★ 06/15/2018 In this blend of memoir and literary criticism, author White (A Boy's Own Story; Inside a Pearl: My Years in Paris) writes about his lifelong love of reading. In the book's postface, he relates being chastised as a young child for not yet having learned to read, a skill he equated with freedom. Using his life and experiences, the author creates a literary memoir about this "lonely and intensely sociable act." His tastes are eclectic and wide ranging; he argues that Leo Tolstoy's Anna Karenina is "the greatest novel in all literature," placing this and other works within the context of his own life and the time and place in which the book was published. VERDICT A lovely and thoughtful memoir about reading, books, and life. [See Prepub Alert, 1/8/18.]—Pam Kingsbury, Univ. of North Alabama, Florence
The Unpunished Vice pulls together [White's] lived life and his reading life; what he cares about is giving the reader a sense of some of the authors he has enjoyed the most, and from whom he has learned the most.
The New York Times Book Review - Jane Smiley
12/11/2017 In this mélange of essay and memoir, author White (Our Young Man) reflects on the books and people that helped shape his remarkable literary life. In 2014, while recovering from a heart attack, he found that the seemingly impossible had happened: he didn’t feel like reading. This temporary aversion led him to examine his artistic motivations and to reexamine his transformation from a marginalized Midwestern kid into an icon of gay literature. In a conversational tone that blends affirmation and elegy, White escorts readers through an impressive range of interests and experiences—restroom cruising at 14, masterpieces of the Japanese novel (including works by Tanizaki and Kawabata), and the vanished highbrow cultures of New York City and Paris. Much of the text has been cobbled together from previously published essays, which at times undermines narrative unity. Given this ad-hoc structure, it’s hardly a surprise that the quality varies widely between sections, with a particularly flimsy chapter devoted to excessive praise of White’s famous novelist friends. Yet even at his most rambling, White’s erudition and charm are everywhere present. At its best, this collection is like a heartfelt conversation with friends over a bottle of wine. (June)
"The Unpunished Vice pulls together [White's] lived life and his reading life; what he cares about is giving the readers a sense of some of the authors he has enjoyed the most, and from whom he has learned the most . . . [For White] reading was a transgression against the norm, to be pursued in private, to be enjoyed for the pleasure of the story and the guilt of reading it." - Jane Smiley, New York Times Book Review "White's reflections are just as lucid as they are fascinating and just as compelling as they are bountiful. A literary delicacy with more takeaways than one can count." - Starred review, Kirkus "In this mélange of essay and memoir, author White (Our Young Man ) reflects on the books and people that helped shape his remarkable literary life . . . In a conversational tone that blends affirmation and elegy, White escorts readers through an impressive range of interests and experiences . . . this collection is like a heartfelt conversation with friends over a bottle of wine." - Publishers Weekly "A generous, lovely book about the profound effect of reading on a versatile and influential writer." - Booklist "The delightful thing about [The Unpunished Vice ] is the way White’s personal adventures and omnivorous reading habits intersect." - Chicago Tribune "In this blend of memoir and literary criticism, author White writes about his lifelong love of reading. In the book's postface, he relates being chastised as a young child for not yet having learned to read, a skill he equated with freedom. Using his life and experiences, the author creates a literary memoir about this "lonely and intensely sociable act." His tastes are eclectic and wide ranging; he argues that Leo Tolstoy's Anna Karenina is "the greatest novel in all literature," placing this and other works within the context of his own life and the time and place in which the book was published. VERDICT: A lovely and thoughtful memoir about reading, books, and life." - Starred review, Library Journal "[White's] work is as varied as it is unmistakably his. And it is, undoubtedly, masterful . . . White is above all else a writer's writer: one of the great prose stylists of our time." - Tim Smith-Laing, Daily Telegraph "White is a charming and sharp-witted raconteur worth spending time with on the page. The Unpunished Vice is a welcome capstone to the venerable literary career