The Trinity Sessionby Cowboy Junkies
Who says you can't make a great record in one day -- or night, as the case may be? The Trinity Session was recorded in one night using one microphone, a DAT recorder, and the wonderful acoustics of the Holy Trinity in Toronto. Interestingly, it's the album that broke the Cowboy Junkies in the United States for their version of "Sweet Jane," which included the lost verse. It's far from the best cut here, though. There are other covers, such as Margo Timmins' a cappella read of the traditional "Mining for Gold," a heroin-slow version of Hank Williams' classic "I'm So Lonesome I Could Cry," "Dreaming My Dreams With You" (canonized by Waylon Jennings), and a radical take of the Patsy Cline classic "Walkin' After Midnight" that closes the disc. Those few who had heard the band's previous album, Whites Off Earth Now!!, were aware that, along with Low, the Cowboy Junkies were the only band at the time capable of playing slower than Neil Young and Crazy Horse -- and without the ear-threatening volume. The Timmins family -- Margo, guitarist and songwriter Michael, drummer Peter, and backing vocalist and guitarist John -- along with bassist Alan Anton and a few pals playing pedal steel, accordion, and harmonica, paced everything to crawl. That said, it works in that every song has its own texture, slowly and deliberately unfolding from blues and country and drones. An example is the Michael and Margo song "I Don't Get It," ushered in with a few drawling guitar lines, a spooky harmonica, and brushed drums. Margo Timmins doesn't have a large range and doesn't need it as she scratches each song's surface like an itch until it bleeds its truth. This is also true on "Misguided Angel," another original where the verses become nearly a round alternating between her voice and Michael's snaky spare guitar lines to fill an almost unimaginable space. The Williams tune becomes a dirge in the Cowboys' hands. It's a funeral song, or an elegy for one who has dragged herself so far into the oblivion of isolation that there is no place left to go but home. Michael's guitar moves around the changes as bassist Anton plays them; he colors the space allowing for Margo to fill the melodic space spot-on, yet stretching each syllable out to the breaking point. For most, this was the Cowboy Junkies' debut -- Whites Off Earth Now!! was re-released in the States a few years later -- and it established them firmly in the forefront of the "alternative" scene with radio and MTV. As an album, it's still remarkable at how timeless it sounds, and its beauty is -- in stark contrast to its presentation -- voluminous and rich, perhaps even eternal.
- Release Date:
Performance CreditsCowboy Junkies Primary Artist
Alan Anton Bass
Jeff Bird Fiddle,Harmonica,Mandolin
Jaro Czerwinec Accordion
Kim Deschamps Dobro,Guitar,Steel Guitar
Steve Shearer Harmonica
John Timmins Guitar,Background Vocals
Margo Timmins Vocals
Michael Timmins Guitar
Peter Timmins Drums
Technical CreditsAlan Anton Contributor
Perren Baker Engineer
Peter Moore Producer,Engineer
Margo Timmins Contributor
Michael Timmins Contributor
Peter Timmins Contributor
Most Helpful Customer Reviews
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I received this album as a gift in 1991, never having heard of the Cowboy Junkies. After a few listens, I knew I was thoroughly hooked. Margo's haunting voice has always been a lure for me and Michael's songs were noticably original. This still remains one of my favorite albums.
cowboy junkies are completely untouched...yet loved by all who are fortunate to have come in contact with them...
What a beautiful album. A true classic, and a must for any collection.
I walked into a T-shirt shop on Maui years and years ago, and they were playing this music. I was absolutely mesmerized, and still am to this day. Margo's hauntingly unique voice, lyrics that can cut to your soul. There's no one else like them. Gorgeous and moving, stays with you.
Yes, this album is like nothing else I have ever heard. It's just that an up tempo song or two would lift the gloom and ennui that seems to pervade this CD. The covers just drag. Working on a Building should have some joy, but Margo Timmons just seems detached. 2 1/2 stars.