, to craft this story that incorporates references to classics, poetry and poets and the age-old battle of dark versus light.  It is not a quick read at over five hundred pages, but a thoroughly charming one.




    Nora is a grad student, stuck on her thesis and recently single. She hates her life at the moment, her self-esteems is shot, and she wants nothing more than to escape: from the sympathetic looks, the abominable men, her own feelings of failure and those few extra pounds that never seem to go away. And escape she does: an early morning wander in the woods leads to an old cemetery with a poem that attracts her. Lacking paper to write it down, she memorizes it, speaks it aloud and moments later, her world changes. 




    From here we are brought into a world of the impossible and improbable: where healing is by magic, clothes and people are always beautiful, the sun always shines and the most important event on the calendar is the day’s entertainment.  Using time-periods that are iconic in their shapes, feel and essence to readers, Barker manages to use that sense to define fashion, style and furnishings with a nod to those eras: the 20’s, the 60’s, Elizabethan and Georgian and Victorian.  There were moments early on when Nora’s complacency with the scene changes and situation made her difficult to understand, while some piece of the reader knows that she is under a spell, a bit of reinforcement of Ilissa’s power and influence on her memory and questioning earlier would have made it easier to understand her apparent passivity. 




    Aruendiel, however, was far more solid in his consistency and behavior, preferring the term ‘magician’ to ‘wizard’, although their capabilities are similar: in this world wizards tend to use their skills on a whim, to suit their current fancy.  And Nora had been spelled, several times over, which presented a severe risk to her own mental health and safety.  Nora shows her tendency to gravitate toward more ‘alpha’ and knowing personalities in her growing feelings for him: even as he must teach her to survive a return to Ilissa and eventually back to her own world. 




    This book is a wander to the end, throughout the story we are really given few clues to time passing, much like Nora’s inability to solidly define how long she had been away from her own world and life. These allows and insists that the reader simply drink in the moments and descriptions, and enjoy the slow unfurling of the plot: use their instincts as each new character is introduced to determine if they are friend or foe, and see if Nora really is able to find her way home. Not as action packed as some high fantasy stories I have read, there is forward progress with each chapter as we learn more, see more and watch Nora navigate this new and different world that is full of the impossible. 




    If you want a directly forward moving story, loaded with action and dramatic spell-offs: this is not the book for you.  However, if you want a gentle moving story that is filled with beauty and description, a unique look at magic and its use, and a main character that has issues that many can relate to in their own lives: this is the book for you. 




    I received an eBook from the publisher via NetGalley for purpose of honest review. I was not compensated for this review: all conclusions are my own responsibility.

    1 out of 4 people found this review helpful.

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  • Posted January 23, 2014

    LOVED LOVED LOVED this book. I like the stubborn/strong woman, t

    LOVED LOVED LOVED this book. I like the stubborn/strong woman, that also has a softer side. Loved the characters, good use of magic and spells, and really hoping she writes another. Wish she had titled it differently though, I can never recall the damn name when recommending it to others.

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  • Anonymous

    Posted October 23, 2013

    Intriguing

    An interesting plot line with a comforting ending. Will there be a Volume 2?

    0 out of 1 people found this review helpful.

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  • Posted October 18, 2013

    When I first began reading I thought I'd made a big mistake by p

    When I first began reading I thought I'd made a big mistake by purchasing this book, because the first part of the story was very wierd and disjointed, although I was happy the author pretty much jumped right in to the action. After reading further, I understood why the beginning was so odd. In the beginning, I did not care for Nora at all, thinking her shallow and, quite frankly, an air-headed bimbo. Once I got to know her and her story, I became rather fond of her and found myself in admiration of her courage and determination. She ends up having more integrity than I ever thought her capable of and thought she was missing in the beginning. I found I could relate to her plight. (I don't want to go in to too much detail or it will spoil the story for new readers.) I honestly can't wait for the next book. As soon as I finish this review, I'm going to see if it is out yet.

    Was this review helpful? Yes  No   Report this review
  • Posted October 15, 2013

    Really loved this book. Hope there's a sequel.

    Really loved this book. Hope there's a sequel.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 7, 2013

    When can i get the sequel

    Loved it!

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  • Anonymous

    Posted October 4, 2013

    Another series?

    While I really enjoyed this book, it's obvious it was written as a first title in a series. I'm a little tired of series, and may not have started it had I known. I'm already waiting on 3 new titles in book series. Seems since Harry Potter, this is the strategy for many authors.

    But it is a good story. Good vs Evil, magic, romance--it's all in there. Entertaining but not deep. Good for a weekend read.

    Was this review helpful? Yes  No   Report this review
  • Posted September 12, 2013

    I was pleasantly surprised how much I enjoyed the book. I was f

    I was pleasantly surprised how much I enjoyed the book. I was first attracted to the title and cover (yes, in this case, I did judge the book by its cover). I had no idea what to expect, but found myself anxious to read more. I like that the characters have flaws.

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  • Posted August 22, 2013

    The story was entertaining but there is nothing new here.  A bit

    The story was entertaining but there is nothing new here.  A bit formulaic.

    0 out of 1 people found this review helpful.

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  • Posted August 18, 2013

    more from this reviewer

    Nora Fischer is graduate student in a funk.  She can't make prog

    Nora Fischer is graduate student in a funk.  She can't make progress on either her studies or her love life, despite her ability to discern poetic minutia.  Little can she guess how much her world will be turned upside down when she goes away for the weekend to attend a wedding.  She stumbles upon a gateway to another world where magic is all too real.  Will she ever make it back home?  Will she want to?

    This book remind me quite a bit of Harkness' A Discovery of Witches, a book that I really enjoyed.  It deals with a woman coming to grips with a world she previously has no clue existed (although in Harkness' book the heroine is aware of magic), and then learning to use magic.  It also reminded me of Joyce Carol Oates' The Accursed, and book that I did not enjoy at all.  Nora is abducted, bewitched, and forced to breed with a magical being much like one of the characters in Oates' novel.  (I have to say I enjoyed Barker's novel much more than Oates', which I really struggled to finish.)

    Some parts of the book seemed to move a bit slow to me.  I had a really hard time getting into the novel in the beginning, and I actually contemplated just putting it down and not finishing.  However, I really think once Nora was rescued that things picked up a bit and I was able to continue.  I think what really kept me going was the desire to find out if she and her rescuer would ever realize their relationship potential. 

    I think the title is a bit ironic, and I'm not sure if the author intended this or not.  In many cases, it seems to me that Nora is anything but a "thinking woman."  She does experience some growth and is able to solve a few big problems on her own, but otherwise she is always depending upon someone to rescue her from situations that she largely got herself into.

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  • Anonymous

    Posted January 6, 2014

    No text was provided for this review.

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