of a writer who has never been afraid to expose his own and others' fallibility." - BookPage "White is the preeminent gay man of letters of our time." - Bay Area Reporter "You likely don't think reading is sexy or transgressive. But you will after dipping into The Unpunished Vice by Edmund White. The word iconic is an overused cliche. Yet, there's no other way to describe White, 78, our most eminent queer writer." - Washington Blade "Edmund White is one of the best writers of my generation ; he's certainly the contemporary American writer I reread more than any other, and the one whose next book I look forward to reading most" - John Irving "Edmund White tells such a good story that I'm ready to to listen to anything he wants to talk about " - New York Times on THE FLANEUR "White’s prose is as fresh as a series of slaps to the face." - The New York Times Book Review on OUR YOUNG MAN "White has proven himself again and again to be one of the finest storytellers of his generation . . . Sleek, witty, a bit raunchy, and fully enticing and entertaining." - New York Journal of Books on OUR YOUNG MAN "He never descends to savage satire. This open-heartedness, an essential White quality, makes his writing sparkle with generosity … Every detail is alive and gleaming … It is also a book that floats above things, so light is its touch, so playful and joyous its execution … It is shameful, though, that we haven’t managed to free White from the initially groundbreaking but now enfettering label of “gay novelist”. It has blinded us to the essential allusiveness, wit and sprezzatura of his work, its conversations with other books, its effortless ability to say profound things in unsententious and gossamer-light ways " - Guardian on OUR YOUNG MAN "It’s hard not to think of Edmund white as the dean of gay American writing…White is also a passionate reader…it is this ‘unpunished vice’ of his life of reading that gives White the title and the theme for his latest opus, an intelligent and often delicious meditation on the books he has read, and some that he has written. The Unpunished Vice is a smart, genial, and always interesting account of his literary life…a delight on every page." - Philip Gambone, Gay and Lesbian Review "Anyone at a loss about what to read next can earn double points by picking up the newest book by Edmund White: The Unpunished Vice . . . Whether talking about his own writing, writers he has known, gossipy biographical tidbits, the allure of libraries, “the greatest novel in all literature” or the books he rereads regularly, White generously shares opinions he’s developed over a lifetime and also gives us a plenty of ideas for our own to-read lists." - Fatima Farheen Mirza, Minneapolis Star Tribune
★ 2018-03-03 The celebrated author takes us through the many shades of literature."Reading is at once a lonely and an intensely social act," writes White (Creative Writing/Princeton Univ.; Our Young Man, 2016, etc.) at the beginning of his latest work of nonfiction. "The writer becomes your ideal companion—interesting, worldly, compassionate, energetic—but only if you stick with him or her for a while, long enough to throw off the chill of isolation and to hear the intelligent voice murmuring in your ear." Here, the author intimately whispers the literary twists and turns that have shaped his life into his attentive readers' ears. In exploring the books that have defined both his adolescence and adulthood, White dives into the various states of mind that acted as geneses for many of his novels and that elicited significant instances of self-realization. "When we're young and impressionable, we're led to embrace the books our first lovers love," he writes. Though there was only one first love, his college peer Charles Burch, White had many other loves that helped develop his literary persona. This is the central premise of the book. What lies at the junction of love, literature, and writing? What stories define us, and how do we define stories? Taking his readers from Alexander Trocchi to Joyce Carol Oates to Roland Barthes to Leo Tolstoy, White's repertoire is impressive; refreshingly, it's never pretentious. White's prose oozes mysticism and melancholy, the kind of melancholy that makes readers sigh with wonder and hope. "We like writers who can see the world around them," he writes, "who don't attribute impossible motives or responses to their characters, who can keep a balance between action and introspection, whose style is relaxed and flowing and conversational." Throughout, White's reflections are just as lucid as they are fascinating and just as compelling as they are bountiful.A literary delicacy with more takeaways than one can count.