The Velvet Underground

( 3 )

Editorial Reviews

All Music Guide - Mark Deming
Upon first release, the Velvet Underground's self-titled third album must have surprised their fans nearly as much as their first two albums shocked the few mainstream music fans who heard them. After testing the limits of how musically and thematically challenging rock could be on Velvet Underground & Nico and White Light/White Heat, this 1969 release sounded spare, quiet, and contemplative, as if the previous albums documented some manic, speed-fueled party and this was the subdued morning after. The album's relative calm has often been attributed to the departure of the band's most committed avant-gardist, John Cale, in the fall of 1968; the arrival of new bassist ...
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Editorial Reviews

All Music Guide - Mark Deming
Upon first release, the Velvet Underground's self-titled third album must have surprised their fans nearly as much as their first two albums shocked the few mainstream music fans who heard them. After testing the limits of how musically and thematically challenging rock could be on Velvet Underground & Nico and White Light/White Heat, this 1969 release sounded spare, quiet, and contemplative, as if the previous albums documented some manic, speed-fueled party and this was the subdued morning after. The album's relative calm has often been attributed to the departure of the band's most committed avant-gardist, John Cale, in the fall of 1968; the arrival of new bassist Doug Yule; and the theft of the band's amplifiers shortly before they began recording. But Lou Reed's lyrical exploration of the demimonde is as keen here as on any album he ever made, while displaying a warmth and compassion he sometimes denied his characters. "Candy Says," "Pale Blue Eyes," and "I'm Set Free" may be more muted in approach than what the band had done in the past, but "What Goes On" and "Beginning to See the Light" made it clear the VU still loved rock & roll, and "The Murder Mystery" which mixes and matches four separate poetic narratives is as brave and uncompromising as anything on White Light/White Heat. This album sounds less like the Velvet Underground than any of their studio albums, but it's as personal, honest, and moving as anything Lou Reed ever committed to tape.
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Product Details

  • Release Date: 5/7/1996
  • Label: Polydor / Umgd
  • UPC: 731453125223
  • Catalog Number: 531252
  • Sales rank: 4,693

Tracks

Disc 1
  1. 1 Candy Says (4:04)
  2. 2 What Goes On (4:55)
  3. 3 Some Kinda Love (4:03)
  4. 4 Pale Blue Eyes (5:41)
  5. 5 Jesus (3:24)
  6. 6 Beginning to See the Light (4:41)
  7. 7 I'm Set Free (4:04)
  8. 8 That's the Story of My Life (2:04)
  9. 9 The Murder Mystery (8:56)
  10. 10 After Hours (2:07)
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Album Credits

Performance Credits
The Velvet Underground Primary Artist, Primary Artist, Conductor
Lou Reed Guitar, Keyboards, Vocals, Background Vocals
Maureen Tucker Bass, Percussion, Drums, Vocals
Sterling Morrison Guitar, Vocals
Doug Yule Organ, Bass, Guitar, Drums, Keyboards, Vocals, Background Vocals
Technical Credits
Lou Reed Composer, Contributor
Maureen Tucker Contributor
The Velvet Underground Arranger, Producer, Audio Production
Bob Ludwig Mastering
Sterling Morrison Composer, Contributor
Moe Tucker Composer
Val Valentin Engineer, Director Of Engineering
Doug Yule Composer, Contributor
Billy Name Contributor
Dick Smith Art Direction
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Customer Reviews

Average Rating 5
( 3 )
Rating Distribution

5 Star

(3)

4 Star

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3 Star

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Sort by: Showing all of 3 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    Simply Beautiful

    I'll never completely understand why the Velvet Underground never got as big as the Stones or the Who or the Beatles did. They have made some of the most sincere music I have ever heard. This is probably my favorite Velvet Underground album. It's different than their other, more harder rocking albums (as with any Velvet Underground album, you kind of have to expect the unexpected; each one is completely different than the last). This contains mostly soft, even bittersweet, songs. So wonderful. I'd recommend it to anyone.

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  • Anonymous

    Posted October 1, 2010

    Perfect and Dreamy

    This cd is different from others that Lou Reed has done in the fact that it is mostly calm and contemplative. The velvet underground is essential to everyone's music collection. I just pop in this cd, close my eyes, and drift away on a cloud.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted January 17, 2012

    No text was provided for this review.

Sort by: Showing all of 3 Customer Reviews