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| Jeff Lorber | Primary Artist, Synthesizer, Percussion, Piano, Electric Bass, Keyboards, Hammond Organ, Electric Piano, fender rhodes, Wurlitzer, Synthesizer Drums, Mini Moog |
| Bruce Hornsby | Piano, Soloist |
| Dave Koz | Soprano Saxophone |
| Janis Siegel | Vocals |
| Art Porter | Alto Saxophone |
| Marlon McClain | Electric Guitar, Steel Guitar |
| Gary Meek | Flute, Soprano Saxophone, Tenor Saxophone |
| Alex Al | Bass |
| Joey Altruda | Acoustic Bass |
| Curt Bisquera | Hi Hat |
| Lenny Castro | Percussion |
| Paulinho Da Costa | Percussion, Castanets, Conga, Shaker |
| Ray Fuller | Guitar |
| Jerry Hey | Trumpet |
| Dan Higgins | Flute, Saxophone |
| Paul Jackson Jr. | Guitar, Rhythm Guitar |
| Michael Landau | Guitar, Electric Guitar, Rhythm Guitar, Soloist, Guitar (Nylon String) |
| Tony Maiden | Guitar |
| Alec Milstein | Bass, Percussion, Electric Bass, Keyboards, Vocals, Synthesizer Bass |
| Jeff Pescetto | Background Vocals |
| Lee Ritenour | Soloist, Guitar (Nylon String) |
| John "J.R." Robinson | Drums |
| Stuart Wylen | Guitar, Electric Guitar, Soloist |
| Steve Cole | Tenor Saxophone |
| Eric Benét | Vocals, Background Vocals |
| William Frank "Bill" Reichenbach Jr. | Trombone |
| Nate Phillips | Bass, Electric Bass |
| Jeff Lorber | Arranger, Producer, Percussion Programming |
| Marlon McClain | Producer |
| Curt Bisquera | drum programming |
| Steve Dubin | Arranger, Producer |
| Jerry Hey | Horn Arrangements |
| Alec Milstein | Arranger |
| Leroy Osbourne | Vocal Arrangements |
| Suha Gur | Mastering |
| Hollis King | Art Direction |
| Mickey Petralia | Producer, Percussion Programming |
Anonymous
Posted October 1, 2010
Good choice of songs. You'll never get tired of listening.
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Editorial Reviews
All Music Guide - Bradley Torreano
Unlike 2000's Definitive Collection, the inappropriately titled The Very Best of Jeff Lorber only focuses on his work since 1993. This is a shame, because despite the quality of his playing, his earliest albums display a thoughtful take on fusion that emphasized the rock elements more than jazz. In the '90s, Lorber's funky smooth jazz doesn't have the same groundbreaking feel or youthful energy that he was so good at creating. His music can still be a lush, powerful force just check out "Yellowstone" for proof, but it can suffer from an indistinct feel that suggests a hundred other players. Still, the small experimental touches such as the whispered vocals in "Punta ...