The Very Best of Deep Purple [Rhino] by Deep Purple | 81227979928 | CD | Barnes & Noble
Very Best of Deep Purple [Rhino]

The Very Best of Deep Purple [Rhino]

4.6 3
by Deep Purple
     
 

View All Available Formats & Editions

Rhino Records first attracted notice for its ability to assemble good, well-thought-out, best-of and greatest-hits compilations of acts who had enjoyed a chart placement (or two) without ever getting a proper hits package from their own labels; a little later Rhino started their "Very Best Of" series, which managed to be medium-weight but pretty thorough overviews of

Overview

Rhino Records first attracted notice for its ability to assemble good, well-thought-out, best-of and greatest-hits compilations of acts who had enjoyed a chart placement (or two) without ever getting a proper hits package from their own labels; a little later Rhino started their "Very Best Of" series, which managed to be medium-weight but pretty thorough overviews of a lot of major acts (especially in R&B) from the past that needed a fresh look. But in 2000, when they released The Very Best of Deep Purple -- a band that needed no helping hand in the exposure area -- in conjunction with Warner Archives, that was something new for the company. And damned if Deep Purple and their fans, casual or serious, didn't benefit stunningly from Rhino's usual excellence on this CD. For one thing -- and this is pretty amazing -- this disc, with nearly 80-minutes of music, was the most thorough and thoughtful overview of the band's work ever released in the United States; EMI may have come close in England with Singles A's & B's but the sound here is better, to put it mildly. It's not just that Bill Inglot's tape research and engineering are very good -- it's that the sound here is so rich and resonant (as well as -- natch -- loud), that even original lead singer Rod Evans is finally shown at his best, doing what amounted to heavy metal "crooning" next to Ian Gillan's rock-god shrieks. What's more, with the sound as clear and crisp as it is here, one even gets to hear the action on Jon Lord's savage organ cadenzas, which are in-your-face along with Ritchie Blackmore's early but ever-bolder guitar attacks, and one gets some idea of what that version of the band at its best could do. Ian Gillan's arrival and the single "Black Knight" switch the balance away from Lord's classically based experiments in favor of loud, crunchy hard rock, and it's only a step from there to "Speed King," where this band really showed what it was capable of. Even with the volume turned low, you can hear the action on Lord's organ keyboard on "Child in Time," everything else -- including Gillan's falsetto cry -- is close enough to jolt even the most jaded listener -- even 30 years after its release. Mostly it's that classic 1969-73 lineup that's featured, with a two-song acknowledgement of the David Coverdale lineup, and the CD closes with the classic lineup on "Knocking at Your Back Door" from their 1980s reunion. Designed to complement, not compete with, the four-disc box set Shades (1968-1998) that Rhino released the prior year, this is one compilation that will impress hardcore, longtime fans, even as it whets the appetite of new listeners. ~ Bruce Eder & Heather Phares

Product Details

Release Date:
05/09/2000
Label:
Rhino
UPC:
0081227979928
catalogNumber:
79799
Rank:
2786

Tracks

Album Credits

Performance Credits

Deep Purple   Primary Artist
Ian Gillan   Harmonica,Conga,Vocals
Steve Morse   Guitar
Ritchie Blackmore   Guitar
Roger Glover   Synthesizer,Bass
Glenn Hughes   Bass,Vocals
Jon Lord   Keyboards,Vocals
David Coverdale   Vocals
Rod Evans   Vocals
Ian Paice   Drums
Nick Simper   Bass,Vocals

Technical Credits

Ian Gillan   Composer
Ritchie Blackmore   Composer,Producer
Roger Glover   Composer
Jon Lord   Composer,String Arrangements,Woodwind Arrangement
Hugh Brown   Art Direction,Cover Photo
David Coverdale   Composer
Tony Edwards   Executive Producer
David McLees   Producer
Ian Paice   Composer
Simon Robinson   Producer

Customer Reviews

Average Review:

Write a Review

and post it to your social network

     

Most Helpful Customer Reviews

See all customer reviews >

The Very Best of Deep Purple [Rhino] 4.7 out of 5 based on 0 ratings. 3 reviews.
Guest More than 1 year ago
For any fan of the band or its Stratocaster-wielding guitarist Ritchie Blackmore, a must-have if you don't already have most of the pieces. It understandably concentrates on the "Mark II" personnel opus. The only reasonably serious omission is "You Fool No One." And I prefer the "Made in Japan" live version of "Smoke." But you can't have 'em all... Great liner notes on the history of the band as well.
Guest More than 1 year ago
If you are just getting into classic rock like I am, this is a great CD to start your collection with. All the songs are simply great. My favorite, of coarse, is the classic and legendary "Smoke on the Water," which everyone knows at least by its tune. Anyways, get this CD, it's great!
dried_squid More than 1 year ago
I was somewhat familiar with their music. This is my first purchase of a Deep Purple recording. I just thought I'd like to hear some of the songs again. I found the liner notes most enjoyable. Eg. 2. Kentucky Woman "In 1968 hippies considered Neil Diamond tunes Tin Pan Alley schlock. Deep Purple either didn't know this or simply didn't care." 3. Black Night "... The result: They made a hit that inspired an enduring Euro soccer-style concert chant - afterward admitting thay had no idea what it was about." 9. Highway Star "Those who credit The Modern Lovers with being punk originators might examine the driving bass and open-throated organ of this maniacal Purp concert-opener, ...." 10. Smoke on the Water "Hard to believe that the most famous rock riff in history belongs to a song at first considered filler and not even included in Purple's live set." 12. Woman from Tokyo "Introduced by a crisp Poice high-hat rythym that, in a few years, would become a staple of - Lawd help us - disco, ...." 15. Knocking at Your Back Door "... From the Mark 11 reunion, it sure had to be constructed like a brick house. And it was - from foreboding, imitation-cello strokes through a sleazy riff and beyond."