In these pages, the author examines the twentieth- and twenty-first-centuries Italian metamorphosis of the concept of the human being, mirroring closely at every historical turn the contextual demands of the country. From Brignone’s film Sotto la croce del sud (1938), and its faulted “biracial” protagonists to the Netflix series Summertime (2020), characterized by the intentional lack of problematization of a multicultural society; from the fascist manhood represented by Roberto Rossellini’s aviator “modern knight of our time”(1942), to Fellini’s Marcello who chooses to not choose (1959); from Marinetti’s idea of the woman who belonged “to the race’s development” (1919) to Mazzacurati’s Mara, who wishes “to live thirteen different lives” (2007); from Primo Levi’s non-humans and stripped men, to not-belonging, to Arendt’s stateless persons, to migrants crossing the desert and the Mediterranean sea in Segre’s and Rosi’s movies (2008, 2016): the journey chronicled in these pages is a surprising one, as today’s Italy is very different than that imagined toward the second half of the nineteenth century.
In these pages, the author examines the twentieth- and twenty-first-centuries Italian metamorphosis of the concept of the human being, mirroring closely at every historical turn the contextual demands of the country. From Brignone’s film Sotto la croce del sud (1938), and its faulted “biracial” protagonists to the Netflix series Summertime (2020), characterized by the intentional lack of problematization of a multicultural society; from the fascist manhood represented by Roberto Rossellini’s aviator “modern knight of our time”(1942), to Fellini’s Marcello who chooses to not choose (1959); from Marinetti’s idea of the woman who belonged “to the race’s development” (1919) to Mazzacurati’s Mara, who wishes “to live thirteen different lives” (2007); from Primo Levi’s non-humans and stripped men, to not-belonging, to Arendt’s stateless persons, to migrants crossing the desert and the Mediterranean sea in Segre’s and Rosi’s movies (2008, 2016): the journey chronicled in these pages is a surprising one, as today’s Italy is very different than that imagined toward the second half of the nineteenth century.

The Transitional Human Being: Literary, Journalistic, and Cinematographic Representations of the Twentieth- and the Twenty-First-Centuries Italy
306
The Transitional Human Being: Literary, Journalistic, and Cinematographic Representations of the Twentieth- and the Twenty-First-Centuries Italy
306Product Details
ISBN-13: | 9781626711570 |
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Publisher: | Purdue University Press |
Publication date: | 11/15/2025 |
Series: | Purdue Studies in Romance Literatures |
Pages: | 306 |
Product dimensions: | 6.00(w) x 9.00(h) x (d) |